Quotulatiousness

July 25, 2022

Political memes: threat or menace?

Filed under: Media, Politics, USA — Tags: , , , , — Nicholas @ 05:00

In Quillette, Christopher J. Ferguson considers the social dangers of sharing political memes:

Modern politics has always been replete with issues about which people feel passionate, sometimes aggressively so. But the culture wars currently raging in the US, Canada, and across much of the industrialized West seem to be particularly fraught. In my 50-plus years, I have never seen so much anger and hostility among citizens of otherwise stable countries. Some of these people will participate in protests or engage in civil disobedience, but many more will employ the political meme to express their discontent. Given how widespread the phenomenon has become, it’s worth asking whether political memes actually advance advocacy goals and our knowledge of important issues, or if they simply feed an unconstructive cycle of anger, misinformation, and polarization.

The term “meme” was coined by Richard Dawkins, who used it to describe units of culture, socially transmitted and imitated across generations in ways synonymous with genes — adaptive ideas survive, while maladaptive ideas perish. But in the social media age, the word usually refers to “an image, video, piece of text, etc., that is copied and spread rapidly by Internet users often with slight variations”. The subset of memes that focus on politics are generally designed to boil complex issues down to a digestible combination of emotive image and sloganeering text that flatters those who agree with its message and provokes those who do not.

Most academics who study memes agree that they are poisonous to healthy public discourse (“toxic” is a word that crops up a lot, even in the scholarly literature). One scholar bluntly called them “one of the main vehicles for misinformation”, and they tend to distort reality in several ways. By their very nature, they leave no room for nuance or complexity, and so they are frequently misleading; they tend to lean heavily on scornful condescension and moral sanctimony (usually, the intended takeaway is that anyone who agrees with the point of view being — inaccurately — mocked is an imbecile); they make copious use of ad hominem attacks, straw man fallacies, and motte-and-bailey arguments; they intentionally catastrophize, generalize, personalize, and encourage dichotomous thinking; and they are aggressive and sometimes dehumanizing. They are, in other words, methods of Internet communication that display all the symptoms of a borderline personality type of mental disorder. Of course, it’s possible to construct a meme that is short yet still thoughtful and sophisticated, but these are few and far between.

The best evidence we have today is incomplete and limited, but it suggests that political memes have a net negative effect on society. If the idea is to persuade or advance practical advocacy goals, then there is little evidence that they work. To the contrary, they may be counterproductive — the evidence we do have suggests that they contribute to political polarization, distort issues in the name of political expediency, and provoke indignation, hatred, and intolerance (on both sides of the political spectrum). Yes, the available evidence is fragmentary and would certainly benefit from better and more open science designs. However, it accords with larger observations about social media and political polarization. Perhaps new and better research will reveal that alarm about the negative effects of memes is simply another moral panic comparable to those that arose around video games or smoking in movies. But since memes add almost nothing to public discourse that would offset the risks, it’s probably worth hesitating before sharing them.

I save the odd meme that wanders through my various social media sites that I find amusing or (occasionally) effective, and memes as described in this article certainly do seem to be far more common than they were even a few years ago. A few selections below the fold, just because:

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Stalin, Hitler, and Churchill – Architects of Death – WAH 070 – July 24, 1943

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Yond Cassius has a lean and hungry look; He thinks too much: such men are dangerous

Filed under: Books, Europe, History — Tags: , , , , , — Nicholas @ 03:00

Rob Henderson considers the character of Julius Caesar (as filtered through Plutach and Shakespeare), and the “Dominance-Oriented Status Seekers” identified in a recent paper:

La morte di Cesare (The death of Caesar)
Oil painting by Vincenzo Camuccini between 1804 and 1805. via Wikimedia Commons.

In the opening scene of Shakespeare’s Julius Caesar (which is drawn from Plutarch’s Lives), the commoners of Rome are seen celebrating Caesar’s recent triumph over Pompey.

Two tribunes (elected officials), Flavius and Marullus, accost two of the commoners, asking them to name their trades and explain why they are out in their best attire rather than working.

The commoners respond to the tribunes’ condescension with indirect answers and puns that annoy the tribunes even more.

Eventually, Flavius and Marullus learn that the plebeians are cheering Caesar. The tribunes scorn them for doing this.

They tell the commoners that Pompey was a Roman too. So Caesar’s success was not truly a triumph for Rome.

Flavius later tells Marullus that they should remove the decorations from Caesar’s statues during Caesar’s parade.

Marullus questions this plan, stating that it also happens to be the Feast of Lupercal, a celebration of fertility.

But Flavius is adamant that they remove the ornaments, because the removal will help prevent Caesar from seeing himself as too great.

This first scene of Julius Caesar shows that the tribunes want to prevent the rise of a potential tyrant. But they themselves are more than willing to push the commoners around.

Later, two other prominent Romans — Brutus and Cassius — are likewise shown expressing their concerns about Caesar’s growing popularity.

Cassius asks Brutus how Caesar has any more right to greatness than Brutus or himself.

Cassius tells Brutus a story: When they were young, Cassius saved young Julius Caesar from drowning. Cassius always viewed himself as superior for rescuing Caesar. He is now aggravated that Caesar has risen above him.

Cassius decides to orchestrate Caesar’s assassination. Cassius gradually convinces other members of the Roman elite to help him carry out the conspiracy.

Meanwhile, Caesar himself, speaking privately with Mark Antony, expresses suspicions about Cassius:

    CAESAR
    Let me have men about me that are fat,
    Sleek-headed men, and such as sleep a-nights.
    Yond Cassius has a lean and hungry look.
    He thinks too much. Such men are dangerous.
    ANTONY
    Fear him not, Caesar; he’s not dangerous.
    He is a noble Roman, and well given.
    CAESAR
    Would he were fatter! But I fear him not.
    Yet if my name were liable to fear,
    I do not know the man I should avoid
    So soon as that spare Cassius. He reads much,
    He is a great observer, and he looks
    Quite through the deeds of men. He loves no plays,
    As thou dost, Antony; he hears no music;
    Seldom he smiles, and smiles in such a sort
    As if he mocked himself and scorned his spirit
    That could be moved to smile at anything.
    Such men as he be never at heart’s ease
    Whiles they behold a greater than themselves,
    And therefore are they very dangerous.
    I rather tell thee what is to be feared
    Than what I fear; for always I am Caesar.
    Come on my right hand, for this ear is deaf,
    And tell me truly what thou think’st of him.

Caesar is saying all men are hungry, either for food, entertainment (“he loves no plays … he hears no music”), or power. If prosperous men aren’t tempted by food and entertainment, then they crave power. Thus, prosperous men who are lean are dangerous.

Mark Antony dismisses Caesar’s concerns about Cassius, because Cassius is a “noble Roman”. But as events unfold, we see that Antony was misguided.

Caesar was correct in his judgment of Cassius.

The eminent literary critic (and my former professor) Harold Bloom has stated that Caesar’s “estimate of Cassius shows him to be the best analyst of another human being in all of Shakespeare”.

Bloom goes on to characterize Cassius as embodying a “spirit of resentment, unhappy as he is at contemplating greatness beyond him”.

Cassius secretly arranges to have fake notes sent to Brutus, who is fooled into thinking the notes have been written by ordinary Roman citizens who want the Roman elites to stand up against Caesar.

When persuading the other conspirators to help him carry out the assassination plot, Cassius’s stresses his concern for the future of Rome.

But Cassius’s story to Brutus indicates that the assassination was in part fueled by his resentment that Caesar grew into someone more powerful than himself, thus upending their former status disparity.

Rowan Atkinson & Hugh Laurie – Shakespeare and Hamlet (1989)

Filed under: Britain, History, Humour, Media — Tags: , , , — Nicholas @ 02:00

Nathaniel Brechtmann
Published 1 Sep 2011

A sketch called “A Small Rewrite”, performed by Hugh Laurie (aka House) as Shakespeare and Rowan Atkinson (aka Mr Bean) as the editor.

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QotD: Napoleon Bonaparte, the Great Man’s Great Man

Filed under: France, History, Quotations — Tags: , , , , — Nicholas @ 01:00

The point is, a culture can survive an incompetent elite for quite a while; it can’t survive a self-loathing one. This is because the Great Man theory of History, like everything in history, always comes back around. History is full of men whose society doesn’t acknowledge them as elite, but who know themselves to be such. Napoleon, for instance, and isn’t it odd that as much as both sides, Left and Right, seem to be convinced that some kind of Revolution is coming, you can scour all their writings in vain for one single mention of Bonaparte?

That’s because Napoleon was a Great Man, possibly the Great Man — a singularly talented genius, preternaturally lucky, whose very particular set of skills so perfectly matched the needs of the moment. There’s no “social” explanation for Napoleon, and that’s why nobody mentions him — the French Revolution ends with the Concert of Europe, and in between was mumble mumble something War and Peace. The hour really did call forth the man, in large part, I argue, because the Directory was full of men who were philosophically opposed to the very idea of elitism, and couldn’t bear to face the fact that they themselves were the elite.

Since our elite can’t produce able leaders of itself, it will be replaced by one that can. When our hour comes — and it is coming, far faster than we realize — what kind of man will it call forth?

Severian, “The Man of the Hour”, Rotten Chestnuts, 2019-05-22.

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