Private lawyers are not needed in Germany. If you want to buy or sell a house or field, the State makes out the conveyance. If you have been swindled, the State takes up the case for you. The State marries you, insures you, will even gamble with you for a trifle.
“You get yourself born,” says the German Government to the German citizen, “we do the rest. Indoors and out of doors, in sickness and in health, in pleasure and in work, we will tell you what to do, and we will see to it that you do it. Don’t you worry yourself about anything.”
And the German doesn’t. Where there is no policeman to be found, he wanders about till he comes to a police notice posted on a wall. This he reads; then he goes and does what it says.
I remember in one German town—I forget which; it is immaterial; the incident could have happened in any — noticing an open gate leading to a garden in which a concert was being given. There was nothing to prevent anyone who chose from walking through that gate, and thus gaining admittance to the concert without paying. In fact, of the two gates quarter of a mile apart it was the more convenient. Yet of the crowds that passed, not one attempted to enter by that gate. They plodded steadily on under a blazing sun to the other gate, at which a man stood to collect the entrance money. I have seen German youngsters stand longingly by the margin of a lonely sheet of ice. They could have skated on that ice for hours, and nobody have been the wiser. The crowd and the police were at the other end, more than half a mile away, and round the corner. Nothing stopped their going on but the knowledge that they ought not. Things such as these make one pause to seriously wonder whether the Teuton be a member of the sinful human family or not. Is it not possible that these placid, gentle folk may in reality be angels, come down to earth for the sake of a glass of beer, which, as they must know, can only in Germany be obtained worth the drinking?
In Germany the country roads are lined with fruit trees. There is no voice to stay man or boy from picking and eating the fruit, except conscience. In England such a state of things would cause public indignation. Children would die of cholera by the hundred. The medical profession would be worked off its legs trying to cope with the natural results of over-indulgence in sour apples and unripe walnuts. Public opinion would demand that these fruit trees should be fenced about, and thus rendered harmless. Fruit growers, to save themselves the expense of walls and palings, would not be allowed in this manner to spread sickness and death throughout the community.
But in Germany a boy will walk for miles down a lonely road, hedged with fruit trees, to buy a pennyworth of pears in the village at the other end. To pass these unprotected fruit trees, drooping under their burden of ripe fruit, strikes the Anglo-Saxon mind as a wicked waste of opportunity, a flouting of the blessed gifts of Providence.
I do not know if it be so, but from what I have observed of the German character I should not be surprised to hear that when a man in Germany is condemned to death he is given a piece of rope, and told to go and hang himself. It would save the State much trouble and expense, and I can see that German criminal taking that piece of rope home with him, reading up carefully the police instructions, and proceeding to carry them out in his own back kitchen.
Jerome K. Jerome, Three Men on the Bummel, 1914.
October 18, 2015
QotD: Peace and order in the Kaiser’s Germany
October 4, 2015
QotD: The “value” of the Mensur
Whether anything can properly be said in favour of the German Mensur I am doubtful; but if so it concerns only the two combatants. Upon the spectators it can and does, I am convinced, exercise nothing but evil. I know myself sufficiently well to be sure I am not of an unusually bloodthirsty disposition. The effect it had upon me can only be the usual effect. At first, before the actual work commenced, my sensation was curiosity mingled with anxiety as to how the sight would trouble me, though some slight acquaintance with dissecting-rooms and operating tables left me less doubt on that point than I might otherwise have felt. As the blood began to flow, and nerves and muscles to be laid bare, I experienced a mingling of disgust and pity. But with the second duel, I must confess, my finer feelings began to disappear; and by the time the third was well upon its way, and the room heavy with the curious hot odour of blood, I began, as the American expression is, to see things red.
I wanted more. I looked from face to face surrounding me, and in most of them I found reflected undoubtedly my own sensations. If it be a good thing to excite this blood thirst in the modern man, then the Mensur is a useful institution. But is it a good thing? We prate about our civilisation and humanity, but those of us who do not carry hypocrisy to the length of self-deception know that underneath our starched shirts there lurks the savage, with all his savage instincts untouched. Occasionally he may be wanted, but we never need fear his dying out. On the other hand, it seems unwise to over-nourish him.
In favour of the duel, seriously considered, there are many points to be urged. But the Mensur serves no good purpose whatever. It is childishness, and the fact of its being a cruel and brutal game makes it none the less childish. Wounds have no intrinsic value of their own; it is the cause that dignifies them, not their size. William Tell is rightly one of the heroes of the world; but what should we think of the members of a club of fathers, formed with the object of meeting twice a week to shoot apples from their sons’ heads with cross-bows? These young German gentlemen could obtain all the results of which they are so proud by teasing a wild cat! To join a society for the mere purpose of getting yourself hacked about reduces a man to the intellectual level of a dancing Dervish. Travellers tell us of savages in Central Africa who express their feelings on festive occasions by jumping about and slashing themselves. But there is no need for Europe to imitate them. The Mensur is, in fact, the reductio ad absurdum of the duel; and if the Germans themselves cannot see that it is funny, one can only regret their lack of humour.
Jerome K. Jerome, Three Men on the Bummel, 1914.
October 2, 2015
An Orgy of Innovation (Everyday Economics 5/7)
Published on 20 Apr 2015
The list of famous inventions from the last few centuries is long, and you may even be making use of one right now — laptops, smartphones, tablets, and televisions, for instance. There are countless unsung improvements, too, that make our daily lives much easier. We’ve all benefited from zip top sandwich bags, twist bottle caps, and long-lasting batteries, to name a few!
The economic historian Deirdre McCloskey coined the term “innovationism” to describe the phenomenal rise in innovation over the past couple hundred years. While there have always been inventors and innovators, that number exploded after the eighteenth century, contributing to what we’ve described in previous videos as the “Hockey Stick of Human Prosperity.”
Why has innovation grown so rapidly? Economist Douglass North argues it has to do with institutions such as property rights, non-corrupt courts, and rule of law, which lay the foundation for innovation to take place. Others attribute the rise to factors such as education or access to reliable energy. McCloskey argues that what really kicked innovation into high gear is a change in attitude — ordinary people who once celebrated conquerers and kings began to celebrate merchants and inventors.
In this video, we discuss these ideas further. After all, a better understanding of what drives innovation could help poor countries that still live on the handle of the “Hockey Stick” reach a much greater level of prosperity.
October 1, 2015
September 27, 2015
QotD: Duelling at German universities
The Mensur has been described so often and so thoroughly that I do not intend to bore my readers with any detailed account of it. I merely come forward as an impressionist, and I write purposely the impression of my first Mensur, because I believe that first impressions are more true and useful than opinions blunted by intercourse, or shaped by influence.
[…]
Use blinds one to everything one does not wish to see. Every third German gentleman you meet in the street still bears, and will bear to his grave, marks of the twenty to a hundred duels he has fought in his student days. The German children play at the Mensur in the nursery, rehearse it in the gymnasium. The Germans have come to persuade themselves there is no brutality in it — nothing offensive, nothing degrading. Their argument is that it schools the German youth to coolness and courage. If this could be proved, the argument, particularly in a country where every man is a soldier, would be sufficiently one-sided. But is the virtue of the prize-fighter the virtue of the soldier? One doubts it. Nerve and dash are surely of more service in the field than a temperament of unreasoning indifference as to what is happening to one. As a matter of fact, the German student would have to be possessed of much more courage not to fight. He fights not to please himself, but to satisfy a public opinion that is two hundred years behind the times.
All the Mensur does is to brutalise him. There may be skill displayed — I am told there is, — but it is not apparent. The mere fighting is like nothing so much as a broadsword combat at a Richardson’s show; the display as a whole a successful attempt to combine the ludicrous with the unpleasant. In aristocratic Bonn, where style is considered, and in Heidelberg, where visitors from other nations are more common, the affair is perhaps more formal. I am told that there the contests take place in handsome rooms; that grey-haired doctors wait upon the wounded, and liveried servants upon the hungry, and that the affair is conducted throughout with a certain amount of picturesque ceremony. In the more essentially German Universities, where strangers are rare and not much encouraged, the simple essentials are the only things kept in view, and these are not of an inviting nature.
Indeed, so distinctly uninviting are they, that I strongly advise the sensitive reader to avoid even this description of them. The subject cannot be made pretty, and I do not intend to try.
The room is bare and sordid; its walls splashed with mixed stains of beer, blood, and candle-grease; its ceiling, smoky; its floor, sawdust covered. A crowd of students, laughing, smoking, talking, some sitting on the floor, others perched upon chairs and benches form the framework.
In the centre, facing one another, stand the combatants, resembling Japanese warriors, as made familiar to us by the Japanese tea-tray. Quaint and rigid, with their goggle-covered eyes, their necks tied up in comforters, their bodies smothered in what looks like dirty bed quilts, their padded arms stretched straight above their heads, they might be a pair of ungainly clockwork figures. The seconds, also more or less padded — their heads and faces protected by huge leather-peaked caps, — drag them out into their proper position. One almost listens to hear the sound of the castors. The umpire takes his place, the word is given, and immediately there follow five rapid clashes of the long straight swords. There is no interest in watching the fight: there is no movement, no skill, no grace (I am speaking of my own impressions.) The strongest man wins; the man who, with his heavily-padded arm, always in an unnatural position, can hold his huge clumsy sword longest without growing too weak to be able either to guard or to strike.
The whole interest is centred in watching the wounds. They come always in one of two places — on the top of the head or the left side of the face. Sometimes a portion of hairy scalp or section of cheek flies up into the air, to be carefully preserved in an envelope by its proud possessor, or, strictly speaking, its proud former possessor, and shown round on convivial evenings; and from every wound, of course, flows a plentiful stream of blood. It splashes doctors, seconds, and spectators; it sprinkles ceiling and walls; it saturates the fighters, and makes pools for itself in the sawdust. At the end of each round the doctors rush up, and with hands already dripping with blood press together the gaping wounds, dabbing them with little balls of wet cotton wool, which an attendant carries ready on a plate. Naturally, the moment the men stand up again and commence work, the blood gushes out again, half blinding them, and rendering the ground beneath them slippery. Now and then you see a man’s teeth laid bare almost to the ear, so that for the rest of the duel he appears to be grinning at one half of the spectators, his other side, remaining serious; and sometimes a man’s nose gets slit, which gives to him as he fights a singularly supercilious air.
As the object of each student is to go away from the University bearing as many scars as possible, I doubt if any particular pains are taken to guard, even to the small extent such method of fighting can allow. The real victor is he who comes out with the greatest number of wounds; he who then, stitched and patched almost to unrecognition as a human being, can promenade for the next month, the envy of the German youth, the admiration of the German maiden. He who obtains only a few unimportant wounds retires sulky and disappointed.
Jerome K. Jerome, Three Men on the Bummel, 1914.
September 25, 2015
An economic theory of avant garde and popular art
Published on 3 Sep 2015
When do artists sell out and when do they keep their artistic integrity?
September 22, 2015
QotD: Women’s clothing in patriarchal cultures
I think it’s a mistake to worry too much about what is “normal”. “Normal” men in patriarchal societies tend to want their wives to dress in a way they perceive as modest; this derives from a desire to protect their “property” from those who might trespass or steal it. The more patriarchal the society, the more “modestly” it expects women to dress; in societies where women’s status is higher, women tend to dress more provocatively, and in those where it is lower, they tend to dress more concealingly. There are few if any exceptions, yet neofeminists teach a looking-glass version of reality in which dressing sexily is “objectification” and a manifestation of “patriarchy”, despite abundant real-world evidence that the exact opposite is true. Now, this is not to say that one individual man, or indeed large minorities of men, might not prefer women who “belong” to them dressed in a revealing fashion; however, the majority (“normal”) view has always been the opposite.
Maggie McNeill, “Wardrobe Choices”, The Honest Courtesan, 2014-10-08.
September 20, 2015
“What kind of Buddhism is this, Otto?”
Kathy Shaidle explains why using a movie’s worldview (even something as funny as A Fish Called Wanda) is not the best way to develop your own philosophy of the world:
From William James and Herman Hesse to the Beats and the Beastie Boys, Buddhism has long appealed to a certain type of post-Enlightenment Westerner — the one who yearns to fill his “God-shaped hole” with anything but God, that uptight, bossy old guy with all the boring rules and hang-ups (man.)
Buddhism — which looks from the outside like agnosticism but with cooler tchotchkes — is the obvious choice.
Now, Americans in particular take a lot of guff (see: “I forgot my mantra…”) for seeming to prefer trompe l’oeil religion — what Flannery O’Connor had her Hazel Motes concoct: a “Holy Church of Christ Without Christ.” That’s probably not surprising considering you’re a country cofounded by deists.
But while it’s funny to witness lily-white lapsed Catholics, still supposedly stinging from Sister’s ruler, sitting in Zen meditation classes where they’re sure to be slapped with an even bigger stick, let’s remember that Buddhism was an Eastern religion first. It’s like Pearl Harbor: They started it.
And “they” aren’t all the unadulterated egalitarian Klaatus of our Big Sur wind-chime fantasies. Buddhist scandals — both sexual and fiduciary — receive only a slender sliver of the media attention and resulting popular scorn that, say, Catholic ones do. (Oddly enough!) Stand-up comics don’t crack jokes about perverted Theravada monks.
Yet lists of Buddhist big-shot malfeasance include such karma-killers as spreading AIDS and drinking oneself to death. And that’s just in America.
Over in Thailand, the “top Buddhist authority bars women from becoming monks,” but some are now insisting (stop me if you’ve heard this one) that female ordination is just the enema the nation’s corrupt and constipated religious authority needs most.
QotD: German schooling
On our way home we included a German University town, being wishful to obtain an insight into the ways of student life, a curiosity that the courtesy of German friends enabled us to gratify.
The English boy plays till he is fifteen, and works thence till twenty. In Germany it is the child that works; the young man that plays. The German boy goes to school at seven o’clock in the summer, at eight in the winter, and at school he studies. The result is that at sixteen he has a thorough knowledge of the classics and mathematics, knows as much history as any man compelled to belong to a political party is wise in knowing, together with a thorough grounding in modern languages. Therefore his eight College Semesters, extending over four years, are, except for the young man aiming at a professorship, unnecessarily ample. He is not a sportsman, which is a pity, for he should make good one. He plays football a little, bicycles still less; plays French billiards in stuffy cafés more. But generally speaking he, or the majority of him, lays out his time bummeling, beer drinking, and fighting. If he be the son of a wealthy father he joins a Korps — to belong to a crack Korps costs about four hundred pounds a year. If he be a middle-class young man, he enrols himself in a Burschenschaft, or a Landsmannschaft, which is a little cheaper. These companies are again broken up into smaller circles, in which attempt is made to keep to nationality. There are the Swabians, from Swabia; the Frankonians, descendants of the Franks; the Thuringians, and so forth. In practice, of course, this results as all such attempts do result — I believe half our Gordon Highlanders are Cockneys — but the picturesque object is obtained of dividing each University into some dozen or so separate companies of students, each one with its distinctive cap and colours, and, quite as important, its own particular beer hall, into which no other student wearing his colours may come.
The chief work of these student companies is to fight among themselves, or with some rival Korps or Schaft, the celebrated German Mensur.
Jerome K. Jerome, Three Men on the Bummel, 1914.
September 17, 2015
Megan Geuss watched Star Trek – in order – so you don’t have to
By the time I started paying attention to the original Star Trek, it was already in syndication (and aside from the cartoon series, it was the only Star Trek) so I didn’t see the episodes in anything like their original order. Megan Geuss says I (and pretty much everyone else in my age cohort) missed a lot due to this:
Here at Ars Technica, we have Star Trek on the brain. A lot. It’s a thing most of us have strong opinions about, and without a physical office, sometimes the IRC watercooler chat devolves into half-hour-long discussions about the relative merits of such and such a character. That is, until a senior editor implores us to write up our thoughts instead of wasting time arguing idly over chat; we are writers, after all, and writing is what we ought to be doing during the work day.
I, too, have strong opinions about characters in Star Trek, but I came at the show from a much different perspective than most of my peers. My colleagues were astounded when I told them that I’d only seen one episode of Star Trek as a child (I don’t even remember the plot) and my first real exposure had been as an adult, when I watched the entirety of The Original Series and The Next Generation in order, over the course of three years or so.
My colleagues, and in fact almost everyone I meet who I end up talking to about Star Trek, can’t seem to understand why I’d do that. I realized a year ago that this disbelief comes from the fact that almost everyone who did watch Star Trek as a child watched it syndicated on TV, particularly The Original Series. While they may have seen all or close-to-all of the episodes in all the various series, they saw them randomly and sporadically over the course of an entire childhood, with other shows to fill the space in between.
Not I. Thanks to Netflix, I watched The Original Series over a two-year period, with other shows and movies in between, and I watched The Next Generation in a little under one year as my primary after-work TV. From a modern TV viewer’s perspective, the Original Series, with all of its 1960s storytelling quirks and anachronisms, was the hardest entry in Star Trek canon to get through. That’s what I’ll focus on here, because talking about both series from a novice’s point of view would make this article longer than the distance from Earth to the Delta Quadrant.
September 9, 2015
The rise of victimhood culture
Ronald Bailey thinks the rise of microaggression-awareness is a symptom of a decline in dignity culture and a sign of the coming of a new victimhood-based culture, and that it’s a really bad development:
Over at the Righteous Mind blog, New York University moral psychologist Jonathan Haidt is signposting a fascinating article, “Microaggression and Moral Cultures,” by two sociologists in the journal Comparative Sociology. The argument in the article is that U.S. society is in the midst of a large-scale moral change in which we are experiencing the emergence of a victimhood culture that is distinct from the honor cultures and dignity cultures of the past. If true, this bodes really bad for future social and political peace.
In honor cultures, people (men) maintained their honor by responding to insults, slights, violations of rights by self-help violence. Generally honor cultures exist where the rule of law is weak. In honor cultures, people protected themselves, their families, and property through having a reputation for swift violence. During the 19th century, most Western societies began the moral transition toward dignity cultures in which all citizens were legally endowed with equal rights. In such societies, persons, property, and rights are defended by recourse to third parties, usually courts, police, and so forth, that, if necessary, wield violence on their behalf. Dignity cultures practice tolerance and are much more peaceful than honor cultures.
Sociologists Bradley Campbell and Jason Manning are arguing that the U.S. is now transitioning to a victimhood culture that combines both the honor culture’s quickness to take offense with the dignity culture’s use of third parties to police and punish transgressions. The result is people are encouraged to think of themselves as weak, marginalized, and oppressed. This is nothing less than demoralizing and polarizing as everybody seeks to become a “victim.”
September 3, 2015
Reparations for India’s colonial period?
In Time, Shikha Dalmia explains why India may not want to cuddle up too closely to the idea of getting reparations from the UK:
Indian politician and celebrated novelist Shashi Tharoor caused a mini-sensation late last month when he went before the Oxford Union, a debating society in England’s prestigious eponymous university, and argued that Britain needed to give India reparations for “depredations” caused by two centuries of colonial rule. It was a virtuoso performance — almost pitch perfect in substance and delivery — that handily won him the debate in England and made him a national hero at home.
But the most eloquent point that emerged in the debate is one he didn’t make: While Brits are grappling with their sordid past by, say, holding such debates, Indians are busy burying theirs in a cheap feel-goodism.
Colonialism, without a doubt, is an awful chapter in human history. And Tharoor did a brilliant job of debunking the standard argument of Raj apologists that British occupation did more good than harm because it gave India democracy and the rule of law. (This is akin to American whites who argued after the Civil War that blacks had nothing to complain about because — as the Chicago Tribune editorialized — in exchange for slavery, they were “taught Christian civilization and to speak the noble English language instead of some African gibberish.”)
[…]
Reparations make sense when it is still possible to identify the individual victims of political or social violence. But if paying collective reparations for collective guilt is appropriate, then how about India “atoning” for thousands of years of its caste system? This system has perpetrated “depredations” arguably worse than those of colonialism or apartheid against India’s dalits — or untouchables — and other lower castes. And despite what Hindu denialists claim, this system remains an endemic part of everyday life in many parts of India. Indeed, much like the Jim Crow south, local village councils even today severely punish inter-caste mingling and marriage, even issuing death sentences against young men and women who dare marry outside their caste.
None of this is meant to single out India. Alexis de Tocqueville, the great French philosopher, who visited America in the early 19th Century, expressed astonishment at how Americans could blithely both claim to love liberty and defend slavery without any sense of contradiction. Every civilization has its stock of virtues and vices, ideals and transgressions. Moral progress requires each to constantly parse its history and present to measure how far it has come and how far it must go to bridge the gap between its principles and practices.
September 1, 2015
Cultural libertarians
Allum Bokhari claims to see a rising tide of cultural libertarians in our future:
A new force is emerging in the culture wars. Authoritarians of all stripes, from religious reactionaries to left-wing “social justice warriors,” are coming under fire from a new wave of thinkers, commentators, and new media stars who reject virtually all of their political values.
From the banning of Charlie Hebdo magazine across British university campuses on the grounds that it promoted islamophobia, to the removal of the video game Grand Theft Auto V from major retailers in Australia on the grounds that it promoted sexism, threats to cultural freedom proliferate.
But a growing number of commentators, media personalities and academics reject the arguments that underpin these assaults on free expression, in particular the idea that people are either too emotionally fragile to deal with “offence” or too corruptible to be exposed to dangerous ideas.
In a recent co-authored feature for Breitbart, I coined a term to describe this new trend: cultural libertarianism. The concept was critically discussed by Daniel Pryor at the Centre for a Stateless Society, who drew attention to the increasing viciousness of cultural politics in the internet age.
There is a reason for the sound and fury. Like all insurgent movements, the emergence of cultural libertarianism is creating tensions, border skirmishes, and even the occasional war with lazy incumbent elites. Some of these rows can be breathtakingly vitriolic, as self-righteous anger from social justice types collides with mocking and occasionally caustic humour from cultural libertarians.
August 21, 2015
Studs Terkel talks to Hunter S. Thompson about the Hell’s Angels
Published on 28 Jul 2015
“I keep my mouth shut now. I’ve turned into a professional coward.”
– Hunter S. Thompson in 1967In the 1960s, Hunter S. Thompson spent more than a year living and drinking with members of the Hell’s Angels motorcycle club, riding up and down the California coast. What he saw alongside this group of renegades on Harleys, these hairy outlaws who rampaged and faced charges of attempted murder, assault and battery, and destruction of property along the way — all of this became the heart of Thompson’s first book: Hell’s Angels: A Strange and Terrible Saga. Shortly after the book came out, Thompson sat down for a radio interview with the one and only Studs Terkel.
CHOICE QUOTES
“I can’t remember ever winning a fight.”“I used to take it out at night on the Coast Highway, just drunk out of my mind, ride it for 20 and 30 miles in just short pants and a t-shirt. It’s a beautiful feeling.”
“ I tried to keep my eyes on him because I didn’t want to have my skull fractured.”
“They want to get back at the people who put them in this terrible, this dead end, tunnel.”
“The people who are most affected by this technological obsolescence are the ones least capable of understanding the reason for it, so the venom builds up much quicker. It feeds on their ignorance.”
August 20, 2015
How Buildings Learn – Stewart Brand – 4 of 6 – “Unreal Estate”
Published on 10 Jun 2012
This six-part, three-hour, BBC TV series aired in 1997. I presented and co-wrote the series; it was directed by James Muncie, with music by Brian Eno.The series was based on my 1994 book, HOW BUILDINGS LEARN: What Happens After They’re Built. The book is still selling well and is used as a text in some college courses. Most of the 27 reviews on Amazon treat it as a book about system and software design, which tells me that architects are not as alert as computer people. But I knew that; that’s part of why I wrote the book.
Anybody is welcome to use anything from this series in any way they like. Please don’t bug me with requests for permission. Hack away. Do credit the BBC, who put considerable time and talent into the project.
Historic note: this was one of the first television productions made entirely in digital— shot digital, edited digital. The project wound up with not enough money, so digital was the workaround. The camera was so small that we seldom had to ask permission to shoot; everybody thought we were tourists. No film or sound crew. Everything technical on site was done by editors, writers, directors. That’s why the sound is a little sketchy, but there’s also some direct perception in the filming that is unusual.
