Quotulatiousness

December 2, 2014

Joanna Williams talks to the author of Stand By Your Manhood

Filed under: Books, Britain, Media, Politics — Tags: , , — Nicholas @ 00:02

Joanna Williams talks to Peter Lloyd about his recent book and the ongoing vilification of all things masculine in the popular press:

Lloyd, who somehow combines writing for both the Daily Mail and the ‘women in leadership’ section of the Guardian, was prompted to write Stand By Your Manhood in response to the ‘dismissive, patronising and skewed narrative about heterosexual men’, which he suggests is apparent in the mainstream media. He argues that it has become normal to consider masculinity as entirely negative and problematic, and to present boys as ‘defective girls, damaged by default’ who need to be medicated, educated and socialised out of their masculinity. Whereas once manhood was celebrated in all its stiff-upper-lipped glory, it is now considered threatening. Lloyd welcomes the progress society has made in recent years, and he is happy that homosexuality is no longer so stigmatised. However, he warns that there is a danger that things have gone too far in the other direction, and that shame is now attached to masculinity, with heterosexual men, in particular, being made to feel guilty if they don’t frequently display a more feminine side to their personalities.

Lloyd suggests today’s men’s movement is a response to strains of feminism that first appeared in the late 1970s — these strains were far more explicitly anti-men than pro-equality. He claims today’s feminists perpetuate the idea that women are oppressed and ‘refuse to let go of old arguments’ despite the changes that have taken place in the real world. Often, Lloyd argues, there are monetary incentives for feminist campaigning groups, such as the Fawcett Society, continuously to propagate an image of women as victims of a non-specific patriarchy. He cites the case of Erin Pizzey, who established one of the first refuges for female victims of domestic violence, but who later received death threats for suggesting that women were also capable of violence. Certainly it is not in the financial interests of groups like Hollaback and FCKH8 to question the facts promoted in their campaigns against sexism. Lloyd blames the media for unthinkingly picking up on such campaigns and escalating an anti-male sentiment. As a result, he says, feminism can seem like a ‘hate movement’ and men have not had a voice to challenge these newly dominant perceptions.

[…]

While it may seem either naive or disingenuous of Lloyd to suggest that the men’s rights movement won’t embrace victimhood and a crusading ethos, he does follow his own arguments to their logical conclusion. Success for the men’s rights movement, he argues, will be when it is no longer needed — that is, when there is true equality, and people are judged according to merit rather than gender. It’s a long time since I’ve heard feminists arguing anything similar. However, until such a point in the future, the inescapable fact is that both the men’s rights movement and feminism continue to cast people as victims of their gender identity.

Feminism today is premised on the assumption that women are persecuted by an oppressive patriarchy; the men’s rights movement considers men to be equally as persecuted by feminists. Both sides need a reality check. Arguing the toss over who is the most oppressed serves only to pitch men and women into battle against each other. It fails to look at what people have in common and how society can be made to work in the best interests of everyone. To achieve individual emancipation today, it’s not feminism or men’s rights that we need — it’s a movement to liberate us all from the stifling constraint and moral authoritarianism of being defined by our biology rather than by what we have the potential to become.

November 29, 2014

Another part of Robert Heinlein’s legacy

Filed under: Books, Business, History, Liberty, Media, USA — Tags: , , , — Nicholas @ 00:02

John C. Wright explains why Robert A. Heinlein was so important to the development of the science fiction field:

If you are unfamiliar with the name Robert Heinlein, he is rightly called the Dean of Science Fiction; his pen is the one that first broke through from the pulps into the slicks, and then into juveniles, and then into the mainstream. Were it not for him, we would still be a Hugo Gernsbeckian ghetto.

Heinlein was also a bold advocate for equality of all races and both sexes, at a time when such ideas were not discussed in polite society. He was the main champion in our little Science Fiction ghetto of all things Progressive and Leftwing, that is, the Leftwing of that time. (They have since reversed their standards, for example, swapping a principled opposition to censorship to a full-throated advocacy of it, or swapping an unprincipled opposition to monogamy to an even more unprincipled advocacy of abstinence combined with libertinism.)

The Left owe Heinlein an immense debt of gratitude. Ergo they are ungrateful.

While working on the novel that was to become Rocket Ship Galileo, Heinlein warned his agent that the inclusion of an ethnically diverse cast was not only deliberate — it was non-negotiable, and if an editor requested the removal of the Jewish character, Blassingame (the agent) was to take the book elsewhere.

This is from the letter Heinlein wrote to his agent about his wishes:

    “I have deliberately selected a boy of Scotch-English pioneer ancestry, a boy whose father is a German immigrant, and a boy who is American Jewish. Having selected this diverse background they are then developed as American boys without reference to their backgrounds. You may run into an editor who does not want one of the young heroes to be Jewish. I will not do business with such a firm. The ancestry of the three boys is a “must” and the book is offered under those conditions. My interest was aroused in this book by the opportunity to show to kids what I conceive to be Americanism. The use of a diverse group … is part of my intent; it must not be changed. … I am as disinterested as a referee but I want to get over an object lesson in practical democracy.”

Commenting on this is one Mitch Wagner, freak, writing on the blog maintained by Tor books — one of the largest and most well-respected names in science fiction publishing, as well as being my own publisher. This is not some overlooked corner or outlier opinion.

Wagner snarks:

    This is all admirable, but let’s keep in mind what’s missing from this cast: Asians; disabled people; non-Americans of any kind; lesbians, gays, and the transgendered; Muslims, Buddhists, Hindus, or representatives of the other major world religions. Heinlein’s book was enormously ethnically diverse in that it included the full variety of American Judeo-Christian boys.

    And even the notion that the ethnically diverse boys are “developed as American boys without reference to their backgrounds” is a little creepy.

The freakish Mr. Wagner is not satisfied that Heinlein stormed the breach for them, being the first science fiction writer to put a Jew (Morrie Abrams from Rocket Ship Galileo), a Filipino (Juan Rico, Starship Troopers), a Negro (Rod Walker from Tunnel in the Sky implicitly and Mr. Kiku from The Star Beast explicitly) a Mohammedan (Dr. “Stinky” Mahmoud from Stranger in a Strange Land) or a Maori girl (Podkayne from Podkayne of Mars) in the spotlight as a main character and hero or heroine, but then criticizes Heinlein for not having as a main character … who? A cross-dressing homosexual castrati Hindu as a main character in a children’s book published in 1947? The Democrat Party still had Jim Crow laws and segregation in the South, and in those days the militant arm of the Democrat Party, the KKK, were still lynching blacks.

Do you understand to what the freakish Mr. Wagner is objecting? He is objecting to the melting pot theory that men of different races, locked into endless mutual hatred in the old world, can leave their hatred behind here in the new world. He is objecting to racelessness. Hence, he is a racist.

Heinlein showed backbone and gorm and ran the risk of being blackballed and put out of business by the Left (who, then as now, have major influence amounting to near total control in the New York publication industry) — and for this bold stance, unheard-of at the time, the gormless and freakish Mr Wagner criticizes Mr. Heinlein.

November 25, 2014

Shami Chakrabarti’s On Liberty fails to persuade

Filed under: Books, Britain, Liberty, Media — Tags: , , — Nicholas @ 00:03

Tim Black thinks John Stuart Mill (were he still alive) would be within his rights to sue Chakrabarti for mis-appropriating the title of his famous book:

Given the eponymous nod to John Stuart Mill, Shami Chakrabarti’s On Liberty promises to be a tribute to individual freedom. It promises to be a stirring defence of liberty written by someone who, as the head of the 80-year-old civil-rights campaign group Liberty, has been knee-deep, holding back the tide of aggressive, illiberal legislation. It promises to be an unbowed affirmation of freedom at a time when it has rarely been more devalued.

But the reality of Chakrabarti’s On Liberty, an awkward amalgam of the semi-personal and the mainstream political, never even comes close to realising the promise. Instead, it turns out to be a desperately dull encomium to the human-rights industry, a verveless trudge down Good Cause lane, with every battle against New Labour anti-terror legislation, each scuffle with the ASBO-happy authorities, eventually turning into a victory for the indispensable European Court of Human Rights. Hooray for Strasbourg! If John Stuart Mill wasn’t so liberal (and dead), he’d be within his rights to sue Chakrabarti for calumny.

But first, the prose. Whatever vital impulse there was behind writing this book must have expired long before it reached the page. There’s no life here, no spirit. It as if Chakrabarti has barely thought about the words she’s using. Even when she’s describing the frustrations of her ‘university-educated’ mum, held back ‘by a lack of affordable childcare’, she sounds as if she’s dashing off a policy document, not portraying a loved one. Admittedly, she does prove capable of a geekish whimsy at points — ‘You might say that I am a Jedi Knight who began on the dark side of the force’, she writes of her career beginnings at the UK Home Office. But On Liberty is mainly composed of dead phrases and, worse still, argument-averse legalese. ‘This type of administrative detention by the UK secretary of state’, she writes of the internment of foreign terror suspects at Belmarsh, ‘is not incompatible with the right to personal liberty and the right against arbitrary detention under Article 5 of the Human Rights Convention, as long as it is necessary to the stated purpose, provided for in legislation and subject to scrutiny and appeals in the appropriate courts and tribunals’. Magical stuff.

November 23, 2014

Margaret MacMillan: The Road to 1914

Filed under: Books, Europe, History, Military, WW1 — Nicholas @ 00:03

Published on 11 Nov 2014

International historian Margaret MacMillan returns to The Agenda to discuss the events that led to the First World War, as chronicled in her book The War That Ended Peace: The Road to 1914. MacMillan tells Steve Paikin why Europe’s major powers made decisions that resulted in The Great War.

H/T to Mark Collins, who comments:

The author’s website. Two quibbles: she lets Serbia off far too lightly; and she does not mention the not-unjustified German fear that, if Russia was not defeated fairly soon, by around 1916 she would be unbeatable in combination with the French (see here: “German Fears about Russia“).

Based on my readings to put together my “Origins of WW1” series, I rather agree with Mark on the measurement of Serbian culpability. Mark also posted a follow-up on the topic.

November 17, 2014

QotD: The Amazon-Hachette dispute

Filed under: Books, Business, Media, Quotations — Tags: , , — Nicholas @ 00:01

The first thing to remember about the Amazon/Hachette Book Group dispute is that this sort of thing happens all the time in business. When two big companies negotiate, it’s like Mothra and Godzilla: Each party can throw around a lot of weight, which means some collateral damage. It’s not exactly unheard of for a company that doesn’t like a supplier’s price to stop carrying the product, or to deny the supplier valuable end-cap space, or otherwise deprioritize the sales of the contested items.

The second thing to remember about the Amazon/Hachette dispute is that writers are categorically unable to see what they do as in any way akin to, say, selling potato chips. Writing is special and sacred! The sight of our product being treated like Chef Boyardee spaghetti is more than our tender souls can bear. And unlike grocery suppliers, writers have access to column space in which to pour out our anguish. That’s why so much ink has been spilled over this contretemps.

The third thing to remember is that publisher interests are not the same as author interests. Neither are Amazon’s. Amazon would like to sell books as cheaply as possible because this enhances the market value of their economies of scale. Publishers would like to keep prices high not just to enhance their profits, but also to keep multiple channels open for their books; it is not in their interest for Amazon to succeed in killing off the competition.

Megan McArdle, “Does Amazon’s Monopoly Really Matter?”, Bloomberg View, 2014-10-24.

November 7, 2014

QotD: Freedom of speech versus “fear, cowardice and rationalization”

Filed under: Books, Liberty, Media, Middle East, Quotations — Tags: , , — Nicholas @ 00:01

On Feb. 14, 1989, I happened to be on a panel on press freedom for the Columbia Journalism Review when someone in the audience told us of Ayatollah Ruhollah Khomeini’s religious edict for blasphemy against the British novelist Salman Rushdie. What did we think? We didn’t, as I best recall, disgrace ourselves. We said most of the right things about defending freedom of thought and the imagination.

But the death sentence from Iran’s supreme leader seemed unreal — the sending of a thunderbolt from medieval Qom against modern Bloomsbury — and we didn’t treat it with the seriousness that it deserved. I recall, alas, making a very poor joke about literary deconstructionism. My colleagues, though more sensible, were baffled and hesitant. Was it even true — or perhaps just a mistranslation?

We knew soon enough that it was true. The literary, media and political worlds rallied in defense of Mr. Rushdie. He became a hero of free speech and a symbol — even if a slightly ambivalent postcolonial one — of Western liberal traditions. But he also went, very sensibly, behind a curtain of security that was to last many years.

And by degrees — when it seemed that not only Mr. Rushdie’s life but the lives of his publishers, editors and translators might be threatened — his base of support in the literary world thinned out. Sensitive intellectuals discovered that, in a multicultural world, respect for the Other meant understanding his traditions too, and these often were, well, sterner than ours. Freedom of speech was only one value to be set against…ahem, several other values. Fear, cowardice and rationalization spread outward.

John O’Sullivan, “No Offense: The New Threats to Free Speech”, Wall Street Journal, 2014-10-31.

November 4, 2014

Vizzini and the Man in Black – different kinds of planners

Filed under: Books, Humour, Media — Tags: — Nicholas @ 00:02

Sarah Skwire on the two different types of planners featured in William Goldman’s novel The Princess Bride:

… in the response that has spawned an M.O.U.T. (meme of unusual tenacity), Inigo replies, “You keep using that word! … I don’t think it means what you think it does.”

When my friend Sam Wilson, a frequent blogger at both Euvoluntary Exchange and Sweet Talk, posted a brief Facebook comment on that famous line, a glorious debate erupted. Sam recorded a bit of that over at Sweet Talk, but since that same discussion got me thinking about The Princess Bride in light of questions of political economy, I thought it was worth bringing over here.

Throughout the novel, Vizzini stands as an example of the expert, the intellectual, and the man of system. Thoroughly persuaded that he is capable of controlling the innumerable variables that are involved in every step of his extraordinarily complicated plans, he is constantly failing. While his initial snatch-and-grab of Buttercup goes well enough, everything after that begins to collapse — and always because he has failed to anticipate some kind of human action.

[…]

After a few rounds of intellectual pyrotechnics designed to determine the location of the poison, Vizzini fails. And he dies. And the reason Vizzini fails is that, once more, he has not anticipated a human action. The Man in Black has poisoned both cups. The Man in Black has conditioned himself to be immune to this poison, on the off chance that an occasion like this should arise. Once again, Vizzini’s ideal plan has been beaten by unpredictable humans.

I can hear Sam objecting that our hero, the Man in Black, is also something of a planner. I point out, in response, that his plans — particularly the plan to storm the wedding and rescue Buttercup — are always flexible, updated on the fly, and tagged with a warning label reading, “Hear me now; there may be problems once we’re inside.” He is a planner, yes, but certainly not one who believes his plans are ideal and immune to failure. It seems likely that the Man in Black has read Hayek’s “Use of Knowledge in Society,” which emphasizes the importance and viability of this kind of “knowledge of people, of local conditions, and of special circumstances” that allow an individual to plan his own actions and respond speedily when circumstances change.

By contrast, Vizzini might have done well to read Hayek’s “The Intellectuals and Socialism,” which could have cautioned him about the dangers of viewing the world only through one theoretical lens and ignoring the advice of practical types like Inigo. He certainly would have profited from Adam Smith’s famous warnings about the man of system, who treats other human beings as if they are merely chess pieces, with no motivations of their own. It is those motivations that thwart Vizzini at every turn. His human design is beaten, every time, by the unpredicted and unpredictable human actions of others.

As Hayek and Smith and a host of other thinkers remind us, any other outcome is simply inconceivable.

October 31, 2014

“Candy … is essential to understanding the history of how Americans eat”

Filed under: Books, Food, History, Media, USA — Tags: , , — Nicholas @ 06:56

Virginia Postrel talks to Samira Kawash about her book Candy: A Century of Panic and Pleasure:

It was, Kawash writes, the “first ready-to-eat processed food, the original ancestor of all our fast, convenient, fun, imperishable, tasty, highly advertised brand-name snacks and meals.” For more than a century, we’ve simultaneously gorged on the stuff and felt guilty about it. It’s an intensified version of our ambivalent and fickle attitudes toward abundant, convenient, mass-produced food in general.

“The candy that gives us some of our happiest experiences is the same candy that rots our teeth, ruins our appetite, and sucks tender innocents into a desperate life of sugar addiction,” she writes. “Candy joins the ideas of pleasure and poison, innocence and vice, in a way that’s unique and a bit puzzling.” Candy is, one might say, both trick and treat. With Halloween in mind, I interviewed Kawash by e-mail.

Question: When and how did candy become associated with Halloween? Was trick-or-treating just concocted to sell candy?

Answer: Would you believe the earliest trick-or-treaters didn’t even expect to get candy? Back in the 1930s, when kids first started chanting “trick or treat” at the doorbell, the treat could be just about anything: nuts, coins, a small toy, a cookie or popcorn ball. Sometimes candy too, maybe a few jelly beans or a licorice stick. But it wasn’t until well into the 1950s that Americans started buying treats instead of making them, and the easiest treat to buy was candy. The candy industry also advertised heavily, and by the 1960s was offering innovative packaging and sizes like mini-bars to make it even easier to give out candy at Halloween. But if you look at candy trade discussions about holiday marketing in the 1920s and 1930s, Halloween doesn’t even get a mention.

October 30, 2014

Copyright’s friends and enemies

Filed under: Books, Business, Law, Media, USA — Tags: , — Nicholas @ 07:46

Mike Masnick linked to an article in The New Yorker by Louis Menand which tries to explain the concept of copyrights, the problems of ever-extending copyright terms, and who stands on each side of the ongoing debate:

The point of Peter Baldwin’s fascinating and learned (and also repetitive and disorganized) The Copyright Wars (Princeton) is that the dispute between analog-era and digital-era notions of copyright is simply the latest installment of an argument that goes all the way back to the Statute of Anne. The argument is not really about technology, although major technological changes tend to bring it back to life. It’s about the reason for creating a right to make copies in the first place.

In the United States, the reason is stated in the Constitution. Article I gives Congress power “to promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries.” The Copyright Act of 1790 set the length of copyright at fourteen years, renewable for another fourteen, after which the work falls into the public domain.

A right is just the flip side of a prohibition. The thinking behind Article I is that prohibiting people from copying and selling someone else’s original work is a way of encouraging the writing of useful or entertaining books, just as awarding a patent is a way of encouraging the invention of useful or enjoyable things. The prohibition operates as an incentive for the protected party. For a limited period — fourteen or twenty-eight years — authors get to enjoy the profits from sales of their books, and this prospect of reward induces people to write.

But Article I makes it clear that the ultimate beneficiary of books and inventions is the public. Copyrights are granted and patents are issued in order “to promote the Progress of Science and useful Arts.” This is why the Constitution dictates a limit on the right to make copies. After the term of protection expires, a work cannot be copyrighted again. It becomes a public good. It is thrown into the open market, which allows it to be cheaply reproduced, and this speeds the distribution of knowledge. “Intellectual property is a frail gondola that ferries innovation from the private to the public sphere, from the genius to the commons,” as Paul K. Saint-Amour, one of the leading literary scholars of copyright, elegantly describes it.

Sir Harry Flashman goes to Westeros

Filed under: Books, Humour, Media — Tags: , , — Nicholas @ 07:20

I’m not much of a fan fiction reader, but I was quite amused at this crossover between George MacDonald Fraser’s Flashman series and George R.R. Martin’s Game of Thrones:

Flashman and the Throne of Swords

October 24, 2014

A new biography of Lincoln

Filed under: Books, History, Media, Politics, USA — Tags: , , — Nicholas @ 00:02

Myron Magnet is quite enthusiastic about Founders’ Son: A Life of Abraham Lincoln by Richard Brookhiser:

Unlike those mega-biographies that bury their subject’s chief accomplishments under 900 pages of undigested detail, Richard Brookhiser’s compact, profound, and utterly absorbing new life of Abraham Lincoln, Founders’ Son, leaps straight to the heart of the matter. With searchlight intensity, it dazzlingly illuminates the great president’s evolving views of slavery and the extraordinary speeches in which he unfolded that vision, molding the American mind on the central conflict in American history and resolving, at heroic and tragic cost to the nation and himself, the contradiction that the Founding Fathers themselves could not resolve.

[…]

Lincoln did not start out an abolitionist. As early as 1837, he showed ambivalence on the subject. When the Illinois legislature voted to condemn abolition societies as unnecessarily provocative that year, legislator Lincoln and a colleague voted yes but entered a protest, declaring for the record “that the institution of slavery is founded on both injustice and bad policy.” Even so, as a campaigner for Whig candidate William Henry Harrison in the election of 1840, Lincoln, in a debate with Martin Van Buren supporter Stephen Douglas, “was not above slyly trafficking in prejudice,” Brookhiser notes, attacking Van Buren for supporting voting rights for New York State’s free blacks. But as his congressional term drew to an end in 1849, he proposed (unsuccessfully) a plan for ending slavery in the District of Columbia, and the next year, when the three-decade-long era of trying to find a compromise on the issue of slavery came to a climax with the Compromise of 1850, Lincoln knew that the choice between slavery and abolition was inevitable for the nation—and he knew that he would stand against slavery. “When the time comes my mind is made up,” he told a friend, “for I believe the slavery question can never be successfully compromised.”

The time came soon enough, with the infamous Kansas-Nebraska Act of 1854. In effect, the act repealed the 1820 Missouri Compromise, which, in admitting Missouri as a slave state, had barred slavery from the rest of the Louisiana Territory lying north of the 36° 30’ parallel. By the terms of the new act, however, settlers pouring into the vast, hitherto empty territories of Kansas and Nebraska, which mostly lay north of the 1820 line, could choose whether to admit or bar slavery by “popular sovereignty,” the term used by Democratic senate leader Stephen Douglas, who boasted of having “passed the Kansas-Nebraska Act myself. . . . I had the authority and power of a dictator throughout the whole controversy.”

Though what we call the Lincoln-Douglas debates occurred in their Illinois senatorial contest of 1858, the “six years from 1854 to 1860 were one long Lincoln-Douglas debate,” writes Brookhiser, as Douglas went around the state defending the act and an indignant Lincoln pursued him, rebutting his emollient arguments in a string of immortal speeches. In Peoria in October 1854, Lincoln condemned Douglas for reopening an already scabbed-over wound. “Every inch of territory we owned already had a definite settlement of the slavery question,” he observed; but thanks to Douglas, “here we are in the midst of a new slavery agitation.” Douglas wants the people of the territories to decide? Fine. But who the people are “depends on whether a Negro is not or is a man.” If he is, then isn’t it “a total destruction of self-government, to say that he too shall not govern himself?” When a white man “governs himself, and also governs another man, that is more than self-government — that is despotism.”

Lincoln appealed to the authority of his beloved Founding Fathers — a subject Brookhiser, biographer of several of them, knows better than most. These great men found slavery already existing in the colonies, and to forge a new nation that the slave states would agree to join, they had to accept the evil out of necessity, not principle. They clearly knew that it was wrong, as is evident in the 1787 Northwest Ordinance, by which the Continental Congress strove to prevent slavery’s spread to unsettled territories; in the Declaration of Independence—“the sheet anchor of American republicanism,” said Lincoln, “that teaches me that ‘all men are created equal,’” including blacks, who are emphatically men; and in the Constitution itself, which accepted slavery so reluctantly that it wouldn’t even name it, Lincoln noted, “just as an afflicted man hides away a wen or cancer, which he dares not cut out at once, lest he bleed to death.” So let’s not go beyond where the Founders felt themselves forced to go. Let’s not metastasize slavery further.

October 23, 2014

The risks of writing near-future SF stories

Filed under: Books, Britain, Media — Tags: , , — Nicholas @ 00:02

Charles Stross tells a sad tale of woe about his “Laundry” series of SF/Occult novels:

There’s some kind of bizarre curse hanging over my Laundry Files series. Or maybe it’s a deeper underlying problem with writing fiction set in the very near future (or past): I’m not sure which. All I’m sure is that that for the past decade, reality has been out to get me: and I’m fed up.

My first intimation came a long time ago — in 2001. I’d just finished writing The Atrocity Archive and it was being edited for serial publication in issues 7-9 of the Scottish SF magazine Spectrum SF (which folded a couple of issues later, in 2003). It was late September, and I found myself reading a terse email from the editor, Paul Fraser: “Charlie, about your story — do you think you can possibly find some new bad guys for Chapter 4? Because you’ve just been overtaken by current events …”

In Chapter 4 of The Atrocity Archive Bob learns from Angleton who the middle eastern bad guys who kidnapped Mo, intending to use her sacrifice to open a gateway to somewhere bad, really were … and when I originally wrote the story, in 1999-2000, they were a relatively obscure bunch of anti-American zealots who’d blown up the USS Stark and an embassy in Africa. I know this may boggle the imagination of younger or more forgetful readers, but Al Quaida and Osama bin Laden had not at that time hijacked any airliners, much less etched themselves into the pages of world history: they were not, at that time, the Emmanuel Goldstein of the New World Order.

October 11, 2014

“[French] society is corrupted and doesn’t have any moral principles”

Filed under: Books, Europe, France, Media, Russia — Tags: , , — Nicholas @ 10:47

The Guardian‘s Catherine Shoard on the reception Gérard Depardieu received from a “conservative” Russian politician:

Gérard Depardieu’s move to Russia had the effect of making the actor repent sexual activities conducted in Europe, a conservative Kremlin politician has said.

Reacting to the publication of Ça s’est fait comme ça, Depardieu’s memoir in which he discusses stints of employment as a grave robber and a male prostitute, Vitaly Milonov expressed sympathy for the actor.

“It wasn’t easy for him in France,” he told Russian newspaper MK. “There, society is corrupted and doesn’t have any moral principles.”

“I view Gérard’s book as sort of repentance, confession of old sins. Now that he breathed in the purifying air of Mordovia, all that filth left him. He sincerely repents what he was forced to do in his youth in France. He wants to live in a new way, without all that filth.”

October 10, 2014

Cory Doctorow – “Information doesn’t want to be free, people want to be free”

Filed under: Books, Business, Liberty, Media — Tags: , , — Nicholas @ 10:10

Cory Doctorow’s latest book, Information Doesn’t Want to Be Free, briefly reviewed by Ian Steadman in New Statesman:

“Information wants to be free” is a rallying cry for many of those who fight against legal restrictions on the internet. The phrase was coined by the tech writer Stewart Brand in 1984 and referred to the way the web reduces many of the costs of producing and disseminating data to near zero. “Free” in this phrase has also come to mean “freedom”, because the internet makes it easy to avoid censorship.

Doctorow is challenging both interpretations – not because he doesn’t agree with them but because he thinks a crucial premise has been lost. “Information doesn’t want to be free,” he writes, “people want to be free.”

The first two-thirds of the book discusses ways in which artists are penalised by the internet’s present regulatory system. He criticises digital rights management (DRM) technology, which limits the platforms digital files can play on; not only does it mean we don’t “own” the files we pay for, but when a company that supports a file goes bust, the culture locked up in their DRM can be lost for ever. Doctorow describes this as “a library burning in slow motion”.

Many companies such as Apple sell devices that block you from downloading non-approved apps. “That is sold to creators as an anti-piracy measure,” Doctorow tells me when we speak on the phone. “But the most practical application has been to allow Apple to exert market power that it would never have had in any other world.”

This links to the final third of the book, which explores how systems for protecting copyrighted material can also be used for censorship.

Jesse Walker’s urban legend

Filed under: Books, Liberty, Media — Tags: — Nicholas @ 07:49

In Reason, Jesse Walker tracks down the creator of an urban legend, only to discover that it was him:

During Banned Books Week last month, you may have heard that some busybodies banned Green Eggs and Ham because they thought the story was kinda gay. Metro reported that this happened “briefly in the 1990s because of supposed homosexual innuendos.” A Minnesota radio station said the book was targeted for its “homosexual theme.” Feministe announced that it had been challenged in California for, “No shit, ‘homosexual seduction’ on the part of Sam.” Many other outlets have related the same story, not just last month but in years past. In 2013, Dr. Seuss’ classic even made its way into the Oberlin Public Library’s banned books display. “Inside the bright orange book,” a local paper reported, a “slip explains that it was once thought to have ‘homosexual seduction,’ because Sam tried to seduce his friend.”

None of these reports say where or when this purported prohibition took place, other than those vague references to California and the ’90s. A Lexis-Nexis search turned up nothing. I asked the American Library Association, which sponsors Banned Books Week and keeps track of such things, if they were aware of such an effort; they told me it wasn’t in their database. Metro said it got its info from a book called Seuss Facts, which as far as I can tell does not exist — though a Facebook feed by that name did mention the alleged ban without citing a source. I got in touch with some of the other reporters and bloggers who had repeated the story. None of them were certain where it came from. After I contacted BuzzFeed‘s Spencer Althouse, who included Green Eggs in a banned-books list last year, he concluded that the story was “a terrible, terrible rumor” and added a correction to his article. I’m open to the possibility that there’s a real event here that I haven’t been able to track down, but that seems extremely doubtful.

Besides, I’m pretty sure I know where this began. It’s my fault. Sorry. My bad.

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