Sabaton History
Published 31 Dec 2020The Allies had cracked the secret codes, deprived the German Kriegsmarine of their best U-Boat aces, and sunk more submarines than the Germans could replace. Yet the Wolfpacks returned. From the depth of the sea they continued their hunt, even far away from the busy routes of the Atlantic. On their way south, along the coast of Africa, Wolfpack “Eisbär” would engage in a fateful encounter. An encounter that would demonstrate how the old rules of conduct, honor and mercy had become a thing of the past.
Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory
Listen to “Wolfpack” on the album Primo Victoria: https://music.sabaton.net/PrimoVictoria
Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShopHosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Maria Kyhle
Executive Producers: Pär Sundström, Joakim Brodén, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Community Manager: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Editor: Iryna Dulka
Sound Editor: Marek Kaminski
Maps by: Eastory — https://www.youtube.com/c/eastory
Archive: Reuters/Screenocean — https://www.screenocean.comSources:
– Design vector of baseball elements created by macrovector official – www.freepik.comAll music by: Sabaton
An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
January 1, 2021
“Wolfpack” Pt. 2 – The Torpedoing – Sabaton History 100 [Official]
December 20, 2020
The Japanese are unstoppable everywhere – WW2 – 121 – December 19, 1941
World War Two
Published 19 Dec 2020The Japanese make gains in Malaya, Burma, Hong Kong, Borneo, and the Philippines. The Allies also have trouble in the Atlantic and the Mediterranean, where they are beginning to seriously suffer from a lack of capital ships. The Soviet Red Army is advancing, though, and Stalin takes personal control of planning for the upcoming counteroffensive, while Adolf Hitler takes personal control of the German Army.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesWritten and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Miki Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
Norman Stewart – https://oldtimesincolor.blogspot.com/
Dememorabilia – https://www.instagram.com/dememorabilia/
Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
Carlos Ortega Pereira, BlauColorizations, https://www.instagram.com/blaucolorizations
Spartacus Olsson
Daniel Weiss
Mikołaj UchmanSources:
Bundesarchiv
IWM MH 26392, WPN 298, K 2204, FL 20432, A 12126, A 9257, FL 1203, E 3469E
Mil.ru
Narodowe Archiwum Cyfrowe
Picture of Mark Young, courtesy of National Portrait GallerySoundtracks from the Epidemic Sound:
Phoenix Tail – “At the Front”
Reynard Seidel – “Deflection”
Skrya – “First Responders”
Hakan Eriksson – “Epic Adventure Theme 4”
Philip Ayers – “The Unexplored”
Max Anson – “Ancient Saga”
Rannar Sillard – “March Of The Brave 9”
Johannes Bornlof – “Death And Glory 2”
Johan Hynynen – “Dark Beginning”
Fabien Tell – “Last Point of Safe Return”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
October 14, 2020
Wolfpack Killers – U-Boat Tactics – WW2 Special
World War Two
Published 13 Oct 2020German U-Boats were a big threat to Allied shipping across the Atlantic. New inventions and tactics triggered a race to outsmart the opponent, dramatically changing the tides of the Battle of the Atlantic every few months.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesHosted by: Indy Neidell
Written by: Joram Appel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Joram Appel
Edited by: Miki Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
https://www.instagram.com/dememorabilia/
Julius Jääskeläinen – https://www.facebook.com/JJcolorization/Sources:
Pugsley, William H./Library and Archives Canada/PA-139273
Bundesarchiv
Narodowe Archiwum Cyfrowe
IWM CH 15219, A 31092, FL 3259
Bletchley Park Trust
from the Noun Project: Cargo Ship by Locad, explosion by Nico TzogalisSoundtrack from the Epidemic Sound:
Johannes Bornlof – “The Inspector 4”
Reynard Seidel – “Deflection”
Johannes Bornlof – “Deviation In Time”
Hakan Eriksson – “Epic Adventure Theme 3”
Johannes Bornlof – “Death And Glory 3”
Phoenix Tail – “At the Front”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
World War Two
1 day ago
The episode covers some of Otto Kretschmer’s 11 Points of Submarine Warfare. Here’s the full list:1. Efficient lookouts are of prime importance.
2. It is essential not simply to spot the target, but to spot it in good time.
3. Lone ships should be attacked on the surface with gunfire in order to save expensive torpedoes.
4. Survivors should be assisted where possible.
5. Convoys should only be attacked in daylight if it is not feasible to wait for nightfall.
6. Attack at night from the dark side of the convoy, so that the target is silhouetted and the submarine is in shadow.
7. When there is little or no moonlight, attack from the windward side [to avoid a visible white bow-wave when motoring into the wind].
8. Fire one torpedo per target, not fanned salvoes.
9. Fire at close range.
10. Once the attack is launched, do not submerge except in circumstances of dire necessity. Remember that on the surface it is easier for you to spot the enemy than for the enemy to spot you.
11. Dive only for two hours before dawn each day, to rest the crew, sweep with the sound detection equipment, etc.; otherwise, remain on the surface.
September 6, 2020
August 2, 2020
July 5, 2020
May 31, 2020
Sink the Bismarck! – The Pride of the Kriegsmarine‘s Demise – WW2 – 092 – May 30 1941
World War Two
Published 30 May 2020This week, the Battle of Crete continues as the Bismarck and Prinz Eugen set sail to the Atlantic, starting one of the most dramatic episodes in the histories of the Royal Navy and the Kriegsmarine.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_t…
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesWritten and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: NN
Edited by: Iryna Dulka
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
– Norman Stewart – https://oldtimesincolor.blogspot.com/
– Daniel Weiss
– Jaris Almazani (Artistic Man), https://instagram.com/artistic.man?ig…
– Carlos Ortega Pereira, BlauColorizations, https://www.instagram.com/blaucoloriz…Sources:
– Imperial War Museum: A 6152, A 6155, A 3898, IWM A4057, HU 50190, HU 374, FL 2120, E 3464, E 450
– U.S. Naval History and Heritage Command Photograph
– Narodowe Archiwum Cyfrowe
– Drawing of Churchill from Museon
– Battlecruiser Renown shape by Emoscopes from WikimediaArchive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
May 29, 2020
Der Bismarck: Doomed to Fail? – WW2 Biography Special
World War Two
Published 28 May 2020The Bismarck is without a doubt a force to be reckoned with. But with the Kriegsmarine experiencing an identity crisis throughout the 1930s, the Bismarck‘s design and strategic purpose foreshadow a dramatic ending.
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Or join The TimeGhost Army directly at: https://timeghost.tv
Check out our TimeGhost History YouTube Channel: https://www.youtube.com/c/timeghost?s…Follow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_t…
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesHosted by: Indy Neidell
Written by: Joram Appel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Joram Appel
Edited by: Mikołaj Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
Ruffneck88, Wikimedia Commons
Norman Stewart – https://oldtimesincolor.blogspot.com/Sources:
Bundesarchiv
IWM HU 374, HU 67486, HU 1041, HU 108392, A 6155, D 2373, HU 55631
From the Noun Project: Game by Ecem Afacan, Shield by Nikita KozinSoundtracks from the Epidemic Sound:
Phoenix Tail – “At the Front”
Johannes Bornlof – “The Inspector 4”
Rannar Sillard – “March Of The Brave 10”
Max Anson – “Ancient Saga”
Johannes Bornlof – “Deviation In Time”
Reynard Seidel – “Deflection”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
May 27, 2020
The Battle to Crack Enigma – The real story of ‘The Imitation Game’ – WW2 Special
World War Two
Published 26 May 2020For the British, breaking the Germans’ seemingly unbreakable codes is one of the most vital battles of the war. If they fail, there is litte to stop the German U-Boats hunting down Allied shipping in the Atlantic.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_t…
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesHosted by: Indy Neidell
Written by: Francis van Berkel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Francis van Berkel
Edited by: Mikołaj Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
Jaris Almazani (Artistic Man), https://instagram.com/artistic.man?ig…
Norman Stewart, https://oldtimesincolor.blogspot.com/
Carlos Ortega Pereira, BlauColorizations, https://www.instagram.com/blaucoloriz…Sources:
Bundesarchiv
Narodowe Archiwum Cyfrowe
IWM D 23310, A 13709, A 23513
Picture of Enigma G model, courtesy Austin Mills https://flic.kr/p/2bQ9Q
reconstructed bombe machine at Bletchley Park, courtesy Gerald Massey
Picture of Enigma M4 model displayed at Bletchley Park, courtesy Magnus Manske
Picture of John Herivel, courtesy GCHQ
From the Noun Project: Letter by Mochammad Kafi, Desk by monkik, Phone by libertetstudio, person by Adrien Coquet, Letter by Bonegolem, Table by Creative Stall, documents by Johannes Hirsekorn, sitting at desk by IYIKON, Paper by James KopinaSoundtracks from the Epidemic Sound:
Reynard Seidel – “Deflection”
Johannes Bornlof – “The Inspector 4”
Phoenix Tail – “At the Front”
Johannes Bornlof – “Deviation In Time”
Gunnar Johnsen – “Not Safe Yet”
Hakan Eriksson – “Epic Adventure Theme 3”
Howard Harper-Barnes – “London”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
World War Two
4 hours ago (edited)
Hopefully you’re all staying safe in these difficult times. We’re still marching on so that we can keep all of you entertained when you’re stuck at home. But we can only continue doing so thanks to your ongoing support. Ad revenue has dropped significantly because of COVID, and we rely on your support now more than ever. If you can, please support us on www.patreon.com/timeghosthistory or https://timeghost.tv.Please let us know what other specials you’d like to see. And if you would like to know something about a smaller topic, make sure to submit that as a question for our Q&A series, Out of the Foxholes. You can do that right here: https://community.timeghost.tv/c/Out-of-the-Foxholes-Qs.
Cheers,
Francis
May 24, 2020
Invasion of Crete: a Bloody Mess – WW2 – 091 – May 23 1941
World War Two
Published 23 May 2020Operation Mercury commences as fallschirmjäger airborne troops land on the Greek island of Crete. A bloody and messy battle follows as it turns out to be costly in more ways than one.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_t…
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesWritten and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Edited by: Iryna Dulka
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
– Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
– Dememorabilia – https://www.instagram.com/dememorabilia/
– Norman Stewart – https://oldtimesincolor.blogspot.com/
– Jaris Almazani (Artistic Man), https://instagram.com/artistic.man?ig…
– Carlos Ortega Pereira, BlauColorizations, https://www.instagram.com/blaucoloriz…Sources:
– Imperial War Museum: A 28473, E 3064E, A 4154, A 4153, A 4149, A 4144, E 3066E, E 3023E, A 4156, E 6066
– Archives municipales de Brest
– Museums Victoria
– Bundesarchiv, CC-BY-SA 3.0: Bild_141-0816, Bild_183-L04232, Bild_101I-166-0527-10A, Bild 101I-166-0527-22 / Weixler, Franz Peter, Bild_183-L19019, Bild 146-1977-115-04, Bild 141-0823, Bild_101I-166-0512-39, Bild_146-1981-159-22, Bild_146-1980-090-34, E 3022EArchive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
April 16, 2020
The (temporary) return of “dazzle” paint schemes for the Royal Canadian Navy
Well, two RCN ships, if not the entire fleet … Joseph Trevithick reports for The Drive:

HMCS Regina in her dazzle camouflage paint taking part in Task Group Exercise 20-1 in April, 2020.
Canadian Forces photo via The Drive.
Air forces around the world will often give their aircraft specialized paint jobs to commemorate anniversaries and other notable occasions, but it’s far less common to see navies do the same thing with their ships. Recently, however, the Royal Canadian Navy’s Halifax class frigate HMCS Regina recently took part in a training exercise wearing an iconic blue, black, and gray paint job, commonly known as a “dazzle” scheme, a kind of warship camouflage that first appeared during World War I.
At the end of March 2020, Regina, and her unique paint job, had joined HMCS Calgary, another Halifax-class frigate, along with the Kingston-class coastal defense vessel HMCS Brandon and two Orca-class Patrol Craft Training (PCT) vessels, Cougar* and Wolf*, for Task Group Exercise 20-1 (TGEX 20-1) off the coast of Vancouver Island in the northeastern Pacific Ocean. The training continued into the first week of April. TGEX 20-1 was part of Calgary‘s Directed Sea Readiness Training (DSRT) in preparation for that particular ship’s upcoming deployment.
Regina had first emerged in the dazzle scheme in October 2019 ahead of the U.S. Navy-led Rim of the Pacific (RIMPAC) exercise, a massive naval training event that takes place every two years and includes U.S. allies and partners from around the Pacific region. It reportedly took 272 gallons of paint and cost the Royal Canadian Navy $20,000 to give Regina the dazzle treatment.
The frigate will wear the camouflage pattern until the end of 2020. The Royal Canadian Navy also painted up the Kingston-class HMCS Moncton, which is homeported in Halifax on the other side of the country, in a similar scheme. The paint job on both ships is in commemoration of the 75th anniversary of the end of the Battle of the Atlantic. This refers to the Allied fight to both enforce a naval blockade of Germany during World War II and secure critical maritime supply routes from North America to Europe. The battle officially ended with the surrender of the Nazi regime in May 1945.
* Wikipedia points out that the Orca-class are not formally commissioned ships in the RCN and therefore do not carry the designation “Her Majesty’s Canadian Ship” (HMCS).
March 23, 2020
Naval strategy versus naval tactics in the Battle of the Atlantic
Ted Campbell outlines how the Battle of the Atlantic was fought between the Kriegsmarine and the Royal Navy (and the Royal Canadian Navy and, eventually, the United States Navy) in World War 2:
… there is a rather thick, and quite blurry line between naval strategy and naval tactics. One Army.ca member used the Battle of the Atlantic to distinguish between two doctrines:
- Sea control ~ which was practised by the 2nd World War allies ~ mostly British Admirals Percy Noble and Max Horton in Britain and Canadian Rear Admiral Leonard Murray in St John’s and Halifax; and
- Sea denial ~ which was practised by German Admiral Karl Dönitz.
The difference between the two tactical doctrines was very clear. The strategic aims were equally clear:
- Admiral Dönitz wanted to knock Britain out of the war ~ something that he (and Churchill) understood could be done by starving Britain into submission by preventing food, fuel and ammunition from reaching Britain from North America. (We can be eternally grateful that Adolph Hitler did not share Dönitz’ strategic vision and listened, instead, to lesser men and his own, inept, instincts); and
- Prime Minister Churchill, who really did say that “the only thing that ever really frightened me during the war was the U-boat peril“, who wanted to keep Britain fighting, at the very least resisting, until the Americans could, finally, be persuaded to come to the rescue.
Prime Minister Winston Churchill greets Canadian PM William Lyon Mackenzie King, 1941.
Photo from Library and Archives Canada (reference number C-047565) via Wikimedia Commons.Canada’s Prime Minister Mackenzie King did have a grand strategy of his own. It was to do as much as possible while operating with the lowest possible risk of casualties ~ the conscription crisis of 1917 was, always, uppermost in his mind and he was, therefore, terrified of casualties. He mightily approved of the Navy doing a HUGE share in the Battle of the Atlantic ~ especially by building ships in Canadian yards and escorting convoys which he hoped would be a low-risk affair.
Churchill’s grand strategy was based on Britain surviving … there was, I believe, a “worst case” scenario in which the British Isles were occupied and the King and his government went to Canada or even India. But that has always seemed to me to be a sort of fantasy. The United Kingdom, without the British Isles, made no sense.
(While I believe that Rudolph Hess was, as they say, a few fries short of a happy meal, I think that he and several people in Germany believed that it might be possible to negotiate a peace with Britain which many felt was a necessary precursor to a successful campaign against Russia. The Battle of Britain (die Luftschlacht um England, September 1940 to June 1941) was, clearly, not going in Germany’s favour. Late in 1940, the Nazi high command had been forced to send a German Army formation to Libya to prevent a complete rout of the Italians. Malta still held out, meaning that Britain had air cover throughout the Mediterranean. In short, Britain was not going to go down unless it could be starved into submission ~ and in the spring of 1941, the Battle of the Atlantic was going in Germany’s favour. There was, in other words, some reason for Germans to believe that an armistice might be possible ~ freeing up all of Germany’s power to be used against the USSR.)
(But things were changing for the Allies, too. At just about the same time as Hess was flying to Scotland, then Commodore Leonard Murray of the Royal Canadian Navy, who had been in England on other duties, had met with and persuaded Admiral Sir Percy Noble, who liked Murray and had been his commander in earlier years, that a new convoy escort force should be established in Newfoundland and that it should be a largely Canadian force (with British, Dutch, Norwegian and Polish ships under command, too) and that it should be commanded by a Canadian officer. Admiral Noble insisted, to Canada, that Murray, who he liked, personally, and who had written, extensively, on convoy operations in the 1920s and ’30s, must be that commander. The establishment of the Newfoundland Escort Force, which would be more appropriately renamed the Mid Ocean Escort Force in 1942, was a key decision at the much-debated operational level of war which put an expert tactician (Murray) in command of a major force and allowed him (and Noble) to move closer to achieving Churchill’s strategic aim. The Battle of the Atlantic was not won in 1941, but it seemed to Churchill, Noble and Murray that they were a lot less likely to lose it, even without the Americans.)
Diagram of the early Flower-class corvettes, via Lt. Mike Dunbar (https://visualfix.wordpress.com/2017/04/12/dreadful-wale-4/)
Anyway, the boundaries of strategy vs. the operational art vs. tactics were as thick and blurry in 1941 as they are today. The decision, taken in 1939, for example, to build little corvettes in the many British and Canadian yards that could not build a real warship was, in retrospect, a key strategic choice, but it was, at the time, totally materialist: just a commonsense, engineer solution to an operational problem ~ lack of ships. Ditto for the eventual decision, which had to be made by Churchill, himself, to reassign some of the big, long-range, Lancaster heavy bombers to Coastal Command. It was, once again, with the benefit of hindsight, a key strategic move, but at the time it would likely have seemed, to Capt(N) Hugues Canuel, the author of that Canadian Naval Review essay, to be materialistic, more concerned with how to use the resources available than with deciding what is needed.
I agree with Capt(N) Canuel that, by and large, Canadians have left strategic and even operational level thinking to first, the British and more recently the American admirals ~ Rear Admiral Murray being known, in the 1930s and early 1940s as a notable exception.
March 22, 2020
Culling the Nazi Wolfpacks – Submarines, Spies, China, and Africa – WW2 – 082 – March 21 1941
World War Two
Published 21 Mar 2020While two more Kriegsmarine U-boat aces go down, the moving parts of the war are getting more complex leaving the intelligence services scrambling to separate fact from fiction — they don’t always get it right.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_t…
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesWritten and Hosted by: Indy Neidell
Produced and Directed by: Spartacus Olsson and Astrid Deinhard
Executive Producers: Bodo Rittenauer, Astrid Deinhard, Indy Neidell, Spartacus Olsson
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Iryna Dulka
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
– Olga Shirnina a.k.a. Klimbim – https://klimbim2014.wordpress.com/
– Dememorabilia – https://www.instagram.com/dememorabilia/
– Julius Jääskeläinen – https://www.facebook.com/JJcolorization/Sources:
– BundesarchivArchive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
World War Two
2 days ago
Indy is at the studio in Bavaria at the moment, shooting new episodes up to May 2020. We don’t know what impact the virus has on our production beyond that, but for now we seem to be fine. That is, thanks to your support! Most of our other (personal) sources of income has fallen away now – we are not able to pay everyone a fair wage just yet. In fact, most of the budget goes into licensing, equipment, editors, researchers and travel. If you can, please consider to support us on www.patreon.com/timeghosthistory or https://timeghost.tv so we can continue to make these series! Thank you all for your support and appreciation! Take care and be safe!
Cheers, Joram
March 8, 2020
Bulgaria Joins the Fascist Alliance – WW2 – 080 – March 7, 1941
World War Two
Published 7 March 2020German troops pour into Bulgaria as they join the Axis alliance, while British troops enter Greece in anticipation of a German attack. Meanwhile, the British celebrate victories in East-Africa and on the Atlantic.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_t…
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesWritten and Hosted by: Indy Neidell
Produced and Directed by: Spartacus Olsson and Astrid Deinhard
Executive Producers: Bodo Rittenauer, Astrid Deinhard, Indy Neidell, Spartacus Olsson
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Iryna Dulka
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
– Royal Bulgaria In Colour
– Daniel Weiss
– Dememorabilia – https://www.instagram.com/dememorabilia/
– Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
– Norman Stewart – https://oldtimesincolor.blogspot.com/Sources:
– Bundesarchiv
– Narodowe Archiwum Cyfrowe
– IWM: TR 1762, CM 187, MH 27178, E 2370, E 2380, K 284, E 2376, E 1384, E 2383, E 3245, E 2001, E 2393
– Moscow icon by Graphic Tigers, film icon by Fernando Vasconcelos, oil barrel icon by Musmellow, from the Noun Project
– Slide projector sound by hpebley3 from Freesound.orgArchive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
February 16, 2020
Enter Erwin Rommel – The British Advance in Africa – WW2 – 077 – February 15 1941
World War Two
Published 15 Feb 2020While the Germans send one of their best generals to North Africa to bail out the Italians, Great Britain switches focus from Libya to Greece, but make symbolically important gains in East Africa.
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Source list: http://bit.ly/WW2sourcesWritten and Hosted by: Indy Neidell
Produced and Directed by: Spartacus Olsson and Astrid Deinhard
Executive Producers: Bodo Rittenauer, Astrid Deinhard, Indy Neidell, Spartacus Olsson
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Iryna Dulka
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
– Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
– Norman Stewart – https://oldtimesincolor.blogspot.com/Sources:
– Bundesarchiv
– A German soldier poses atop a tank, photo credit: United States Holocaust Memorial Museum, courtesy of Perquimans County Library
– US National Archive
– IWM: A 4035, HU 39482Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
World War Two
2 days ago
When you know the story going forward it’s fascinating to see how the decisions unfold this week — the reshuffling of command both on the Axis and Allied side might seem like innocuous administrative decisions when you don’t know the future. But if you have a crystal ball, you’ll know that not just Rommel arriving in North Africa, but also the decisions on the British side this week will have momentous impact on the war in total. That’s one of the things we discovered early-on with a chronological narrative, it suddenly puts things in a new perspective. The relationship between events changes, and things that might seem too boring, or undramatic to include in a “great story” take on a whole new meaning, increasing our understanding of cause and effect of the “greater” events that will come. On a different note, we just finished shooting a new batch of videos today and we’ll be announcing some fascinating developments on our program in the coming weeks. Stay tuned, and stay awesome, you all are by far the best community on YouTube!




















