World War Two
Published 24 Feb 2022Germany declares total (unconditional war) putting its economy on a full war footing over three years into the war. Given the unconditional war they are already waging, and the resistance and opposition they now face, it’s unclear what it shall mean.
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February 25, 2022
Total War NOW – WAH 053 – February 1943, Pt. 2
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February 11, 2022
Eat the Nazis, There’s Nothing Else – WAH 052 – February 1943, Pt. 1
World War Two
Published 10 Feb 2022As the United Nations alliance, and the Resistance in occupied Europe increase their pressure on Nazi Germany, they continue to escalate their war on humanity. Meanwhile, in more and more parts of the world there is little to eat.
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January 28, 2022
The Warsaw Ghetto: The Jews Strike Back – WAH 51 – January 1943, Pt. 2
World War Two
Published 27 Jan 2022In early 1943 Nazi German propaganda minister Joseph Goebbels is preparing to rally the German people behind an unrestrained war — or “total war” as he puts it. It’s unclear what that means, Nazi Germany has long been waging an unrestrained war, and it seems that the United Nations alliance is now ready to do the same on Germany.
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November 26, 2021
The Germans Learn to Love Their Slaves – WAH 047 – November 1942, Pt. 2
World War Two
Published 25 Nov 2021In November 1942 the resistance fight in many parts of Europe becomes a part of the regular military war. In Germany, the Germans discover humanity while the German mass murders see no end.
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October 15, 2021
Nazis “Restore” Law and Order – WAH 044 – October 1942, Pt. 1
World War Two
Published 14 Oct 2021Resistance against occupation starts rising in the Autumn of 1942. It faces opposition not only from the occupiers, but also from collaborators killing their own countrymen.
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October 13, 2021
Josip Broz Tito — The “Maharaja of the Balkans”
In The Critic, Thomas Gallagher looks at the man and the myth of Yugoslavia’s communist leader, known to the world as “Tito”:
Decades after his death in 1980, Josip Broz Tito still casts a spell as a larger-than-life figure.
The legend portrays him as a famous military leader and anti-fascist guerrilla fighter who fought off the Nazis and defied Stalin. He then went on to be a champion of peace who stood up for various small nations snapping the coils of European overlordship. He was at home on imperial estates or, more often, on his secluded luxury home on the island of Brioni, with Old Masters adorning his walls and kings, emperors and fellow communist strongmen paying homage.
Despite clumsy language and hyperbole in places, as well as some avoidable errors, Tito’s Secret Empire seeks to debunk Tito’s legend and in several key respects it succeeds. The authors William Klinger and Dennis Kuljiš accord some honours to their subject.
He was a unique character well-equipped to surmount various obstacles during his 88-year life. For the British diplomat, Sir Fitzroy Maclean, he was “a fail-proof survivor”. In 1974 he was hailed by Germany’s Chancellor, Helmut Schmidt, as “the greatest of the winners of the Second World War”.
A benign image persisted, despite Tito being responsible for more acts of mass cruelty than any other European communist leader with the exception of the Soviets. He was admired as a wheeler-dealer in international affairs, from murky transactions to the most delicate undertakings in statecraft. This well-researched book deserves attention for those who wish to peer beyond the carefully cultivated image.
[…]
His 1954 state visit to then-royalist Greece, a regime which he had spent years trying to topple, was an unmistakable indication that he was placing himself at the head of a hybrid regime. Britain’s foreign secretary, Anthony Eden, had already visited him and urged the United States to prop up Tito financially. The favour was not returned. Evidence is provided that Tito played a major role in encouraging Egypt to nationalise the Suez Canal. He saw President Nasser as a kindred spirit, a populist unencumbered by ideology. Tito even more keenly sought to end French rule in Algeria, arming the rebels and offering diplomatic support.
In September 1961, he welcomed dozens of leaders from the promising new “non-aligned” bloc to a conference in Belgrade. Next year China invaded India and his soul-mate, Nehru, turned to the West for help. Thereafter, the non-aligned movement’s influence waned, as did Tito’s with it.
He increasingly became a pensioner of the Soviet Union. American ardour cooled as it became clear how reliant he was on Soviet arms and industrial licences which enabled this supposed ambassador of peace to export weapons to the Third World.
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August 21, 2021
“Free” Navies of World War 2 – Small but Deadly (and a little crazy)
Drachinifel
Published 13 Aug 2019Today we take a brief look at the various “Free” navies that operated with the Royal Navy and how that interaction played out across the years of conflict.
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June 23, 2021
QotD: Churchill’s support for Stalin
Churchill threw all of his support behind Stalin’s armies despite Stalin’s alliance with Hitler during the first 21 months of the war — the USSR having invaded the same number of countries as Nazi Germany (seven), having supplied the German Wehrmacht as it invaded France and the Low Countries, and having literally fueled the Luftwaffe as it bombed London in 1940.
This support was more than rhetorical. In a gesture of astonishing (and short-sighted) selflessness, Churchill responded to news of Nazi Germany’s invasion of the Soviet Union by sending Stalin 200 brand-new Hawker Hurricane pursuit planes which had been pledged to defend Singapore against Japanese attack. Churchill then “re-gifted” Stalin 200 Tomahawk fighters and 300 Douglas A-20 Havoc bombers from Britain’s own Lend-Lease consignments, and shipped Stalin 2,000 tonnes of processed aluminum for Soviet warplane factories, despite it being desperately needed at home.
Even more striking was Churchill’s decision to ship Stalin nearly 600 tanks, which helped tip the balance in the Battle of Moscow in December 1941. Churchill even agreed to strip Cairo command of hundreds more tanks in 1942, routing them to Stalin’s USSR via Iran to bail out the Red Army at Stalingrad, which left Egypt vulnerable to Rommel’s Afrika Korps.
Churchill doubled down on his pro-Soviet policies even in areas where Britain had her own clients, such as Yugoslavia. Despite hosting the Yugoslav exile government in London, by September 1943, Churchill abandoned that government’s commander on the ground and threw his full support behind Stalin’s man, Josip Broz (“Tito”). Bamboozled by a Soviet smear campaign against Colonel Draža Mihailovic, Churchill cut off Mihailovic’s Chetniks and shipped Tito more than 100 times more war materiel over the next nine months than Mihailovic had received in the previous two years.
Sean McMeekin, “Churchill’s enigma: the real riddle is why he cozied up to Stalin”, Spectator, 2021-03-21.
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April 30, 2021
The Horrors of Partisan Warfare – WAH 033 – April 1942, Pt. 2
World War Two
Published 29 Apr 2021April 1942 sees bombing campaigns in Germany and Britain, as well as German anti-partisan actions in the Balkans and Eastern Europe.
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Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesHosted by: Spartacus Olsson
Written by: Spartacus Olsson and Joram Appel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Joram Appel
Edited by: Miki Cackowski
Sound design: Marek Kamiński
Map animations: Miki Cackowski and Eastory (https://www.youtube.com/c/eastory)Colorizations by:
Klimbim https://www.flickr.com/photos/2215569…
Mikołaj Uchman
Spartacus Olsson
Daniel WeissSources:
IWM MH 24764, HU 36196, Q(HS) 256, D 16649
Yad Vashem 48AO3, 953, 86FO2, 3116/71
Bundesarchiv
Tito giving a speech in Foča, courtesy of Музеј Старе Херцеговине
Narodowe Archiwum Cyfrowe
Star of David, courtesy of Jacek Proszyk https://commons.wikimedia.org/wiki/Fi…
Picture of Gustav Braun von Stumm, courtesy of Thomas Föhl https://www.geni.com/photo/view/60000…Soundtracks from the Epidemic Sound:
Wendel Scherer – “Defeated”
Johan Hynynen – “Dark Beginning”
Jon Bjork – “Disposal”
Christian Andersen – “Barrel”
Wendel Scherer – “Growing Doubt”
Jon Bjork – “For the Many”
Reynard Seidel – “Deflection”
Gavin Luke – “Drifting Emotions 3”
Jon Bjork – “Icicles”
Gunnar Johnsen – “Not Safe Yet”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
Update: TimeGhost had to repost a censored version of this episode and provided this explanation:
World War Two
1 hour ago (edited)
The original version of this video was age restricted by YouTube for containing pictures of dead bodies. We do not feel that it is correct to document these events by finessing history and self censoring, but YouTube has left us no choice. We have several problems with these age restrictions, but let’s start off with what an age restriction means on YouTube. In theory it simply restricts the video from anyone who isn’t over 18 and logged in to the YouTube platform, but in effect it does much more than that;1. It takes the video out of most subscribers’ feeds and notification lists
2. In some countries like for instance South Korea, for legal reasons it is not accessible at all, for anyone
3. YouTube ranks it lower in their recommendation engines sending out recommendations to view to only a fraction of the ‘normal’ recommendations
4. It can no longer be viewed off YouTube as an embedded video – meaning that it won’t display even on our own website
5. It gets a boiler plate informing the viewer that the content has been “identified by the community as offensive to some viewers”
6. On many mobile devices it cannot be shared with the YouTube app
7. In countries were legal proof of age is required for adult content you have to provide a driver’s license, or credit card proving you are over 18In effect that means that YouTube is soft censoring the video from a large section of potential viewers. The result is that we get around half, or less of the views on videos that are age restricted. And we should note that according to YouTube’s own system more than 90% of our viewers are over 18, so it’s not just an effect of losing underage viewers.
Now, this content is without any doubt hard to watch, but it’s educational content based on solid facts, documented through crystal clear academic research. It is about the crimes against humanity during WW2. It documents events that are to this day in 2021, denied by sympathizers of extreme ideologies. Because of the special importance for new generations to learn about these events, many countries, especially in the EU and North America, do not require in their youth protection laws or media regulation that this kind of content shall be for 18+ only. To the contrary many countries have these topics, told just as graphically as we document them on their school curriculum for ages 13 and above. Moreover, YouTube has in their own community guidelines a provision that allows for displays of violence, dead bodies, and so on in an educational context also for under 18s.
So in effect YouTube is here choosing to restrict, even censor content of high educational importance although they are not legally required to do so, and they have their own provisions to allow it to be unrestricted. Why do they do that? Well, we can’t read their minds, but we have some indications that;
A) they ere on the side of caution to avoid ANY legal risk.
B) They fear any kind of content that has to do with extremism, even when unmasking it after the advertising boycotts they faced a couple of years back.
C) when the community complains they put extra weight on those complaintsIt is item C that troubles us the most. We have over 500 videos on our channels – very many of them contain graphic images of death and violence for reasons of the topics we document. Among these videos, a few dozen have been age restricted, while the rest have not. The common denominator between the age restricted videos is that they document events, or phenomena that unmask extremism by historical Communists, Nazis, and Imperialists. Its is difficult to not see the common interest by sympathizers of these groups and YouTube. If you want something suppressed, and there’s an easy way to just get it suppressed by just pressing a button – is it not reasonable to assume that you would use that button? We’re not conspiracy mythologists, we don’t believe there is a conspiracy here, but just by creating a simple path to fulfill different, but in effect common interests YouTube has made it easy for deniers of crimes against humanity, and war crimes to suppress information about these events.
We have explained to YouTube that inadvertently they are supporting the exact kind of hateful extremism they are fighting against with their other sword arm. We have implored them to lift the age restrictions in the interest of what society has decided: that content like this needs to be freely accessible in the public space. Despite an otherwise good and healthy relationship to the platform operators who are after all our distribution partners,, we have been met with standard replies, and a denial for our request.
Once again we express our dismay, sadness, and disappointment that YouTube chooses to restrict access to content that should serve a greater good; that we do not forget the victims of atrocities and extremism so that we can learn from our past and improve our societies.
Never Forget.
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April 9, 2021
Leading the Resistance – WW2 – Gallery 03
World War Two
Published 8 Apr 2021Under the violent occupation by Axis forces, dozens all over the globe resisted or took up arms to fight for the survival of their nation, ethnicity, ideology or ideals.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesHosted by: Spartacus Olsson
Written by: Spartacus Olsson and Joram Appel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Joram Appel
Edited by: Miki Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
Mikołaj Uchman
Dememorabilia – https://www.instagram.com/dememorabilia/Sources:
Marxist Internet Archive
Picture of Tito during a Partisan gathering, courtesy of Музеј Старе Херцеговине
Yad Vashem 75FO4, 4613/899, 4248/20, 1605/91
Bundesarchiv
USHMM
IWM NA 15129Soundtracks from the Epidemic Sound:
Phoenix Tail – “At the Front”
Reynard Seidel – “Deflection”
Hakan Eriksson – “Epic Adventure Theme 4”
Johannes Bornlof – “The Inspector 4”
Fabien Tell – “Last Point of Safe Return”
Howard Harper-Barnes – “London”
Rannar Sillard – “March Of The Brave 10”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
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April 4, 2021
QotD: Revolution and civil war
There was a little memorial with flowers.
Whenever someone starts talking about maybe voting is useless and perhaps other means are necessary to take back our country, I think of Kosovo. That EXACT rhetoric was part and parcel with the disintegration of the Balkans. The rhetoric I see people casually bandying about, we need to confront them everywhere and they deserve no peace, this is the rhetoric and the justification the Serbs used on their way to killing a quarter of a million people in the Balkans. Their former neighbors; often literally.
It’s worth considering whether all those who killed people in Kosovo started with killing in mind, or were they merely trying to right the wrongs that the other side had perpetrated against them? Civilization is a millimeters thin veneer on top an ocean of violence a billion years of evolution deep. If you think it’s acceptable to use violence for political gain, or if you fantasize for revolution, you’re a monster.
Revolution is not what you think it is. Revolution is civil war. Civil war is driving your neighbors from their homes and forcing them to dig their own graves. It is leaving your grandmother behind because she cannot move fast enough to escape the gunmen; and they won’t stop. Yes, there are monsters in places of power, but you are not absolved of your obligations to humanity because of it. That others have foresworn theirs is no excuse. You fetishize misery you cannot fathom. You are in good company, we are all monsters in civilized clothes; do not be insulted or ashamed.
Endeavor to be more.
Again.
Please.
John Chmelir (@JohnChmelir), Twitter (part of a 20-tweet thread), 2018-10-20.
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February 7, 2021
Pearl Harbor Avenged! – WW2 – 128 – February 6, 1942
World War Two
Published 6 Feb 2021The Japanese advance in Burma and the Dutch East Indies, but they’ve reached the end of the Malayan Campaign- Singapore, which they have under siege. They now prepare for the final assault. The Allies are going on the offensive at sea, though, in the Marshalls-Gilberts Raids, while on land in the Soviet Union the Red Army launches another series of offensives against the Germans.
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Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesWritten and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Iryna Dulka
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
– Mikołaj Uchman
– Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
– Dememorabilia – https://www.instagram.com/dememorabilia/
– Norman Stewart – https://oldtimesincolor.blogspot.com/Sources:
– National Portrait Gallery
– Ministerie van Defensie
– Arrow by 4B Icons from the Noun Project
– Yad Vashem: 76BO2, 4331_21Soundtracks from the Epidemic Sound:
– Rannar Sillard – “Easy Target”
– Jo Wandrini – “Dragon King”
– Fabien Tell – “Last Point of Safe Return”
– Howard Harper-Barnes – “Sailing for Gold”
– Craft Case – “Secret Cargo”
– Rannar Sillard – “Split Decision”
– Flouw – “A Far Cry”
– Johannes Bornlöf – “The Inspector 4”
– Johan Hynynen – “Dark Beginning”
– Edward Karl Hanson – “Spellbound”
– Howard Harper-Barnes- “Underlying Truth”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
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November 15, 2020
Italian Proto-Fascists Occupy Fiume – The Adriatic Question I THE GREAT WAR 1920
The Great War
Published 14 Nov 2020Sign up for Curiosity Stream for 40% OFF and get Nebula bundled in: https://curiositystream.com/thegreatwar
Italy was promised a lot of territorial gains for entering the First World War on the Allied side. But in 1919, the map of Europe had changed and the Allies were less interested in only fulfilling Italian territorial ambitions. Push came to shove when Italian Fascists around nationalist Gabriele D’Annunzio occupied the coastal city of Fiume in the newly created Yugoslavia.
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Albrecht-Carrié, René, Italy at the Paris Peace Conference, (Hamden, CT: Archon Books, 1966)Burgwyn, H. James, Italian Foreign Policy in the Interwar Period, 1918-1940, (Westport, CT: Praeger, 1997)
Cattaruzza, Marina, “The Making and Remaking of a Boundary – the Redrafting of the Eastern Border of Italy after the two World Wars”, Journal of Modern European History, Vol. 9, No. 1, Space, Borders, Maps (2011)
Kitchen, Martin, Europe Between the Wars: A Political History, (Harlow: Longman Group, 1988)
Lederer, Ivo J., Yugoslavia at the Paris Peace Conference: A Study in Frontiermaking, (New Haven, CT: Yale University Press, 1963)
Bozanich, Stevan, “Post-war Turmoil and Violence (Yugoslavia)”, in: 1914-1918-online. International Encyclopedia of the First World War, ed. by Ute Daniel, Peter Gatrell, Oliver Janz, Heather Jones, Jennifer Keene, Alan Kramer, and Bill Nasson, issued by Freie Universität Berlin, Berlin 2019-11-20.
Innerhofer, Ian, “Post-war Societies (South East Europe)”, in: 1914-1918-online. International Encyclopedia of the First World War, ed. by Ute Daniel, Peter Gatrell, Oliver Janz, Heather Jones, Jennifer Keene, Alan Kramer, and Bill Nasson, issued by Freie Universität Berlin, Berlin 2014-10-08.
Baravelli, Andrea, “Post-war Societies (Italy)”, in: 1914-1918-online. International Encyclopedia of the First World War, ed. by Ute Daniel, Peter Gatrell, Oliver Janz, Heather Jones, Jennifer Keene, Alan Kramer, and Bill Nasson, issued by Freie Universität Berlin, Berlin 2015-09-03.
Lynn Williams’ (Pluto Press, 1975)
Hans Ulrich, “I redentori della vittoria: On Fiume’s Place in the Genealogy of Fascism”, Journal of Contemporary History Vol. 31, No. 2, Special Issue: The Aesthetics of Fascism (Apr., 1996))
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Presented by: Jesse Alexander
Written by: Jesse Alexander
Director: Toni Steller & Florian Wittig
Director of Photography: Toni Steller
Sound: Toni Steller
Editing: Toni Steller
Motion Design: Philipp Appelt
Mixing, Mastering & Sound Design: http://above-zero.com
Maps: Daniel Kogosov (https://www.patreon.com/Zalezsky)
Research by: Jesse Alexander
Fact checking: Florian WittigChannel Design: Alexander Clark
Original Logo: David van StepholdContains licensed video and photos by getty images
Icons made by Freepik from www.flaticon.com
All rights reserved – Real Time History GmbH 2020
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October 30, 2020
“We Burn” – The Road to Srebrenica – Sabaton History 091 [Official]
Sabaton History
Published 29 Oct 2020Srebrenica in the summer of 1995. The road to the bloodiest massacre since the end of the Second World War was paved by the violence that followed the breakdown of Yugoslavia. A series of wars and brutal atrocities accompanied the individual struggles for independence as old ethnic and nationalist hatred resurged. The Bosnian Serbs who followed the leadership of politician Radovan Karadžić and General Ratko Mladić sought to separate themselves within Bosnia. However their views soon radicalized and Kradazic began to advocate for a Serbian ethno-state utopia, free of the Muslim Bosniaks. And he was willing to use extreme violence to achieve it.
Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory
Listen to “We Burn” on the album Attero Dominatus: https://music.sabaton.net/AtteroDomin…
Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShopHosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Maria Kyhle
Executive Producers: Pär Sundström, Joakim Brodén, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Community Manager: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Editor: Karolina Dołęga
Sound Editor: Marek Kaminski
Archive: Reuters/Screenocean – https://www.screenocean.comVisual Sources:
– Library of Congress
– Portrait of Slobodan Milosevic courtesy of Stevan Kragujevic with the approval of daughter Tanja Kragujevic
– Icons from The Noun Project: Arrow by Dolly Holmes
– Pictures from Siege of Sarajevo, Portrait of Mladić & Karadžić and more courtesy of Mikhail Evstafiev
– Photograph of execution in Brcko in 1992 – Photograph provided courtesy of the ICTY
All music by: SabatonAn OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
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October 21, 2020
The First Liberation From Nazism – The Republic of Užice – WW2 Special
World War Two
Published 20 Oct 2020When the Yugoslav Partisans and Chetniks liberate a large part of modern-day Serbia, the Partisans found the Republic of Užice, complete with its own governmental structure, education and cultural policy and weapons factory.
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Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesHosted by: Indy Neidell
Written by: Joram Appel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Joram Appel
Edited by: Miki Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
Mikolaj Uchman
Carlos Ortega Pereira, BlauColorizations – https://www.instagram.com/blaucolorizations
Dememorabilia – https://www.instagram.com/dememorabilia/Sources:
Narodowe Archiwum Cyfrowe
FOTO-FORTEPAN – MZSL-Ofner Károly
Yad Vashem 3731/1
Bundesarchiv
IWM H 11368
Museum of Yugoslavia
ETH-Bibliothek
map of Belgium, courtesy of Marcuscalabresus https://commons.wikimedia.org/wiki/Fi…
from the Noun Project: Injury by Adriano Emerick, Dead Soldier by Gan Khoon Lay, Helmet by Daniel Turnel, person by Adrien Coquet, Skull by Muhamad UlumSoundtracks from the Epidemic Sound:
Johannes Bornlof – “The Inspector 4”
Hakan Eriksson – “Epic Adventure Theme”
Reynard Seidel – “Deflection”
Rannar Sillard – “March Of The Brave 4”
Philip Ayers – “Trapped in a Maze”
Johan Hynynen – “Dark Beginning”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
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