… the ivory tower — that is to say, an institution where all the drama is entirely self-manufactured by vain, petty people who think they’re much smarter than they actually are. That rules out most genres people actually enjoy reading right there. There’s comedy, I guess, and I considered giving that a go, but the modern university is beyond parody. Maybe Joseph Heller at his absolute apex could pull it off, but I’m no Joseph Heller. Nor am I Franz Kafka, who is the onlie begetter of the only other genre that would cover academia: Surrealist, absurdist, dystopian horror. The adjective “Kafkaesque” describes graduate school perfectly, no doubt, but if you somehow need a dose of that, just go read The Trial. Or watch the film Brazil, and imagine everyone is twice as polysyllabically self-important …
Severian, “Storytelling Fail”, Rotten Chestnuts, 2021-07-13.
September 14, 2024
QotD: Academia
September 13, 2024
QotD: Cargo cult thinking and status seeking
The pioneering sociologist Thorstein Veblen’s Theory of the Leisure Class (1899) was the first systematic attempt to explain how status displays (e.g., conspicuous consumption) operate to communicate class membership among social elites. Most people never learn to think critically about such status-display behaviors, so that their emulation of the “elite” is thoughtless and unconscious. This behavior often takes the form of displaying symbols of wealth (e.g., designer-label clothing or luxury automobiles) as if mere possession of these symbols meant the same thing as actually being wealthy. Driving the same car or wearing the same clothing brands as a movie star, a software entrepreneur or a professional athlete is not the same as having millions of dollars in the bank, but we often see people who don’t seem to grasp this fact. The young guy with a $45,000-a-year job driving around in a new Cadillac Escalade wants to impress people by pretending to have wealth he doesn’t actually have. His luxury SUV is a status symbol, but the status he’s attempting to display is an illusion, if he’s leasing this vehicle for $1,800 a month (nearly half his annual income) while living with his mother. This is a cargo-cult type of behavior, and is in fact quite the opposite of behaviors that actually produce wealth. A young man who hopes to become wealthy would be best advised to live within his means, preferring to put money in the bank rather than engaging in ostentatious displays of a luxurious lifestyle. Nevertheless, we often see young people go deeply in debt to indulge their appetite for status symbols, and this cargo-cult mentality can also be witnessed in acts of criminal stupidity […]
Flashing actual stacks of money is the crudest possible status display, and I can 99.9% guarantee you that anyone who does something like this on social media is engaged in some kind of criminal behavior. People who obtain wealth by honest means are not prone to such shameless ostentation, and this kind of cargo-cult behavior exhibits a level of stupidity that is not usually compatible with economic success.
Robert Stacy McCain, “The Cargo Cult Mentality”, The Other McCain, 2019-12-20.
September 12, 2024
QotD: The collapse of early civilizations in Mesopotamia
Early states were pretty time-limited themselves. [In Against The Grain,] Scott addresses the collapse of early civilizations, which was ubiquitous; typical history disguises this by talking about “dynasties” or “periods” rather than “the couple of generations an early state could hold itself together without collapsing”.
Robert Adams, whose knowledge of the early Mesopotamian states is unsurpassed, expresses some astonishment at the Third Dynasty of Ur (Ur III), in which five kings succeeded one another over a hundred-year period. Though it too collapsed afterward, it represented something of a record of stability.
Scott thinks of these collapses not as disasters or mysteries but as the expected order of things. It is a minor miracle that some guy in a palace can get everyone to stay on his fields and work for him and pay him taxes, and no surprise when this situation stops holding. These collapses rarely involved great loss of life. They could just be a simple transition from “a bunch of farming towns pay taxes to the state center” to “a bunch of farming towns are no longer paying taxes to the state center”. The great world cultures of the time – Egypt, Sumeria, China, whereever – kept chugging along whether or not there was a king in the middle collecting taxes from them. Scott warns against the bias of archaeologists who – deprived of the great monuments and libraries of cuneiform tablets that only a powerful king could produce – curse the resulting interregnum as a dark age or disaster. Probably most people were better off during these times.
Scott Alexander, “Book Review: Against The Grain“, Slate Star Codex, 2019-10-15.
September 11, 2024
QotD: The preposterous tactics of George R.R. Martin’s Dothraki nomads
We do not see the Dothraki engage in large-scale warfare in the books; we see the aftermath of such fighting (AGoT, 555ff) or it occurs “off-screen” (ASoS, 487), but we do not see it. The closest we get is Jorah’s description of them, that they are “utterly fearless … [they] fire from horseback, charging or retreating, it makes no matter, they are full as deadly … and there are so many of them” AGoT, 325-6). Evidently they also scream on the attack, since their warriors are repeatedly called “screamers”.
As a description, it is hard for this to be very much wrong because it is so very vague, but the attentive reader will note that Jorah’s assertion that there are “so many” must be wrong for either Eurasian Steppe Nomads or Great Plains Native Americans, both of whom were routinely outnumbered by settled enemies, often dramatically so. Let’s put a pin in that, though, because of course while Martin gives only vague description of Dothraki warfare, the show, Game of Thrones, shows it to us on screen quite vividly.
We see a bit of Dothraki warfare in S6E9 when Daenerys’ Dothraki charge down the Sons of the Harpy at Mereen, but the really sustained look at how they fight has to wait for S7E4 and the Loot Train Battle and S8E3 and the Battle of Winterfell, both of which, happily, we have already discussed! In all three cases, the Dothraki do exactly the same thing. They charge, in a pell-mell rush, while giving high-pitched war-calls. While some of the Dothraki may fire arrows on the approach (they have them stand up to do this, which is not how actual Mongols or Native Americans fired from horseback; it looks cool and is stupid, like most of Game of Thrones season 7 and 8), they otherwise charge directly into contact and begin fighting from horseback with their arakhs as the primary weapon.
This is not how horse-borne nomads fought.
As we’ve discussed repeatedly before, the key weapon for Steppe nomads was the bow, shot from horseback at high speed (on this, note May, “The Training of an Inner Asian Nomad Army” JMH 70 (2006) and Mongol Art of War (2007)). Thus the crucial maneuver was the caracole, where the rider approaches the target at high speed, firing arrows as he goes, before making an abrupt turn (it is actually the turn that is technically called a caracole, but the whole tactic goes by this name) and retreating, before trying again. Pulling this tactic off en masse required a great deal of both individual skill at horsemanship and archery, but also quite a lot of group cohesion and coordination, since a collision of horses at speed is very likely to be fatal for everyone – humans and horses – involved.
This tactic can then be repeated – charge and retreat, charge and retreat – until the psychological toll on the defender becomes too great and they either break and retreat or else charge out to try to catch “retreating” nomads. In either case, it was at that moment when the Steppe nomads could press home and destroy the disorganized enemy. These tactics were brutally effective, but they were also a necessary casualty control measure. Shock combat – that is massed melee combat in close quarters – is simply far too lethal for low-population nomadic societies to sustain in the long-term on the regular (a hoplite battle might result normally in c. 10% casualties for instance (but note this discussion of that figure) – think of what that would mean in a society where 100% of adult males participate in each battle – you’d run out of men pretty quickly!).
And fascinatingly, we can actually see that calculus play out in North America, where the arrival of firearms, which suddenly make pitched “missile exchange” battles (especially on foot) as lethal as shock combat (it seems notable that the introduction of musketry into Old World warfare did not come with a significant increase or decrease in battlefield lethality, at least until the rifled musket – on that, see B. Gibbs, The Destroying Angel (2019), but also note E.J. Hess, The Rifle Musket in Civil War Combat: Reality and Myth (2008)), the pitched battle vanishes. It was simply too lethal to be a viable option in the long term for societies with low population density and very high military participation rates.
Instead, the raid came to dominate warfare on the Great Plains, with mass-casualty events generally being restricted to situations where a raiding party caught an enemy group unawares (McGinnis, op. cit., 45-6, 57-9). To be clear, that’s not to say the Great Plains Native Americans were peaceful, after all the goal of all of this raiding was to cause one of those rare mass-casualty surprise attacks and – as McGinnis notes again and again, warfare was part of the Plains Native American way of life, as the social status of males was directly and powerfully tied to success in war.
In short, the need to keep lethality relatively low is one of the most important factors which shaped nomadic horse-borne warfare, both on the Steppe and on the Great Plains. And here is where I think that even Martin’s description – which could, if read with friendly eyes, be taken as a description of the Steppe caracole described above – falls short: the Dothraki are dangerous because they are so many. But actual nomadic warfare was fundamentally conditioned by the shortage of men created by the low population density of the Steppe or the Great Plains. This weakness could be somewhat made up for by making every male into a warrior, but only if casualty rates remained low. A war of attrition with settled peoples would wear the nomads out quickly, which is why such attritional warfare was avoided (unless you are the Mongols, who use the sedentary armies of conquered states, notably using the armies of Northern China to conquer Southern China; that said, Drogo is clearly not Chinggis Khan or any such sort of Khal-of-Khals)
So where does this model of warfare come from? Well, when it comes to the show, we needn’t actually look far, because the creators tell us. The director of the episode, Matt Shakman, noted in an interview that his primary reference for the Dothraki charge was John Ford’s Apache attack in his 1939 film Stagecoach (you can see the scene he means here). And in the S7 special feature, “Anatomy of a Scene: The Loot Train Attack”, David Benioff notes that the charge “definitely got a bit of that western feel” while VFX producer Steve Kullback says, of the battle, it’s “sort of like Cowboys and Indians”.
In Stagecoach (1939), the Apache aren’t a real humanized culture, but an elemental force of destruction. Their charge at the titular stagecoach is essentially mad and heedless of all losses (in the same featurette, Camilla Naprous, Game of Thrones‘ horse master, describes the Dothraki as “they’re just these absolute mad men on horses”, in case you thought that connection was only subtext). The position of “Indians” as particularly “rapey” is also explicit in Stagecoach, where the one of the white male defenders of the coach saves his last bullet to spare the one woman, Mrs. Mallory, from being captured and raped by the approaching cavalry [NR: I think Dr. Devereaux means “Indians” here, but given the historic reputation of the cavalry …] (the concern about white women being raped by non-white men being a paramount fixation of early American film; see also The Birth of a Nation (1915); or, you know, don’t.) And the tactics (or lack thereof) of the Dothraki, charging madly forward with no order or concern for safety, also map neatly on to Stagecoach‘s Apache attack (and not on to actual Apache attacks).
I don’t think this lazy use of old Western tropes is limited to merely the show, however. Having written this far, I find myself convinced that there is a longer article or perhaps a video-essay waiting to be written by a different sort of scholar than myself – that is, a film historian – on how Martin’s depiction of the Dothraki and their world is fundamentally rooted in the racist tropes of the Hollywood Western and its portrayal of Native Americans in a frontier environment where, as Sergio Leone put it, “life has no value“. Quite a lot of parallels with Martin’s Dothraki emerge after even a brief overview of the representation of Native Americans in film. The emphasis on taking captives (especially white women) to no apparent purpose besides sexual violence, the distinctive “screaming” of Dothraki warfare (which, yes, Native Americans used a range of intimidating war cries, but so did basically everyone else in the pre-modern world, so why are the Dothraki the only ones who do it in Westeros?), its lack of tactics or order, and – as we’ve discussed already – the grossly simplified form of dress all seem to have their roots in racist Hollywood depictions of Native Americans. The Dothraki Sea is, essentially a “Cavalry and Indian Story” with the cavalry removed.
That is not a pure creation of Benioff and Weiss. The show simply takes that subtext and makes it text.
Bret Devereaux, “Collections: That Dothraki Horde, Part IV: Screamers and Howlers”, A Collection of Unmitigated Pedantry, 2021-01-08.
September 10, 2024
QotD: Contempt of court
It’s a funny thing — or not — but due to the sad state of prison security in this country, a judge can essentially threaten a person with rape and severe beatings. How about that? One more reason to live clean and avoid making waves.
Steve H., “Was I Wrong About Cooper? Don’t Think So”, Hog On Ice, 2005-07-06.
September 9, 2024
QotD: Clothing
I dress casually in the summer, because it’s hot. But for the last few years I’ve returned to good slacks and decent shoes and a crisp shirt and a tie. Grown-up clothes. Dad clothes. A man ought to be able to put on a shirt and tie without thinking he’s putting on a costume to deal with The Man; he should regard it as the Rainments of Masculinity, the costume we wear to project the impression of seriousness. If we’re not serious, it’ll be apparent quite soon. Likewise if we’re a peacock, a grifter, a poseur, a drone, a cog — the uniform only says that you’re part of the hard plain world, not whether or not you really belong there. I just know that I feel different in a shirt and tie. I stand up straighter. I don’t feel as though I’m owed more respect; on the contrary, I feel obliged to be more respectful. It’s hard to describe, but to paraphrase a drunken Marge Simpson after six Long Island Iced Teas — you guys in the audience, you know what I’m talking about.
James Lileks, Screedblog, 2005-07-25.
September 8, 2024
QotD: Life in pre-mechanical times
Anyway, because I’m actually interested in how people are and how they lived, I love “living history”. I know, I know, I’m the one who brought up the Civil War, but though I admire (in a very limited sense) the dedication of “reenactors”, we ain’t going there, lest the comments get way off track. Instead, I’ll refer you to the works of Ruth Goodman. She apparently shows up on a lot of “living history” shows in Britain, which are apparently quite popular over there, and she writes good books about the experience, most with “How to” in the title: I’ve read How to be a Victorian and How to be a Tudor, and they’re both great fun.
The thing you’ll notice right away if you read them is how utterly tedious life was pre-electricity. Actually, no, tedious is the wrong word, since in our usage it implies “mindless” and that’s exactly the opposite of Victorian and especially Tudor life. A much better word is “laborious”, maybe even just “hard”. Life was hard back then. Even the simplest tasks took hours, because everything had to be done by hand. You had a few simple machines, of course — simple in the mechanical sense, though nearly every page brings its “gosh, I never would’ve thought of that!” surprise — but mostly it’s muscle power. If you’re lucky, a horse’s or a donkey’s muscles do some of the heaviest work, but mostly it’s straight-up human effort.
And it’s far from mindless. How to be a Tudor has a long section on baking bread, for instance, and it’s fascinating. There’s a reason bakers had their own guild and were considered tradesmen; it takes a lot of well-honed skill to make anything but the coarsest peasant stuff. And of course that coarse peasant stuff takes a decent amount of skill itself, which is just one of a zillion little skills your average housewife would have. If you read the section on bread-baking and really try to imagine doing it, you’ll find yourself almost physically exhausted … and that’s just one minor chore among dozens, maybe hundreds, that everyday people had to do each and every day.
In other words, everyday Tudor people were “simple”, in the old sense that means “unsophisticated”, but they were never, ever bored. Even the relatively well-off, even when everything was peaceful and prosperous and functioning perfectly, were constantly mentally engaged with the world. They had to be. Imagine if getting your daily bread took not just two hours’ labor, but an actual plan. If you didn’t start your day figuring out how you were going to get fed that day, you wouldn’t eat. They had dozens, probably hundreds, more daily tasks than we ever have, and while any one of those tasks can probably be performed on autopilot if taken in isolation, they were never taken in isolation. Maybe the housewife could bake bread on autopilot, but while her hands were doing that seemingly of their own volition, her mind was lining up the zillion other things she had to do that day. Her mind was constantly engaged.
And “housewife” was a deeply meaningful term back then. The next thing that strikes you, after the sheer amount of effort everything took, is the necessity of communal life. Just the basics of day-to-day living pretty much requires a nuclear family — husband, wife, a few kids. And that’s your hardy yeoman type on the edge of starvation on the forest’s fringes. In any larger settlement, everyone knows everyone, intimately, because your very life depends on it — not only do you know the miller personally, you’ve got a major, indeed mortal, interest in how he lives his life, because if he’s shorting you, you die … or, at least, your already hard life gets a whole lot harder. There’s basically no such thing as privacy, because there can’t be.
Severian, “On Boredom”, Rotten Chestnuts, 2021-08-17.
September 7, 2024
QotD: Instrumental music doesn’t always need or want lyrics attached
When a piece of instrumental music is popular, it’s hard to resist the temptation to put words to it, and thus make it even more popular. As noted in this space over the years, a big chunk of Duke Ellington’s “songs” aren’t songs at all, but jazz instrumentals to which a lyric has been awkwardly appended: “Yoooooooooo…. must Take The A-Train/Toooooooo… get to Sugar Hill way up in Harlem.” Who needs it? Just about any instrument playing that line would do a better job than those words do. And “Take The A Train”‘s lyric is a work of genius by comparison with “Prelude To A Kiss”. Ira Gershwin always resisted offers to put words to “Rhapsody in Blue” or “An American in Paris”. He and his brother had written plenty of songs over the years, and he figured if George had wanted “Rhapsody” to have lyrics he’d have mentioned it at the time. Leroy Anderson liked words: He spoke at least nine languages (English, Swedish, Norwegian, Danish, Icelandic, French, German, Italian, Portuguese) and, indeed, fancied himself as a lyricist in at least a couple of them. But he didn’t think as a songwriter; he thought as a composer. Unlike, say, Cole Porter or Richard Rodgers, he orchestrated his own music, and so he conceived it instrumentally rather than vocally. Although you can find texts that were written for his most popular pieces, they sound very much like words set to pre-existing notes which don’t particularly require them.
Mark Steyn, “Sleigh Ride”, Steyn Online, 2019-12-08.
September 6, 2024
QotD: “Discount” airlines
Some thoughts on discount airlines. The ticket price sounds good, yes, but the discount is eaten away by overweight baggage charges and the price of rail/coach tickets each way to and from your destination city and hinterland airport. Big savings for the inconvenience and expense are retained by the airline are while each souvenir of your visit jacks up your fare to exactly where it would be had you flown with a proper carrier. At least, such is the guesstimate of the travelling book collector. If stamps and other light-weight antiquities are your game you may not face the same problem.
Ghost of a Flea, “Sic transit gloria mundi“, Ghost of a Flea, 2005-05-23.
September 5, 2024
QotD: Common misunderstandings about the title of “Dictator” in the Roman Republic
The first important clarification we need to make is that there are, in a sense, two Roman dictatorships. Between 501 and 202 BC, the Romans appointed roughly 70 different men as dictator for about 85 terms (some dictators served more than once) through a regular customary process. Then, between 201 and 83 BC, a period of 118 years, the Romans appoint no dictators; the office dies out. Then, from 82-79 and from 49 to 44, two dictators are appointed, decidedly not in keeping with the old customary process (but taking the old customary name of dictator) and exercising a level of power not traditionally associated with the older dictators. It is effectively a new office, wearing the name of an old office.
The nearest equivalent to this I can think of would be if Olaf Scholz suddenly announced that he was reviving the position of Deutscher Kaiser (German Emperor) for himself, except without the legal structure of that title (e.g. the Prussian crown acting as the permanent president of a federation of monarchs) or the constitutional limits it used to have. We would rightly regard that as a new office, using the title of the old one.
This point is often missed in teaching Roman history because Roman history is very long and so gets very compressed in a classroom environment. Even in a college course focused entirely on the history of Rome, the gap between the end of the old dictatorship and the start of the new one might just be a couple of weeks, so it is easy for students to accept the new dictators as direct continuations of the old ones, unless the instructor goes out of their way to stress the century-long discontinuity. This is, of course, all the more true if the treatment is in a broader European History (or “Western Civ”) course or in a High school World History course – which might be able to give the Roman Republic as a whole only a week of class time, if even that much. In that kind of compressed space, everything gets mushed together. Which in turn leads to a popular view of the Roman dictatorship that this office was always a time-bomb, ready to inevitably “go off” as soon as it fell into the hands of someone suitably ambitious, because the differences and chronological gap between the old, customary dictatorship and the new irregular one are blurred out of vision by the speed of the treatment.
Just as a side note, this is generally a problem with the Roman Republic. Popular treatments of how the Republic worked – much less pop-culture representations of it – are almost always badly flawed […] The opening minutes, for instance, of the Crash Course video on the Romans is a series of clear errors, one after another, in describing how the Republic functioned as a matter of law and practice. If for some reason you want to not be wrong about the structure of Roman government, the book to read – though it is more than a bit dry and quite pricey – is A. Lintott, The Constitution of the Roman Republic (1999). I keep thinking that, as a future series, I might take a look at the basic structures of Greek and Roman civic government (“How to Polis, 101″ and “How to Res Publica, 101″) – especially if I can talk a colleague into providing a companion treatment of medieval Italian commune government – both as a historical exercise but also for the world builders out there who want to design more realistic-feeling fictional pre-modern governments that aren’t vassalage/manorialism systems.
Bret Devereaux, “Collections: The Roman Dictatorship: How Did It Work? Did It Work?”, A Collection of Unmitigated Pedantry, 2022-03-18.
September 4, 2024
QotD: The modern tribal divide – the “Somewheres” versus the “Anywheres”
In his book The Road to Somewhere, my colleague David Goodhart identified two broad political tribes – those who see the world from Anywhere and those who see the world from Somewhere.
Boris Johnson’s election victory has once again brought this divide to the surface.
Anywheres tend to be younger and place more value on career and education – that is, they see themselves in terms of what they have achieved. They are also more comfortable with ethnic diversity and mass immigration, precisely because their identities are less rooted to place and group.
Somewheres, by contrast, are older and place greater value on the communities in which they live. This is not to say that Anywheres do not care about their community. Rather, Anywheres can see themselves prospering in any community.
Goodhart estimates that around 50 per cent of the population are Somewheres, 25 per cent are Anywheres, and the remainder occupy the grey area between the two camps. Both worldviews are perfectly legitimate, but the problem is that they can conflict.
From sitting in seminar after seminar, packed with policymakers, politicians, journalists and academics, Goodhart became painfully aware of how much the Anywhere view dominates public discussion, despite being a minority view.
Richard Norrie, “The revenge of the Somewheres”, Spiked, 2020-01-13.
September 3, 2024
QotD: The Libertarian Party clown car
Why are libertarians like this? I see no reason why people who value liberty in the social and economic sphere must also be weirdos who probably eat the silica packet in a beef jerky pouch because it says “DO NOT EAT” and they don’t like being bossed around. I have some sympathy for libertarian positions: I’m socially more liberal than basically every Republican, and I like markets more than most Democrats. But I also know a fully stuffed clown car when I see one, and the Libertarian Party is very much that. And lest you think that this week’s convention was a rare foray into Crazytown, here are some events that establish the Libertarian Party as a tenth-generation Crazytown family whose antecedents are featured on the city crest.
Jeff Maurer, “Why Can’t the Libertarian Party Be Normal?”, I Might Be Wrong, 2024-05-28.
September 2, 2024
September 1, 2024
QotD: “Yellow China” versus “Blue China”
This whole period often gets referred to as the “Chinese Middle Ages”, and unlike the European Middle Ages1 it’s been scandalously neglected by Western historians (with the exception of some of the Tang stuff). This is a shame, because so many of the most important themes of Chinese history got their start during this period, I’ll mention two of them here.
The first is the polarity between North and South or, if you want to sound pretentious, between “Yellow China” and “Blue China”. “Yellow” represents the sandy but fertile yellow loess soil of the North China Plain and the Yellow River valley, heartland of traditional Chinese civilization. But “yellow” is also the ripe ears of grain that grow in that soil, because the North is a land fed by wheat rather than rice. “Yellow” also, by extension, refers to the mass irrigation projects required to make the arid North bloom, to the taxation and slave labor required to dredge and maintain the canals and water conduits, to the sophisticated and officious bureaucracy that made it all happen. And since there is no despotism so perfect as a hydraulic empire, “yellow” is absolute monarchy, centralization, and militarism. But “yellow” is also the military virtues — plain-spokenness, honesty, physical courage, stubbornness, and directness — the traditional stereotypes of the Chinese Northerner.
Far away, across the wide blue expanse of the Yangtze, lay the wild and untamed South. A land of rugged mountains and dense rainforest, both of them inhabited by tribes that the waves of migrating Chinese settlers viewed as both physically and spiritually corrosive. So those intrepid colonists built their cities by the water — clinging to the river systems and to the thousands of bays and inlets that crinkle the Southern Chinese coast into a fractal puzzle of land and sea. And thus they became “blue”.
“Blue” are the blue waters of the ocean and the doorways to non-Chinese societies, blue also is the culture of entrepreneurship, industry, trade, and cunning that spread from those rocky harbors first across Asia and then across the world. The Chinese diaspora that runs the economies of Southeast Asia and populates the Chinatowns in the West is predominately made up of “blue” peoples — the Cantonese, the Hakka, the Teochew, the Hokkien. “Blue” is independent initiative and innovation, because beyond the mountains the Emperor’s power is greatly attenuated. But “blue” is also corruption of every sort — the financial corruption of opportunistic merchants and unscrupulous magistrates, and the spiritual corruption of the jungle tribes and other non-Chinese influences. “Blue” is pirates and freebooters who made their lairs amidst the countless straits and islands and seaside caves. “Blue” is also unfettered sensuality — opium came to China via the great blue door, and more than one Qing emperor took a grand tour of the South for the purpose of sampling its brothels (considered to be of vastly higher quality).2
If you know nothing else about the geography of China, know that this is the primary distinction: North and South, yellow and blue.3 But this neglected period, the “time of division” after the collapse of the Jin, is when that distinction really started. Settlement of the South began under the Han Dynasty in the first couple centuries AD, but it was still very much a sparsely-populated frontier. What changed in the Middle Ages was that after the collapse of central authority and the invasion of the North by nomadic barbarians, a vast swathe of the intelligentsia, literati, and military aristocracy of the North fled across the Yangtze and set up a capital-in-exile. For the first time the South became really “Chinese”, but the society that emerged was a hybrid one that retained a Southern inflection.
It wasn’t just courtiers and generals and poets who fled to the South: millions and millions of ordinary peasants did too, which finally displaced the jungle tribes, and also altered the balance of power between North and South. For the first time in Chinese history, the South had more population, more wealth, and an arguably better claim to dynastic legitimacy. So when the North emerged from its period of anarchy and foreign domination and looked to reassert its traditional supremacy, the South said: “no”. The Southern dynasties, chief among them the Chen Dynasty,4 were able to maintain an uneasy military stalemate for almost two hundred years, thanks to the formidable natural barrier of the Yangtze River, and to the fact that Southerners were better versed in naval warfare and thus able to prevent any amphibious operations on the part of the North.
This only ended when the founder of the Sui Dynasty learned to fight like a Southerner, and assembled a massive naval force in the Sichuan basin, then floated it down the Yangtze gorges destroying everything in his path. The backbone of this force were massive ships which “had five decks, were capable of accommodating 800 men, and were outfitted with six 50-foot-long, spike-bearing booms that could be dropped from the vertical to damage enemy vessels or pin them in positions where they would be raked by close-range missile fire.” After breaking Southern control of the great river, the Sui founder assembled an invasion force of over half a million men and crushed the Southern armies, burned their capital city to the ground, and forcibly returned the entire aristocracy to the North.
John Psmith, “REVIEW: Medieval Chinese Warfare, 300-900 by David A. Graff”, Mr. and Mrs. Psmith’s Bookshelf, 2023-06-05.
1. The Chinese Middle Ages and the European Middle Ages aren’t actually contemporaneous — “Medieval China” generally denotes a period just before and after the fall of the Western Roman Empire.
2. “Blue” China is also the origin of a different sort of disordered sensuality — the culinary sort. Almost from the dawn of Chinese history, Northerners have been horrified by the gusto with which Southerners will eat anything. Scorpions, animal brains and eyeballs, you name it, Southerners are constantly upping the ante with each other. Northerners have also generally been horrified by the sadism that attends some Southern culinary traditions, with many animals being eaten alive, or partially alive, or after prolonged and deliberate torture. One usually unstated Northern view is that a lot of these customs were picked up from the jungle tribes that lurk in the Chinese imaginarium like the decadent ancestor in an H.P. Lovecraft story.
3. Confusingly, in the context of modern Hong Kong politics, “yellow” and “blue” represent the pro-sovereignty and pro-China factions respectively. This split is almost totally orthogonal to the one I’m talking about in this book review, and to the extent they aren’t orthogonal, the sign is flipped.
4. “Chen” is the most quintessentially Southern surname, but I’ve never been able to figure out whether that came before or after it was the name of the most famous Southern dynasty.
August 31, 2024
QotD: Celebrity activism
It was never a practical project to silence the acting profession. These people are famous. Having acquired their fame, they then want to use their fame to do good, and in the process to become even more famous. This is only natural, especially when you consider that doing good and being heroic is what, according to the entertainments these people spend their lives making and acting in, life is all about. Trying to stop famous actors from expressing what they consider to be virtuous and heroic opinions in public is like trying to stop the wind from blowing or the sea from being wet.
Brian Micklethwait, “Minnie Driver and the changing meaning of goodness”, Samizdata, 2005-08-01.