Forgotten Weapons
Published 7 Nov 2018The Mauser Karabiner 98k began production as an excellent quality rifle, with every nuance of fine fit and finish one would have expected from the Mauser company. World War Two had barely begun by the time a few compromises began to be made to maintain production, however — and by the end of the war the K98k was a mere shadow of its former self. As with the similar deterioration in quality with Japanese Arisaka rifles, the critical mechanical elements of the K98k were just as safe and functional at the very end as the were at the beginning — but the ancillary aspects came crashing down. One might argue that these changes should have been made from the beginning; that issuing an infantry rifle made to the same finish as a fine commercial sporting arm is a silly waste of resources …
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September 27, 2024
Evolution of the Karabiner 98k, From Prewar to Kriegsmodell
September 22, 2024
How to Make a Nazi Martyr – Rise of Hitler 02, February 1930
World War Two
Published 21 Sep 2024In this issue of the Weimar Wire, we dive deep into the critical events of February 1930. Political violence continues to claim victims on the streets, the future Polish-German relationship is up in the air, the other powers bicker at the London Naval conference, all the while, the current government struggles to fill a ginormous budget hole.
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September 21, 2024
M1911A1: America’s Definitive World War Two Pistol
Forgotten Weapons
Published Jun 12, 2024The United States adopted the M1911 pistol just in time for the First World War, and between Colt and Springfield Arsenal some 643,000 of these pistols were made by the end of 1918. During that production and the gun’s field service in France, a number of potential improvements were recognized. They were put together in a batch of 10,000 new pistols ordered from Colt in 1924, but not officially designated until years later. A second batch of 10,000 was ordered from Colt in 1938. These were the first guns officially designated M1911A1. The changes were all about improving user handling, with a reshaped mainspring housing, larger sights, longer grip tang, and shorter reach to the trigger.
In 1939 the government put out a tender for M1911A1 education contracts. These contracts were for production of just 500 pistols, and they were intended to pay a company to build the a complete set of production line tooling and then store it in case of future need (similar contracts were also issued for rifles and machine guns). Two companies were granted such contracts – Harrington & Richardson and the Singer Sewing Machine Company. Singer produced a quite satisfactory batch of pistols, but ended up making higher-priority material like artillery sights. H&R was unable to complete its contract, which was cancelled in the spring of 1942.
When the US entered the war, pistols were needed in large number, and three companies were given contracts to produce the M1911A1: Remington-Rand, Ithaca, and Union Switch & Signal. These three new contractors, along with existing production lines at Colt and Springfield, produced 1.9 million new pistols during World War Two, enough to fully supply all branches of the US military until 1985 when the 1911 was replaced by the Beretta 92.
The example we are looking at today is a Remington-Rand, manufactured in April 1945. Remington-Rand received its first contract in May 1942, and delivered its final pistols in July 1945. In total, it made 877,751, in the following serial number blocks:
916405 – 1041404
1279699 – 1441430
1471431 – 1609528
1743847 – 1816641
1890504 – 2075103
2164404 – 2244803
2380014 – 2619013 (the last one made was 2465139)
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September 15, 2024
My Man Godfrey (1936) with William Powell and Carole Lombard
The Film Detective
Published Nov 15, 2018During the height of the Great Depression, a scavenger hunt party game brings a pair of spoiled sisters, Irene and Cornelia Bullock (Carole Lombard and Gail Patrick) to a city dump looking for a “forgotten man”. They find down-and-out hobo Godfrey Parks (William Powell), who accompanies one of the sisters back to the party to be presented as a scavenger hunt find, and ends up warily accepting her offer to become the family butler. Irene falls for Godfrey, but is unaware of his mysterious past. Nominated for six Academy Awards, My Man Godfrey might be the screwiest of all screwball comedies.
Director: Gregory La Cava
Writers: Morrie Ryskind, Eric Hatch
Starring: William Powell, Carole Lombard, Alice Brady, Gail Patrick, Eugene Pallette, Jean Dixon
September 8, 2024
Hitler’s Victory in Thüringen – Rise of Hitler 01
World War Two
Published 7 Sep 2024In this issue of the Weimar Wire, we dive deep into the critical events of January 1930. Political violence in the streets, uncertainty over the nation’s very character and Nazis entering a governing coalition provide a veritable treasure trove of political intrigue, hidden aspirations, and grand schemes.
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August 28, 2024
Then I’ll Take Her When You’re ☠️Dead☠️!
Jill Bearup
Published May 13, 2024Ah, Captain Blood. Swords, sand, and piratical shenanigans. Let’s do this.
The Fight Master Vol 1 Issue 1: https://mds.marshall.edu/fight/1/
Buy my book: books2read.com/juststabmenow (or try your local Amazon/bookstore)
August 25, 2024
QotD: P.G. Wodehouse’s unique way to get letters delivered
In previous columns […] I wrote about Homage to PG Wodehouse, a 1973 tribute edited by Thelma Cazalet-Keir, sister-in-law of Wodehouse’s beloved stepdaughter Leonora. My final extracts begin with an account by the American Guy Bolton (1884-1979), who collaborated with the Master on no fewer than 21 musical comedies for the stage and became his lifelong friend. In one of my favourite anecdotes, he describes how he called on Wodehouse in London in the mid-1920s.
“He was living in bachelor quarters in a tall, old-fashioned building in Queen’s Gate. His flat was on the fifth floor. There was no lift. I was travel tired and I toiled up the long staircase, pausing on the landings to pant. I found his door ajar and, entering, I found him writing a letter. He greeted me with a cheery ‘Hurrah, you’re here!’ and added, ‘Just a tick and I’ll get this letter off.’
“He shoved the letter in an envelope, stuck a stamp on it, then went over to the half-open window and tossed it out. ‘What on earth?’ I asked. ‘Has the joy of seeing me brought on some sort of mental lapse? That was your letter you just threw out of the window.’ ‘I know that. I can’t be bothered to go toiling down five flights every time I write a letter.’ ‘You depend on someone picking it up and posting it for you?’ ‘Isn’t that what you would do if you found a letter stamped and addressed lying on the pavement? All I can say is it works.’ ‘Well I wish you’d write me a letter while I’m here in London. I’d like to show it round in America – a bit of a score for good old England’.”
Bolton goes on: “It was the second day after moving into a fourth-floor flat in South Audley Street when my doorbell rang and I opened it to a rather stout individual somewhat out of breath. ‘Are you Mr Bolton? I have a letter for you.’ The envelope was in Plum’s handwriting.
“He said he was a taxi driver but refused a tip, accepting instead a bottle of Guinness. While he was drinking it, I phoned Plum. ‘I have your letter,’ I said. ‘What?’ said Plum in a slightly awed voice. ‘I only threw it out of the window 20 minutes ago.’ ‘You were right,’ I said. ‘It’s by far the quickest way to send a letter to a friend in London.’ ‘Yes, indeed. The GPO had better look to their laurels and keep an eye on their laburnums’.”
Of his friend, Bolton says: “He has one quality that is rare in our age. It is innocence. It carries with it a trusting belief in the goodness of heart of his fellow men. Suspicion and distrust have no place in his nature. The characters in his books share in it – even his villains are likely to succumb before a finger shaken by one of those bright-eyed, no-nonsense Wodehouse heroines.”
Alan Ashworth, “That reminds me: A final homage to Wodehouse”, The Conservative Woman, 2024-05-21.
August 12, 2024
Robin Hood, But Make it ⚔️ICONIC⚔️
Jill Bearup
Published Apr 29, 2024The Adventures of Robin Hood (1938) is a classic, and I am hopefully unlikely to get in copyright trouble if I use huge chunks of it. So prepare for an exhaustive (or possibly exhausting) fight breakdown, and a few minor comments about Errol Flynn and parrying.
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August 3, 2024
The Rise, Fall, And Revival Of Art Deco | A Style Is Born W/ @KazRowe
Wayfair
Published Jun 15, 2023Welcome to A Style is Born, hosted by YouTuber, cartoonist, and champion of under-represented history, Kaz Rowe!
Join us as we go down the rabbit hole and uncover the unique histories and origin stories behind your favorite design styles. In this first episode of Season 2, we delve into the history-rich Art Deco movement.
Chapters
Intro – 00:00
History – 00:45
Influences, Elements, & Materials – 04:58
1980s Art Deco Revival Via Memphis Group – 07:46
Conclusion – 09:13
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July 28, 2024
How America RUINED the world’s screws! (Robertson vs. Phillips)
Stumpy Nubs
Published Apr 17, 2024
July 27, 2024
Dining on the Orient Express
Tasting History with Max Miller
Published Apr 16, 2024Côtelettes d’Agneau à la Minute
Simple, delicious fried lamb cutlets with a lemon-butter sauce with swirls of Duchess PotatoesCity/Region: France
Time Period: 1903The food and dining cars of the Orient Express were a big part of the luxurious experience that drew in passengers. The chefs, who were brought in from top French institutions, prepared meals on moving train cars, sometimes themed to which countries the train was passing through.
These lamb cutlets are simple, tender, and delicious. The lemon-butter sauce has only two ingredients, and pairs perfectly with Duchess Potatoes for a wonderful meal (or more accurately, single course) aboard the Orient Express.
Côtelettes d’Agneau à la Minute
Cut the cutlets very thin, season them and shallow fry in very hot clarified butter. Arrange them in a circle on a dish, sprinkle with a little lemon juice and the cooking butter after adding a pinch of chopped parsley, Serve immediately.
— Le Guide Culinaire by Auguste Escoffier, 1903
June 10, 2024
Bigger Isn’t Always Better: A1E1 Independent | Tank Chats Reloaded
The Tank Museum
Published Mar 1, 2024A bigger tank is a better tank, right? Wrong.
Meet the Interwar Vickers A1E1 Independent: a failed prototype, a prototype that proved bigger isn’t always better. Impractical and expensive, it was never accepted into service – but it is said to have inspired equally cumbersome designs including the German Neubaufahrzeug and the Soviet T-35.
Join David Willey, The Tank Museum Curator, as he examines one of the more unusual vehicles in the collection – and discover how it became a focus for political espionage in the early 1930’s.
00:00 | Introduction
02:56 | Tank Design & Vickers
03:28 | Heavy Tank Requirements
05:38 | Initial Blueprints & Prototypes
11:08 | Test-bed Vehicle
14:50 | Myths, Issues and Life after Trials
19:25 | Does it lead to anything?This video features archive footage courtesy of British Pathé.
#tankmuseum #davidwilley #Interwar #heavytanks
May 18, 2024
The plight of Greek refugees after the Greco-Turkish War
As part of a larger look at population transfers in the Middle East, Ed West briefly explains the tragic situation after the Turkish defeat of the Greek invasion into the former Ottoman homeland in Anatolia:
While I understand why people are upset by the Nakba, and by the conditions of Palestinians since 1948, or particular Israeli acts of violence, I find it harder to understand why people frame it as one of colonial settlement. The counter is not so much that Palestine was 2,000 years ago the historic Jewish homeland – which is, to put it mildly, a weak argument – but that the exodus of Arabs from the Holy Land was matched by a similar number of Jews from neighbouring Arab countries. This completely ignored aspect of the story complicates things in a way in which some westerners, well-trained in particular schools of thought, find almost incomprehensible.
The 20th century was a period of mass exodus, most of it non-voluntary. Across the former Austro-Hungarian, Russian and Ottoman empires the growth in national consciousness and the demands for self-determination resulted in enormous and traumatic population transfers, which in Europe reached its climax at the end of the Second World War.
Although the bulk of this was directed at Germans, the aggressors in the conflict, they were not the only victims – huge numbers of Poles were forcibly moved out of the east of the country to be resettled in what had previously been Germany. The entire Polish community in Lwów, as they called it, was moved to Wrocław, formerly Breslau.
Maps of central and eastern Europe in the 19th century would have shown a confusing array of villages speaking a variety of languages and following different religions, many of whom wouldn’t have been aware of themselves as Poles, Romanians, Serbs or whatever. These communities had uneasily co-existed under imperial rulers until the spread of newspapers and telegraph poles began to form a new national consciousness, usually driven by urban intellectuals LARPing in peasant fantasies.
This lack of national consciousness was especially true of the people who came to be known as Turks; the Balkans in the late 19th century had a huge Muslim population, most of whom were subsequently driven out by nationalists of various kinds. Many not only did not see themselves as Turks but didn’t even speak Turkish; their ancestors had simply been Greeks or Bulgarians who had adopted the religion of the ruling power, as many people do. Crete had been one-third Muslim before they were pushed out by Greek nationalists and came to settle in the Ottoman Empire, which is why there is still today a Greek-speaking Muslim town in Syria.
This population transfer went both ways, and when that long-simmering hatred reached its climax after the First World War, the Greeks came off much worse. Half a million “Turks” moved east, but one million Greek speakers were forced to settle in Greece, causing a huge humanitarian crisis at the time, with many dying of disease or hunger.
That population transfer was skewed simply because Atatürk’s army won the Greco-Turkish War, and Britain was too tired to help its traditional allies and have another crack at Johnny Turk, who – as it turned out at Gallipoli – were pretty good at fighting.
The Greeks who settled in their new country were quite distinctive to those already living there. The Pontic Greeks of eastern Anatolia, who had inhabited the region since the early first millennium BC, had a distinct culture and dialect, as did the Cappadocian Greeks. Anthropologically, one might even have seen them as distinctive ethnic groups altogether, yet they had no choice but to resettle in their new homeland and lose their identity and traditions. The largest number settled in Macedonia, where they formed a slight majority of that region, with many also moving to Athens.
The loss of their ancient homelands was a bitter blow to the Greek psyche, perhaps none more so than the permanent loss of the Queen of Cities itself, Constantinople. This great metropolis, despite four and a half centuries of Ottoman rule, still had a Greek majority until the start of the 20th century but would become ethnically cleansed in the decades following, the last exodus occurring in the 1950s with the Istanbul pogroms. Once a mightily cosmopolitan city, Istanbul today is one of the least diverse major centres in Europe, part of a pattern of growing homogeneity that has been repeated across the Middle East.
But the Greek experience is not unique. Imperial Constantinople was also home to a large Jewish community, many of whom had arrived in the Ottoman Empire following persecution in Spain and other western countries. Many spoke Ladino, or Judeo-Spanish, a Latinate language native to Iberia. Like the Greeks and Armenians, the Jews prospered under the Ottomans and became what Amy Chua called a “market-dominant minority”, the groups who often flourish within empires but who become most vulnerable with the rise of nationalism.
And with the growing Turkish national consciousness and the creation of a Turkish republic from 1923, things got worse for them. Turkish nationalists and their allies murdered vast numbers of Armenians, Greeks and Assyrian Christians in the 1910s, and the atmosphere for Jews became increasingly tense too, with more frequent outbursts of communal violence. After the First World War, many began emigrating to Palestine, now under British control and similarly spiralling towards violence caused by demographic instability.
May 3, 2024
Art Deco vs Streamline Moderne
Michael Pacitti
Published Dec 24, 2022Differentiating between Art Deco and Streamline Moderne can be difficult if you don’t know their history. They are two very different periods of design. Here is a look at those differences, characteristics, colors, transportation, influences, and more.
April 28, 2024
How Britain got out of the Great Depression (and no, it wasn’t WW2)
Tim Worstall, in refuting something being pushed by Willie Hutton, explains how the British government escaped from the Great Depression and set off a nice little boom in the mid- to late-1930s:
Well, yes. Except that’s not actually what did drag Britain out of the Depression. What did was expansionary fiscal austerity. You know, that thing the Tories talked of in 2010 and which everyone laughed at? Somewhat annoyingly I was one of the very few (it’s annoying because I was clearly right in what I was saying) who pointed this out back then.
When we boil this right down it’s an argument about the effectiveness of monetary policy. Absolutely no one thinks that it has no effect. But there’s many who think that it has no effect at the zero lower bound: when interest rates are zero. That’s really the argument that leads to fiscal policy, that idea that government might tax less, or spend more, blow out that deficit and get the economy moving again. We’ve done all we could with monetary policy and we’ve still got to do something so here’s fiscal policy.
To put it as simply as possible. We’ve two major macroeconomic tools, monetary policy and fiscal. The first is interest rates, exchange rates and money printing and so on. The second is the difference between taxes collected and money spent by government — the government deficit or surplus (note, please, for purists, this is being very simple).
OK, either lever or tool can be used to loosen conditions — gee stuff up — or tighten them. Which we use when is somewhere between a matter of taste and necessarily correct given the circumstances. But clearly the total amount of geeing up out of a recession — or tightening to prevent inflation — or depression is the combination of the two sets of policies, applications of levers and tools.
It’s thus theoretically possible to tighten with one, loosen with the other and gain, overall, either tightening or loosening. Depends upon how much of each you do.
Britain in the 30s tightened fiscal policy. The opposite of what the Keynesians said, the opposite of what the US did and so on. Cut — no, really cut, not just slowed the increase in — government spending and thereby cut the government deficit (might, actually, have gone into surplus, not sure). This is, according to the Keynesian line, something that should make the recession/depression worse.
But at the same time they came off the gold standard — Churchill had taken us back in in 1925 at far too high a rate — and lowered interest rates. That’s a loosening of monetary policy.
As it happens, on balance, the monetary was loosened more than the fiscal was tightened and so we have expansionary fiscal austerity. Which set off a very nice little boom in fact. The mid- to late- 30s in Britain were economic good times. Driven, nicely driven, by a housebuilding boom — the last time the private sector built 300 k houses a year in fact (this is before the Town and Country Planning Act stopped all that). Mixed in was that the motor car was becoming a fairly standard bourgeois item and so housing spread out along the roads.