Published on 8 Dec 2014
Indy is answering your questions again and this week explains, among other things, how gas shells worked and what role Spain played during the war. You can always ask more questions in the comments, on Facebook or on Twitter and Indy will gladly answer them in on of the next episodes.
December 10, 2014
How Did Gas Shells Work in WW1? – OUT OF THE TRENCHES #4
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US child poverty is bad … but nowhere near as bad as they say
Tim Worstall debunks a headline statistic from earlier this month:
We’ve a new report out from the Mailman School of Public Health telling us that in some urban parts of the US child poverty is up at the unbelievable rates of 40, even 50% or more. The problem with this claim is that it’s simply not true. Apparently the researchers aren’t quite au fait with how poverty is both defined and alleviated in the US. Which is, when you think about it, something of a problem for those who decide to present us with statistics about child poverty.
[…]
Everyone else [in the world] (as well as using a relative poverty standard, usually below 60% of median earnings adjusted for family size) measures poverty after the effects of the tax and benefits systems on alleviating poverty. So, in my native UK if you’re poor you might get some cash payments (say, unemployment pay), some tax credits, help with your housing costs (housing benefit we call it), reduced property taxes (council tax credit) and so on. Whether you are poor or not is defined as being whether you are still under that poverty level after the effects of all of those attempts to alleviate poverty.
In the US things are rather different. It’s an absolute standard of income (set in the 1960s and upgraded only for inflation, not median incomes, since) but it counts only market income plus direct cash transfers to the poor before measuring against that standard. Thus, when we measure the US poor we do not include the EITC (equivalent of those UK tax credits, indeed our UK ones were copied from the US), we do not include Section 8 vouchers (housing benefit), Medicaid, we don’t even include food stamps. Because the US measure of poverty simply doesn’t include the effects of benefits in kind and through the tax system.
The US measure therefore isn’t the number of children living in poverty. It’s the number of children who would be in poverty if there wasn’t this system of government alleviation of poverty. When we do actually take into account what is done to alleviate child poverty we find that it’s really some 2-3% of US children who live in poverty. Yes, that low: the US welfare state is very much child orientated.
(Emphasis mine)
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Orwell at the BBC
The most recent issue of Intelligent Life looks at the brief interlude of George Orwell’s career while he was working at the BBC during the Second World War:
Orwell spent a mere two years (1941-43) at the BBC, which he joined as a talks assistant in the Indian section of the Eastern Service. No recording survives of him giving a talk, which is perhaps fitting; for what is most striking about his essays and journalism is the tart, compelling timbre of his voice. The critic Cyril Connolly, an exact contemporary, thought that only D.H. Lawrence rivalled Orwell in the degree to which his personality “shines out in everything he said or wrote”. Any reader of Orwell’s non-fiction will pick up on the brisk, buttonholing manner (“two things are immediately obvious”), the ear-catching assertions (“the Great War…could never have happened if tinned food had not been invented”) and the squashing epithets: “miry”, “odious”, “squalid”, “hideous”, “mealy-mouthed”, “beastly”, “boneless”, “fetid” and — a term he could have applied to himself — “frowsy”.
Orwell might well have damned this new honour too. In his studio on the edge of the Blenheim estate in Oxfordshire, Martin Jennings, the sculptor working on the eight-foot likeness, told me that Orwell had made some disobliging remarks about public statues, thinking that they got in the way of perfectly good views. The bronze Orwell will look down on the comings and goings of BBC staff who, returning his gaze, can read some chiselled wisdom from his works on the wall behind him. The Financial Times recently called Orwell “the true patron saint of our profession”, another tribute he would probably resist. “Saints”, he warned, “should always be judged guilty until they are proved innocent.”
Why Orwell? His time at the BBC was ambivalent at best. As students of 1984 soon discover, the novel’s dreary, wartime ambience and the prominence of propaganda owe much to his BBC experiences; Room 101, where Winston Smith confronts his worst nightmares, was named after an airless BBC conference room. “Its atmosphere is something halfway between a girls’ school and a lunatic asylum,” Orwell wrote in his diary on March 14th 1942, “and all we are doing at present is useless, or slightly worse than useless.”
One answer to “why Orwell?” is because of his posthumous career. Five years before his death in 1950, he was, in the words of one of his biographers, D.J. Taylor, “still a faintly marginal figure”. He had published seven books, four of them novels, none of which put him in the front rank of novelists, two of which he had refused to have reprinted. He was acknowledged as a superb political essayist and bold literary critic, but his contemporary and friend Malcolm Muggeridge, first choice as his biographer, frankly considered him “no good as a novelist”. It was only with his last two books, Animal Farm and 1984 (published in 1945 and 1949), that Orwell transformed his reputation as a writer. These two books would change the way we think about our lives.
H/T to Kathy Shaidle for the link.
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Matthew Inman finds religion, sorta
Published on 5 Dec 2014
Keynote speaker Matt Inman introduces us to a new deity, enlightening the the San Francisco audience in the process, in the first ever BAHFest West keynote at the historic Castro Theatre
BAHFest is the Festival of Bad Ad Hoc Hypotheses, a celebration of well-researched, logically explained, and clearly wrong evolutionary theory. Additional information is available at http://bahfest.com/
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QotD: Quality, innovation, and progress
Measured by practically any physical metric, from the quality of the food we eat to the health care we receive to the cars we drive and the houses we live in, Americans are not only wildly rich, but radically richer than we were 30 years ago, to say nothing of 50 or 75 years ago. And so is much of the rest of the world. That such progress is largely invisible to us is part of the genius of capitalism — and it is intricately bound up with why, under the system based on selfishness, avarice, and greed, we do such a remarkably good job taking care of one another, while systems based on sharing and common property turn into miserable, hungry prison camps.
We treat the physical results of capitalism as though they were an inevitability. In 1955, no captain of industry, prince, or potentate could buy a car as good as a Toyota Camry, to say nothing of a 2014 Mustang, the quintessential American Everyman’s car. But who notices the marvel that is a Toyota Camry? In the 1980s, no chairman of the board, president, or prime minister could buy a computer as good as the cheapest one for sale today at Best Buy. In the 1950s, American millionaires did not have access to the quality and variety of food consumed by Americans of relatively modest means today, and the average middle-class household spent a much larger share of its income buying far inferior groceries. Between 1973 and 2008, the average size of an American house increased by more than 50 percent, even as the average number of people living in it declined. Things like swimming pools and air conditioning went from being extravagances for tycoons and movie stars to being common or near-universal. In his heyday, Howard Hughes didn’t have as good a television as you do, and the children of millionaires for generations died from diseases that for your children are at most an inconvenience. As the first 199,746 or so years of human history show, there is no force of nature ensuring that radical material progress happens as it has for the past 250 years. Technological progress does not drive capitalism; capitalism drives technological progress — and most other kinds of progress, too.
Kevin D. Williamson, “Welcome to the Paradise of the Real: How to refute progressive fantasies — or, a red-pill economics”, National Review, 2014-04-24
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December 9, 2014
The “broken windows theory” of policing … applied to the police
In The Atlantic, Conor Friedersdorf discusses an interesting application of the “broken windows theory”:
One of the most influential policing concepts of our era, the broken-windows theory, holds that disorder and crime are “usually inextricably linked in a kind of developmental sequence.” At the community level, ignoring disorder leads to more of it, just as a building with a broken window soon has other windows broken. That insight has been widely embraced by law enforcement in the United States. But as Ken White observed in a recent post, we’ve yet to apply it to police agencies. “If tolerating broken windows leads to more broken windows and escalating crime,” he asks, “what impact does tolerating police misconduct have?” He points to recent examples in order to argue that the consequences are dire:
[J]ust as neighborhood thugs could once break windows with impunity, police can generally kill with impunity. They can shoot unarmed men and lie about it. They can roll up and execute a child with a toy as casually as one might in Grand Theft Auto. They can bumble around opening doors with their gun hand and kill bystanders, like a character in a dark farce, with little fear of serious consequences. They can choke you to death for getting a little mouthy about selling loose cigarettes. They can shoot you because they aren’t clear on who the bad guy is, and they can shoot you because they’re terrible shots, and they can shoot you because they saw something that might be a weapon in your hand—something that can be … any fucking thing at all, including nothing.
… We’re not pursuing the breakers of windows. If anything, we are permitting the system … to entrench their protected right to act that way. We give them … third and fourth chances. We pretend they have supernatural powers of crime detection even when science shows that’s bullshit. We fight desperately to support their word even when they are proven liars. We sneer that “criminals have too many rights,” then give the armed representatives of our government stunning levels of procedural protections when they abuse or even kill us.
I’d never thought about police abuses in quite this way before. But it seems to me that the reforms implied by applying broken-windows theory to police officers are very similar to many of the policy changes that critics of policing have lately been advocating. How to consistently punish police officers at the first sign of disordered behavior? Record their interactions to a cloud server that they do not control. Assign independent prosecutors to handle cases of unlawful behavior. And end the practice of arbitrators reversing punishments given to misbehaving cops.
As a former St. Louis policeman put it in the Washington Post, “The problem is that cops aren’t held accountable for their actions, and they know it. These officers violate rights with impunity. They know there’s a different criminal justice system for civilians and police. Even when officers get caught, they know they’ll be investigated by their friends, and put on paid leave. My colleagues would laughingly refer to this as a free vacation. It isn’t a punishment. And excessive force is almost always deemed acceptable in our courts and among our grand juries. Prosecutors are tight with law enforcement, and share the same values and ideas.”
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Exodus: Gods and Kings gets panned by Forbes
Scott Mendelson reviews the soon-to-open movie by Ridley Scott, and finds it awful:
Exodus: Gods and Kings is a terrible film. It is a badly acted and badly written melodrama that takes what should be a passionate and emotionally wrenching story and drains it of all life and all dramatic interest. It hits all the major points, like checking off boxes on a list, yet tells its tale at an arms-length reserve with paper-thin characters. It is arguably a film intended for adults, with violence that makes a mockery of its PG-13 rating, yet it has far less nuance, emotional impact, and moral shading than DreamWorks Animation’s PG-rated and seemingly kid-targeted The Prince of Egypt.
The film starts with an arbitrary mass battle scene, one which serves no purpose save for having a mass battle sequence to toss into the trailers. The primary alteration to the story is the inclusion of said gratuitous action beats. The film is relentlessly grim yet oddly unemotional, which is a tricky balance to accidentally pull off. The actors (who have all done excellent work elsewhere) are all oddly miscast, and that’s not even getting to the whole “really white actors playing Egyptians” thing. Oh right, that little issue… It’s actually worse than you’ve heard.
In retrospect, it may have been better to just make a 100% white cast similar to Noah. This film instead is filled with minorities in subservient roles, be it slaves, servants, or (implied) palace sex toys. Instead of merely having a film filled with only white actors, what the film does is implicitly impose a racially-based class system, where the white characters are prestigious and/or important while the various minorities are inherently second or third-class citizens almost by virtue of their skin color. I am sure this was unintentional, but that’s the visual picture that Exodus paints.
Now to be absolutely fair, even if Exodus was cast with 100% racial/ethnic authenticity, it would still be a pretty bad motion picture. The screenplay has our poor, miscast actors speaking in various accents and in a bizarre hybrid of “ancient times period piece” English and more modern American English, which leads to lines like “From an economic standpoint alone, what you’re asking is problematic,” which is Rameses’s (Joel Edgerton) response to Moses’s initial plea to “Let my people go!”
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Colby Cosh on the recent “unprecedented” terror attacks
In his latest Maclean’s article, Colby Cosh talks about the recent “freelance” terror attacks on Canadian soil and points out that no matter what the reporters say, they’re hardly “unprecedented”:
There has been much discussion about how to think of the type of freelance Islamist terrorist that has recently begun to belabour Canada. What labels and metaphors are appropriate for such an unprecedented phenomenon? I possess the secret: It is not unprecedented. This has been kept a secret only through some odd mischance, some failure of attention that is hard to explain.
I discovered the secret through reading about 19th-century history, particularly the years from the 1848 revolutions to the outbreak of the First World War in 1914. The key was Bismarck, the Prussian minister-president who unified Germany. If you want to learn about Bismarck, you will probably pick up a book by some historian of international relations, such as A.J.P. Taylor. That’s the right place to start. But it means you can read a lot about Bismarck before finding out about the time in May 1866 when a guy shot him.
Ferdinand Cohen-Blind, a Badenese student of pan-German sentiments, waylaid Bismarck with a pistol on the Unter den Linden. He fired five rounds. None missed. Three merely grazed his midsection, and two ricocheted off his ribs. He went home and ate a big lunch before letting himself be examined by a doctor.
[…]
The point is not that Bismarck was particularly hated, although he was. The point is that this period of European (and American) history was crawling with young, often solitary male terrorists, most of whom showed signs of mental disorder when caught and tried, and most of whom were attached to some prevailing utopian cause. They tended to be anarchists, nationalists or socialists, but the distinctions are not always clear, and were not thought particularly important. The 19th-century mind identified these young men as congenital conspirators. It emphasized what they had in common: social maladjustment, mania, an overwhelming sense of mission and, usually, a prior record of minor crimes.
In my Origins of WW1 series, I quoted from The War That Ended Peace (which I still heartily recommend):
Margaret MacMillan describes the typical members of the Young Bosnians, who were of a type that we probably recognize more readily now than at any time since 1914:
[They] were mostly young Serb and Croat peasant boys who had left the countryside to study and work in the towns and cities of the Dual Monarchy and Serbia. While they had put on suits in place of their traditional dress and condemned the conservatism of their elders, they nevertheless found much in the modern world bewildering and disturbing. It is hard not to compare them to the extreme groups among Islamic fundamentalists such as Al Qaeda a century later. Like those later fanatics, the Young Bosnians were usually fiercely puritanical, despising such things as alcohol and sexual intercourse. They hated Austria-Hungary in part because they blamed it for corrupting its South Slav subjects. Few of the Young Bosnians had regular jobs. Rather they depended on handouts from their families, with whom they had usually quarreled. They shared their few possessions, slept on each other’s floors, and spent hours over a single cup of coffee in cheap cafés arguing about life and politics. They were idealistic, and passionately committed to liberating Bosnia from foreign rule and to building a new and fairer world. Strongly influenced by the great Russian revolutionaries and anarchists, the Young Bosnians believed that they could only achieve their goals through violence and, if necessary, the sacrifice of their own lives.
The “peaceful century” from the defeat of Napoleon to the outbreak of the First World War was far from peaceful — we only see it as such in contrast to the bloodbath of 1914-1918. And terrorists of a type we readily recognize from the front pages of the newspapers today were prefigured exactly by the anarchist revolutionaries of a century ago.
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The intra-feminist arguments over sex work and video game portrayals of it
Noah Berlatsky talks about feminist videographer Anita Sarkeesian’s criticism of the portrayal of sex workers in video games and how that contributes to negative views toward all women and the sex workers who take issue with Sarkeesian’s presentation:
In her series of controversial videos critiquing sexism in video games, Anita Sarkeesian often focuses on the way games treat sex workers. She points to games like Hitman: Absolution, in which characters can dump the dead body of a stripper over a railing as a way to distract police; or Saints Row, in which characters are encouraged to steal prostitutes from one pimp and deliver them to another; or Grand Theft Auto, where having sex with a sex worker increases health much like quaffing an energy drink. Sarkeesian concludes that sex workers in many video games are viewed as commodities and objects, rather than as people — and that they are often targeted for violence. In Red Dead Redemption, for example, the player is rewarded with an achievement for kidnapping a sex worker and murdering her.
Violence against sex workers is a serious problem, both nationally and internationally [PDF], and Sarkeesian makes a good case that the games she discusses treat that violence as fun, enjoyable, or even laudable. But Sarkeesian’s videos have not garnered much praise from those most directly affected by these tropes. On the contrary, many sex workers have argued that Sarkeesian’s videos contribute to the objectification and stigma that she claims she is trying to reduce.
Much of the criticism of Sarkeesian has centered around her terminology. She doesn’t call sex workers “sex workers.” Instead she refers to them throughout her video series as “prostituted women.” That’s a term often used by writers who see all sex work as automatically exploitative or harmful to women, and by those who want to criminalize sex work. Sex workers have repeatedly tried to ask Sarkeesian on social media to reconsider her language, but she hasn’t responded, and has continued to use the term. For example, in this recent tweet she says that fans of Grand Theft Auto have been harassing her by sending her images of “gameplay of the use & murder of prostitutes.” The fact that gamers are using images of sex workers to harass Sarkeesian seems like it fits into her analysis—violence against sex workers is deployed in a misogynist way, in order to harass and intimidate a woman. But at the same time, Sarkeesian, by referring to the “use” of sex workers, seems to buy into the same logic, treating sex workers as things or utilities, rather than as human beings. (Sarkeesian did not respond to a request to comment for this article.)
This seeming contradiction is tied to longstanding tensions between some strands of feminist cultural criticism and sex workers. Sarkeesian’s criticism of video games is in a tradition of feminist analysis that goes back to the 1980s, when theorists like Andrea Dworkin argued that “Pornography is used in rape — to plan it, to execute it, to choreograph it, to engender the excitement to commit the act.” Dworkin saw sexualized images of women as directly implicated in misogyny and violence against women — which could mean that women taking part in pornography, or in sexualized imagery, were seen as themselves culpable or morally flawed. Thus anti-porn feminists like Julie Burchill declared that, “When the sex war is won prostitutes should be shot as collaborators for their terrible betrayal of all women.” Anti-porn feminists and video games here come together in celebrating violent attacks on sex workers.
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QotD: The rise of the word “fuck” in common usage
During the first World war use of the four-letter word, as it is now called, became universal, or more probably its universal use was first observed by the literate classes. Between the wars the word was presented by writers in a modified form — mucking or flicking — or with its initial only: f—ing. Its use in full — fuck — now seems to be approaching literary, though not conversational, respectability.
A.J.P. Taylor, A History of England: England 1914-1945, 1961.
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December 8, 2014
Vikings beat Jets 30-24 in overtime
Not surprisingly, the Winnipeg CTV station chose not to show the Vikings-Jets matchup on Sunday, as neither team has realistic playoff hopes (the Vikings are still mathematically alive, but even if they won out, they’d still need an unlikely amount of help to earn a wildcard … they can’t win the NFC North this year). The Jets don’t have anything left to play for, aside from a better draft selection in 2015, but that didn’t mean they planned on laying down to the Vikings.
Fresh of his accolade of Rookie of the Week for last week’s game, Teddy Bridgewater showed that it wasn’t a fluke. Behind an offensive line that seems to get thinner by the minute — only two starters from the season opener are still healthy, and one of them is slumping terribly this year — Teddy played an excellent game, posting another stellar passing rating of 117.7 (which should get him consideration for rookie of the week honours again). Oddly, this was the third time Bridgewater has played against Geno Smith: they’d played against one another in high school and at university (Teddy won both of the earlier games).
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Reason‘s Nick Gillespie and Matt Welch did an AMA at Reddit
The two Reason stalwarts did an “Ask Me Anything” session at Reddit last week:
Hello reddit.
We’re Matt Welch (/u/MattWelchReason) and Nick Gillespie (/u/Nick_Gillespie), the editors of Reason magazine, Reason.com and Reason TV and co-authors of 2011’s The Declaration of Independents: How Libertarian Politics Can Fix What’s Wrong With America.
Matt’s also the co-host of The Independents on Fox Business Network and Nick is a columnist for The Daily Beast and Time.com.
Go ahead and ask us anything about politics, culture, and ideas and the libertarian movement, 2016, you name it. But we’ve got to warn you that quite probably the toughest question — “Ever wonder what it’d look like if you switched faces?” — has already been asked and answered #triggerwarning
Proof: Matt and Nick
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The Luftwaffe attack at Bari in 1943
Patrick K. O’Donnell discusses one of the Luftwaffe‘s most deadly attacks and why most people have never heard of it:
Americans remember December 7 as Pearl Harbor Day, but most Americans have never even heard of the “Little Pearl Harbor,” which occurred in Bari Harbor, Italy, on December 2, 1943. More than 100 Luftwaffe bombers mounted a surprise attack on Allied ships moored in the harbor. Their bombs sank or rendered inoperable 28 of these ships. Nearly a thousand Allied troops were killed or wounded. along with hundreds of civilians.
Unbeknownst to those in the port, one of the ships carried liquid death in its belly. The American freighter John Harvey was secretly carrying mustard agent, in violation of international agreements that banned its use. President Franklin Roosevelt had covertly ordered the shipment of 100 tons of mustard agent to Italy for retaliation in the event that the Germans used chemical warfare against the Allied troops. The incident was covered up and remained a secret for decades.
When the German bombs hit the John Harvey, the ship’s hold immediately exploded with devastating violence, killing all those who knew about the mustard [gas]. Deadly liquid and gas flew high into the air and then slowly settled back down into the harbor, coating everything and everyone in the vicinity. Casualties would mount over the coming days and weeks as the agent slowly and painfully claimed the lives of many who had survived the initial attack.
Mustard gas was one of the nastiest relics of the attempts to break the trench lines during the First World War. Wikipedia says:
The sulfur mustards, or sulphur mustards, commonly known as mustard gas, are a class of related cytotoxic and vesicant chemical warfare agents with the ability to form large blisters on the exposed skin and in the lungs. Pure sulfur mustards are colorless, viscous liquids at room temperature. When used in impure form, such as warfare agents, they are usually yellow-brown in color and have an odor resembling mustard plants, garlic, or horseradish, hence the name. Mustard gas was originally assigned the name LOST, after the scientists Wilhelm Lommel and Wilhelm Steinkopf, who developed a method for the large-scale production of mustard gas for the Imperial German Army in 1916.
Mustard agents are regulated under the 1993 Chemical Weapons Convention (CWC). Three classes of chemicals are monitored under this Convention, with sulfur and nitrogen mustard grouped in Schedule 1, as substances with no use other than in chemical warfare. Mustard agents could be deployed on the battlefield by means of artillery shells, aerial bombs, rockets, or by spraying from warplanes.
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RMR: Rick’s Rant – Turn Signals
Published on 3 Dec 2014
Rick’s Rant for December 2nd, 2014.
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QotD: Talking about “rape culture”
So I am having a hard time getting my head around something. All week people have been calling me a “rape apologist” and “pro-rape.” I’m being constantly informed that I don’t understand “rape culture.” These often hysterical accusations tend to come from people who seem to understand rape culture the same way some people understand the geopolitics of Westeros or Middle Earth: They’ve studied it, they know every detail about it, they just seem to have forgotten it doesn’t exist.
Now, hold on. I certainly believe rape happens. And I definitely believe we have cultural problems that lead to date rape and other drunken barbarisms and sober atrocities. But the term “rape culture” suggests that there is a large and obvious belief system that condones and enables rape as an end in itself in America. This simply strikes me as an elaborate political lie intended to strengthen the hand of activists. There’s definitely lots that is wrong with our culture, particularly youth culture and specifically campus culture. Sybaritic, crapulent, hedonistic, decadent, bacchanalian: choose your adjectives.
What is most remarkable about our problems is that they seem to take people by surprise. For instance, it would be commonsense to our grandmothers that some drunk men will do bad things, particularly in a moral vacuum, and that women should take that into account. I constantly hear that instead of lecturing women about their behavior we should teach men not to rape. I totally, completely, 100 percent agree that we should teach men not to rape. The problem is we do that. A lot. Maybe we should do it more. We also teach people not to murder — another heinous crime. But murders happen too. That’s why we advise our kids to steer clear of certain neighborhoods at certain times and avoid certain behaviors. I’m not “pro-murder” if I tell my kid not to walk through the park at night and flash money around any more than I am pro-rape if I give her similar advice.
Of course, the problem is that feminists want to expunge any notion that women are gentler and fairer. This requires declaring war on chivalric standards for male conduct, which were once a great bulwark against caddish and rapacious behavior. Take away the notion that men should be protective of women and they will — surprise! — be less protective of women.
None of this means we’d all be better off with women in corsets on fainting couches. (I like strong, assertive women so much I married one. I’m also the son of one, and I’m trying to raise another.) But somehow feminists have gotten themselves into the position of adopting the adolescent male’s fantasy of consequence-and-obligation-free sex as an ideal for women. Uncivilized and morally uneducated men have, for millennia, wanted to treat women like sluts. And now feminists have embraced the word as a badge of honor. Call me an old-fogey, but I think that’s weird.
Jonah Goldberg, The Goldberg File, 2014-12-05.
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