Quotulatiousness

November 17, 2022

“The most disturbing concept Freud ever invented – and he had a few, that bloke – is Thanatos, or the ‘death instinct'”

Filed under: Books, Business, Education — Tags: , , , — Nicholas @ 03:00

Ted Gioia on the apparent death wish of the academic publishing industry:

The most disturbing concept Freud ever invented — and he had a few, that bloke — is Thanatos, or the “death instinct”. This is an alleged drive among living organisms to destroy themselves.

Many have disputed that such a thing exists. Instincts preserve life — that’s their evolutionary purpose. The idea of a death instinct is impossible, so the critics claim. It’s like that Peacekeeper Missile or soft rock or marijuana initiative or any of those other two-word combinations of things that don’t belong together.

I’ve often criticized Freud, but I’ve come to accept this Thanatos notion, at least as a sociocultural concept. It explains so many otherwise inexplicable happenings in our society.

Take, for example, academic publishers. They are clearly imbued with a death instinct, no? How else can you explain their self-destructive behavior?

Universities have been publishing books for almost 500 years — dating back to 1534 A.D. when King Henry VIII allowed Cambridge University to set up a printing press. Running one of these publishing outfits is almost a requirement if a college wants to rise in the rankings, but I wonder how much longer this can last. After all, how can you succeed as a publisher if you put so little energy into selling books?

I know one academic publisher that previously sent out two hundred or more review copies of each new book — because they obviously wanted publicity for these titles. Those days are gone. Nowadays their preferred strategy is to send out zero physical copies to reviewers. I’m not exaggerating — I’ve heard it straight from their mouths: their goal is to distribute absolutely no hard copies to media outlets and book critics.

    College students are spending 26% less on textbooks this year. That’s a bloodbath for the publishers. But this is the inevitable result whenever you assume the customer has no choice — because, sooner or later, they actually do.

Okay, I don’t blame the publishers entirely — just consider how rarely the New York Times reviews books from academic presses. You might think the cultural elites in New York would give some support to their fellow travelers in idea-mongering, but no dice. They treat those academic books like they’re toxic.

(By the way, I’m grateful to the Times Literary Supplement over in London, which still takes time to tell me about important scholarly works, most of them ignored in US media. But even that last holdout in Britain feels precarious — I fear they’ve been too contaminated by Yankee values.)

Yankee values? That’s up there with the Peacekeeper Missile.

But the lack of review copies is just one symptom among many. Let’s look at a few others.

Just consider the flurry of rebranding efforts in academic publishing. As I’ve explained elsewhere, successful organizations rarely redesign their logos or “refresh” their brands. They don’t have time for such nonsense. But even more to the point, when you’re thriving, your logo is part of that success — it’s a sign of your strength, and you just don’t mess with it.

But that’s clearly not the case in academia nowadays.

I could give you countless examples from college campuses — where “rebranding” is more popular than a hot high school football prospect on a recruiting visit. But I’ll settle for two instances:

My only disappointment is that these brand redesigns didn’t come packaged with a new slogan. May I suggest something along the lines of: Information Solutions for a Changing World.

Or maybe, if we can be a bit more boastful: The Ultimate in Handheld Data Storage.

Does anybody still believe in this rebranding malarkey? Surely any reasonable person can see it’s all smoke and mirrors? But that hardly matters, because the brand redesign has tremendous symbolic value.

That’s why they do it.

The road to hell was once paved with good intentions — but nowadays we settle for symbolic gestures. They’re much cheaper than good intentions. And there’s no shortage of symbolic gestures nowadays — more than enough to pave that whole damned highway to hell.

It’s a shame that symbolism doesn’t pay the bills. Or fix problems. And it certainly won’t sell books.

November 10, 2022

Contemplating the end of brand franchises like Star Wars

Filed under: Business, History, Media — Tags: , , — Nicholas @ 05:00

Ted Gioia is wondering how Star Wars ends:

Original Stormtrooper Hero Helmet from Shepperton Design Studios + originalstormtrooper.com

Lately, I’ve been wondering how Star Wars ends.

Let me be clear, I’m not worried about how the story resolves, or what happens to the characters. I have zero interest in all that. Darth Vader can win the Nobel Peace Prize, for all I care.

I’m more concerned with how a powerful brand franchise loses its stranglehold on the culture. And it’s not just Star Wars, it’s all those other stories that never achieve closure. I’m talking about Batman and Indiana Jones and James Bond and the Marvel Cinematic Universe (or MCU, for short), and the rest of them.

They all die, sooner or later. But how?

Heroes in capes and colorful costumes seem invincible now, if only because these fictional flâneurs are bigger than anything else in commercial culture. If Spiderman and Batman were real people, they would boast higher incomes and net worth than any flesh-and-blood entertainer in the world. The Marvel Cinematic Universe, which Disney acquired back in 2009, must be worth ten or twenty times the $4 billion they spent back then — total revenues from Marvel brands since then are somewhere around the one trillion dollar mark.

No pop star in history has ever possessed that kind of earning power.

Can these franchises just go on forever? The management team at Disney certainly must hope so, judging by their never-ending slate of Star Wars, Marvel, and other brand extension offerings. No Time to Die isn’t just the name of the 25th James Bond movie, but a promise for the future — why not another 25 films in the series? Or 50 or 100?

But brand franchises do die, or become so tired that few people care anymore. Universal Studios made so much money from Ma and Pa Kettle films that these corny comedies allegedly saved it from bankruptcy in the 1940s, but by 1960 audiences had lost interest in the predictable formulas of the series.

The Carry On films were the most dependable audience draw in British comedy, but after 31 movies the franchise could carry on no longer. A final resuscitation attempt after 14 years not only failed at the box office but was voted the worst British film ever made.

Some franchises not only die, but become genuinely toxic as attitudes evolve — killing, for example, the Charlie Chan franchise, and making it unlikely that Tarzan or the Lone Ranger or many other once lucrative brands will ever enjoy another meaningful payday.

None of this should surprise us, because narratives and protagonists go in and out of fashion like anything else. A story that charmed your grandparents is unlikely to interest your grandchildren.

May 11, 2022

QotD: The TV treadmill

Filed under: Humour, Quotations, Technology — Tags: , — Nicholas @ 01:00

At Best Buy we looked at TVs, something that always makes you rue whatever TV you had. The clerk was a smart fellow who steered us away from the 8Ks, said it’s nonsense unless you have 8K eyeballs, and besides, everything you’re getting streamed is 1080.

“All this beautiful stuff we’re seeing is shot in the highest definition known to mankind, right?”

“Right. Nothing else looks like this. But it sells TVs. What you really want, is …” and he led us over to some other TVs that looked just as good. I wondered aloud whether the entire 8K product line existed just to make us more likely to heed the wisdom of the salesman and lay out some money for the 4K.

James Lileks, The Bleat, 2022-02-07.

April 21, 2022

QotD: Self-promotion in the modern job market

Filed under: Britain, Business, India, Quotations — Tags: , , — Nicholas @ 01:00

Self-promotion is not new, but never before has it been what theology was in the Middle Ages, the queen of the sciences.

A friend of mine, an Indian pediatrician, applied for temporary jobs in England and was considered for none of them. My friend was puzzled by this, for he had worked in England before and had good references. My wife, who knew the system from having worked in it at a senior level, asked to see his curriculum vitae that he sent to prospective employers, and soon spotted the problem: He boasted of nothing, and the culture had changed. What was necessary, my wife said, was to inflate his accomplishments as boastfully as possible. There was no risk that anyone would discover his exaggerations. He had once worked as a voluntary pediatric consultant to Mother Teresa’s charity in Calcutta; he had not even mentioned it in his CV, let alone made it sound as if he were all but the founder of her charity. If he once had helped an old lady across the road with her shopping, he should transmute this in his CV into a lifelong concern for the condition of the elderly; and so on and so forth.

It was all rather disgusting, but it worked like a charm: He immediately had offers of jobs aplenty, though of course his real worth as a doctor remained precisely the same. Reticence, which is to me a far more attractive quality than boastfulness, will get you nowhere, and nothing must be left to speak for itself. You must blow your own trumpet, if possible louder than anyone else’s.

Nowadays there are professional coaches in how to “big yourself up”, as the charming phrase has it, in applications for jobs or places in institutions. The son of a friend of mine used one to get into medical school. Lying will go undetected, but even if detected will do you no lasting harm. The most minor accomplishment can and should be made to sound like evidence of genius. It is almost a condition of employment that one should boast and write an advertisement for oneself.

Theodore Dalrymple, “Be Your Own Advert”, Taki’s Magazine, 2022-01-13.

November 27, 2021

QotD: The zombie that used to be Abercrombie & Fitch

Filed under: Business, Quotations, USA — Tags: , , , — Nicholas @ 01:00

Back when Abercrombie & Fitch was the NYC outfiter for affluent sportsmen, it carried high end guns and fishing tackle and outdoor equipment. Its Madison Avenue store had a shooting range and a casting pool on the roof. Griffin & Howe custom rifles, London best shotguns, and Payne fly rods were waiting there for sale. Alas! the real Abercrombie & Fitch died in the mid-1970s.

The name changed hands repeatedly and was revived in the late 1990s as a completely different kind of entity. The new revival markets sissy fashions to metrosexuals. It’s rather as if after Papa Hemingway shot himself, his name was sold repeatedly, and revived decades later as “Ernestine Hemingway”, an authoress of Gay Romance Novels.

David Zincavage, “From the Good Old Days: Abercrombie & Fitch, Change Sucks”, Never Yet Melted, 2021-08-24.

October 31, 2021

Meta?

Filed under: Business, Technology, USA — Tags: , , — Nicholas @ 03:00

In The Line Matt Gurney wonders what Zuckerberg is up to with the corporate re-naming:

My favourite reaction to Facebook rebranding as “Meta”.

Mark Zuckerberg, Facebook’s founder, chairman and CEO, has unveiled the newly rebranded company’s plans for the “Metaverse” — a combination of online environments that can be experienced in augmented and virtual reality. (The company’s new name, Meta Inc., reflects the new focus, but the major brands the company owns, including Facebook itself, will retain their current names under the now-renamed parent company.)

We can’t ignore the fact that Facebook is rolling out its bold plan at a moment when the company is on the receiving end of much negative attention over its business practices and corporate values, if any. Facebook is as much a global supervillain as a company, or at least the overall coverage would suggest as much. No, we definitely can’t ignore that, and we won’t — look for a specific analysis of that part of the whole puzzle in this week’s full version of the The Line‘s dispatch feature later today.

But for this column, just for now, let’s briefly set aside Facebook’s major political and cultural problems, and actually try to assess Metaverse on its own merits. What the hell is the company trying to do here, and will anyone go for it?

The what of Metaverse is intriguing. Zuckerberg announced the concept in a promotional video, but that’s mostly marketing. The Guardian tried to concisely sum up what is being proposed, and I probably won’t do better, so let’s just crib their summary:

    The metaverse is where the physical and digital worlds come together. It is a space where digital representations of people – avatars – interact at work and play, meeting in their office, going to concerts and even trying on clothes.

    At the centre of this universe will be virtual reality, a digital world that you can already enter via Facebook’s Oculus VR headsets. It will also include augmented reality, a sort of step back from VR where elements of the digital world are layered on top of reality – think Pokémon Go or Facebook’s recent smart glasses tie-up with Ray-Ban.

Virtual reality isn’t a new technology — I first tinkered around with a VR headset as a child probably 25 or 30 years ago at a downtown Toronto convention centre. It was incredibly rudimentary, but the core concept has basically stayed the same: a user puts on a virtual reality headset that puts a screen (or two separate ones) before their eyes, and those screens provide visual stimuli that, when combined with audio through a headset or earbuds, can create a very convincing simulation of … basically anything. There are a series of virtual reality video gaming systems on the market today; I own one of the lower-capability versions, a PlayStation VR, running off a Playstation 4 console. Though one of the less powerful modern VR systems, it’s still surprisingly capable of completely tricking your brain. My wife and I once spent an amusing evening doing a virtual rollercoaster ride, and even sitting in a chair in my basement, you’d swear you could feel the motion of the car going up and down the tracks.

All the bafflegab about a “metaverse”? Wes Fenlon believes it’s all bullshit:

We have Neal Stephenson’s 1992 novel Snow Crash to thank for popularizing avatars as our digital personas, from early internet message boards to full-body VRChat. We also have Snow Crash to blame for the absolute hell we find ourselves in today, as every tech billionaire on the planet slobber all over themselves as they declare the metaverse — the next phase of human culture!! — is within reach. Games, NFTs, crypto, VR, AR, the blockchain, they’re all wrapped up in this idea of a virtually-integrated society in which our Fortnite costumes will carry over to our Onlyfans accounts and we will never, ever have to log off.

The absurdity of it makes me want to scream, or maybe die, or maybe just spoon out the part of my brain that knows what an NFT is. But there’s one thing that keeps me going:

The absolute gleeful, cackling, deep-in-my-bones certainty that it’s all complete bullshit.

If you also know deep in your heart that the metaverse is a big fat steaming load of billionaire nerd pabulum, I hope reading these words provides you with a wave of vindicating comfort. You’re not crazy. I know it can feel like that when the people peddling these things seem so convinced that they’re the future, like they know something you don’t. Don’t fall for it. Watching people spend $69 million in fake money to buy a JPEG should make you feel like you’re living in an age of unparalleled nonsense.

That feeling isn’t going to go away. For the next decade we’ll all be asking ourselves if the whole world’s gone mad at least once a week. But the good news is that the metaverse and the tech industry’s very expensive obsession with trying to make it a reality will be a schadenfreude generator the likes of which we’ve never seen before.

We will all become the living embodiments of the one true expression of being online in the 21st century:

The metaverse is bullshit because it already exists, and it’s called the internet

When Epic’s Tim Sweeney and Facebook’s Mark Zuckerberg talk about the metaverse, they’re primarily drawing from the foundational visions of cyberspace created by science fiction authors like William Gibson and Neal Stephenson. Their books in the ’80s and early ’90s looked at what computers were capable of at the time and imagined them decades in the future, just abstract enough to let our imaginations run.

Here’s Gibson’s description of cyberspace in Neuromancer (1984):

    A consensual hallucination experienced daily by billions of legitimate operators, in every nation… A graphic representation of data abstracted from the banks of every computer in the human system. Unthinkable complexity. Lines of light ranged in the nonspace of the mind, clusters and constellations of data. Like city lights, receding.

And here’s a snippet of Stephenson’s description of the metaverse in Snow Crash (1992):

    Your avatar can look any way you want it to, up to the limitations of your equipment. If you’re ugly, you can make your avatar beautiful. If you’ve just gotten out of bed, your avatar can still be wearing beautiful clothes and professionally applied makeup. You can look like a gorilla or a dragon or a giant talking penis in the Metaverse. Spend five minutes walking down the Street and you will see all of these.

Both novels were prescient and profoundly influential. Alongside movies like Tron, they shaped ’80s and ’90s depictions of what it would look like to be inside a computer, from rudimentary early VR to movies like The Matrix. In 2012, Michael Abrash — who has worked at Microsoft, id Software, Valve, and Oculus — wrote that his game development career “all started with Snow Crash.”

September 23, 2021

QotD: The problem with “free” tech stuff

Filed under: Business, Media, Quotations, Technology — Tags: , , , , — Nicholas @ 01:00

… I’m baffled by this idea — seemingly everywhere in modern marketing — that they can somehow annoy you into buying their products. Music streaming services like Spotify are all but unlistenable because of it — not only do you get four ads every three songs, but three of the four ads ask “Want a break from the ads? Join premium!!” Or … you know … I could just go back to listening to tunes the old fashioned way. Humanity’s Greatest Genius, when he lays off that shtick for a minute, actually has some good riffs on this. We all must learn to deprogram ourselves from the Cult of Free. If they’re giving away the product, then you are the product. Much like a college degree, “free” tech is actually negative equity — you’re actually worse off for doing it.

It has gotten so bad lately that they don’t just barrage you with ads, they’re now starting to force-feed you content. I used to have Amazon Music — the free one, of course — because it was a good way to listen to The Z Man’s podcasts and my classical library during my commute. I’d download albums to my phone, switch to “offline” mode, and listen that way. Which Amazon obviously considers no good, because they pushed out some “car mode” bullshit that now automatically turns your wifi on, then starts blasting hip hop at you. And that’s not all! A few weeks back, while trying to figure out a way to turn the damn thing off, I noticed that it now has a “your playlist” feature, based on “your” music … which is, of course, the same force-fed rap shit I’ve been trying so desperately to avoid. It has decided that not only shall I listen to Young Jeezy, Big Weezy, and MC Funetik Spelyn, I will also like it, to such a degree that they will start force-feeding me other shit based on my “likes”.

Yeah. Uninstalled. Fuck you, Bezos. I’ve got a CD player. And when Microsoft decides that I’m not listening to the right music on that, and uninstalls the driver, I’ve got a tape deck. And when that breaks, I will sing to myself as I go down the highway. 99 bottles of beer on the wall, motherfucker, just like bus trips back in Boy Scouts. Enough is enough.

Severian, “Mailbag / Grab Bag”, Rotten Chestnuts, 2021-06-18.

July 17, 2021

QotD: “Magic” bullets

Filed under: Business, Humour, Quotations, Technology, USA, Weapons — Tags: , , , — Nicholas @ 01:00

As I write this, another wave of ballistic hyperbole is sweeping across the Internet. There’s a new bullet out! It sets the paradigm on its ear! Gun owners are drooling for this, the last bullet you’ll ever need! Blah, blah, blah, yakkity-shmakkity.

Stick around long enough and you’ll notice this phenomenon happen every few years. You’re sitting there, minding your own business, and the next thing you know, friends from work or church or the book club who know you as “The Gun Expert” are coming up to you and asking about this bullet that’s being hyped in the mainstream media as either the surest felon-stopper since Wyatt Earp or the biggest menace to society since John Dillinger.

It’s rare for something as esoteric as a projectile design to come to the attention of the non-gun press. Generally, for that to happen, it takes one of two things: either a mainstream manufacturer made an unusually poor PR choice in the bullet naming *cough*BlackTalon*cough*, or someone has launched a buzzword-laden press release with all the discrimination of a desert island dweller putting notes in bottles.

[…]

When a new Magic Bullet is launched and makes media waves, I always apply two filters as to whether it’s worth chasing down. The first filter is “Are the police using this?” This is not necessarily because I think that the police are all-that-and-a bag-of-chips in the gear-selection department, but they’ve generally been okay with bullets for the last 15 or 20 years and, should I ever have to justify my choice of rounds in a courtroom, it would be nice to be able to say “You, alright! I learned it by watching you!” like the kid in the commercial.

The second filter? The second filter is “Is this cartridge sold in six-round blister packs with pictures of explosions and rappelling ninjas on them?” Because if it is, well, I’m just not Operator enough.

Tamara Keel, “No Magic Bullet”, GunsAmerica Digest, 2018-11-27.

July 6, 2021

GALAXY QUEST – WTF Happened To This Movie?

Filed under: Humour, Media, USA — Tags: , , , , — Nicholas @ 04:00

JoBlo Videos
Published 7 Feb 2020

Hollywood has had its fair share of historically troubled productions. Whether it was casting changes, actor deaths, fired directors, in-production rewrites, constant delays, budget cuts or studio edits, these films had every intention to be a blockbuster, but were beset with unforeseen disasters. Sometimes huge hits, sometimes box office bombs.

In our latest episode we explore the 1999 surprise hit GALAXY QUEST, which had a long road to making it to the big screen. Starring Tim Allen, Sigourney Weaver, Alan Rickman, Sam Rockwell, Tony Shalhoub, Daryl Mitchell, Enrico Colantoni, Justin Long and Missi Pyle, this riff on Star Trek, directed by Dean Parisot, eventually got over its hurdles and made a galactic splash at the box office. Now, if we could just get that sequel …

For more MOVIE NEWS, visit: http://www.joblo.com

#GalaxyQuest #TimAllen #WTFHappenedToThisMovie

May 7, 2021

The Nazi Invasion of Canada?! – WW2 – On the Homefront 009

Filed under: Britain, Cancon, Economics, History, Military, USA, WW2 — Tags: , , , , , — Nicholas @ 04:00

World War Two
Published 6 May 2021

What would happen if Nazi Germany invaded Canada? You don’t need to imagine. In 1942, the government of Mackenzie King launched a propaganda effort that simulates Canada falling under Hitler’s yoke. Why? For the war economy of course!

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A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

From the comments:

World War Two
1 day ago
As you can see in the video, the efforts to raise money to pay for the war were extremely high. But when we read about the stuff that was going on in Winnipeg on “If-Day”, we were really surprised — talk about “playing” war! Of course, this top-notch high-effort propaganda had quite the impact on the citizens of Winnipeg, because — let´s be honest — who wouldn´t be frightened by any kind of Nazi invasion? And they did not spare any effort to get the details right, too. What is your impression of If-Day? Have you heard of it before? Please let us know in the comments!

Cheers, Fiona

P.S. If you want to watch the short film starring Donald Duck which Anna mentions in the video, click right here: https://www.youtube.com/watch?v=XNMrMFuk-bo&ab_channel=8thManDVD.com%E2%84%A2CartoonChannel

March 15, 2021

Loaded For War — The Santa Fe Railroad In World War II

Filed under: History, Military, Railways, USA, WW2 — Tags: , , , — Nicholas @ 02:00

PeriscopeFilm
Published 24 May 2020

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Santa Fe presents, Loaded for War. This WWII era color film presents the power of the Santa Fe railroad. While speaking of the mighty effort the trains and its myriad workers achieved during wartime, the footage is all modern and in color. The film does a great job of showing how integral our railroad system has been to the growth of these United States. “With grateful appreciation to the Office of Defense Transportation, the Army, Navy, Maritime Commission, and the shipping and traveling public, for the cooperation and genuine understanding which has made the service record here presented possible …” The film opens with a steam locomotive bearing down on the camera 1:03. The narrator speaks as the train crosses a trestle 1:10. News headlines of December 7, 1941 11:25. Steam and diesel locomotives are transformed into machines of war 1:40. Smoke fills a train yard as trains enter and are washed 2:08. A train signal shows a green light 2:25. Workers are seen in the factory 2:36. Civilians exit trains volunteering for service 2:45. A telegram is shown stating that the trainmen should, “move all available equipment to military stations without delay” 2:54. Four locomotives are shown 3:03. Crews are assigned and men work double shifts 3:45. Rail equipment is loaded by military personnel, ready to move 4:13. Flatcars are loaded with tanks and military trucks 4:52. Divisions of fighting men aboard the trains 5:09. The tanks roll down the tracks on flatcars 5:35. The wheels of war are rolling 6:14. The day by day mass movement of freight is shown at the train yard 6:48. Trains crossing country on railroad tracks 7:40. Trains service the shipyards as men work building military ships 8:00. A ship is launched 8:15. Cattle and pigs are delivered throughout the 48 states 8:37. Potatoes are tilled in the field with heavy equipment 9:00. Oranges are picked and packed in southern states 9:13. Military bombers soar through the air 9:23. Heavy machinery workers in the factories 9:48. Factories and men building artillery shells 9:55. Tanks roll off the product line and onto the railroad tracks 10:10. Locomotive struggles up a hill 10:25. Miners and their lamp hats head down the tunnels by rail 10:38. Oil fields are shown 11:15. Oil is loaded onto railway tankers 11:38. Machines digging the copper mines 12:08. The big diggers pick up 8 cubic yards of copper at a time 12:18. The railroad moves the copper to the smelters 12:31. Sulfur mines using forced steam 12:50. Sulfur is moved by train to the gunpowder makers 13:25. Logging industry is served with the railroads 14:00. Cotton and scrap metal industries are also served by rail 14:18. Old cars are being called back into use for the war effort 15:30. Locomotive number 3723 comes out of retirement by the trainmen 15:48. Various train parts are marked and taken away for repair or replacement 16:07. Men work in factories with fine-tuned machines to retool and refine old parts for new use 16:26. Old firebrick is removed and replaced 16:43. Acetylene torches are used inside the huge boilers 16:49. Huge wheels are cleaned and dipped and sprayed ready for use 17:08. Heat is used to expand the metals 17:18. Locomotive number 3723 is fully refurbished and ready for the tracks 18:05. All types of equipment need to be refurbished for the war effort 18:46. The men use heat and molten metal to reshape old parts for new use 19:00. Gears are ground with precision 19:13. The railroads motto, “let’s keep ‘em rolling” 19:24. The men work on building new track 19:35. Men using hammers to straighten out tracks 19:53. The towermen, bridge crews, conductors, station men, ticket men, dispatchers, signalmen and to the other thousands of men – give the railroad men their due 20:44. Women are also an integral part of the success of the railroad 21:07. The women work in offices but also in factories with heavy machinery and molten metal 21:21. Two women wash down a train 21:30. The wheels of war are rolling 21:40. Military men march in unison 21:47. Train caboose pulls away from the camera 22:52. A flag with 8057 turns into the American flag and waves in the breeze 23:06. The End. Santa Fe.

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March 13, 2021

The Paperback Revolution

Filed under: Books, Britain, History, Railways, USA, WW2 — Tags: , , , , — Nicholas @ 04:00

The History Guy: History Deserves to Be Remembered
Published 12 Mar 2021

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February 19, 2021

QotD: The disillusionment of working in a bookshop

Filed under: Books, Britain, Business, Quotations — Tags: , , , — Nicholas @ 01:00

For the better part of 2006, while studying for a master’s degree, I worked part-time in a branch of Waterstone’s, in *REDACTED*, the county capital of *REDACTED*.

I got the interview by stating openly in my covering letter that I was 24, still living with my mum, and asking her for train-fare had become a bit undignified. This seemed encouraging. But then the panel (2 pax.) asked what I was reading currently, and I said Sam Harris’s The End of Faith, and there was awkward silence. This set the tone for almost every “literary” chat thereafter.

Call me an idiot, but I was genuinely stunned to find we weren’t allowed to read on the job. Instead, booksellers had to devote any time not spent actually dealing with customers (which on a rainy weekend, in the wrong bit of the shop, could be a lot) with often-fruitless searches for books which had been lost, mis-shelved, or maybe stolen, or because they had to be returned to publishers (another surprise), and at the publisher’s expense.

I also quickly realised that the layout of the shop was not an accident (even in the jury-rigged “commercial” buildings of many an English town centre), and that the unadvertised steering of a customer around a bookshop was near-identical to how the algorithms work in the online equivalents (or vice versa, probably). If you like Poetry, you’re more likely to also like Philosophy, (right here on the next set of shelves), or Music (by the window), or History books (just across the room there), than if you came in looking for the latest Jeffrey Archer novel (downstairs, on the pile-’em-high islands).

Most of the time, I was just moving “stock” about, taking maddening credit card orders over the phone, or walking people literally to alphabetised mass-market fiction. All of which required no interest in, let alone knowledge of, literature. To a middle-class nerd such as myself, discovering that working in a bookshop [cue poetic images of James Frain, or similar] was fundamentally no different from working in a Sports Direct or Tesco was about the most depressing thing imaginable. That, and waiting for the Sunday trains in winter.

A.S.H. Smyth, “Seven kinds of people you find in bookshops”, The Critic, 2020-11-14.

February 3, 2021

QotD: The “Parkerization” of wine

Filed under: Business, Economics, Quotations, Wine — Tags: , , , , — Nicholas @ 01:00

… mega-star wine critic Robert Parker Jr., a man who has more influence on the taste and price of wine than anyone else has, or ever had had. Now in his seventies, Parker is retired. But back in 1975, the former lawyer, taking his lead from former presidential candidate, Ralph Nader — a consumer rights advocate — began to publish The Wine Advocate, a kind of consumer guide to fancy wine.

The world of wine had never seen anything like it. Parker was on a mission to demythologise all the snobby and obscure terminology under which fine wine was clouded and developed a simple 100 point scale on which wines could be judged.

As his influence grew, a Parker wine score in the 90s would pretty much guarantee considerable financial success to a vineyard. Inevitably, so the argument goes, those who made wine started to adjust the taste of their product so that it would suit the arbiter’s palate.

Parker generally likes big, dark, gutsy, jammy, tannic wines that can, his critics say, be engineered to taste that way in post-production, often by use of imported yeasts or through the use of young oak barrels. It’s more about clever chemistry than the particular charisma of the local terroir. Parker’s taste favours the muscular Californian Cabernet wines and the great Château wines of Bordeaux, yet has little appreciation for the lighter, less tannic, more subtle Pinot Noirs from Burgundy or Gamays from the Loire Valley. “Bad critics look at Pinot through Cabernet-tinted spectacles and so criticise it for being something it never set out to be,” writes Clive Coates, in a not so subtle dig at Parker, in his encyclopaedic The Wines of Burgundy.

Those who bewail Parker’s phenomenal influence speak of “parkerisation” as the wine equivalent of globalisation. The New York Times wine critic Alice Feiring writes that this is how “Rioja loses its Spanish accent”: parkerisation leads to an increasingly homogenised style of wine in which the diversity of grapes and wine tastes come to be submerged under the over powerful influence of Parker’s very particular palate. Those, like her, who prefer subtlety in their wine speak dismissively of Parker’s love for “jam bombs”.

Those who defend Parker, argue that his 100 point scale works as a kind of bullshit detector. It’s cutting through all the fancy talk and obscure (often) French classifications, to focus on the taste and the taste alone.

Giles Fraser, “Is wine starting to taste the same?”, UnHerd, 2020-10-14.

January 16, 2021

QotD: Make companies product-focused again

Filed under: Business, Politics, Quotations — Tags: , , — Nicholas @ 01:00

When I go to a coffee shop or a bank, I am not interesting in their views about politics or social issues, indeed, I actively do not want to know. I just want a fucking coffee or to arrange something financial (hopefully not confusing the two). If they want to tell me about how yummy their products are because their beans are lovingly rubbed with civet poo, or how well they are looking after their depositors’ money, that is fine.

But pretty much anything else … please just STFU unless it is directly related to the business. I get that certain “life style” brands might want their logo in a Formula One car or on Eddie Izzard’s frock. But I am not interested in how inclusive the local bookstore is, nor do I want to hear that an auto-parts shop is proud of the blasted NHS.

I do not even want any companies declaiming how much they support causes I like, let alone ones that I either oppose or which just make me roll my eyes at the sheer presumption of their marketing department. For me, this is negative marketing. I already avoid certain shops and restaurants that prominently display their “social awareness” to me: they are actually doing the opposite, emphasising that I am not their target market. So I take them at their word and if I can easily get what they sell elsewhere from someone who doesn’t, that is what I always do.

Make companies product-focused again.

Perry de Havilland, “Make companies product-focused again”, Samizdata, 2020-09-30.

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