Extra Credits
Published on 24 Apr 2018Sci fi “pulp” stories sometimes have a reputation for being cheesy and over-dramatic, but they were extremely important for building up the sci fi genre as something *anyone* could write for AND get paid for — not just famous authors.
April 25, 2018
Hugo Gernsback – Pulp! Amazing Stories – Extra Sci Fi
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April 22, 2018
The Lament for the Rohirrim – Lord of the Rings – Clamavi De Profundis
Clamavi De Profundis
Published on 31 Mar 2018Here is our version of J.R.R. Tolkien’s poem, “The Lament for the Rohirrim!” We hope you enjoy it:)
A note on our interpretation:
We approached this piece more “organically”. The melody was composed by singing the lyrics, seeking to be true to the notion of vocal folk tradition. Therefore, the feel of this song is more rhythmically free and more focused on simply dwelling on the questions and answers of the text. There are two sections of the piece: the melody is sung first in a “contemplative” setting, and then repeated in a more “epic” setting, to explore varying sentiments drawn from this beautiful text.
We hope you enjoy this as much as we did creating it! Thanks very much for listening and for your support!
We are unable to get permission to sell this song so we are posting it here free for your enjoyment. If you want a copy of the mp3, we are offering it to those who support us on Patreon!
My brother composed and arranged the piece. My family sang it.
Please no bad language in the comments. We want this to be family friendly:)
Lyrics:
Where now the horse and the rider?
Where is the horn that was blowing?
Where is the helm and the hauberk,
And the bright hair flowing?
Where is the hand on the harpstring,
And the red fire glowing?
Where is the spring and the harvest
And the tall corn growing?
They have passed like rain on the mountain,
Like a wind in the meadow;
The days have gone down in the West behind the hills into shadow.
Who shall gather the smoke of the dead wood burning,
Or behold the flowing years from the Sea returning?
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April 19, 2018
Lord Dunsany – The History of Sci Fi – Extra Sci Fi – #6
Extra Credits
Published on 17 Apr 2018Dunsany is arguably the “father of fantasy,” bringing to life the classic worldbuilding tropes that inspired so many authors, from H.P. Lovecraft to Ursula K. Le Guin. But his short stories and novels have sadly fallen out of memory…
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April 5, 2018
The Forgotten Foundations Part 2 – The History of Sci Fi – Extra Sci Fi – #5
Extra Credits
Published on 3 Apr 2018We’re gonna dive into the TRULY wacky and wild stories of early science fiction, including a Czech play that invented the word “robot.”
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March 29, 2018
The Forgotten Foundations Part 1 – The History of Sci Fi – Extra Sci Fi – #4
Extra Credits
Published on 27 Mar 2018This week, we explore the obscure authors from the turn of the 20th century whose weird and wacky stories impacted our modern-day sci fi consciousness and inspired works from authors like H.P. Lovecraft and Terry Pratchett.
Update: Fixed broken link. No idea why YouTube changed it.
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March 21, 2018
The History of Science Fiction – Pseudo-Science – Extra Sci Fi – #3
Extra Credits
Published on 20 Mar 2018The turn of the 20th century brought a lot of new ideas and inventions to the world. Suddenly, nature’s laws were not quite what they seemed. Thus, many folks drifted into explorations of the occult, which directly influenced 19th and 20th century science fiction.
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March 14, 2018
March 7, 2018
The History of Sci Fi – Jules Verne – Extra Sci Fi – #1
Extra Credits
Published on Mar 6, 2018Let’s start our journey to the center of hard science fiction: the works of Jules Verne, who imagined the technological wonders humanity could — and would — create in the twentieth century.
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March 5, 2018
February 15, 2018
The Martian Chronicles – The New Martians – Extra Sci Fi – #13
Extra Credits
Published on 13 Feb 2018Ray Bradbury’s last Martian story, “The Million Year Picnic,” offers a much more optimistic look at humanity. We have proven ourselves very capable destroyers, but we also have the capacity to improve and learn from our mistakes.
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February 13, 2018
Elon Musk as Heinlein’s Delos D. Harriman – “Selling the moon is just what Musk is doing”
I suspect I’d recognize a lot of the books in Colby Cosh‘s collection, as we’re both clearly Robert Heinlein fans. In a column yesterday, he pointed out the strong parallels between Heinlein’s fictional “Man Who Sold the Moon” and his closest counterpart in our timeline, Elon Musk:
Written between 1939 and 1950 for quickie publication in pulp magazines, the Future History is a series of snapshots of what is now an alternate human future — one that features atomic energy, solar system imperialism, and the first steps to deep space, all within a Spenglerian choreography of social progress and occasional resurgent barbarity. It stands with Isaac Asimov’s Foundation trilogy as a monument of golden-age science fiction.
[…]
The result, in the key story of the Future History, is an uncannily accurate description of the design and launch of a Saturn V rocket. (Written before 1950, remember.) But because Heinlein happened not to be interested in electronic computers, all the spacefaring in his books is done with the aid of slide rules or Marchant-style mechanical calculators (which, in non-Heinlein history, had to become obsolete before humans could go to Luna at all). Heinlein sends people to colonize the moon, but nobody there has internet, or is conscious of its absence.
Given that his ideas about computers were from the pre-computer era and even the head of IBM thought there’d be a worldwide demand for a very small number of his company’s devices, that’s not surprising at all. In one of his best novels, a single computer runs almost all of the life support, heat, light, transportation and communication systems on Luna … and is self-aware, but lonely. In later works where computers appear, they tend to be individual personalities or even minor characters, but they’re anything but ubiquitous: powerful, but rare.
I suspect the lack of an internet-equivalent derives both from the nature of his conception of how computing would progress and a form of the Star Trek transporter problem – it solves too many plot issues that could otherwise be usefully woven into stories.
The “key story” I just mentioned is called “The Man Who Sold The Moon.” And if you’re one of the people who has been polarized by the promotional legerdemain of Elon Musk — whether you have been antagonized into loathing him, or lured into his explorer-hero cult — you probably need to make a special point of reading that story.
The shock of recognition will, I promise, flip your lid. The story is, inarguably, Musk’s playbook. Its protagonist, the idealistic business tycoon D.D. Harriman, is what Musk sees when he looks in the mirror.
“The Man Who Sold The Moon” is the story of how Harriman makes the first moon landing happen. Engineers and astronauts are present as peripheral characters, but it is a business romance. Harriman is a sophisticated sort of “Mary Sue” — an older chap whose backstory encompasses the youthful interests of the creators of classic pulp science fiction, but who is given a great fortune, built on terrestrial transport and housing, for the purposes of the story.
February 7, 2018
The Martian Chronicles – Too Human – Extra Sci Fi – #12
Extra Credits
Published on 6 Feb 2018The second half of Ray Bradbury’s Martian Chronicles can be described as “the human cycle” — a reflection on humanity’s seemingly insatiable need to conquer and consume every last bit of our own culture.
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February 1, 2018
The Martian Chronicles – A Dying Race – Extra Sci Fi – #11
Extra Credits
Published on 30 Jan 2018We’re diving into Ray Bradbury’s short stories about life on Mars — and how that life reacts when it encounters human life, and what *their* reaction says about American society in the Cold War era.
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January 26, 2018
Ursula K. Le Guin, RIP
I’m sorry to say that I’ve never read any of her work, but this obituary by Jude Karabus (especially this section) makes me think I missed out:
A lot of her work – like that of all the literary greats – had to do with thought experiments: What if the relationship between power and gender were different; what if you didn’t – for good or for bad – have to think about whether you wanted to have sex with someone when you interacted with them? What of the profit motive and humankind’s uneasy relationship with war, the environment and its own nature. Her work was, of course, unflinchingly feminist, humanist also.
There is a yellowed, slightly dog-eared copy of 1974’s The Dispossessed, complete with art nouveau-style illustration, on the shelf of the William Morris Gallery in London. It has a placard beneath it that reads something like: “This is the type of thing Morris was banging on about”. (Morris was a 19th-century English textile designer and social activist who brought art to the ‘lower’ classes by mass-producing tiles, wallpaper and other fine furnishings.)
It seems an odd choice by the curator; it’s the only book in the display that wasn’t literally written by a Morris compatriot or a known influence on him, and she was born years after he died. They were certainly of similar political bent, wanted to make art affordable etc, but only if you squint a little. The book was also written before I was born. There’s probably a connection I didn’t understand; perhaps the cover art was “a Morris” (he also painted and wrote poetry) – the terse note propped up against it doesn’t make it clear. But I like to think the curator was grabbed by the throat by her prose, like I was, and was simply looking for any excuse to say: “Here. Sit down. Read this! No really. Read this.”
A quick overview of the life and work of William Morris here.
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January 25, 2018
The Canals of Mars – Eye of the Beholder – Extra Sci Fi – #10
Extra Credits
Published on 23 Jan 2018The Canals of Mars ignited so many imaginations, especially in science fiction stories, but they never really existed. What made us believe in them? And why did so many writers keep dreaming about them even after the theory had been disproved?
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