Quotulatiousness

February 23, 2021

The Corgi Toys Story

Filed under: Britain, Business, History — Tags: , , , , , , — Nicholas @ 02:00

Little Car
Published 4 Feb 2020

Corgi Toys is the name of a range of die-cast toy vehicles produced by Mettoy Playcraft Ltd. in the United Kingdom.

The script for this video comes from Wikipedia: https://en.wikipedia.org/wiki/Corgi_Toys

If you find issues with the content, I encourage you to update the Wikipedia article, so everyone can benefit from your knowledge.

To get early ad-free access to new videos, or your name at the end of my videos, please consider supporting me from just $1 or 80p a month at https://www.patreon.com/bigcar

Link to my other channel – Big Car: https://www.youtube.com/bigcar2

February 15, 2021

QotD: Tail-end boomers aren’t really Baby Boomers at all

Filed under: History, Quotations, USA — Tags: , , , , , — Nicholas @ 01:00

I was born in late ’62. I never considered myself a boomer. And before you scream that boomers go to ’64, let me explain: I swear to you they didn’t use to. My brother, born in early ’54 was considered one of the youngest boomers. And if you look at the ethos of the generation and what formed it, and how its public image was created and also when they came of age, you’ll understand that makes a ton more sense.

The boomers were the baby boom after WWII. By the time I hit school, the classrooms were half empty, the trailers that they’d added the decade before were being used for craft classes or gym or something that required tons of space.

It would take a long time to come home if you were still being born in ’62. (And I’d been due in ’63.)

This is important simply because I want to make it clear when I came of age it wasn’t with the boomer ethos of “each generation is going to be bigger than the last and we’re going to remake the world in our image.” That expectation is still obvious in books of the fifties and sixties, as well as the attached Malthusian panic.

The boomers, like now the millenials, are a much maligned generation. The public image is almost not at all that of the people in the generation I actually know, with a very few exceptions.

The people the media chose to highlight were the ones they wanted the boomers to be, not who they were.

But something about the boomers is true — ironically the reason that caused them to hate my generation before they decided to aggregate us, because it gave them more power to still be considered young and marketable-to — and that is that they were raised in the expectation they would make the world a better place, and that they could because of sheer numbers, and because they’d been brought up to be better than their parents.

Sarah Hoyt, “Business From The Wrong End”, According to Hoyt, 2018-09-27.

February 10, 2021

“Did you know that seventy years ago, our grandparents were having an underpolarization crisis?”

Filed under: Books, History, Politics, USA — Tags: , , , , , , — Nicholas @ 05:00

Scott Alexander reviews Why We’re Polarized by Ezra Klein, beginning with the underpolarization crisis of the mid-20th century:

In 1950, the American Political Science Association “released a call to arms … pleading for a more polarized political system”. The report argued that “the parties contain too much diversity of opinion and work together too easily, leaving voters confused about who to vote for and why”. Everyone agreed with each other so much, and compromised so readily, that supporting one party over the other seemed almost pointless.

In 1976, three years after Roe v. Wade, Democrats and Republicans were about equally likely to support abortion restrictions. That same year, a poll found that “only 54% of the electorate believed that the Republican Party was more conservative than the Democratic Party”; 30% thought there was no difference. As late as 2004, about equal numbers (within 5 pp) of Democrats and Republicans agreed with statements like “government is almost always wasteful and inefficient” and “immigrants are a burden on our country”. Between the late 60s and early 90s, Democratic presidents deregulated the airlines and passed welfare reform; Republican presidents pushed immigration amnesties and founded the EPA.

What happened between then and now? Klein has two answers: a historical answer, and a structural answer.

The historical answer is: the Dixiecrats switched from Democrat to Republican.

When the North won the Civil War, it had grand plans to remake the South into a paradise of racial equality and universal love. After Lincoln’s death, his successor Andrew Johnson decided this sounded hard and gave up. Within a few decades, the South was back to being a racist, paramilitary-violence-prone one-party dictatorship. That one party called itself “Democrat”, but had few similiarites to the Democrats in the North. The Southern Democrats (“Dixiecrats”) and northern Democrats disagreed on lots of issues, but the South hated the Republicans so much after their experience with Lincoln that they caucused with the northern Democrats anyway. This turned into a stable coalition, with northern Democrats agreeing to support the South against civil rights for blacks, and the Dixiecrats supporting the northern Democrats whenever they needed something.

But since the Democratic party contained both northern Democrats (relatively liberal) and Dixiecrats (relatively conservative), it didn’t want to take a coherent party-wide stance on liberalism vs. conservatism. And by the median voter theorem, that meant the Republicans also didn’t want to take a coherent stance on liberalism vs. conservatism. So both parties ended out centrist and identical.

In 1964, the Civil Rights Act threatened the Dixiecrats’ key issue. It wasn’t quite as simple as “Democrats were for it, Republicans were against it” – in fact, 80% of Republicans and 60% of Democrats supported it. But that year’s presidential election pitted heavily pro-CRA Democrat Lyndon Johnson against anti-CRA Republican Barry Goldwater, beginning Southerners’ defection to the Republican Party.

Klein says this successfully got all the conservatives on one side of the aisle and all the liberals on the other, allowing polarization to begin. Essentially, he believes polarization is a natural process, which the odd coalitions of the early 20th century temporarily prevented. Once the coalitions were broken, it could begin to do its work. He spends the rest of the book talking about why exactly polarization is so natural, what aspects of modernization have made it worse, and what sort of feedback loops make it keep going

Victor Davis Hanson on Animal Farm, America’s nightmare 2021 version

Filed under: Books, Liberty, Politics, USA — Tags: , , , , , , — Nicholas @ 03:00

Victor Davis Hanson outlines the original George Orwell novel and then contrasts today’s situation with what progressives demanded back in the 1960s and 70s:

Yes, the downtrodden pigs, the exploited horses, and the victimized sheep finally did expel Farmer Jones from America’s Animal Farm.

But in his place, as Orwell predicted, revolutionary pigs began walking on two feet and absorbed all the levers of American cultural influence and power: the media, the bureaucracies, Wall Street, Silicon Valley, publishing, the academy, K-12 education, professional sports, and entertainment. And to them all, the revolutionaries added their past coarseness and 1960s-era by-any-means-necessary absolutism.

We are now finally witnessing the logical fruition of their radical utopia: Censorship, electronic surveillance, internal spying, monopolies, cartels, conspiracy theories, weaponization of the intelligence agencies, pouring billions of dollars into campaigns, changing voting laws by fiat, a woke revolutionary military, book banning, bleeding the First Amendment, canceling careers, blacklisting, separate-but-equal racial segregation and separatism.

Conspiracies? Now they brag of them in Time. Read their hubristic confessionals in “The Secret History of the Shadow Campaign That Saved the 2020 Election.” Once upon a Time, radicals used to talk of a “secret history” in terms of the Pentagon Papers, or a “shadow campaign” in detailing Hollywood blacklisting. They are exactly what they once despised, with one key qualifier: Sixties crudity and venom are central to their metamorphosis.

Our left-wing American revolutionary cycle from the barricades to the boardroom was pretty quick — in the manner that the ideology of the Battleship Potemkin soon led to Stalin’s show trials, or Mao’s “long march” logically resulted in the Cultural Revolution. The credo, again, is that the noble ends of forced “equity” require any means necessary to achieve them.

The Left censors books in our schools, whether To Kill a Mockingbird or Tom Sawyer. It is the Left who organizes efforts to shout down campus speakers or even allows them to be roughed up.

The Left demands not free-speech areas anymore, but no-speech “safe spaces” and “theme houses” — euphemisms for racially segregated, “separate-but-equal” zones. “Microaggressions” are tantamount to thought crimes. The mere way we look, smile, or blink can indict us as counterrevolutionaries. Stalin’s Trotskyization of all incorrect names, statues, and commemoratives is the Left’s ideal, as they seek to relabel Old America in one fell swoop. No one is spared from the new racists, not Honest Abe, not Tom Jefferson, not you, not me.

For “teach-ins,” we now have indoctrination sessions. But the handlers are no longer long-haired 1960’s dreamy, sloppy, and incoherent mentors. They are disciplined, no-nonsense brain-washers.

The Left’s Russia is our new old bogeyman. Putin is the new “We will bury you” Khrushchev.

February 9, 2021

QotD: Nothing sounds like the Beatles

Filed under: History, Media, Quotations — Tags: , , , , — Nicholas @ 01:00

Why does nothing in today’s rock music sound like the Beatles?

It’s a pertinent question because the Beatles were so acclaimed as musical innovators in their time and still so hugely popular. And yet, nobody sounds like them. Since not long after the chords of the “Let It Be” died away in 1969, every attempt to revive the Beatlesy sound of bright vocal-centered ensemble pop has lacked any staying power among rock fans. It gets tried every once in a while by a succession of bands running from Badfinger to the Smithereens, and goes nowhere. Why is this?

Another, related question is: Why does so very little in today’s rock music sound like Chuck Berry?

Inventor of rock and roll, they still call him. And yet outside of occasional tributes and moments of self-conscious museumizing, nobody writes rock music that sounds anything like “Johnny B. Goode” anymore. Modern tropes and timbre are vastly different. Only the rock beat – only the drum part – survives pretty much intact.

It’s odd, when you think about it. The sound that electrified the late Fifties and Sixties is still revered, but it’s gone. The basic rock beat remains, but everything above it has been flooded out, replaced by something harder and darker.

We all sort of know, even as casual listeners, that rock has evolved a lot. There’s even a tendency for the term “rock and roll” to nowadays be specifically confined to the older sound, with “rock” standing alone to refer to the more modern stuff.

[…]

The sea-change happened between 1969 and 1971. The moving figures were: Jimi Hendrix. British Invasion bands like the Rolling Stones and Led Zeppelin and the Who. American West Coast bluesmen like Mike Bloomfield and Al Cooper. The San Franciso acid-rock scene. And many lesser imitators.

What they did was raze old-school rock-and-roll to the ground, replacing it with a bastard child of LSD and Chicago-style hard electric blues. That angry, haunting, minor-key idiom is what buried the Beatles and put a stamp on rock music so final that today the sound of any modern arena rocker – like, say, Guns’n’Roses – is recognizably the same thing musicians began to record around 1970.

(Which it should be pointed out, is a very long run for a mass-market pop genre. It’s as though in 1970 our radios had still been full of pop in forms dating from 1925 …)

Eric S. Raymond, “The blues ate rock and roll!”, Armed and Dangerous, 2017-12-28.

January 31, 2021

QotD: Sixties music wasn’t what you think it was

Filed under: History, Media, Quotations, USA — Tags: , , , , — Nicholas @ 01:00

“Rock” has always been a pretty amorphous term. Take a gander at the Hot 100 singles from 1969, the very year of Woodstock. We know about “Sugar Sugar,” of course, but there are a LOT of songs on that list that can most charitably be described as “wussy.” For every straight-up rocker like “Honky Tonk Women” (#4, and I think we can all agree that if the Stones did it back then, it was by definition rock’n’roll), there’s one that … isn’t.

Tom Jones is great, I love his stuff, but he’s not going to melt your face with his guitar riffs, and he’s there at #8, right in front of “Build Me Up, Buttercup.” Which is one hell of a catchy tune, and compared to “Love Theme from Romeo and Juliet” (#15) it’s practically Slayer, but rock it ain’t. Ray Stevens is at #61, for pete’s sake, with “Guitarzan.” If that hasn’t convinced you that The Sixties were nothing like they show in the movies (and that maybe the Viet Cong deserved to win), I don’t know what would.

Severian, “Entertainers (III): Hair Metal Attains Nirvana”, Rotten Chestnuts, 2020-10-08.

January 26, 2021

The brief and inglorious life of Penn Central

Filed under: Books, Economics, History, Railways, USA — Tags: , , , , , — Nicholas @ 04:00

In City Journal, Nicole Gelinas recounts the tale of the fateful merger of two great American railroad systems that lasted just long enough to support massive financial chicanery before descending into inevitable bankruptcy:

More than 50 years on now, the spectacular collapse of the Penn Central railroad in 1970 is little remembered today, but its legacy is still with us — not so much as a warning, but as a prelude: to New York City’s own near-bankruptcy in the 1970s; to four decades of financial engineering, beginning in the 1980s; to the 2001 Enron downfall; to the 2008 financial crisis and its “too big to fail” bailouts — and yes, even to the public discontent that elected President Donald Trump.

As America emerged from World War II, most people would have laughed at the idea of the nation’s two premier freight and passenger railroads, the Pennsylvania and the New York Central, going broke in a quarter-century’s time. By design, the Pennsy and the Central were not fierce competitors but complementary “frenemies” that had long agreed not to undercut one another’s monopoly profits. From Massachusetts to Missouri, the two railroads dominated freight and passenger travel in the northeast quarter of the United States, with nearly 21,000 miles of track between them.

Yet even as America built its powerhouse postwar economy, the railroads struggled. As Joseph R. Daughen and Peter Binzen write in The Wreck of the Penn Central, their cult-classic chronicle of the Penn Central’s demise, during the war the then-separate railroads had been running their equipment 24 hours a day to transport troops and supplies, leaving them with “worn-out” equipment.

In the fifties and sixties, moreover, new competitive pressures prevented them from catching their breath. Trucks competed with the railroads for freight hauling via the new, free highways the nation was building. Commuter-rail passengers moved to the highways as well, while long-haul rail passengers took to the skies. The railroads’ decline accelerated in the sixties, partly because of the collapse of northeast manufacturing.

In 1962, the two companies decided to merge. But railroading was one of the most heavily regulated industries in the United States, so the merger took six years, as it wound its way through multiple levels of public approval for the creation of the 100,000-worker, 100,000-shareholder, 100,000-creditor behemoth. Meantime, government-set rates already fell short of the railroads’ long-term costs.

The combined entity that would become the Penn Central made significant concessions to win political support for the merger, including no-layoff pledges that would hamper its ability to cut spending and a promise to take on the independent (and chronically insolvent) New York, New Haven, and Hartford passenger railroad.

After the merger, the railroads discovered that they had incompatible computer systems, which threw railyards into chaos and angered customers. The Penn Central’s three top officials, too, were incompatible. They “scarcely spoke to one another,” write Daughen and Binzen. Stuart Saunders, the board chairman, was a political guy. Alfred Perlman, the president, was a trains guy. These different outlooks could have complemented each other, but personalities got in the way. Rounding out this dysfunctional triumvirate was Penn vet David Bevan, the top financial official, perpetually “angry and humiliated” at not being picked for the top job.

Penn Central route map from us.leforum.eu
http://us.leforum.eu/t1355-Photos-du-Penn-Central-PC.htm

H/T to Ed Driscoll at Instapundit, who also posted this video the combined entity put together to celebrate the merger:

December 22, 2020

Repost – The Monkees – “Riu Chiu”

Filed under: Media, USA — Tags: , , , — Nicholas @ 04:00

Uploaded on 15 Dec 2015

The Monkees perform “Riu Chiu” from Episode 47, “The Monkees’ Christmas Show”.

H/T to Kathy Shaidle for the link.

December 21, 2020

QotD: The evolving style of John Coltrane

Filed under: History, Media, Quotations, USA — Tags: , , , , — Nicholas @ 01:00

No jazz musician incarnates the legend of late style more than the saxophonist John Coltrane. His early style is undistinguished; he was a bluesy sideman whose grasp of the instrument falls short of the reach of his ear. His middle style, stertorous and ambitious, began in his mid-1950s stint with Miles Davis’s quintet. Coltrane in this period is still less melodious than Hank Mobley and less witty than Sonny Rollins, but his chops are catching up with his ear. Only Johnny Griffin has fleeter fingers and only Rollins can beat him for persistence. Coltrane thinks aloud and never stops thinking; he is the perfect foil for Davis, who is also ironic and intellectual, also latent with eroticism and violence, but who never shows his working, only the finished idea. Coltrane’s sound waves are square and heavy, metallic and dark like lead. He is both implacable and lazy, like a bull elephant: You never know where the charge will take him, only that — as he himself admitted to Davis — once he gets going, he doesn’t know how to stop.

Coltrane’s late style emerged in his 1960s quartets. Now leading and writing for his own group, and newly clean of drink and drugs, he was finally able to pursue his vision and the possibilities of the music to the limits of form and expression — and ultimately beyond both. The further he went, the more ambitious and less accessible the music became, until it was incomprehensible to almost all of his audience and even to some of his closest collaborators. In the logic of modernism, further means better. But “faster” and “louder” aren’t necessarily better, so why should “further” be the supreme critical value? To judge Coltrane’s late-style art is, in an important sense, to judge modernism itself, and especially American modernism.

Dominic Green, “John Coltrane and the End of Jazz”, The Weekly Standard, 2018-08-26.

October 5, 2020

Letters to a Young Contrarian was fundamentally a twentieth-century work by a man who thought of himself as a sixties radical”

Filed under: Books, History, Liberty, Politics, USA — Tags: , , — Nicholas @ 03:00

In The Critic, Roland Elliott Brown considers the work of Christopher Hitchens, and particularly his Letters to a Young Contrarian from 2001:

The book is now nearly twenty years old. Hitchens wrote it in late 2000 and early 2001 for Perseus Books’ Rilke-inspired “Art of Mentoring” series, and it was published a month or so after 9/11. In view of this timeline, it occupies an eerily-placid DMZ between the “acceptable” 1990s Hitchens, whose only big sin against the political left had been to hound the centrist Bill Clinton, and the ostensibly-more isolated one post-2001, who took heart at the prospect of America using its military might against jihadis and Baathists. The book was largely a post-mortem on the intellectual battles of the twentieth century, and a lesson in writerly integrity. Today, it reads as a riposte to the new “populism” and the “awokening”.

Since Hitchens’s death from oesophageal cancer in 2011, his presence has been missed on major subjects. In a counterfactual world, it seems likely that Syria, ISIS, and the Iran nuclear negotiations (all entangled) would have occupied him in the first half of the 2010s, and that the potential unravelling of the American republic would have worried him in the second. Part of what his admirers miss, too […] is his performative flair. Though new media weren’t his passion, he owes much of his legacy to his YouTube archive, wherein his long-form lectures, debates, and C-span interviews seem, in hindsight, to have provided a model for the popularity of long-form podcasts.

The Letters can be read as a guide to giving an authentic performance as a political actor. Hitchens begins by selling an imagined student his lifestyle; in one good month, he writes (with some perhaps-inauthentic modesty), he has given evidence against Mother Teresa at the Vatican, taken pride in his arguments over Bosnia as Slobodan Milosevic went to the Hague, and had the thrill of being sued by Henry Kissinger. What the world needs now, the book implies, is for the young to find their appetite for the takedown. (One wonders to what extent his search for successors may have emerged from early intimations of mortality: in one C-span interview about the book, he also urged the youth not to take up smoking.)

[…]

But to reiterate, Letters to a Young Contrarian was fundamentally a twentieth-century work by a man who thought of himself as a sixties radical. Other sixties people like Noam Chomsky and Gore Vidal, with whom Hitchens would later fall out over the War on Terror, figure here in heroic roles. Radicals, he argues in the third chapter, are needed to force major issues. Would slavery have ended in America, he asks, if not for the fanaticism of John Brown? Many of his mentors — Peter Sedgwick, E.P. Thompson — were sometime British communists (and long-time socialists) who had ditched the Party after the Soviet invasion of Hungary (what a pity, then, that he never got to debate “the left” with Jordan Peterson).

Of course, Hitchens was not the only sixties radical to court influence in the 2000s, nor was he the most influential. Much of the radicalism he valued now comes to us — via less subtle mentors — in parody form: as sixties-worship gone sour, as a morbid focus on immutable characteristics, as a desire to short-circuit debate, as the unclean spirit that possesses young journalists to misrepresent their subjects so that they can gloat about the takedown. East of the old Iron Curtain, Alexander Lukashenko borrows a page from the dissidents of ’89 by carrying on “as if” there had been no pandemic, “as if” he had won a presidential election, and “as if” NATO was getting ready to invade Belarus. In such times, it seems worth living “as if” the cigarette-smoking ghost still had an eye on the scene.

September 28, 2020

QotD: The proper role of men, according to the SCUM Manifesto

Filed under: Books, Media, Politics, Quotations — Tags: , , , — Nicholas @ 01:00

Prior to the institution of automation, to the replacement of males by machines, the male should be of use to the female, wait on her, cater to her slightest whim, obey her every command, be totally subservient to her, exist in perfect obedience to her will, as opposed to the completely warped, degenerate situation we have now of men, not only existing at all, cluttering up the world with their ignominious presence, but being pandered to and groveled before by the mass of females, millions of women piously worshiping the Golden Calf, the dog leading the master on a leash, when in fact the male, short of being a drag queen, is least miserable when his dogginess is recognized — no unrealistic emotional demands are made of him and the completely together female is calling the shots. Rational men want to be squashed, stepped on, crushed and crunched, treated as the curs, the filth that they are, have their repulsiveness confirmed.

Valerie Solanas, SCUM Manifesto, 1967.

September 23, 2020

QotD: Don’t blame the Boomers for the “Summer of Love” … most of ’em were too young to participate

I’ve written a lot here about how the most dangerous types in peacetime are the ones who juuuuust missed participating in some vast social upheaval. The Nazis are an obvious example. The Nazi-est Nazis of them all — Himmler, Heydrich, Eichmann, etc. — were old enough to have seen and understood the great national cataclysm that was World War I, but weren’t quite old enough to participate in it directly. Thus, when their turn came, they had to go double-or-nothing to prove to their older kin and classmates that they had what it takes. In America, guys like Teddy Roosevelt don’t make much sense until you realize that they grew up hearing their fathers and older brothers reminisce about the Civil War. And so on.

Now, I’m all for bashing the goddamn Boomers, but let’s be fair (since it matters for historical analysis). There’s a common misconception about the Baby Boom. Here, see if you can spot it:

Did you see it? Look closer, and you’ll see that while 1947(-ish) appears to be the peak year in terms of total births, the vast majority of what we call “Boomers” were born after 1950. Let’s do some simple math. The very oldest Boomers were born in 1946. The Summer of Love was 1967. Even if we assume the Summer of Love came out of nowhere — which is impossible, of course, any movement that large had antecedents going back years, probably decades, but let’s assume — that means that any “Boomers” participating were, at most, barely 22 years old. They were just barely 24 when Woodstock came around. Granted that the youngest are the dumbest, and thus can have outsize influence, they still can’t have been largely, let alone solely, responsible for the idiocy of the hippies.

That’s all on the older crowd, the so-called “Silent Generation” — the ones who were old enough to be aware of World War II, but unable to participate directly.

It’s easy to verify. The Port Huron Statement, the founding document of the New Left, was penned by coddled college kids in 1962 — meaning, by kids born, at latest, in about 1942 (its principal author, Tom Hayden, was born in 1939). Here are the Chicago Seven and their dates of birth: Abbie Hoffman (1936), Jerry Rubin (1938), David Dellinger (1915!), Hayden, Rennie Davis (1941),John Froines (1939), and Lee Weiner (1939).

Hoffman, especially, bears scrutiny. Though he’s best remembered as a Yippie — that is, the founder of an ostentatiously youth-oriented movement — he was 31 at its founding. Don’t trust anyone over thirty, right?

1936 to 1946 is only a decade, but it’s crucial. A kid born in 1936 would have vivid memories of World War II and its immediate aftermath — fathers, uncles, and older brothers (and, in more than a few cases, aunts and older sisters) coming home from the service. A kid born in 1946 would have a completely different experience — ask any combat veteran about the first year or two back in the world, versus being home for a decade. Those guys — the kids who saw firsthand the angry young strangers they were supposed to call “Dad” — were the ones who did the real damage in The Sixties(TM), just as it was the almost-but-not-quite frontsoldaten who did the real damage in the Third Reich.

With me? Now hang on to your hats, because here’s where it gets pretty meta: It was the “Silent Generation,” not the Boomers, who did the real damage in The Sixties(TM). That is, the guys who juuuust missed the giant social upheaval that was World War II. The Boomers have done all the damage since The Sixties(TM).

That — The Sixties(TM), which is why I’m using that obnoxious (TM) — is the great social upheaval they juuuust missed. [These people] aren’t old fossils from the flower power years, though many of those fossils are still alive and kicking (including four of the Chicago Seven: Hayden, Davis, Froines, and Weiner). Has anyone heard from Billy Ayers lately? How about Noam Chomsky (born 1928)? I’m sure they have plenty to say … but nobody cares.

It’s not retreads from The Sixties(TM) out there doing this stuff. It’s the people who wish they’d been around for the Summer of Love that are doing it. It’s the people who just know they would’ve ended the Vietnam War, if only they hadn’t been in junior high at the time. This is their Woodstock, not least because they only heard about the original when they arrived for freshman orientation in 1976.

Severian, “Talkin’ ’bout My Generation!”, Rotten Chestnuts, 2020-06-11.

June 30, 2020

“The Squadrons Are Coming” – HMS Ark Royal aviation operations

Filed under: Britain, History, Military — Tags: , , , , , — Nicholas @ 02:00

Aircraft Games Movies
Published 1 Jul 2010

In the Western Approaches, Ark Royal welcomes her air group back aboard, with the occasional hairy approach for newly qualified aviators.

This appears to be footage from episode 3 of Sailor, a BBC television series from 1976 about life aboard HMS Ark Royal.

The Wikipedia entry for HMS Ark Royal (R09) begins:

HMS Ark Royal (R09) was an Audacious-class aircraft carrier of the Royal Navy and, when she was decommissioned in 1979, was the Royal Navy’s last remaining conventional catapult and arrested-landing aircraft carrier. She was the first aircraft carrier to be equipped with angled flight deck at its commissioning; her sister ship, HMS Eagle, was the Royal Navy’s first angle-decked aircraft carrier after modification in 1954. Ark Royal was the only non-United States vessel to operate the McDonnell Douglas Phantom at sea.

[…]

While Ark Royal‘s career spanned 24 years from the time of her commissioning (her name was a household word), she spent as much time in refit; repair and reserve and modernisation as in commissioned service (12 years). It required a lot of effort from her engineers to keep her serviceable between yard periods. Ark Royal had been poorly preserved during its lengthy construction from 1942 to 1955, and much of its machinery was obsolete by its completion, including its dated DC electrics, supplemented later by some AC systems, resulting in a ship which experienced regular defects and mechanical failure. Eagle was a more reliable and well-built ship, and spent far more time at sea than her sister. The scrapping of Ark Royal in 1980, two years after Eagle, marked the end of conventional fixed-wing aircraft operations aboard Royal Navy carriers. She had borne so many innovations, yet her replacement was not equipped with any of these. There was some discussion about preserving her as a museum ship, and some private funds were raised; the MOD would not sanction these efforts.

June 12, 2020

An unwelcome return to the 1960s

Filed under: History, Media, Politics, USA — Tags: , , , — Nicholas @ 05:00

David Warren reflects on how many parallels we’re seeing in the current year to the worst aspects of the 1960s:

Young “hippie” standing in front of a row of National Guard soldiers, across the street from the Hilton Hotel at Grant Park, at the Democratic National Convention in Chicago, August 26, 1968. Photo by Warren K. Leffler for US News & World Report via Wikimedia Commons.

As an old Cold Warrior, and once “science kid,” whose childhood developed through the 1960s, there is nothing that ought to surprise me. We have Antifa today; we had the Weather Underground then. We have parallels to every event I witnessed through the idiot box of adolescence, and vice versa. Even the destruction of American cities by riots and crime isn’t new; nor the supine response of our liberal leaders. The obvious left bias of news and entertainment was the same then as now, only less shrieking. The replacement of flatfoot journalists, with malicious ideological clowns from the universities, then a work in progress, was by the end of the last century, complete. The poison spread, through all media of information. We’ve reached an Age of Unreason to match Robespierre’s, and seem now to be waiting for a Napoleon.

Charlatans are the handmaids of paganry. That the charlatans slide into violent insurrection, even against the better pagan customs, is not something historically new.

The alternative is improbable: another Age of Faith. This would necessarily include a subsidiary restoration of faith in science — in the modest belief that if we follow the facts where they lead, as opposed to where we want them to go, a lost perception of cosmological order will also be, willy-nilly, restored. “Modern science” — an unambiguously Christian construct — depends entirely on one assumption. It is, that a universe God created will make sense. Logic, or the principle of non-contradiction, will hold up, and where it doesn’t seem to be doing so, it is not God, but we, who have got it wrong.

By the inversion of “values,” at the present day, the sane views are labelled as “psycho.” The truth is not the true, but what we (or our masters) want to call true. This “truth” is “settled,” from one moment to another; and is not to be discovered, but imposed.

May 28, 2020

QotD: The decline and fall of the British aristocracy

Filed under: Britain, History, Quotations — Tags: , , , — Nicholas @ 01:00

Therein you have a microcosm of modern British aristocracy. A class system that used to distribute power and responsibility has collapsed into a source of therapeutic validation for the fragile individualism of its members. False merit thrives between narrow horizons — and few are narrower than the blue bloods of England. Enabling these delusions are the hangers-on who crowd Britain’s husks of aristocracy. It takes celebrities, journalists, and photographers to clothe their naked imperium and validate their feelings of uniqueness. And what does the intelligentsia get in return for this courtship? The answer, of course, is nothing. Because if Britain’s nobs know one thing, it is that they owe the world nothing. They have kept their noblesse but eschewed their oblige. In its place has come venality and codependence: rugged individualism without the actual ruggedness.

The historical way-markers to this implosion are well-documented. The First World War delivered a demographic and psychological blow of unprecedented proportion. Yet the next generation laughed into the void. The Roaring Twenties were a whirl of parties and bankruptcies. Only with the aid of married American fortunes did a carapace of their old values remain intact. The ’60s dissolved what remained of those values in a fug of dope and good tail. Those who didn’t succumb to the new addictions succumbed to old ones they could no longer afford. Titans of the British military like Sir David Stirling — cofounder of the SAS and a descendant of Charles II — gambled away their estates at the hands of unscrupulous Mayfair casino-owners who pretended to be their friends. The aristos were co-opted for their charm — read: money — by a new milieu that promoted the glamour of sexual and social transgression. Blinded by their inherited feelings of self-worth, they never realized they were being used by people who despised them. As a result, nowhere was Britain’s postwar political direction — dubbed “The Management of Decline” — internalized as effectively as among the people who had once driven its ascent.

[…]

How could a species that once steered Britain to greatness now claim the Darwin Award in every passing decade? The simple reason is that British aristocrats are the only people on earth among whom stupidity is not only accepted but prized. As the ultimate proof against meritocracy, it is the ultimate badge of honor. As Stendhal wrote in Le Rouge et Le Noir, “It is not doing something well or badly that is the crime: but doing it at all.”

“Bunky Mortimer III”, “Class Rejects: A Guide to the British Aristocracy”, Taki’s Magazine, 2018-03-02.

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