Quotulatiousness

September 27, 2024

Bloc Québécois leader Yves-François Blanchet as “the Errol Flynn of Canadian politics”

Filed under: Cancon, Government, Politics — Tags: , , , , — Nicholas @ 05:00

In the National Post, John Ivison suggests to Justin Trudeau’s Liberals that the Bloc’s price for supporting the government are just going to keep on rising every time they’re asked to save them from a confidence vote in the Commons:

Yves-François Blanchet Portrait Officiel / Official Portrait a Ottawa, ONTARIO, Canada le 1 December, 2021.
© HOC-CDC
Credit: Bernard Thibodeau, House of Commons Photo Services

It is an indication of how desperate the Liberals are to cling to power that they are even considering a deal with Yves-François Blanchet, the Errol Flynn of Canadian politics.

As was said of the hell-raising movie star by his friend David Niven: “You always knew precisely where you stood with Errol because he always let you down.”

The Bloc Québécois leader will leave the Liberals in the lurch as soon as they refuse his extortionate demands, so best to tell him from the outset to go forth and multiply.

Blanchet has imposed an Oct. 29 deadline before his party pulls support for the government on future House of Commons confidence motions.

The Liberals must back two Bloc private member’s bills, Blanchet said, or the mood will become impossible. “And as soon as it becomes impossible, we will know what to do,” he added, ominously.

Finance Minister Chrystia Freeland said conversations are ongoing, though Blanchet said he has had no discussions with the Trudeau government.

Good, because both Bloc bills are policy madness.

Blanchet has presented them as “good for everybody”, but the truth is they benefit very narrow sections of society — older voters and some farmers — and are bad news for everyone else.

One of the bills, Bill C-319, calls on the government to extend the 10-per-cent increase in Old Age Security payments the Liberals made in 2022 for those over 75 to include the 65–74-year-old age group. The bill is at third reading in the House of Commons but requires the government’s blessing to pass because it commits Freeland to spend money. Lots of money.

The other, Bill C-282, requires the government to exempt the supply-managed farm sector (i.e., eggs, chicken and dairy) from future trade negotiations. It is mired in the Senate’s foreign affairs and international trade committee, where one hopes it will be amended beyond recognition.

Ronald Reagan never said this … but Karl Marx did

Filed under: History, Quotations, USA, Weapons — Tags: , , , , , , — Nicholas @ 04:00

At The Take, Jon Miltimore discusses a fake Ronald Reagan quote-on-a-poster being sold through Amazon and reveals that the quote actually originates with Karl Marx:

For just $9.99, people can go on Amazon and buy wall art of Ronald Reagan apparently defending the Second Amendment.

“Under no pretext should arms and ammunition be surrendered,” the text reads next to a picture of Reagan; “any attempts to disarm the people must be stopped, by force if necessary”.

There are a few problems with the quote, but the biggest one is that Reagan never said it.

As numerous fact checkers have noted — including Reuters, Snopes, Factcheck.org, and Politifact — the author of the quote is none other than Karl Marx, the German philosopher and author of The Communist Manifesto who used language nearly verbatim to this in an 1850 address in London.

“Under no pretext should arms and ammunition be surrendered; any attempt to disarm the workers must be frustrated, by force if necessary,” Marx said in his “Address of the Central Committee to the Communist League“.

Marxists Not Embracing Marx’s Messaging?

In fairness to the many internet users duped by the fake Reagan meme, the quote sounds a bit like something Reagan could have said (though it’s highly unlikely the Gipper, a skilled and careful orator, would have ever said “by force if necessary”).

Reagan, after all, generally — though not universally — supported gun rights and was skeptical of efforts to restrict firearms.

“You won’t get gun control by disarming law-abiding citizens,” Reagan famously noted in a 1983 speech.

Some might be surprised that Marx and Reagan had similar views on gun control. Marx was of course the father of communism, whereas Reagan was famously anti-communist. Moreover, Marx’s modern disciples are staunch supporters of gun control, whether they identify as socialists or progressives.

“Guns in the United States pose a real threat to public health and safety and disproportionately impact communities of color,” Nivedita Majumdar, an associate professor of English at John Jay College, wrote in the Marxist magazine Jacobin. “Their preponderance only serves corporate interests, a corrupt political establishment, and an alienated capitalist culture.”

This distaste for guns goes beyond socialist magazines. As The Atlantic reported during the 2020 presidential election cycle, progressive politicians are increasingly embracing more stringent federal gun control laws.

“No longer are primary candidates merely calling for tighter background checks and a ban on assault weapons,” journalist Russell Berman wrote; “in 2019, contenders like Senator Cory Booker of New Jersey and Representative Beto O’Rourke of Texas were calling for national licensing requirements and gun-buyback programs”.

The point here is not to disparage politicians like O’Rourke and Booker as “Marxists”, a label they’d almost certainly object to. The point is that progressive politicians like Rep. Alexandria Ocasio-Cortez (D-NY) might channel Marx in their class rhetoric, but they are not embracing his messaging when it comes to the proletariat’s access to firearms.

As it happens, this is a common theme with Marxists throughout history.

So much “modern art” ages like milk

Filed under: Britain, Media, USA — Tags: , , , , , — Nicholas @ 03:00

Most of Andrew Doyle’s latest column is behind the paywall, but I found myself nodding along to the first portion about the descent of modern art:

The works on display at New York’s Museum of Modern Art (MOMA) have been curated with care. On my recent visit I began on the fifth floor, where you can admire art from the 1880s until the 1940s. On the fourth floor you will find works from the 1950s to the 1970s, and then two floors below are the collections from the 1980s until the present day. I wonder whether this arrangement is deliberate; the literal descent of the visitor from one floor to the next reflecting the figurative descent of artistic quality through the century.

And so while on the upper floor you can admire the melting clocks of Salvador Dalí’s most famous and haunting work, The Persistence of Memory (1931), and René Magritte’s The Lovers (1928), a curious meditation on romanticised desire, by the time you reach the second floor there are some cuddly toys glued together into clumps which are dangling from the ceiling. I didn’t bother to check who was responsible for this nonsense.

I have often tried to defend some of the more intriguing efforts at modern conceptual art, but I also recognise that we must be able to admit when art is simply bad. I felt the same when I saw the most recent sculpture to grace the fourth plinth in Trafalgar Square. It is a piece by Mexican artist Teresa Margolles entitled Mil Veces un Instante. It consists of over seven-hundred death masks of trans, non-binary and gender non-conforming people arranged into a cuboid. The faces are meant to represent those who have been the victims of violence, including the artist’s friend Karla who was murdered in Juárez in December 2015.

I don’t doubt the sincerity of the passion behind the project, or how the tragedy of this death informed the vision of the piece, but as a work of art it is banal. Like many conceptual pieces inspired by voguish identity politics, it is propagandistic and uninspiring. The Pink News has claimed that those who dislike the piece are “bigots”. I would say they simply have good taste.

I suppose it is an improvement on Heather Phillipson’s godawful “The End”, a sculpture of a dollop of whipped cream with a cherry, a drone and a fly on the top which was finally taken down from the fourth plinth in 2022. I doubt that anyone except the artist and her close family members were disappointed to see it gone. While I understand the subjectivity of such matters, surely we should be aspiring to higher standards when it comes to art in public spaces?

Evolution of the Karabiner 98k, From Prewar to Kriegsmodell

Filed under: Germany, History, Military, Weapons, WW2 — Tags: , , , , — Nicholas @ 02:00

Forgotten Weapons
Published 7 Nov 2018

The Mauser Karabiner 98k began production as an excellent quality rifle, with every nuance of fine fit and finish one would have expected from the Mauser company. World War Two had barely begun by the time a few compromises began to be made to maintain production, however — and by the end of the war the K98k was a mere shadow of its former self. As with the similar deterioration in quality with Japanese Arisaka rifles, the critical mechanical elements of the K98k were just as safe and functional at the very end as the were at the beginning — but the ancillary aspects came crashing down. One might argue that these changes should have been made from the beginning; that issuing an infantry rifle made to the same finish as a fine commercial sporting arm is a silly waste of resources …
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QotD: Nietzsche – a gamma male incel?

Filed under: Books, Health, History, Quotations — Tags: , , , , , — Nicholas @ 01:00

Nietzsche seems to elicit either frothing anger or dismissive contempt amongst Christians. This is understandable. He did after all write a book called The Antichrist, and coined such memorable phrases as “God is dead”. Characterizing Christianity as a form of slave morality doesn’t endear him to Christians either. As to the contemptuous dismissal, this is usually phrased along the lines that Nietzsche spent the last decade of his life as a catatonic madman, probably due to advanced syphilis, and that his life before this was marked by professional and social failure, continuous health problems such as severe migraines and painful digestive issues, and rejection by romantic interests. This “Ubermensch“, they say, was a loser. He was an incel. He was a gamma male.

If you aren’t familiar with Vox Day’s sociosexual hierarchy [SSH], you can find the definition of its categories at his Sigma Game Substack here. Briefly, the SSH classifies men (and only men) according to the ways they relate to one another, and therefore (since women are exquisitely socially sensitive), to women. It divides men into the following categories: alphas, the natural leaders who get most of the female attention; betas or bravos, who are not Pyjama Boy, but rather the alpha’s lieutenants and capos, enforcing the alpha’s rule and getting some of the female attention that spills out of his penumbra; gammas, who are essentially low-t nerds with poor social skills that scare the hoes; deltas, who are basically the workers, the ordinary joes who keep everything running, and are sometimes after much struggle successful in landing a waifu; omegas, who are at the bottom of the hierarchy, neither receiving much from it nor contributing anything to it, and never leave their dirty basements; sigmas, who are essentially lone wolves with an ambivalent relationship to the hierarchy, which they don’t really care about (they have their own, more interesting thing they’re doing, which they’re happy to do alone if necessary), but nevertheless do quite well within it, often challenging the alpha’s authority without intending to; and lambdas, who exist outside of the sociosexual hierarchy because they are literally gay.

If you want an image of the SSH, consider your typical American high-school in the 1980s. The alpha is the captain of the football team; the betas are the other football team players; the gammas are the chess club nerds; the deltas are the normal kids with nothing much remarkable about them; the sigma is the kid in the metal shirt who cuts class because it bores him and then shows up at the party with a hot girl from a different school that no one has met before; the omegas are the dropout welfare trash kids; and the lambdas are the theatre kids.

So, was Nietzsche a gamma male incel? Was he a loser and a nerd?

Of course he was. Vox is absolutely correct about this.

Christians will usually follow up the gamma male incel attack by noting the absurd contrast between Nietzsche’s lived reality, as a frail neurasthenic with a terminal case of oneitis who could be sent into days of migraines by a chance encounter with a caffeinated beverage, and the concept of the Ubermensch he preached in his writings, most notably in his very strange novel? prose poem? mental breakdown? Thus Spake Zarathustra. By the same token we might note that Virgil was no Aeneas. The character created by the artist is not the artist; if the artist was the character, he’d be too busy running around doing heroic character things, not hunched over in his scriptorium scribbling away with ink-stained fingers.

And make no mistake about it – Nietzsche was as much the poet as the philosopher, indeed, probably more poet than philosopher. One of the most common complaints you’ll hear about Nietzsche is that it’s not at all clear, much of the time, what he’s getting at. What is the actual argument here? people will ask. They’re used to philosophers whose turgid prose is a loose string of logical syllogisms, composed with all the charm of a mathematical derivation. The wild electricity of Nietzsche’s divine madness is an entirely different genre.

We call Nietzsche a philosopher because that’s the closest category we have to throw him in, but this is a poor categorization. Nietzsche’s mind – and yes, this may well be because it was broken by syphilis – did not proceed according to the narrow rails enforced by a rigid adherence to logic and reason. It was not weighed down by the gravity of methodological rigour. That is not to say that he did not apply reason, simply that he was not limited to it. He made use of revelation, of inspiration, just as much. He felt as much as he thought when he wrote, inhabiting the ideas he developed with his passion as much as his intellect. He thought with his whole brain, using both his left hemisphere and his right – in Nietzsche’s language, the Apollonian and the Dionysian. Being aware that philosophy specifically, and Western thought more generally, was to an extraordinary and even pathological degree locked into the left-hemisphere mode, into the Apollonian realm of rational dialectic, he went out of his way to cultivate the Dionysian instead, to get into touch with his intuitive, subconscious, “irrational” mind. As much as Nietzsche was a philosopher, he was also an artist, a poet1, a mystic, and even, dare I say it, a prophet.

None of which is to say that he was not also a giant loser.

But then, most philosophers are nerds who are bad with the ladies. There are exceptions, of course. There is no record of Plato being bad with the ladies; Plato’s tastes are reputed to have run in different directions.

John Carter, “The Prophet of the Twentieth Century”, Postcards from Barsoom, 2024-06-25.


    1. He published a volume of actual poetry, which wasn’t very good; he also dabbled in musical composition, which was even worse.

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