For starters, dispel the myth of the Old West being someplace where people walked around all the time with spurs a-jingle-jangle-jinglin’ and the big iron on their hip. While it wasn’t the network of strict gun control laws that revisionists try to paint it, nor either was it the open-carry paradise of Hollywood myth.
In mid-late 19th Century America, walking around a town or city setting with a full-size horse pistol stuffed in your belt would be seen as eccentric as it would in similar surroundings today. Perhaps more so, since 19th Century Americans didn’t grow up watching old John Wayne and Clint Eastwood movies on cable. On the other hand, guns were everywhere.
“But wait, Tam!” you say, “I thought you just said people mostly didn’t walk around with the big iron on their hip!”
Well, generally they didn’t. First, a Colt’s M1873, the Peacemaker of Hollywood lore, went for around twenty bucks over most of the time period of the Old West. They made about 175,000 of them, including military contract guns, over that period. (Smith & Wesson, by comparison, made almost twice that many of the big No.3 top-breaks, for what it’s worth.)
Twenty bucks was a lot of dough, relatively speaking. About a tenth the cost of a good saddle horse and the equivalent of a pretty nice AR-15 these days. Since cowboys and miners around the various cowtowns and mining boomtowns were overwhelmingly young, single men with fairly low-overhead lifestyles, it wouldn’t be amiss to think of the Colt Peacemaker and well-saddled Quarter Horse in 1870s Dodge City as the equivalent of a Daniel Defense carbine and Ford Raptor in 2010s Midland-Odessa. I have no idea what the 19th Century equivalent of truck nuts was, and considering that male working horses are almost uniformly geldings, I’m not sure I want to.
Meanwhile, there were literal millions of .22, .32, .38, and .41 pocket guns, rimfires and centerfires, sold over the same period. Human nature hasn’t changed much over the years, and I didn’t see no metal detectors at that saloon in Tombstone. Most every person had a gun for pocket, purse, or nightstand and, probably like most gun owners today, carried it if they felt like they were “going someplace they might need it.”
Tamara Keel, “Mouseguns, Then and Now”, View From The Porch, 2021-02-21.
June 4, 2021
QotD: Handguns in the “Wild West”
June 3, 2021
The Supernatural Adventures of Arthur Conan Doyle | B2W:ZEITGEIST! I E.19 Spring – 1923
TimeGhost History
Published 2 Jun 2021Being the creator of the legendary Sherlock Holmes has made Arthur Conan Doyle famous for his scientific rationality. But Doyle also has a deeply held belief in the existence of the spirit universe. In a world still reeling from the shock of the Great War, he is not alone.
(more…)
May 29, 2021
History Buffs: Midway Part Two
History Buffs
Published 28 May 2021As promised here is Part Two of my Midway review. Hope you guys enjoy it 🙂
You can join Nebula today and get Curiosity Stream at 26% off for a year! Click on the link below
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Part Two of this review will be out next Friday on the 28th of May!â—Ź Follow us on Twitter: https://twitter.com/HistoryBuffs_
May 24, 2021
History Buffs: Midway Part One
History Buffs
Published 21 May 2021Thank you guys so much for your patience. Quarantine has made somethings difficult and I know its been a while but it’s finally here! I hope you enjoy it!
You can join Nebula today and get Curiosity Stream at 26% off for a year! Click on the link below
http://curiositystream.com/historybuffs
Part Two of this review will be out next Friday on the 28th of May!â—Ź Follow us on Twitter: https://twitter.com/HistoryBuffs_
May 22, 2021
Guns in the Movies – like this S&W Model 29
Forgotten Weapons
Published 10 Feb 2017Today we have not so much an examination of a specific firearms, but rather a look at how Clint Eastwood’s film portrayal of Dirty Harry Callahan drove a huge wave of popularity of the Smith & Wesson Model 29 — “the most powerful handgun in the world.”
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May 18, 2021
QotD: The imaginary problem of having “too much” choice
In the early 20th century critics attacked product variety as being wasteful — a sign that markets were less efficient than central planning. Hence, the Chinese wore Mao suits, Americans got uniformly round automobile headlights and British authorities “rationalized” furniture designs.
A famous scene in the film Moscow on the Hudson has Robin Williams as a Soviet immigrant collapsing at the sight of an American coffee aisle, circa 1984. Imagine what would happen in Starbucks.
A free economy multiplies variety, the better to serve buyers with different tastes and different needs and to give people the chance to experience different goods at different times. Arguing that this plenitude is inefficient went out decades ago. The problem with markets, the detractors now say, is that all these choices make us unhappy.
Virginia Postrel, “I’m Pro-Choice”, Forbes, 2005-03-28.
May 11, 2021
QotD: The (disappointing) sex lives of the rich and famous
I suspect […] one of the main reasons rock stars, who really can have the super hot model, always end up cheating on her — because it’s not really her. In their minds, they became rock stars specifically to get that kind of girl … but that’s the thing: That kind of girl doesn’t exist. She’s a 2D image, heavily photoshopped. Oh, I’m sure Supermodel X really IS hot in real life, but she’s also just a person, which means she farts and snores and wakes up with bed head and all that. Plus, rock stars really do live with the equivalent of their own personal Photoshop, in the form of a small army of flunkies who make all of life’s routine frustrations go away. So it must be even more maddening to find out that the Cover Girl really does have myriad small blemishes, because, you know, she’s a real person, and not the fantasy you signed up for when you signed that big record deal.
Severian, “Junkies”, Rotten Chestnuts, 2021-01-18.
April 30, 2021
Period drama costume designers these days
Karolina Żebrowska
Published 15 Aug 2019Piero Tosi died last week and it made me really sad. he was one of the first to understand how staying close to history can actually make the film costumes fascinating, not boring. sadly, I’m beginning to think he was also one of the last — today’s mainstream cinema is all about “making things relatable for the modern viewer”.
________
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April 8, 2021
Vladimir Lenin and the Communist War On Religion | B2W: ZEITGEIST! I E.15 – Spring 1922
TimeGhost History
Published 7 Apr 2021Vladimir Lenin founded the Bolshevik Party, orchestrated the October Revolution, and led the world’s first communist state to victory in the Russian Civil War. He is now gravely ill and close to death, but he still has one more enemy he wants to crush.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory​
Hosted by: Indy Neidell
Written by: Francis van Berkel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Francis van Berkel and Lewis Braithwaite
Image Research by: Daniel Weiss
Edited by: Daniel Weiss
Sound design: Marek KamińskiColorizations:
Daniel Weiss – https://www.facebook.com/TheYankeeCol…​Sources:
Painting of Tikhon by Moskvitin Philip
Photos from Color by Klimbim
Bundesarchiv_Bild – 183-R14433 (Vertrag von Rapallo)Soundtracks from Epidemic Sound
– “One More for the Road” – Golden Age Radio
– “Not Safe Yet” – Gunnar Johnsen
– “Dark Shadow” – Etienne Roussel
– “Explaining Gravity” – Silver Maple
– “Far Far Far” – Hector Posser
– “Dawn Of Civilization” – Jo Wandrini
– “Ominous” – Philip Ayers
– “Walk With Legends” – Bonnie Grace
– “What Now” – Golden Age Radio
– “Weapon of Choice” – Fabien TellArchive by Screenocean/Reuters https://www.screenocean.com​.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
TimeGhost History
2 days ago (edited)
The Russian Orthodox Church was once an all-mighty institution throughout what was the Russian Empire. But now in a matter of years, it has been completely swept aside by the new Soviet government in the name of progress and reason. This is just one — particularly violent — example of what has been a common theme of this era: the conflict between religion and modernity.It has already come a few times in the series and will continue to do so, but it’s not always a story of retreating faith like it is in this episode. As you will see in later episodes, organized religion often fights back against modernity and even sometimes tries to accommodate it. You’ll have to stay tuned to find out exactly why.
March 25, 2021
Modern Artists: The Original Shitposters! | B2W: ZEITGEIST! I E.14 – Winter 1922
TimeGhost History
Published 24 Mar 2021The interwar era has seen an explosion of art movements all vying to offer the most revolutionary response to modern society. The competition is intense and, as we shall see, often spills over into open conflict.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory​
Hosted by: Indy Neidell
Written by: Francis van Berkel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Francis van Berkel
Edited by: Michał Zbojna
Sound design: Marek KamińskiColorizations:
Daniel Weiss – https://www.facebook.com/TheYankeeCol…​Sources:
Some images from the Library of CongressSoundtracks from Epidemic Sound:
“Epic Adventure Theme 3” – HĂĄkan Eriksson
“Crimp” – Hysics
“Substage” – Jay Varton
“Appeased Soundscape 01” – August Wilhelmsson
“Stranger Days” – Alexandra Woodward
“Superior” – Silver Maple
“Rememberance” – Fabien Tell
“Ghost Dungeons” – Ethan Sloan
“Ancient Discoveries” – Gabriel LewisArchive by Screenocean/Reuters https://www.screenocean.com​.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
TimeGhost History
2 days ago (edited)
The original idea for this episode came from me (Francis here, hello) stumbling across a passing reference to the 1922 trial of André Breton buried deep in a Wikipedia article. It led me down a huge rabbit hole on the history of the chaotic artists milling around in Paris, New York, Zurich, and beyond.Considering that it also takes place in the same season as the publication of Ulysses, the release of Nosferatu, the birth of Brazillian Modernism, and more, I realized that it was the perfect opportunity to dedicate an entire episode to the weird and wonderful artistic movements of the modern era. If this kind is new to you then consider this episode your introduction to the topic. Indy talks about the Cubist revolution, then Dadaism, Expressionism, and more.
In case all that seems a bit too niche for your liking then look at it this way: if you want to understand how people processed the horrors of the Great War, the rise of mass production, and modern geopolitical machinations, then diving into the art of the time is a great place to start.
Watch the video to find out why.
March 6, 2021
Vaccinations and Communist Famine | B2W: ZEITGEIST! I E.12 – Summer1921
TimeGhost History
Published 5 Mar 2021This season there is a major breakthrough in combatting one of humanity’s oldest diseases, but a deadly famine also strikes Soviet Russia. Will the international community come to the fledgling state’s aid?
Join us on Patreon: https://www.patreon.com/TimeGhostHistory​
Hosted by: Indy Neidell
Written by: Francis van Berkel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Francis van Berkel
Image Research by: Daniel Weiss
Edited by: Daniel Weiss
Sound design: Marek KamińskiColorizations:
– Daniel Weiss – https://www.facebook.com/TheYankeeCol…​Sources:
Some images from the Library of Congress
Albert Calmette. Photograph, 1930. Credit: Wellcome Collection
World health : the magazine of the World Health Organization Credit: Wellcome Collection Hannokarlhuber https://www.hanno-karlhuber.at/galeri…​
https://wellcomeimages.org/indexplus/…​
art of Atlit-Yam from Hanay
Photo by J P Davidson https://flickr.com/photos/50616401@N0…​From the Noun Project:
– people by Gregor Cresnar
– Earth by RF_Design
– sick By Adrien Coquet, FR
– Man by Milinda CoureySoundtracks from Epidemic Sound and ODJB
– “One More for the Road” – Golden Age Radio
– “Not Safe Yet” – Gunnar Johnsen
– “The Inspector 4” – Johannes Bornlöf
– “Guilty Shadows 4” – Andreas Jamsheree
– “Dark Shadow” – Etienne Roussel
– “Brighter Days Will Come” – Oakwood Station
– “Just Like Old Times” – Jackie MartinArchive by Screenocean/Reuters https://www.screenocean.com​.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
TimeGhost History
3 days ago
As usual this episode sees the balance of dark and light that is so typical of the interwar period. Famine in Russia and the first fast-food chain in America; the turning of the tide against TB and tragic Hollywood scandal.So a mixture of serious and fun. Regular viewers will know that our comment section is the same, running from intense debate to long-running memes. In this episode Indy mentions the first ice-cream candy bar, so to encourage things to stay on the light-hearted side why don’t you comment below telling us what’s your favourite candy bar or fast-food joint?
February 26, 2021
QotD: “What have the Romans ever done for us?”
REG: They’ve bled us white, the bastards. They’ve taken everything we had, and not just from us, from our fathers, and from our fathers’ fathers.
LORETTA: And from our fathers’ fathers’ fathers.
REG: Yeah.
LORETTA: And from our fathers’ fathers’ fathers’ fathers.
REG: Yeah. All right, Stan. Don’t labour the point. And what have they ever given us in return?!
XERXES: The aqueduct?
REG: What?
XERXES: The aqueduct.
REG: Oh. Yeah, yeah. They did give us that. Uh, that’s true. Yeah.
COMMANDO #3: And the sanitation.
LORETTA: Oh, yeah, the sanitation, Reg. Remember what the city used to be like?
REG: Yeah. All right. I’ll grant you the aqueduct and the sanitation are two things that the Romans have done.
MATTHIAS: And the roads.
REG: Well, yeah. Obviously the roads. I mean, the roads go without saying, don’t they? But apart from the sanitation, the aqueduct, and the roads–
COMMANDO: Irrigation.
XERXES: Medicine.
COMMANDOS: Huh? Heh? Huh…
COMMANDO #2: Education.
COMMANDOS: Ohh…
REG: Yeah, yeah. All right. Fair enough.
COMMANDO #1: And the wine.
COMMANDOS: Oh, yes. Yeah…
FRANCIS: Yeah. Yeah, that’s something we’d really miss, Reg, if the Romans left. Huh.
COMMANDO: Public baths.
LORETTA: And it’s safe to walk in the streets at night now, Reg.
FRANCIS: Yeah, they certainly know how to keep order. Let’s face it. They’re the only ones who could in a place like this.
COMMANDOS: Hehh, heh. Heh heh heh heh heh heh heh.
REG: All right, but apart from the sanitation, the medicine, education, wine, public order, irrigation, roads, a fresh water system, and public health, what have the Romans ever done for us?
XERXES: Brought peace.
REG: Oh. Peace? Shut up!
Monty Python’s Life of Brian, 1979.
February 14, 2021
Helping to make more innovators
In the most recent Age of Invention newsletter, Anton Howes considers what “spark” seems to be needed to get people to think of innovations and how it can be done — albeit less efficiently — by reading about innovators or for more modern audiences, watching movies:
As I mentioned last time, increasing the supply of people becoming inventors is possibly one of the most significant, world-changing things that anyone can do. So I’ve been thinking a lot lately about what I call upstream policies: things that expose people to the idea of invention, increasing the chances that they themselves will be inspired with an improving mentality — a mindset of seeing problems where others do not, and then developing solutions to them. Contrary to “if it ain’t broke, don’t fix it”, the inventor is the person who can’t help but see the extra potential to improve things, and can’t resist applying their fixes too.
During the Industrial Revolution, most exposure to invention seems to have been face-to-face. There are a handful of cases where reading about inventors may have played a role in inspiring some people to invent. John Harrison, the clockmaker who created a timepiece so advanced that it allowed sailors to find their longitude even at sea, was allegedly given a copy of the scientific lectures of Nicholas Saunderson by a visiting clergyman when he was just a boy. (Whether it was the book or really the clergyman who inspired him, however, it is difficult to say.) Likewise, Francis Maceroni, an early nineteenth-century pioneer of kite-surfing, who also applied himself to improving swimming, paddle wheels, rockets, asphalt paving, and steam carriages, among other things, seems to have first been exposed to innovation by reading various books on science, including the works of Benjamin Franklin. Or take the young George Stephenson, pioneer of railway locomotion, who read a history of inventions that apparently prompted him to try to invent a perpetual motion machine (before another book, this time on mechanics, revealed to him the error in trying).
Inspiration can be indirect, with the written word complementing face-to-face interactions, or even prompting them to seek them, as well as giving people a taste of the improving mentality. I suspect that books like Samuel Smiles’s bestseller Self Help — essentially a collection of pulled-themselves-up-by-their-bootstraps stories about inventors — played a part in inspiring people to also have a go at improvement in the late nineteenth century, a little after the period I mainly study.
Today, however, we have many more media available to us to encourage people to become inventors — from radio and film, to video games and various other kinds of social media. Yet I’m not sure we’re doing it all that well. As I mentioned last time, I’ve been working my way through a bunch of the films that were suggested to me (the list is here), and so far I have largely been disappointed.
February 12, 2021
Nock’s Volley Gun: Clearing the Decks in the 1700s
Forgotten Weapons
Published 3 Mar 2018The Nock Volley Gun was actually invented by an Englishman named James Wilson in 1789, and presented to the British military as a potential infantry weapons. This was declined as impractical, but the Royal Navy found the concept interesting for shipboard use. In 1790 the Navy ordered two prototypes made by the British gunsmith Henry Nock, and finding them suitable, proceeded to oder a total of 500 of the guns (thus forever associating Nock’s name with the gun instead of Wilson’s). A further 100 or so were ordered in 1797, and the guns were in fact issued out to various ships — although accounts of their use in combat are difficult to find.
Unfortunately for Nock, the guns presented a couple of substantial problems in use. One was simply the recoil of firing. A single 32-bore (approximately .55 caliber) round ball over 40 grains of black powder is not a very impressive load, but seven of them firing simultaneously add up to a recoil comparable to 4- or 6-bore rifles, and in a volley gun weighing just 13 pounds (5.9kg). In addition, the guns did not always reliably fire all barrels, especially when dirty. This produced a conundrum: how to determine which barrels had fired and which had not? The practical result was double-loaded barrels, which could be liable to bulge or burst. For these reasons, the weapon was declared obsolete in 1805, and never appeared to play any significant military role.
The gun did receive a new wave of popular awareness in 1960, when the character of Jim Bowie was outfitted with one in the movie The Alamo (against all historical evidence). His easy handling of the weapon and the waves of men he was able to mow down with it brought the gun back into the popular consciousness.
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February 4, 2021
The New World: A Beautiful Mess
Atun-Shei Films
Published 3 Feb 2021A review of the Terrence Malick film The New World, a lavish and beautifully shot historical epic that nonetheless falls short in a few important ways.
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