In the 1st episode of The Tank Museum’s brand new “How To” series, Wargaming’s Richard Cutland and historian James Holland explore how British tank crews managed to drink tea, while in a tank!
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Using a WW1, WW2 and modern tank from The Tank Museum’s collection, the duo will discover how tea was made while soldiers were at war.
The Indonesian War of Independence is heavily fuelled by the gangs of youngsters who go by the name of Pemuda. They engage in clandestine guerrilla fighting as their revolution takes a violent turn.
Hosted by: Indy Neidell
Written by: Isabel Wilson and Joram Appel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Isabel Wilson and Joram Appel
Edited by: Karolina Dołęga
Sound design: Marek Kamiński
Sources:
Tropenmuseum part of the National Museum of World Cultures
Nationaal Archief
Imperial Wars Museum: SE7034; SE5663
Music:
“Deviation In Time” – Johannes Bornlof
“Disciples of Sun Tzu” – Christian Andersen
“Epic Adventure Theme 4” – Håkan Eriksson
“Guilty Shadows 4” – Andreas Jamsheree
“Last Point of Safe Return” – Fabien Tell
“Magnificent March 3” – Johannes Bornlöf
“March Of The Brave 10” – Rannar Sillard
“The End Of The World 2” – Håkan Eriksson
“The Inspector 4” – Johannes Bornlöf
“The Unexplored” – Philip Ayers.
“Try and Catch Us Now” – David Celeste
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
TimeGhost History
1 day ago (edited)
For the research of this episode about Indonesian revolutionary culture in 1946, I mostly turned to the diaries and writings of those who were there. Reading the untouched experiences was so absorbing and allowed for writing a bottom-up narrative. Something that didn’t make it into the video was the work of Chairil Anwar, a poet who died young a few years after the War of Independence. Dwelling about the life and death of the individual during the revolution, his poetry defied Indonesia’s antagonists. In his poem “Notes for 1946”, he writes of how it felt to be among the young generation of Indonesia: “We – running dogs, hunting hounds – we get to see only a moment of this drama we play in.” I’d definitely recommend reading his work if you’re interested!
Cheers, Izzy.
Comments Off on 1946: Kill and Only Kill – Death to Colonialism | The Indonesian War of Independence Part 2
In Indonesia, following the end of the Second World War catalyses the end of brutal Japanese rule. Their exit prompts the Dutch to begin restoring their prewar colonial status over the archipelago. But nationalist spirits are brewing, their opportunity to proclaim Indonesian independence is transpiring.
Hosted by: Indy Neidell
Written by: Isabel Wilson and Joram Appel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Isabel Wilson and Joram Appel
Edited by: Karolina Dołęga
Sound design: Marek Kaminski
Sources:
Archive by Screenocean/Reuters https://www.screenocean.com.
Tropenmuseum, part of the National Museum of World Cultures
Imperial War Museum Arts: Ronald Searle, SE5895 , SE-5865, SE5663, SE5724
Rijksmuseum
Music:
“Deviation In Time” – Johannes Bornlof
“Last Point of Safe Return” – Fabien Tell
“Deflection” – Reynard Seidel
“Disciples of Sun Tzu” – Christian Andersen
“Split Decision” – Rannar Sillard
“Other Sides of Glory” – Fabien Tell
“Last Man Standing 3” – Johannes Bornlöf
“Magnificent March 3” – Johannes Bornlöf
“Deviation In Time” – Johannes Bornlof
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
TimeGhost History
1 day ago (edited)
For the last decades, writing colonial histories on events such as the Indonesian War of Independence has been a difficult task. Due to the incriminating nature of the events, records were either never made or have been regularly “lost” since. Political interest in the events was minimal in both The Netherlands and Indonesia, but times are changing. In recent years, a lot more research power has been allocated to this topic by Dutch and Indonesian Universities and Research collectives. Finding colonial truths is a huge focus of academia right now and their work has allowed us to get real with colonialism in this series. We’re sure that even more sources and stories will surface in the coming years, allowing for more books and documentary such as ours to be made. We’re interested to hear what you think about this episode! Make sure to let us know in the comments!
Cheers,
Izzy
Comments Off on 1945: Japan Joins the Allies | The Indonesian War of Independence Part 1
The D30 is a Soviet 122mm multi-role gun introduced in the 1960s and still in use around the world today. It has a somewhat unusual 3-leg mount that is slower to set up than a standard trail, but allows for complete 360-degree rotation of the gun. The piece was designed for both indirect fire (maximum range 15.4km; more with rocket-assisted munitions) or direct anti-tank fire. Note that it came with an armor shield for the crew, which was left off the gun for this trip to the range.
Thanks to Battlefield Vegas for the chance to film this awesome cannon firing! It belongs to them, and will be set up at their facility for a pretty awesome rental firing experience if you are into that…
This is the prologue to our five-part Indonesian War of Independence Miniseries. It sets the stage of brutal colonial repression, a growing sense of Indonesian Nationalism and ultimately the desire to be free.
Written by:
Spartacus Olsson and Joram Appel
Directed by: Astrid Deinhard
Produced by: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Joram Appel and Isabel Wilson
Edited by: Wieke Kapteijns, Guido Becker
Sound design: Marek Kamiński
Tropenmuseum, part of the National Museum of World Cultures
Wellcome Images
Icons retrieved via The Nounproject: gold by Phạm Thanh Lộc, slaves by Salaidinovich, silver by Marie Van den Broeck, spice by ahmad, Opium Poppies by Matt Wasser.
Music:
“Disciples of Sun Tzu” – Christian Andersen
“Weapon of Choice” – Fabien Tell
“Guilty Shadows 4” – Andreas Jamsheree
“Road To Tibet 5” – Rannar Sillard
“Sailing for Gold” – Howard Harper-Barnes
“The Inspector 4” – Johannes Bornlöf
“The Dominion” – Bonnie Grace
“Heroes On Horses” – Gunnar Johnsén
“Not Safe Yet” – Gunnar Johnsen
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
TimeGhost History
2 days ago (edited)
This is the prologue to our new ‘Indonesian War of Independence’ mini-series. Now, we initially only wanted to do five episodes, but episode one became double as long as we imagined, so we decided to cut the historical context out and put it in a prologue. These series are mainly written by Joram and Isabel, two historians from the Netherlands and the United Kingdom. Now, you might say that we are not in the best position to talk about European Imperialism because of that. However, as we’re both academically trained historians, we believe that we’re able to overcome any bias through the use of academic methods and peer-reviewed academic sources. If anyone is interested to take a look at our source-list, you can find it right here: https://bit.ly/IndoSources
These mini-series have been chosen out of a bigger selection by our TimeGhost Army. They fund almost our entire production – this would not exist without them. Become one of them to choose future series and to support the creation of content just like this! You can do that at patreon.com/timeghosthistory or https://timeghost.tv.
Cheers,
Joram
Comments Off on Prologue: The Dutch Colonial Whip | The Indonesian War Of Independence
During the height of the Cold War, weapons ran hot in the jungles of Vietnam. Combat along the overgrown trails, the wide open fields of rice-paddies or the marshes of the Mekong Delta, was not only exhausting and relentless, but also the place where many of the old doctrines of warfare did no longer apply. The western coalition had to face the elusive guerilla methods of the North Vietnamese forces, who prepared ambushes and traps along the marching routes. The eerie quietness of the jungle was all too often broken by a sudden explosion of violence as troops marched right into the fire.
We would like to thank the World of Tanks team for their contribution and help with the video filming. If you’re not yet a World of Tanks player, join the game and get your hands on cool in-game stuff for free via the link: https://redir.wargaming.net/w7fwclmx/…
Curator David Willey gives chapter and verse on the German Main Battle Tank, Leopard 2, which first entered service with West Germany during the Cold War.
The Leopard 2 Main Battle Tank was kindly temporarily loaned to The Tank Museum by the Historic Collection of the Royal Netherlands Army.
The journey to the Express was not a simple one. For upper class travellers to enjoy a luxury, non-stop train ride across seven nations, it would take the dream of a lovesick Belgian engineer, with his rather interesting supporting cast: an American industrialist, the inventor of US tabloid journalism, the Prince of Wales, and one of the most prolific mass murderers of the 19th and 20th Centuries.
Credits:
Host – Simon Whistler
Author – Arnaldo Teodorani
Producer – Jennifer Da Silva
Executive Producer – Shell Harris
Business inquiries to admin@toptenz.net
Comments Off on The Orient Express: King of Trains, Train of Kings
There is a Leonard Cohen song that came out in the nineties. I want to say early nineties, but for much of that decade I had small children, so it all runs together. Also, I’m uncaffeinated and late and too lazy to look.
Anyway, the song is called “Everybody knows” and it’s a marvel of double-meaning.
What the song says explicitly is a bunch of stuff people like my brother — look, European, left — believed at the time. Stuff like “Everybody knows the war is over/everybody knows the good guys lost.”
Bizarrely, before they went into hysterical denial of communism being the regime in the USSR and starting to call those seeking to re-establish it “right wingers” the left kept insisting the good guys had lost the cold war. Apparently we just look richer and more concerned for the right of the individual, but the evil Kapitalism of Amerika (it’s much more scary written with a K) kills more people than the Gulag and destroys everyone’s soul in the process. We’re just sneaky about it. So sneaky, in fact, that we don’t need to prevent people from leaving, we need to prevent people from coming here. That’s how sneaky we are.
Stop laughing. There’s a good chance your college student believes this. There’s also a good chance your college student is stupid enough to buy Bernie’s line that bread lines are preferable to our over abundance of food, because at least “everyone is equal.” Someone should ask comrade Bernie about the State stores for very important functionaries that crop up everywhere that has tried the communist slimming diet (It is to die for) and which has goods comparable with what the low middle class in America can afford, sprinkled with a few gold geegaws which is the communists idea of classy.
The Leopard 1 Main Battle Tank was built on Germany’s lessons from the Second World War. It entered service in 1965 and has since been exported worldwide.
Tank Museum Curator David Willey talks through this Cold War vehicle.
Americans learned several misleading lessons from World War II. The first and greatest error was overestimating the effectiveness of military force. World War II — the last conflict in which the world’s great powers went toe-to-toe against each other, with no holds barred — created a new understanding of how wars are fought and won. But wars since then have not fit this paradigm, and many of our subsequent military mistakes came as a result of misapplying World War II’s lessons.
Lyndon Johnson led the country into a massive military commitment in South Vietnam in part because of misplaced faith in what the United States could accomplish by force of arms. The Johnson administration convinced itself that fighting modern wars was a branch of management science, akin to running a large corporation like General Motors, and that America’s military was a versatile instrument that could be dialed up or down to deliver precisely calibrated levels of violence, tailored to meet any foreign policy challenge. World War II also led many Americans to conclude that liberal democracy could be imposed on foreign peoples through the application of what George W. Bush’s administration would later call “shock and awe.”
It turns out that, even in the age of precision weapons, military power is a blunt instrument, ill-suited to nation-building, except in rare circumstances and at great cost. Germany and Japan — our preferred examples — are highly idiosyncratic. Liberal democracy flourished in each only after the deaths of millions of citizens and the reduction of their societies to rubble. Americans haven’t shown much stomach for projects of this scope after 1945.
After World War Two, the new NATO defense alliance held a series of trials to adopt a standard cartridge and infantry rifle. This would eventually devolve and the goal of a standardized rifle would be abandoned, but during the early trials there were three main contenders: the British EM-2, the American T-25, and the Belgian FAL. The Fusil Automatique Leger was designed by Dieudonne Saive and originally presented to the British government in 8mm Kurz, before being scaled up to accommodate the British request to use the .280 cartridge. A small number of these prototype FAL rifles in .280 were delivered by FN, and used in the 1950 NATO rifle trials.
Many thanks to the Royal Armouries for allowing me to film and disassemble this very scarce trials rifle! The NFC collection there — perhaps the best military small arms collection in Western Europe — is available by appointment to researchers:
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In this video:
The tiny mountainous country of Switzerland has been in a state of “perpetual neutrality” since the major European powers of the time declared it as such during the Congress of Vienna after the end of the Napoleonic wars in 1815.
The NATO rifle trials of the early 1950s eventually chose the 7.62mm x 51mm cartridge, and the British and Belgians agreed on the FAL rifle to shoot it (and they thought the US would as well, but that’s another story). The British government formally accepted the FAL for troop trials, and in 1954 an order for 4,000 X8E1 rifles (with iron sights) and 1,000 X8E2 rifles (with SUIT 1x optical sights) was placed. These rifles were mechanically the same as what would be finalized as the L1A1 rifle, but they include a number of differing features. Both models had 3-position selector switches allowing automatic fire, and they also had manual forward assists on the bolt handles. The iron sights had top covers with integrated stripper clip guides, as there was concern that troops would have to manually reload their magazines, and stripper clips would speed this process up.
Many thanks to the Royal Armouries for allowing me to film these very scarce trials rifles! The NFC collection there — perhaps the best military small arms collection in Western Europe — is available by appointment to researchers:
