Quotulatiousness

June 23, 2019

Shooting the Negev LMG

Filed under: Middle East, Military, Technology, Weapons — Tags: , , , — Nicholas @ 04:00

Forgotten Weapons
Published on 22 Jun 2019

My first book is available for pre-order; check it out!
https://www.headstamppublishing.com/f…

http://www.patreon.com/ForgottenWeapons

Cool Forgotten Weapons merch! http://shop.bbtv.com/collections/forg…

After yesterday’s look at the history and mechanical details of the Israeli Negev LMG, today we are taking it out the the range.

It certainly is a very pleasant experience to shoot! The recoil is very light, although not as light as in a true constant-recoil system like the new Knight’s LAMG. As you can see in the high speed footage, the bolt carrier clearly does impact the back of the receiver with each shot. Still, it has a simple gas adjustment, a very easy barrel-changing system, excellent sights, and runs well on both magazines and belts.

Many thanks to Movie Armaments Group in Toronto for the opportunity to showcase their Negev for you! Check them out on Instagram to see many of the guns in their extensive collection:

https://instagram.com/moviearmamentsg…

http://www.moviearms.com

Contact:
Forgotten Weapons
PO Box 87647
Tucson, AZ 85754

June 22, 2019

Negev LMG: The Israeli Take on the SAW

Filed under: Middle East, Military, Technology, Weapons — Tags: , , , — Nicholas @ 04:00

Forgotten Weapons
Published on 21 Jun 2019

My first book is available for pre-order; check it out!
https://www.headstamppublishing.com/f…

http://www.patreon.com/ForgottenWeapons

Cool Forgotten Weapons merch! http://shop.bbtv.com/collections/forg…

When the Israeli Defense Forces tested the FN Minimi, they found it to be lacking in a few areas, and decided that they could develop a better SAW domestically. Developed in the 1980s, the result was the Negev. Like the Minimi, the Negev is a 5.56mm light machine gun that can feed from either belts or box magazines (Galil mags or AR mags with an adapter), has quick-change barrels, and fires from an open bolt. The Negev has several features the Minimi does not, though, including a semiauto fire control position, optics mounting on the receiver (instead of the top cover), a standard folding stock, and some mechanical improvements internally.

So, let’s dig into this Negev and see how it ticks!

Many thanks to Movie Armaments Group in Toronto for the opportunity to showcase their Negev for you! Check them out on Instagram to see many of the guns in their extensive collection:

https://instagram.com/moviearmamentsg…

http://www.moviearms.com

Contact:
Forgotten Weapons
PO Box 87647
Tucson, AZ 85754

Gyrojet Rocket Pistol

Filed under: History, Technology, USA, Weapons — Tags: , , , , , — Nicholas @ 02:00

Forgotten Weapons
Published on 8 Sep 2014

http://www.forgottenweapons.com

The Gyrojet was the closest thing to a commercially successful rocket pistol, although not many were sold before the company went out of business. This is the 13mm pistol version (the most common type of Gyrojet), and fires a 180 grain rocket projectile. It was for sale – with 15 rounds of live ammunition – at the Rock Island Premier Auction in September. Hammer price on it was $5500.

Theme music by Dylan Benson – http://dbproductioncompany.webs.com

June 21, 2019

Jeremy Clarkson’s Motorworld UK Special

Filed under: Britain, History, Technology — Tags: , , — Nicholas @ 02:00

Matthew Lowry
Published on 19 Nov 2016

This is the last episode of Motorworld (BBC WORLDWIDE), the extremely rare UK Special. All copyrights go to their respective owners.

June 20, 2019

Tank Chats #49 A7V | The Tank Museum

Filed under: Germany, History, Military, Technology, WW1 — Tags: , — Nicholas @ 02:00

The Tank Museum
Published on 20 Mar 2018

21 March 1918, was the action debut of the German A7V tank during the First World War.

One hundred years later, historian David Fletcher talks through the vehicle and its history. The Tank Museum’s A7V is a replica, which can be seen running at Museum events, like TANKFEST.

Support the work of The Tank Museum on Patreon: ► https://www.patreon.com/tankmuseum
Or donate http://tankmuseum.org/support-us/donate

Visit The Tank Museum SHOP: ►https://tankmuseumshop.org/

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Tiger Tank Blog: ► http://blog.tiger-tank.com/
Tank 100 First World War Centenary Blog: ► http://tank100.com/ #tankmuseum #tanks

June 18, 2019

What Happened to the Giant Hovercraft SR-N4? – The Concorde of the Seas

Filed under: Britain, Technology — Tags: , , , — Nicholas @ 02:00

Curious Droid
Published on 8 Sep 2017

They were once known as the “Concorde of the Seas”: mighty flying boats that ferried their passengers with speed and style. Hovercraft was a symbol of national innovation and represented the future of transport in the 20th Century.

And yet, like the Concorde, the huge iconic “Mountbatten-class” hovercraft that once traversed the 22-mile English Channel from England to France carrying hundreds or passengers and cars are no longer with us.

So what happened to the giant hovercraft SN-R4?

Patreon : https://www.patreon.com/curiousdroid
Paypal.me : https://www.paypal.me/curiousdroid

Sponsors: Symon Hamer, Florian Hesse, Georgi Dobrev, Douglas Gustafson, Marcus Chiado, Mitchell Payce, Skalgrin, Jorn Karlsen, John Roscoe.

This episode’s shirt was the Trip Paisley Surf Retro by Madcap England and is available from http://www.atomretro.com/madcap_england
Get 10% discount with the code DROID10

Presented By Paul Shillito
Written & Researched by Andy Munzer
Additional Material by Paul Shillito
Images and Footage : retepbleck, MAD Hovercraft, http://www.hovercraft-museum.org, Griffon Hoverwork, kentishmanvideo
Music by Mike Mullen, http://www.positrosmic.com

June 17, 2019

How does RADAR work? | James May Q&A | Head Squeeze

Filed under: History, Military, Science, Technology, WW2 — Tags: , , , , — Nicholas @ 04:00

BBC Earth Lab
Published on 29 Nov 2013

How does RADAR work? It’s a bit like shouting very loudly at a cliff and waiting for the echo to come back to you. Whether you use rude words or not is completely up to you.

RADAR is emitting a sound wave and waiting for the echo to come back to you. By timing the returning echo you can work out where exactly another object is.

The really interesting thing about radar is if you use multiple angled receivers you can work out the position and height of a target. This technology was essential in winning the Battle of Britain in 1940.

But that was 1940, what about radar now? Is it as defunct as the 3 ½ inch floppy disk? Well, no actually. Radar is still pretty important in the military but the technology is a lot more advanced. In fact each time you connect to a sat nav to figure out where you are, you are using the network of satellites that calculate your position using the same principles of radar.

Thanks to Alyssa Ann for her portrait of Jeremy Clarkson: http://alyssamenold.com/

June 15, 2019

The real explanation for our lack of moonbases/Concorde 2’s/great walls/pyramids

Filed under: Books, Economics, Europe, History, Space, Technology, USA — Tags: , , , , — Nicholas @ 03:00

Homoitalicus Blog responds to a new book [At Our Wit’s End by Edward Dutton and Michael Woodley of Menie] that concludes that we (western civilization) are headed toward a similar fate as the western Roman Empire:

The reason that these staggering feats of engineering haven’t been repeated is more to do with economics and politics than with any perceived lack of engineering Genius in the population. The authors fail to reflect that emerging from the massively centralised wartime economy of the West there was an enormous technological infrastructure of scientists and capable administrators just sat there with no more Nazis to fight, communist megalomaniacs to support, Atom bombs to build and test, or greatest seabourne invasions in history to plan and implement.

This was probably the greatest concentration of intellect ever harnessed to a single cause and hopefully we’ll never need to see its like again

With the war done and dusted some new purpose needed to be found for all this talent, the way of government being what it is, returning all these geniuses to normal boring peacetime activity was never an option.

Newly nationalised aircraft industries took the wartime inventions of jet engine and the rest and evolved them with massive amounts of financial input from the government into Concorde, truly a magnificent aircraft but one which could uncharitably be described as using taxpayers’ money to ferry plutocrats from one side of the Atlantic to the other. Whether it ever really paid for itself is a moot point and the unseemly haste with which it was dumped after the crash tends to imply that its 50-year-old airframes were becoming a burden, and the economic case for making a new generation of supersonic planes is weak – luckily the will in the west for another taxpayer-funded effort doesn’t seem to be there. That is progress.

Likewise the man on the moon, possible only because of the Cold War space race.

The authors might as well explain the fact that we haven’t build another pyramid of Giza or Great Wall of China.

Their assertion that a general decline in the amount of creativity (which is correlated strongly with g) is justified by the observable decline in the quality of the output of the BBC. However other possible reasons for this are the infestation of Cultural Marxism and its baleful handmaid, Political Correctness, which really mitigate against creative thought. It is impossible to imagine making The Life of Brian, or The Sweeney or countless other shows which we enjoyed in our youth nowadays largely for reasons of PC and the fact that the BBC’s mission is now brainwashing rather than entertainment. State broadcasters the world over will suffer from the same problem, as does (worryingly) the world of academe in which speakers of truth or opinion which lie outwith accepted and very tightly bounded acceptability, are routinely no-platformed or summarily sacked. The teaching of history and the humanities generally has been debased, and only the STEM subjects seem to have resisted (excluding the question of Climate Change which has taken on the trappings of a religion rather than serious science).

As a consequence it is impossible to separate the effects of CM from the mooted results of a generalised decline in intelligence, and the authors are wrong not to point this out.

They don’t consider either the likely effect of the 20th century’s great blood letting in the fields of Flanders. A substantial proportion of the best and brightest of a generation were ground into the mud there before being able to procreate. I would be surprised if that had no effect on the quality of the gene pool.

H/T to the Continental Telegraph for the link.

June 11, 2019

My apprenticeship as a blacksmith – forging a nail

Filed under: History, Randomness, Technology, Tools — Tags: , , , — Nicholas @ 06:00

Lindybeige
Published on 16 Jan 2018

Before forging my sword, I had to do an apprenticeship as a blacksmith, and make a nail. Here witness my training.

Support me on Patreon: https://www.patreon.com/Lindybeige

I was a guest of The Cut and Thrust Collective – four blacksmiths who have banded together in a forge that was once known as The Forge of Avalon, in Glastonbury. There I spent most of a week, and there I forged my sword – Arnander – the making of which will be the subject of further videos.

I’m quite pleased with the amount of information I got into this video about how forging is done. It shows you several details of how to use a forge to heat metal, and how to hammer shapes into metal.

Many thanks to Joseph McDonald for inviting me in the first place, acting as cameraman, and cooking lots of bacon. Thanks too to my teacher here Thom Leworthy.

The company takes commissions for blacksmithing, and runs courses so that you can go in and make your own pieces. glastonburysmith@gmail.com

Lindybeige: a channel of archaeology, ancient and medieval warfare, rants, swing dance, travelogues, evolution, and whatever else occurs to me to make.

▼ Follow me…

Twitter: https://twitter.com/Lindybeige I may have some drivel to contribute to the Twittersphere, plus you get notice of uploads.

website: http://www.LloydianAspects.co.uk

June 9, 2019

Making the legendary service Khukuri/Kukri of British Gurkhas – KHHI Nepal

Filed under: Asia, History, Technology, Weapons — Tags: , , , — Nicholas @ 02:00

KHHI Nepal
Published on 26 Mar 2018

See how a scrap of steel is converted into a piece of mastery craft by our men @ duty. All bear hands, hard labor, years of experience and great skill. Pls enjoy it!!

Is the original 2016-17 British Gurkhas Issue issued to the new recruits as their training, exercise, utility and even as a combat knife.

Product link :
https://www.thekhukurihouse.com/2016-17-british-standard-issue-bsi-2-kukri

#makingkhukuri #bsikukri #servicekukri #gurkhaknife

June 8, 2019

Blue’s Top Five Domes!

Overly Sarcastic Productions
Published on 7 Jun 2019

There are questions any self-respecting YouTube Historian must ask: “How do you balance entertainment and educational value?”, “What’s the split between your area of expertise and more foreign topics?”, and, of course, the most important of all: “Which Dome is the best dome?”

Today, Overly Sarcastic Productions takes a stand on this critical issue — and proceeds to shitpost about it.

PATREON: https://www.Patreon.com/OSP

OUR WEBSITE: https://www.OverlySarcasticProduction…

Find us on Twitter @OSPYouTube!

Differentiating between actual security and security theatre

Filed under: Britain, Humour, Liberty, Technology — Tags: , — Nicholas @ 03:00

Alistair Dabbs has a security tale of woe:

“Keypad Entry”by Victor Frost is licensed under CC BY-NC-SA 2.0

Access denied. Enter Access Code.

That’s a good start. Just a few moments ago I was handed a card on which is written, in blue ballpoint, a newly compiled string of alphanumerics that is supposed to identify me as a unique user. Oh well, maybe I fumbled the buttons. Let’s try again.

Access denied. Enter Access Code.

I am standing in the driving rain – this is London in the summer – in front of a large electronically operated vehicle barrier that keeps the riff-raff from getting anywhere near the car park and loading bay behind the building where I am to be working this week.

The vertical stainless steel keypad into which I am pushing my access code is weather-resistant. I am not. You’d think they could have installed the keypad at car-window level but no, it’s at lorry level. And it’s not on the driver’s side anyway, so anyone not rolling up in an unmodified US or continental import vehicle is forced to exit and walk over to the access terminal.

Access denied. Enter Access Code.

As far as it is concerned, I am riff-raff. I look behind me to see a steel-grey car has pulled up behind mine. Steel-grey = bland, unimaginative, company car, must be management. As I trudge back towards the street entrance around the corner to ask the security desk for an alternative access code, remembering this time to express an explicit preference for one that actually provides access, I notice the driver in the grey car has started to harrumph.

Security systems like this exist to protect me and my possessions, whether physical or electronic. They keep out the nasties and foil the mischievous. They allow access to the honest and prevent it to the unauthorised.

They are a pain in the arse.

Security is essential, of course, but only for other people. Not me. I’m the nice guy here and this sodding keypad is stopping me from getting in.

But then security authentication is one of those functions whose philosophical concept is hampered by self-contradictory details of its own design. To pick a topical example, it is the right of European Union citizens to enjoy free movement between EU countries without being stopped by border controls. However, how can the border controls know whether you are an EU citizen or not unless they stop you to ask for your EU identification? So it’s only by presenting your passport or ID card that you can exercise your right not to have to present your passport or ID card.

The forces of law and order, from police to night club bouncers, face the same recursive logic. Why do they insist on frisking me? Why can’t they concentrate their stop and search efforts only on those who are carrying concealed weapons?

Tank Chats #48 Centaur Dozer | The Funnies | The Tank Museum

Filed under: Britain, History, Military, Technology, WW2 — Tags: , , — Nicholas @ 02:00

The Tank Museum
Published on 9 Mar 2018

A Centaur tank converted into a dozer, part of the Tank Chat Funnies specials. The design had been worked out by 79th Armoured Division in Belgium in autumn 1944. In early 1945, the first conversions were issued to 87th Assault Dozer Squadron, 6th Assault Regiment Royal Engineers; a few saw action in Germany. Some were deployed during the Korean War and the intervention around the Suez Canal in 1956.

Support the work of The Tank Museum on Patreon: ► https://www.patreon.com/tankmuseum
Or donate http://tankmuseum.org/support-us/donate

Visit The Tank Museum SHOP: ►https://tankmuseumshop.org/

Twitter: ► https://twitter.com/TankMuseum
Tiger Tank Blog: ► http://blog.tiger-tank.com/
Tank 100 First World War Centenary Blog: ► http://tank100.com/ #tankmuseum #tanks

June 6, 2019

iTunes is dead – “There will be no funeral, because it had no friends”

Filed under: Business, Technology — Tags: , , , — Nicholas @ 03:00

I use iTunes because I have to, not because I particularly want to. Apparently that’s not uncommon among iPhone users:

iTunes, Apple’s Frankenstein’s monster of an MP3-player-cum-record store-cum-video-store-cum-iPhone-updater-cum-random-task-performer, a piece of software which opens on your computer whenever it wants and which seems to require you to download an updated version every eight hours, was pronounced dead on Monday. It was 19 years old. There will be no funeral, because it had no friends.

Apple CEO Tim Cook announced that in its future operating systems, iTunes will be replaced by three separate programs: One for music (Apple Music), one for podcasts (Apple Podcasts) and one for video (Apple TV). Updating your phone — which never had anything to do with music, podcasts or video — will now be a function of the operating system. This sounds promising. It sounds normal.

But the mystery remains how Apple, of all companies, found itself sullying its machines for so long with iTunes’ wretched presence. By the end iTunes wasn’t just bad, it was fascinatingly bad — a “toxic hellstew,” as programmer Marco Arment put it in 2015. It was a master class in bad user experience from a company whose brand is excellent user experience: Put your trust in Apple’s machines and its native apps and everything will just work. There are no viruses, no blue screens of death, no pre-installed junkware popping up all over your brand-new desktop. Things just show up where they’re supposed to be. Mac’s user interface is so vastly superior to Windows’ that it seems ridiculous even to compare them. They’re both operating systems in the sense that the stick-shift on a Yugo and the flappy paddles on a Ferrari are both transmissions. Yet by 2015 one of Apple’s essential apps wasn’t just horrid to look at and baffling to use — it couldn’t even store and play people’s MP3s properly.

I never experienced the horror stories myself; [lucky bastard!] the idea of buying music from Apple and, because of its aggressive digital rights management, not even getting an MP3 file with which I could do what I liked always struck me as daft. But the Internet is full of tales of woe from people who entrusted their music collections to Apple and got royally screwed. iTunes would make curatorial decisions all by itself: If you bought Neil Young’s 1977 compilation album Decade, but already had On the Beach in your library, it might just decide not to include Walk On and Tired Eyes on your version of Decade. Or it might delete them from On the Beach, depending on its mood.

This was presumptuous and annoying, but at least somewhat explicable: iTunes consumers were far more singles-focused than album-focused. (Indeed the app is widely credited with ending the “age of the album.”) Less explicable were reports of Apple Music replacing people’s legacy music collections — songs they had ripped from CDs and entrusted to iTunes — with new downloads. People spoke of entire collections being corrupted or lost overnight. People reported that their libraries looked nothing alike on their various Apple devices. At one point, apparently under the impression that not many people loathe U2, Apple famously went ahead and beamed one of the band’s new snorefests onto everyone’s iTunes without asking.

My experiences with iTunes have been mostly of the minor irritant variety: disappearing songs, paid-for tracks that refused to play on certain devices, and songs showing up in playlists that they don’t belong to, for example. But at least — most of the time — the non-Apple songs were not randomly deleted from my library. Not too often, anyway.

June 5, 2019

Sensible proposals from the copyright review report

Filed under: Business, Cancon, Law, Liberty, Media, Technology — Tags: , , — Nicholas @ 06:00

Michael Geist summarizes the — seemingly quite sensible — recommendations from the copyright review process:

Assignments of copyrights photostat copies by mollyali (CC BY-NC 2.0) https://flic.kr/p/5JbsPE

In December 2017, the government launched its copyright review with a Parliamentary motion to send the review to the Standing Committee on Industry, Science and Technology. After months of study and hundreds of witnesses and briefs, the committee released the authoritative review with 36 recommendations [PDF] that include expanding fair dealing, a rejection of a site blocking system, and a rejection of proposals to exclude education from fair dealing where a licence is otherwise available. The report represents a near-total repudiation of the one-sided Canadian Heritage report that was tasked with studying remuneration models to assist the actual copyright review. While virtually all stakeholders will find aspects they agree or disagree with, that is the hallmark of a more balanced approach to copyright reform.

This post highlights some of the most notable recommendations in the report that are likely to serve as the starting point for any future copyright reform efforts. There is a lot here but the key takeaways on the committee recommendations:

  • expansion of fair dealing by making the current list of fair dealing purposes illustrative rather than exhaustive (the “such as” approach)
  • rejection of new limits on educational fair dealing with further study in three years
  • retention of existing Internet safe harbour rules
  • rejection of the FairPlay site blocking proposal with insistence that any blocking include court oversight
  • expansion of the anti-circumvention rules by permitting circumvention of digital locks for purposes that are lawful (ie. permit circumvention to exercise fair dealing rights)
  • extend the term of copyright only if ratifying the USCMA and include a registration requirement for the additional 20 years
  • implement a new informational analysis exception
  • further study of statutory damages for all copyright collectives along with greater transparency
  • adoption of an open licence rather than the abolition of crown copyright

My submission to the Industry committee can be found here. The submission and my appearance is cited multiple times in the report and I’m grateful that the committee took the submissions from all witnesses seriously.

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