Quotulatiousness

December 18, 2023

Napoleon Bonaparte on film

Filed under: France, History, Media, Military, Technology — Tags: , , — Nicholas @ 04:00

In The Critic, Peter Caddick-Adams considers the revival of the biopic, with emphasis on Napoleon Bonaparte, thanks to the recent Ridley Scott movie:

One of the posters for a much-shortened cut of Abel Gance’s Napoléon for the German market, 1927.

Some of the first motion pictures were biopics, initially silent. In portraying a high-minded individual, historical or contemporary, who has influenced our lives in some way, cinema’s hope is that some of the character’s prestige will rub off into the film. Both sides of the Atlantic have seen countless examples, because the genre is traditionally presented as culturally above a thriller, western or a musical. Its offer is an invitation to see history. Let us take Oppenheimer or Napoleon, with Cillian Murphy and Joachim Phoenix in the title roles. Viewers are attracted by the concept of a true story, be it the designer of the first atomic bomb, or the little emperor who dominated Europe. They may know little or a lot about the subject, even if only hazy knowledge from distant schooldays, but they start with more base knowledge than any other genre.

Gifted directors, in this case Christopher Nolan and Ridley Scott, with their cast hold our hands and walk us into an historical context, hinting at grandeur or importance. We are led into a panorama of life that’s now seen as great or significant. Whether you’re glued to a small screen nightly, or whether you go to the cinema only once or twice a year, the biopic demands attention as “education”, in a way a thriller, horror or romcom flick does not. We are sold the idea that reel history (which can never be real history) somehow merits our valuable time, more than mere “entertainment”.

Napoleon first burst onto the screen in 1927 with a silent-era masterpiece directed by Abel Gance. Far ahead of its time, the final scenes were shot by three parallel cameras, designed to be projected simultaneously onto triple screens, arrayed in a horizontal row called a Triptych, the process labelled “Polyvision” by Gance. It widened the cinematic aspect to a field of vision unknown then or since. The director tried to film the whole in his Polyvision, but found it too technical and expensive. When released, only the centre screen of footage was shown, to a specially composed score. Designed as one episode of several to tell the emperor’s life, which we would today label a franchise, the 1927 extravaganza came in at 5.5 hours, necessitating three intermissions, including one for dinner. Gance had interpreted his biopic as a grand opera. It has been much trimmed and revisited by other directors, including Francis Ford Coppola in the 1980s, and restoration of lost footage is still ongoing. I saw the 5.5-hour version in the Royal Festival Hall in 2000, with a score by Carl Davies (of World at War fame). For a film emerging from the Stone Age of cinematography, its excitingly modern ambition was worth my bum ache. I could see what all the fuss was about.

Curiously, the real value of Gance’s Napoléon was in technique rather than content. If you think of the silent era, it’s mostly the comics who come to mind, playing out their dramas in front of a single static camera. Gance seized this new medium, first embraced in December 1895 by the Parisian Lumière Brothers, and turned it on its head. Napoléon featured not just the Triptych experiment, but many other innovative techniques commonplace today. These included fast cutting between scenes of alternating dialogue, extensive close-ups, a wide variety of hand-held camera shots, location shooting, multiple-camera setups and film tinting (colouring), so altering cinematography for ever.

Although Rod Steiger gave us a different take on Napoleon in Sergei Bondarchuk’s Waterloo of 1970, with its leading actors of the day and massive cast of extras, comprising much of a Soviet army division in period costume and filmed behind the old Iron Curtain, Ridley Scott’s new Napoleon is clearly paying homage to the Gance Napoléon in ambition and length. Scott pretty much picks up the story where Gance left off, and he is able to deploy technology of which Gance could only dream. However, with both films, screenwriter, director and actors are at a disadvantage common to all biopics of having to work against the viewers’ check-list of facts they know, or expect to see included. Thus Scott, like Gance, relies on spectacular technique over storyline. This brings viewers, especially my fellow fuming historians, into a collision between historical truth and the possibilities of celluloid story-making.

Most of us have a mental picture of the character we are invited to watch, which constrains actors and their make-up teams, who have to imitate particular people, with all the wigs, prosthetics and accents that entails. Yet, to view the biopic as a piece of history is to miss the point of the motion picture industry. Pick up a screenplay, and you will be surprised at how few pages it comprises, how few words on each page. None read like a literary biography. With only 90–120 minutes in a typical movie, there is not enough time to cover a character’s full life — not even that of Napoleon in 5.5 hours. Instead, the challenge for the writing-directing team is to extract snippets of a life to demonstrate the evolution of character.

“I hashtag these foolish dupes ‘Useful Yidiots'”

Filed under: Media, Politics, Religion — Tags: , , , , , — Nicholas @ 03:00

Barbara Kay isn’t fond of the Jewish groups that provide media cover for antisemites:

Have you heard the expression, “Two Jews, three opinions”? Truly, we have always been a contentious people.

In judging the worthiness of any particular internal debate, our sages applied the criterion of motivation. Constructive debate, they decreed, was noble; debate intended to wound was ignoble. I consider “ignoble” any public rhetoric by Jews that provides both comfort and ammunition to our enemies.

These Jews can be found in academia and the media, as well as in anti-Zionist groups, such as Jewish Voice for Peace and the If not Now movement. All preface their public statements with “Speaking as a Jew” or similar tropes. They’re willingly trotted out by Israel-loathing activists to deflect charges of demonstrable antisemitism in their ranks. On X, I hashtag these foolish dupes “Useful Yidiots”.

For candour and ignobility, it is hard to beat a 2008 Facebook post by Useful Yidiot Michael Neumann, Trent professor of philosophy, and, not incidentally, the son of German Jewish refugees:

    (My aim is to) help the Palestinians (and) I am not interested in the truth, or justice, or understanding, or anything else, except so far as it serves that purpose … If an effective strategy means that some truths about the Jews don’t come to light, I don’t care. If an effective strategy means encouraging reasonable anti-Semitism, or reasonable hostility to Jews, I also don’t care. If it means encouraging vicious racist anti-Semitism, or the destruction of the state of Israel, I still don’t care.

Neumann’s savage tone is typical of a certain sub-genre of Useful Yidiots. These are psychologically warped intellectuals who interpret their own or their family links to the Holocaust as a de facto moral credential endowing them with authority to promote the odious libel against Israel of Holocaust inversion: that is, the pernicious false allegation that Israel is to the Palestinians what the Nazis were to the Jews.

In their febrile imaginations, Israel is pure evil, while the Palestinians are blameless victims with no agency in the creation of their alleged Holocaust-level circumstances, and no power to effect change in their destiny. All expressions of Palestinians’ hatred for Jews (at Israel and abroad) and any form of violence against them qualify as justified “resistance”.

There is no better example of the type than Norman Finkelstein, in progressive circles a much admired historian, who has devoted his entire professional life to Holocaust inversion. His parents — alone of their entire families — survived Auschwitz and Maidanek. How their tragedy inspired Finkelstein’s rabid loathing for mainstream Jewry and Israel, always presented under cover of a near-ecstatic empathy with Palestinian suffering, is a question for psychoanalysts to solve if they can, but rabid is certainly the word for it (conservative intellectual and journalist Douglas Murray termed Finkelstein a “psychopath”).

Battle Taxis | Evolution of the Armoured Personnel Carrier

Filed under: Britain, Germany, History, Military, Russia, USA, Weapons — Tags: , , , , , — Nicholas @ 02:00

The Tank Museum
Published 8 Sept 2023

Tanks and infantry need to operate together. Tanks provide firepower and protection, the infantry support and protect the tanks. In this video, we look at that vital component of the equation, the Armoured Personnel Carrier and its transition into the modern Infantry Fighting Vehicle.
(more…)

QotD: A short history of the (long) Fifth Century

The chaotic nature of the fragmentation of the Western Roman Empire makes a short recounting of its history difficult but a sense of chronology and how this all played out is going to be necessary so I will try to just hit the highlights.

First, its important to understand that the Roman Empire of the fourth and fifth centuries was not the Roman Empire of the first and second centuries (all AD, to be clear). From 235 to 284, Rome had suffered a seemingly endless series of civil wars, waged against the backdrop of worsening security situations on the Rhine/Danube frontier and a peer conflict in the east against the Sassanid Empire. These wars clearly caused trade and economic disruptions as well as security problems and so the Roman Empire that emerges from the crisis under the rule of Diocletian (r. 284-305), while still powerful and rich by ancient standards, was not as powerful or as rich as in the first two centuries and also had substantially more difficult security problems. And the Romans subsequently are never quite able to shake the habit of regular civil wars.

One of Diocletian’s solutions to this problem was to attempt to split the job of running the empire between multiple emperors; Diocletian wanted a four emperor system (the “tetrarchy” or “rule of four”) but what stuck among his successors, particular Constantine (r. 306-337) and his family (who ruled till 363), was an east-west administrative divide, with one emperor in the east and one in the west, both in theory cooperating with each other ruling a single coherent empire. While this was supposed to be a purely administrative divide, in practice, as time went on, the two halves increasing had to make do with their own revenues, armies and administration; this proved catastrophic for the western half, which had less of all of these things (if you are wondering why the East didn’t ride to the rescue, the answer is that great power conflict with the Sassanids). In any event, with the death of Theodosius I in 395, the division of the empire became permanent; never again would one man rule both halves.

We’re going to focus here almost entirely on the western half of the empire […]

The situation on the Rhine/Danube frontier was complex. The peoples on the other side of the frontier were not strangers to Roman power; indeed they had been trading, interacting and occasionally raiding and fighting over the borders for some time. That was actually part of the Roman security problem: familiarity had begun to erode the Roman qualitative advantage which had allowed smaller professional Roman armies to consistently win fights on the frontier. The Germanic peoples on the other side had begun to adopt large political organizations (kingdoms, not tribes) and gained familiarity with Roman tactics and weapons. At the same time, population movements (particularly by the Huns) further east in Europe and on the Eurasian Steppe began creating pressure to push these “barbarians” into the empire. This was not necessarily a bad thing: the Romans, after conflict and plague in the late second and third centuries, needed troops and they needed farmers and these “barbarians” could supply both. But […] the Romans make a catastrophic mistake here: instead of reviving the Roman tradition of incorporation, they insisted on effectively permanent apartness for the new arrivals, even when they came – as most would – with initial Roman approval.

This problem blows up in 378 in an event – the Battle of Adrianople – which marks the beginning of the “decline and fall” and thus the start of our “long fifth century”. The Goths, a Germanic-language speaking people, pressured by the Huns had sought entry into Roman territory; the emperor in the East, Valens, agreed because he needed soldiers and farmers and the Goths might well be both. Local officials, however, mistreated the arriving Goth refugees leading to clashes and then a revolt; precisely because the Goths hadn’t been incorporated into the Roman military or civil system (they were settled with their own kings as “allies” – foederati – within Roman territory), when they revolted, they revolted as a united people under arms. The army sent to fight them, under Valens, engaged foolishly before reinforcements could arrive from the West and was defeated.

In the aftermath of the defeat, the Goths moved to settle in the Balkans and it would subsequently prove impossible for the Romans to move them out. Part of the reason for that was that the Romans themselves were hardly unified. I don’t want to get too deep in the weeds here except to note that usurpers and assassinations among the Roman elite are common in this period, which generally prevented any kind of unified Roman response. In particular, it leads Roman leaders (both generals and emperors) desperate for troops, often to fight civil wars against each other, to rely heavily on Gothic (and later other “barbarian”) war leaders. Those leaders, often the kings of their own peoples, were not generally looking to burn the empire down, but were looking to create a place for themselves in it and so understandably tended to militate for their own independence and recognition.

Indeed, it was in the context of these sorts of internal squabbles that Rome is first sacked, in 410 by the Visigothic leader Alaric. Alaric was not some wild-eyed barbarian freshly piled over the frontier, but a Roman commander who had joined the Roman army in 392 and probably rose to become king of the Visigoths as well in 395. Alaric had spent much of the decade before 410 alternately feuding with and working under Stilicho, a Romanized Vandal, who had been a key officer under the emperor Theodosius I (r. 379-395) and a major power-player after his death because he controlled Honorius, the young emperor in the West. Honorius’ decision to arrest and execute Stilicho in 408 seems to have precipitated Alaric’s move against Rome. Alaric’s aim was not to destroy Rome, but to get control of Honorius, in particular to get supplies and recognition from him.

That pattern: Roman emperors, generals and foederati kings – all notionally members of the Roman Empire – feuding, was the pattern that would steadily disassemble the Roman Empire in the west. Successful efforts to reassert the direct control of the emperors on foederati territory naturally created resentment among the foederati leaders but also dangerous rivalries in the imperial court; thus Flavius Aetius, a Roman general, after stopping Attila and assembling a coalition of Visigoths, Franks, Saxons and Burgundians, was assassinated by his own emperor, Valentinian III in 454, who was in turn promptly assassinated by Aetius’ supporters, leading to another crippling succession dispute in which the foederati leaders emerged as crucial power-brokers. Majorian (r. 457-461) looked during his reign like he might be able to reverse this fragmentation, but his efforts at reform offended the senatorial aristocracy in Rome, who then supported the foederati leader Ricimer (half-Seubic, half-Visigoth but also quite Romanized) in killing Majorian and putting the weak Libius Severus (r. 461-465) on the throne. The final act of all of this comes in 476 when another of these “barbarian” leaders, Odoacer, deposed the latest and weakest Roman emperor, the boy Romulus Augustus (generally called Romulus Augustulus – the “little” Augustus) and what was left of the Roman Empire in the west ceased to exist in practice (Odoacer offered to submit to the authority of the Roman Emperor in the East, though one doubts his real sincerity). Augustulus seems to have taken it fairly well – he retired to an estate in Campania originally built by the late Republican Roman general Lucius Licinius Lucullus and lived out his life there in leisure.

The point I want to draw out in all of this is that it is not the case that the Roman Empire in the west was swept over by some destructive military tide. Instead the process here is one in which the parts of the western Roman Empire steadily fragment apart as central control weakens: the empire isn’t destroyed from outside, but comes apart from within. While many of the key actors in that are the “barbarian” foederati generals and kings, many are Romans and indeed (as we’ll see next time) there were Romans on both sides of those fissures. Guy Halsall, in Barbarian Migrations and the Roman West (2007) makes this point, that the western Empire is taken apart by actors within the empire, who are largely committed to the empire, acting to enhance their own position within a system the end of which they could not imagine.

It is perhaps too much to suggest the Roman Empire merely drifted apart peacefully – there was quite a bit of violence here and actors in the old Roman “center” clearly recognized that something was coming apart and made violent efforts to put it back together (as Halsall notes, “The West did not drift hopelessly towards its inevitable fate. It went down kicking, gouging and screaming”) – but it tore apart from the inside rather than being violently overrun from the outside by wholly alien forces.

Bret Devereaux, “Collections: Rome: Decline and Fall? Part I: Words”, A Collection of Unmitigated Pedantry, 2022-01-14.

Powered by WordPress