A lunar eclipse occurs when the Earth gets between the Moon and the Sun.
A solar eclipse occurs when the Moon gets between the Earth and the Sun.
A terrestrial eclipse occurs when the Earth gets between you and the Sun. Happens once per 24 hours.
An atmospheric eclipse occurs when an asteroid gets between you and the sky. Generally fatal.
A reverse solar eclipse occurs when the Sun gets between the Moon and the Earth. Extremely fatal.
A motivational eclipse occurs when the Moon gets between you and your goals. You can’t let it stop you! Destroy it! Destroy the Moon!
A marital eclipse occurs when the Moon gets between you and your spouse. You’re going to need to practice good communication about the new celestial body in your life if you want your relationship to survive.
A capillary eclipse occurs when your hair gets between your eyes and the Sun. Get a haircut.
A lexicographic eclipse occurs when “Moon” gets between “Earth” and “Sun” in the dictionary. All Anglophone countries are in perpetual lexicographic eclipse.
A filioque eclipse occurs when the Holy Spirit gets between the Father and the Son.
An apoc eclipse occurs when the Great Beast 666, with seven heads and ten horns, and upon the horns ten crowns, and upon its heads the name of blasphemy, gets between the Earth and the Sun. Extremely fatal.
Scott Alexander, “Little Known Types of Eclipse”, Slate Star Codex, 2019-05-02.
December 16, 2022
QotD: Little-known types of eclipse
December 10, 2022
The “Dark” Ages were fine, actually — History Hijinks
Overly Sarcastic Productions
Published 5 Aug 2022Curb your Crusading – the artwork, literature, and scholarship are far more interesting.
SOURCES & Further Reading: China: A History by John Keay, Byzantium & Sicily & Venice by John Julius Norwich, Great Courses Lecture series Foundations of Western Civilization by Thomas F. X. Noble lectures 27 through 38: “The Emergence of the Catholic Church”, “Christian Culture in Late Antiquity”, “Muhammad and Islam”, “The Birth of Byzantium”, “Barbarian Kingdoms in the West”, “The World of Charlemagne”, “The Carolingian Renaissance”, “The Expansion of Europe”, “The Chivalrous Society”, “Medieval Political Traditions I”, “Medieval Political Traditions II”, and “Scholastic Culture”.
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December 4, 2022
QotD: In praise of mediocrity
Mediocrity is not a problem in itself; it is inevitable. Indeed the world needs many mediocrities, that is to say mediocrities who know themselves, and are perfectly content, to be such (complacency is as much an underestimated quality as rebelliousness is an overestimated one). The problem with mediocrity begins when it is allied to overweening ambition, as it seems so often to be the case nowadays.
Ambition is likewise a quality that is excellent when it attaches to something worthwhile in itself, but which is dreadful when it does not. And the rapid and phenomenal spread of education has increased the spread of ambition with it, much of it inevitably of the apparatchik type, that is to say the determination to climb some bureaucratic career ladder detached from any purpose except survival and, if possible, self-aggrandizement. To climb such a ladder you have to be both ruthless and submissive at the same time. You have to be egotistically prepared to stab people in the back in the scramble for advancement, while at the same time being prepared to suppress your own personality by uttering other people’s clichés at the expense of your own thoughts. Unpreparedness to do this, either through lack of training or moral scruple, unfits you for a career in the organization, any organization. You have to learn to lie with clichés, and do so with a straight face.
Theodore Dalrymple, “In Defense of Mediocrity”, Taki’s Magazine, 2018-02-17.
December 2, 2022
Legends Summarized: The Trojan War
Overly Sarcastic Productions
Published 29 Jul 2022The grandest epic cycle this side of the Aegean! Today let’s talk about the tale of which The Iliad only makes up a tiny (if impressive) fraction!
Pst! Wanna know more about Quintus Smyrnaeus’s Posthomerica? Watch Blue’s Historymaker video about him HERE: https://www.youtube.com/watch?v=wfHGQ…
And if you want to know more about the historical, archaeological precedent that indicates some form of this story REALLY HAPPENED, watch Blue’s video on Mycenaean Greece HERE: https://www.youtube.com/watch?v=cki-9…
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November 23, 2022
QotD: Humour and political correctness
But I never fully understood Wilde’s caustic satire of Victorian philanthropists and humanitarians until the present sludgy tide of political correctness began flooding government, education, and media over the past two decades. Wilde saw the insufferable arrogance and preening sanctimony in his era’s self-appointed guardians of morality.
We’re back to the hypocrisy sweepstakes, where gestures of virtue are as formalized as kabuki. Humor has been assassinated. An off word at work or school will get you booted to the gallows. This is the graveyard of liberalism, whose once noble ideals have turned spectral and vampiric.
Camille Paglia, “Hillary wants Trump to win again”, Spectator USA, 2018-12-04.
November 22, 2022
QotD: The obligatory orgy scene
It seems that all opera productions these days need an orgy scene, just as doctoral theses in the Soviet Union used to need at least one quotation from Lenin. There was a time when an orgy would have been censored, but now it is obligatory — no opera without one. There was a brief orgy scene in the last Flying Dutchman that I saw, and it was a bit of a relief when they got it over with because I knew that it must be coming and tension mounted until it did. It was a bit like childhood diseases in the old days: The sooner you had them, the quicker you got over them.
The problem with orgies is that once you’ve see one, you’ve seen them all, and these days they are staged literally rather than suggestively, as if the aging audience has to be reminded of what sex actually is. Moreover, they are staged like a tableau of Krafft-Ebing’s Psychopathia Sexualis, the fin de siècle compendium of what used to be called, in those far-off judgmental days, perversions. The implicit, however, is more powerful than the explicit, or it used to be. The explicit, in fact, is the enemy of the voluptuous.
Theodore Dalrymple, “Adding Injury to Insult”, Taki’s Magazine, 2018-01-20
November 21, 2022
City Minutes: Colonial America
Overly Sarcastic Productions
Published 22 Jul 2022Colonial-era North America was a busy place, so let’s take a quick look through some of the major players from the perspective of the lands & cities they inhabited.
SOURCES & Further Reading: Lectures from The Great Courses: “1759 Quebec – Battle For North America” from The Decisive Battles of World History by Gregory Aldrete, “The American Revolution” from Foundations of Western Civilization II by Robert Bucholz, “North American Peoples and Tribes” from Big History of Civilizations by Craig Benjamin, “The Iroquois and Algonquians Before Contact” from Ancient Civilizations of North America by Edwin Barnhart, “Iroquoia and Wendake in the 1600s”, “Indian-European Encounters 1700-1750”, “The Seven Years War in Indian Country” and “The American Revolution Through Native Eyes” from Native Peoples of North America by Daniel M. Cobb, Britannica articles “New York” & “Boston” https://www.britannica.com/place/New-… & https://www.britannica.com/place/Bost…
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November 18, 2022
“WOLLT IHR DEN TOTALEN TWEET?“
When German public TV is willing to invoke literal Nazi imagery, you know the Twitter situation has gotten out of hand:
After Germany’s “first” public television network, ARD, compared Elon Musk reducing Twitter censorship to “letting rats out of their holes”, Germany’s “second” public television network, ZDF, has now compared Musk to Nazi Propaganda Minister Joseph Goebbels! (The network’s name Zweites Deutsches Fernsehen literally means “Second German Television”.)
Thus, last Friday, ZDF’s would-be comedy program, the “Heute Show”, posted the below tweet and photoshop.
The Tweet reads: “Thanks to Elon Musk, you’re allowed to say anything again on Twitter! Total freedom of speech! #heuteshow.” The caption, whose color scheme and font invoke Nazi-era propaganda, reads “Do you want total tweet?” It is an allusion to Goebbels’s 1943 speech at the Berlin Sportspalast, in which the Nazi Minister of Propaganda famously shouted, “Do you want total war?” – in response to which audience members leapt to their feet shouting “Yes!” and raising their arms in the Hitler-salute.
The background image appears to show a Nazi Party rally with the swastikas replaced by the Twitter bird logo. Two smaller swastikas are still visible in the lower left-hand corner of the full-size image.
Leaving aside the extreme mental contortionism required to associate freedom of speech with Nazi Germany, if ever there was a don’t-throw-stones-in-glass-houses moment, this was it. For, as so happens, during the Second World War, the founding director of ZDF, Karl Holzamer, himself served in one of the propaganda units that none other than Goebbels’s Ministry of Propaganda embedded with the different divisions of the Germany military.
Holzamer served in a propaganda unit of the Luftwaffe or German air force. As noted in a 2012 article titled “Goebbels’s Soldiers” in the German daily Die Frankfurter Rundschau, Holzamer was embedded with the Luftwaffe during its April 1941 bombing of Belgrade and was “the first” to report on the German subjugation of the Yugoslav capital.
November 13, 2022
Carrying on about the Carry On movies
In The Critic, Alexander Larman looks back at one of the longest-running film series beginning with 1958’s Carry On Sergeant (not to be confused with the earlier — and reputedly terrible — interwar Canadian film of the same name) and continuing with many more until the filmic disaster of Carry On Emmanuelle in 1978 (there was also a 1992 attempt to revive the franchise, which failed):
In Alan Bennett’s The History Boys, it is decreed by the contrarian history master, Irwin, that “if George Orwell had lived, nothing is more certain than that he would have written an essay on the Carry On films”.
We are invited to take Irwin’s instructions that the Carry On films represent a valuable insight into British social history with suitable detachment. (The precise, suitably pompous quote is that “while they have no intrinsic merit, they acquire some of the permanence of art simply by persisting, and acquire an incremental significance if only as social history”.)
Yet Irwin (or Bennett) was almost certainly right that, had Orwell survived into the Sixties and Seventies, he would have found the Carry On film series both repellent and fascinating. It is literature’s, and history’s, loss that we do not have an account of Orwell’s thoughts on the antics of Charles Hawtrey, Kenneth Williams, Barbara Windsor et al.
In 1941, Orwell wrote of postcards by the cheerfully lowbrow artist Donald McGill that “your first impression is one of overpowering vulgarity” and that “what you are really looking at is something as traditional as Greek tragedy, a sort of sub-world of smacked bottoms and scrawny mothers-in-law which is a part of Western European consciousness”. He goes on to say that “jokes barely different from McGill’s could casually be uttered between the murders in Shakespeare’s tragedies”.
[…]
The joy of watching the Carry On films, then, is twofold. On the one hand, the hackneyed stories, two-dimensional characterisation and laboured puns and innuendo can be enjoyable, on a purely basic level, but hardly threaten to aspire to the levels of great art.
Yet on the other, the cheerfully Rabelaisian sentiments of the pictures — in which all men and women are defined purely in sexual and scatological terms — exist on a level of reductio ad absurdum.
It is no coincidence that the best Carry On films contain a vein of social satire in their mocking of great British institutions, whether it be the NHS, MI5, the army or the Raj, and the final set piece of Carry On Up The Khyber — in which the stiff-upper-lip British occupiers ignore the Afghan invaders while taking formal dinner in black tie — rises to a level of surrealist genius that would have made Buñuel proud.
There is occasional talk of making another Carry On film, but with all the principal cast (save the ever-sprightly Dale) now dead and with the world a very different place, it is impossible to imagine that we will ever see, say, Carry On Tweeting or the like.
There is every possibility that a really top-notch cast could be assembled, if there was any serious intent behind it — I would love to see Andrew Scott, for instance, offer a more dynamic take on the kind of roles that Williams essayed, because he would do so brilliantly, and if the script could be written by the award-winning likes of Patrick Marber or Richard Bean, it could be a thing of innuendo-heavy beauty.
But then the Carry On series never was a thing of beauty. In its grim and hilarious way, it took every British national stereotype, pulled its trousers down, and gave it a hearty slap on its bare buttocks. Some might find this offensive; others might mourn its loss from public life.
In either case, we shall not look upon its like again. Dr Nookey, Francis Bigger, Professor Inigo Tinkle, Vic Flange: your services are no longer required. To which unkind cut we must solemnly say: “Ooh, matron.”
November 12, 2022
SUPERCUT – Every Window Cameo in Batman (1966-1968)
Tommy Westphall’s Snowglobe
Published 14 Jan 2020The dynamic duo’s show of the 60s was fond of celebrity cameos. Here is a Supercut of every single one of them.
In order of appearance:
1. Jerry Lewis
2. George Cisar (from the 1966 film)
3. Dick Clark
4. Van Williams and Bruce Lee as The Green Hornet and Kato from The Green Hornet
5. Sammy Davis Jr.
6. Bill Dana as José Jiménez
7. Howard Duff as of Sam Stone from Felony Squad
8. Werner Klemperer as Colonel Klink from Hogan’s Heroes
9. Ted Cassidy as Lurch from The Addams Family
10. Don Ho
11. Santa Claus
12. Art Linkletter
13. Edward G. Robinson
14. Suzy Knickerbocker
15. The Carpet King
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November 10, 2022
QotD: Sarah’s rules of art
And why was this a bad idea, Sarah?
Mostly because I’m married to a mathematician. There is a certain … ah … compulsiveness that comes with it. If there’s something that’s numbered and has a route, we OF COURSE have to follow the route and see every single statue, even if that’s not what we set out to do.
This made things very interesting, since the wedding parties were blocking some of the statues, and others we could see from a distance were the sort of modern art that your kids could do with a backyard forge, meaning the actual level of artistry was about the level of a kindergartner, only they used metal instead of playdough.
This leads us to Sarah’s first rule of art: if people viewing it have trouble telling it from accidental formations, it’s probably not art.
The second corollary of this is: if you need an elaborate card pointing out to you that it’s art, it’s probably not art.
The third would be that if you need a placard explaining to you how daring and courageous this art is, and how it defied some tyrannical regime at great peril to the artist’s life, it’s not only not art, you’re in the presence of a self-aggrandizing conman.
Sarah Hoyt, “Art and Revolution”, According to Hoyt, 2019-05-31.
November 4, 2022
QotD: History while it’s happening
Well, future historian, since I know how much that sucks, I’ll spare you. If you’re plowing through my papers (you’re welcome for all the Slave Leia pictures, by the way) and you get to the “Impeachment of Donald Trump” section, you’ll have something. Maybe nothing interesting, or particularly coherent, but at least it’s something. Professional courtesy.
If nothing else, this impeachment fiasco confirms that we’re ruled by fools. No earth-shattering insight, that, I realize, but there it is. Really it’s just math — since most people in all times and places have been fools, it stands to reason that nearly every human who has ever lived has had a large part of his fate decided by an idiot. This is true even of those blessed to have seen good leadership in action, as even the best men are fools about lots of things. Up to and including the things that make their reputations. George Washington, for instance, was indisputably a great leader, but a terrible general — with Cornwallis trapped on the Yorktown peninsula in Virginia, he had to be talked out of moving the Continental Army north, to reconquer New York. He was one of history’s great captains, but I bet I could take him in a game of Risk.
Severian, “Impeachment Thoughts”, Rotten Chestnuts, 2019-12-19.
October 31, 2022
Halloween Special: The Wild Hunt
Overly Sarcastic Productions
Published 30 Oct 2020It’s a Halloween special AND a miscellaneous myth! Who could ask for more? Today let’s dive into a very spooktacular folkloric motif and get real in the spirit of the season!
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October 28, 2022
The real tech startup lifecycle
Dave Burge (aka @Iowahawk on the Twits) beautifully encapsulates the lifecycle of most successful tech startups:
I like the thing where people assume everybody working at Twitter is a computer science PhD slinging 5000 lines of code daily with stacks of job offers for Silicon Valley headhunters, and not a small army of 27-year old cat lady hall monitors
Successful social media companies begin in a shed with 12 coders, and end up in a sumptuous glass tower with 1200 HR staffers, 2000 product managers, 5000 salespeople, 20 gourmet chefs, and 12 coders
True story, I was in SV a few weeks ago and visited a startup that’s gone from $4MM to $100+MM rev in 2 years. HQ currently cramped office with 30-40 coders in a strip mall, but moving to office tower soon. I’m like, man, you’ll eventually be missing this.
Why do successful tech companies have so many seemingly useless employees? For the same reason recording stars have entourages
Here’s the sociology: 5 coders form startup. Least embarrassing one becomes CEO. The other ones, CFO, COO, CMO, and best coder becomes CTO.
Company gets big; CFO, COO CMO hold a dick measuring contest to hire the biggest dept.
CTO still wants to be the only coder.
I suspect it really does takes 1000 or more developers to keep Twitter running; backend, DB, security, adtech/martech etc. But I’d guess a significant # of Twitter devs are basically translating what triggers the cat ladies into AI algorithms.
History Summarized: Mycenaean Greece & the Bronze Age Collapse
Overly Sarcastic Productions
Published 24 Jun 2022I’m pronouncing Mycenaean & Mycenae with a hard “K” sound because that’s how it sounds in Greek, and I would not be so impolite as to mispronounce the name of the first Greek-speaking civilization in history. (The name of “Mycenae” can be spelled Μυκῆναι or Μυκήνη, and I’m using the first one: mee-KEE-neh)
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