Quotulatiousness

October 6, 2019

Cutting the Lid Rebates by Hand | Dovetail Box Project #13 | Free Online Woodworking School

Filed under: Tools, Woodworking — Tags: , , — Nicholas @ 06:00

Matt Estlea
Published 4 Oct 2019

In this video, I show you two effective methods of cutting the rebates to locate the lid. Firstly, I show you how to use a shoulder plane to complete the task. Then I follow that up and show you how to use a rebate plane. Supporting resources for this lesson are listed below.
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How to Plane Correctly:
https://www.youtube.com/watch?v=MVGvR…

Veritas Shoulder Plane:
http://bit.ly/2OinWPQ

Project Tool List:
https://mailchi.mp/c7ac30e21fed/boxre…
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See what tools I use here: https://kit.com/MattEstlea
My Website: http://www.mattestlea.com
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My name is Matt Estlea, I’m a 23 year old Woodworker from Basingstoke in England and my aim is to make your woodworking less s***.

I come from 5 years tuition at Rycotewood Furniture Centre with a further 1 year working as an Artist in Residence at the Sylva Foundation. I now teach City and Guilds Furniture Making at Rycotewood as of September 2018.

I also had 5 years of experience working at Axminster Tools and Machinery where I helped customers with purchasing tools, demonstrated in stores and events, and gained extensive knowledge about a variety of tools and brands.

During the week, I film woodworking projects, tutorials, reviews and a viewer favourite ‘Tool Duel’ where I compare two competitive manufacturers tools against one another to find out which is best.

I like to have a laugh and my videos are quite fast paced BUT you will learn a lot, I assure you.

Lets go make a mess.

Finally a reason to climb on the impeachment bandwagon

Filed under: Economics, Government, Humour, Politics, USA — Tags: , , , , — Nicholas @ 05:00

Andrew Heaton, in his latest newsletter, explains why he’s finally come down on the side of impeaching President Trump:

Okay, here’s the main thing I wanted to talk to you about: America is about to slap a TWENTY-FIVE PERCENT tariff on scotch. The underlying story involves the WTO and Airbus, but I think I can save everybody a lot of time by pointing out that our president is a mouthbreathing protectionist who’s too lazy to read Adam Smith’s wikipedia page.

Here are a few things to consider:

  • Tariffs are just taxes, designed to punish you for having the gall to buy something from a foreigner.
  • This will hurt Scottish distillers, and potentially price out distillers with low profit margins.
  • I might have to switch to wine on dates.
  • We have now spent more money needlessly bailing out farmers from a trade war with China than we did bailing out banks under Bush.
  • We’ve known about the idiocy of tariffs since The Wealth of Nations came out in 1776.
  • Trump, a man lacking an ideological core, for reasons which boggle the mind, seems to genuinely believe tariffs and protectionism are good things, as he has maintained since the 80s.

Chances are if you subscribe to this newsletter you’re not a teetotaler, but on the off chance you are, allow me to make a case against whisky taxes even if you are not personally apoplectic about a tax hike on Laphroaig. (A concoction personally invented by Almighty God. It’s like you’re drinking a campfire. Try it.)

There’s an old saying: when goods don’t cross borders, armies do. I concur with this. In fact my largest contribution to the field of economics (Nobel Prize forthcoming) is Heaton’s Peace Through International Mistresses Theory.

My groundbreaking idea is that we want to have an interconnected, global economy with lots of transnational trade, because businessmen will be less supportive of bombing cities their mistresses live in. When trade wars happen, international trade collapses, and suddenly businessmen are flying to Berlin and Paris a lot less. Pretty soon we’re firebombing Tokyo.

It would probably be more appropriate of me to dedicate my political analysis to the forthcoming Ukraine/Trump/Biden/Impeachment circus which will dominate our lives for the next few months. However in my case I don’t need to. The president has messed with my scotch. Now it’s personal. I’m all in.

Impeach the guy.

#FreeTrade

You can subscribe to Andrew’s email newsletter here.

Hitler and the Art of the Deal – WW2 – 058 – October 5 1940

Filed under: China, Europe, Germany, History, Japan, Military, WW2 — Tags: , , , , , , — Nicholas @ 04:00

World War Two
Published 5 Oct 2019

Hitler is trying to get new Axis Powers on board in his fight against Britain, promising them all huge territorial gains.

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Written and Hosted by: Indy Neidell
Produced and Directed by: Spartacus Olsson and Astrid Deinhard
Executive Producers: Bodo Rittenauer, Astrid Deinhard, Indy Neidell, Spartacus Olsson
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Iryna Dulka
Map animations: Eastory

Colorisations by Norman Stewart and Julius Jääskeläinen https://www.facebook.com/JJcolorization/

Eastory’s channel: https://www.youtube.com/channel/UCEly…
Archive by Screenocean/Reuters https://www.screenocean.com.

Sources:
– IWM: A 220
– Photos of Herbert Morrison and John Anderson by Yousuf Karsh, Dutch National Archives
– National Library of Australia
– Narodowe Archiwum Cyfrowe
– Colorized portrait of Mao Zedong by Olga Shirnina, aka Klimbim
– Flag of Spain by SanchoPanzaXXI on Wikimedia Commons

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

The cultural influence of George Orwell

Filed under: Books, Britain, History — Tags: , , , , — Nicholas @ 03:00

George Orwell, the chosen pen name of Eric Blair, is one of the best known writers of the 20th century and even people who have never read any of his writings are aware of his influence. John Rodden and John Rossi outline the immediate post-war period that saw Orwell publish his final and best-known work:

Seven decades ago on June 8, George Orwell’s Nineteen Eighty-Four exploded on the cultural front—fittingly enough, just two months before the Soviet Union’s first successful atomic test that August, which broke America’s nuclear monopoly. Orwell’s warning was urgent — and timely. Almost overnight, in the wake of the surrender of Germany and Japan that ended World War II in 1945, a new war—the so-called Cold War — had emerged. (Orwell is often credited with coining the term.)

The Cold War pitted the capitalist West against the communist East, above all the United States against the USSR (and soon China). Just three weeks before the publication of Nineteen Eighty-Four, the Soviet Union lifted the Berlin Blockade, thereby avoiding a potentially deadly showdown with the West that might have triggered World War III. Two weeks later, on May 23, the Federal Republic of Germany (West Germany) was officially established, effectively ending prospects in the near future of German reunification. On the very day of Nineteen Eighty-Four‘s publication, June 8, fears swept through liberal America of a growing Red Scare when a leaked document named numerous celebrities as Communist Party members (e.g., Helen Keller, Dorothy Parker, Fredric March, Danny Kaye, Edward G. Robinson). That same month, the communist armies of Mao Zedong captured Shanghai, and less than six months later on October 1, declared victory in the civil war against the American-backed Nationalists and the founding of the People’s Republic of China.

What educated person is not at least vaguely familiar with the language and vision of Orwell’s novel — even if he or she does not recognize the source? Indeed the very ignorance of the source represents an inadvertent tribute to the power of Orwell’s language and vision. Like Shakespeare’s poetry (“All the world’s a stage,” “To be or not to be,” “This above all: to thine own self be true”), so deeply have some of Orwell’s locutions become lodged in the cultural lexicon and political imagination that most people no longer recognize their author, let alone the source.

Today, as in the case of Shakespeare, hundreds of millions of people mouth Orwell’s coinages and catchphrases, such as “Big Brother” and “doublethink” — including his name as proper adjective, “Orwellian” (i.e., nightmarish, oppressive). And that’s just in English. Tens of millions more recognize and repeat them in foreign translations, as I [Rodden] discovered in our travels and teaching in the communist East Germany as well as in Asia. Rudimentary acquaintance with such locutions is regarded as a sine qua non of cultural literacy in English — even today, when prolefeed (mindless chatter) floods the print columns and dominates the airwaves.

Nineteen Eighty-Four represents Orwell’s Orwellian vision — in the form of a fictional anti-utopia (or “dystopia”) — of what a nightmarish, oppressive future might hold. It projects a world 35 years away — half the biblical lifespan of three score and ten. Having completed his novel by the end of 1948, Orwell flipped the last two digits to underscore his anti-utopian theme of a world turned upside down and inside out. Or so many scholars have reasonably claimed. The date resultant from the flipped digits also gave the novel its immediacy. Previous anti-utopias, such as Aldous Huxley’s Brave New World (1932), had cast their ominous scenarios far into the future, which lessened their dramatic impact and tended to render them entertaining thought experiments. (Huxley’s action is set in the 26th century.) By contrast, Orwell’s dire future is too close for comfort — and depicts the planet in the immediate aftermath of a global nuclear war that has nearly annihilated the human species. His vision thus projects a world in which middle-aged readers in 1949 might find themselves in old age — and certainly their children and grandchildren were likely to witness it. (If he had lived, Orwell himself would have still been just 80 years old on April 4, 1984, when the story opens.)

Shieldwalls

Filed under: Greece, History, Military — Tags: , , — Nicholas @ 02:00

Lindybeige
Published on 24 Mar 2011

This may address many of the comments I had for my spears video. Many of my theories are based on the I think fairly reliable notion that people in the past were similar to people today in that they tended towards a desire for self-preservation, and away from reckless bravery.

http://www.LloydianAspects.co.uk

QotD: Modern middle-class “cosmopolitans”

Filed under: Education, Politics, Quotations, USA — Tags: , , — Nicholas @ 01:00

We must not sneer at Jennifer and Jason, many readers are sure to point out, for choosing IKEA. Their incomes, though high in the global scale, are likely to be lower than their parents’ were, and they often have to move in order to climb the employment ladder. It is only reasonable for them to buy something inexpensive, transportable, and replaceable. IKEA fulfills an important niche in the middle-class market — for cheap furniture that still retains a semblance of respectability. The company has exploited this market to become the global empire that Sweden never had, a kind of Viking revenge on the modern age.

Still, there is a good chance that Jennifer and Jason actually like their IKEA dressers, and prefer them to the old oak chest that their grandparents tried to foist on them. Indeed, the extraordinary popularity of IKEA testifies not only to its convenience but to its ability to appeal to the middle-class self-image. Jennifer and Jason are drawn to IKEA because it reflects who they are: they too are modern, movable, and interchangeable, their wants satisfiable in any neighborhood with a food co-op and a coffee shop. More fundamentally, Jennifer and Jason are untraceable, a “composite material” made from numberless scraps and pieces. They have a long catalog of home towns, and their accents are NPR neutral. They can probably rattle off the various nationalities in their family trees — Dutch, Norwegian, Greek, and Jewish, maybe some Venezuelan or Honduran for a little color. From these backgrounds they retain no more than a humorous word or phrase, a recipe, or an Ellis Island anecdote, if that. They grew up amidst a scramble of white-collar professionals and went to college with a scramble of white-collar professionals’ kids. Their values are defined mainly by mass media, their tastes adorably quirky but never straying too far from their peers’, and like the IKEA furniture that they buy in boxes, they too cut themselves into manageable, packaged pieces and market themselves online. They are probably “spiritual but not religious.” They have no pattern or model of life that bears any relation to the past before the internet. For all intents and purposes, they sprang up de novo in the modern city. Whereas the Veneerings’ high fashion covered over an essential vulgarity, Jennifer’s and Jason’s urbane style masks a hollowness.

It may be tempting to call Jennifer and Jason, and the the group of people whom they represent, “cosmopolitans.” (And indeed, IKEA, with its vaguely exotic Swedish names, provides a dash of cosmopolitanism on the cheap.) However, Jennifer and Jason are something newer and more bizarre than cosmopolitans: as Ross Douthat aptly pointed out in the wake of the Trump election, the increasingly insulated college-educated classes of the coastal cities do not grapple with real, substantive differences in beliefs and values, associating instead with cliques of like-minded classmates. In addition, classic cosmopolitans seek out what is best in others’ traditions while showing a fierce pride in their own — a Jordanian extolling the majesty of Petra, a Mexican diplomat breaking into lines of Octavio Paz, etc. Westerners like Jennifer and Jason show no such pride or attachment, instead leaping at opportunities to mock the foibles of their native lands.

Conversely, we must also avoid cheap epithets. The word “cosmopolitan” is a double-edged sword – long a shibboleth for worldly sophistication, it has lately turned upon its makers, serving as a political weapon against urban liberals; it is not surprising that a Trump spokesman recently attacked the “cosmopolitan bias” of a journalist who questioned the White House’s immigration policies. There is nothing particularly new or insightful about attacking urbanites tainted by association with the foreign, like the Judean exiles railing against the silken whores of Babylon. Still, as shallow and hackneyed as this rhetorical strategy might be, it packs a populist punch because the very concept of “cosmopolitan” is purely relative: since no one, legally speaking, is a citizen of the world, one can be “cosmopolitan” only in contrast to someone else – a “provincial” in the Victorian terminology, or a “xenophobe” in contemporary talk. In other words, the idea of cosmopolitanism carries an unavoidable subtext of class superiority.

Samuel Biagetti, “The IKEA Humans: The Social Base of Contemporary Liberalism”, Jacobite, 2017-09-13.

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