World War Two
Published 7 Jul 2020Unlike the German Army, which for the most part had many idle months over the past year, the German Air Force — the Luftwaffe — has seen constant action in the Battle of Britain and the Mediterranean Theater. How did this affect its preparations and plans for the invasion of the Soviet Union?
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Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesWritten and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Mikołaj Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
Jaris Almazani (Artistic Man), https://instagram.com/artistic.man?ig…
Dememorabilia – https://www.instagram.com/dememorabilia/
Cassowary Colorizations https://www.flickr.com/photos/cassowa…Sources:
Messerschmitt Bf 110, courtesy ElwoodB https://commons.wikimedia.org/wiki/Fi…
Junkers_Ju_87B-2_Stuka by Kaboldy https://commons.wikimedia.org/wiki/Fi…
Bundesarchiv
IWM E 3064E, E 3066E, A 4153Soundtracks from the Epidemic Sound:
Phoenix Tail – “At the Front”
Johannes Bornlof – “The Inspector 4”
Reynard Seidel – “Deflection”
Philip Ayers – “Trapped In A Maze”
Rannar Sillard – “March Of The Brave 4”
Fabien Tell – “Last Point Of Safe Return”
Johan Hynynen – “Dark Beginning”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
July 8, 2020
Harry Potter fandom, Millennials, and the continued decline of traditional religious beliefs
In The Critic, Oliver Wiseman talks to Tara Isabella Burton about her book Strange Rites:
I want to start with Harry Potter, which is — perhaps surprisingly — central to the argument you make in the book, so, as an introduction to your broader thesis, what does Harry Potter have to do with America’s new religions?
It’s funny. When Harry Potter first came out in the nineties, there was a flurry American Christian voices saying “This book promotes witchcraft. There’s going to be a whole new religious movement devoted to Harry Potter books.” In the way they meant it, that was absolutely not true. But I think that there was something to it in terms of an inadvertent change to the religious landscape.
What Harry Potter did, or, more accurately, what it was the canary in the coal mine for, was a transformation, linked to the rise of at-home internet access, in how we talk about cultural properties andhow we relate to cultural properties. The transition to an internet space defined by user-generated content and what is often called participatory culture coincided with the publication of the Harry Potter books.
Between the first Harry Potter book’s release in 1997 and the fourth book’s publication in 2000 we went from 19 million Americans with internet access to more than 100 million. It’s that backdrop that really explains the shift. You did have fan cultures before. There were Star Wars conventions, for example, but there was quite a high bar to entry. You had to get on the right mailing list and it was done via post. It was quite a lot of work. You couldn’t just log on and enter a community, which is really what could happen with Harry Potter fandom.
J.K. Rowling was also one of the first major writers to openly accept and embrace fan fiction. So what you ended up seeing was something that started with Harry Potter fandom that then became an element of fandom online more broadly which in turn, I would argue, shaped millennial-and-younger culture. It was this idea that you weren’t just a reader of consumer of texts. It wasn’t just a top down hierarchical thing. Instead, mediated through the anonymity of the internet, you a kind of tribalism from talking to people in different geographical areas as well as things like fan fiction and later meme culture that meant you could change, shift, reimagine a text in your own way. And what’s so interesting about that is that sensibility — the sensibility that we have not only the right but the responsibility, the authority as consumers to also be creators, to rework ideas outside of existing texts — has spilled over into all aspects of our political life and of our religious life. And that is really something that is the product of user generated content and the internet.
To bring this to religion more specifically, 36 per cent of Americans born after 1985 are religiously unaffiliated, compared to about 23 per cent of the national average. That’s a huge generational shift in religious affiliation and organisation. That is not the same thing as saying that these are atheists or that these people are not religious. Some 72 per cent of them say they believe in some sort of higher power. About 17 per cent say they believe in the Judaeo-Christian God.
We’re in a religious or spiritual landscape that privileges mixing and matching, and unbundling — a bit of tarot here, a bit of meditation there. And a resistance to institutional and authoritative declarations in terms of how religion should be practised is very much something that has its roots in internet culture, of which Harry Potter was a forerunner.
Shall we wipe Cuba off the Map? | The Cuban Missile Crisis I Day 01
TimeGhost History
Published 7 Jul 2020On 16 October 1962, the Cuban Missile Crisis begins. President Kennedy assembles his advisors in EXCOMM to find an adequate response to the threat posed by Soviet nuclear missiles on Cuba.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Hosted by: Indy Neidell
Written by: Spartacus Olsson
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Spartacus Olsson
Edited by: Daniel Weiss
Sound design: Marek KaminskiColorizations:
– Carlos Ortega Pereira (BlauColorizations) – https://www.instagram.com/blaucoloriz…Soundtracks from Epidemic Sound:
– “Cold Eyes” – Elliot Holmes
– “Zoot Suit” – Elliot Holmes
– “Juvenile Delinquent” – Elliot Holmes
– “Scope” – Got Happy
– “Nightclub Standoff” – Elliot Holmes
– “When They Fell” – Wendel SchererArchive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
US M2/M2A1 Flamethrower
Forgotten Weapons
Published 12 May 2016http://www.patreon.com/ForgottenWeapons
After a dismal first attempt at designing a flamethrower (the M1) in 1941, the US Chemical Corps along with several universities and industrial partners put in a lot of research to develop a more usable and effective flamethrower. The result was the M2, which went into production in early 1944. It would prove to be an exceptionally effective weapon in the island-hopping campaign towards the end of the war.
The M2 was arguably the best flamethrower fielded by any military during the war, with a number of excellent design features. These included:
* A constant-pressure regulator to ensure that the range stayed the same from the first to the last shot of a tank of fuel
* An on/off main valve easily accessible to the operator
* A supremely waterproof and reliable pyrotechnic cartridge ignition system
* An auto-shutoff valve which sealed at the nozzle, preventing dribble (and cutting off fuel flow should the operator lose control of the weapon)The M2 would see service into the Vietnam War even as its successor the M9 was being issued. It was a truly outstanding design, and remains viable to this day.
Thanks to Charlie Hobson for showing us the unit and teaching me to fire it, and also thanks to Adaptive Firearms for letting us use their range facilities!
You can find Charlie Hobson’s book, US Portable Flamethrowers here:
http://amzn.to/1SP9yc5
QotD: Telecommuting in the post-Wuhan Coronavirus era
People are being stampeded into telecommuting. The thing is, dear media, once that happens, you can’t put it back in the bottle.
For two decades now, telecommuting and distance learning have been perfectly possible and even, frankly, beneficial. What has held it back is managers afraid they don’t know how to manage at a distance, corporations who think mega cubicle farms are a great way to be “important” and a general sense that only us, ne’er do wells, work in our pajamas on the sofa (I’ll have you know I’m wearing a sweatshirt and yoga pants. Never mind.)
If the panic lasts even two months (and the press will ensure it does before it collapses under its own weight) that reluctance to telecommute is going to be blown to hell. For one, once workers taste of THAT fruit, just anecdotally, 90% of them LOVE it. (The other 10% have very annoying children or spouses.)
And in the wake of the financial panic and wobbles, corporations are going to notice that they spend a lot less money when most of the workers work from home. At some point, they’ll also realize that they need much smaller facilities if they need facilities at all. And hey, money.
This will cause all sorts of other things, which I think will lead within two years to an exodus from the big cities everyone has crammed into because it’s where the jobs are. I think in turn this will lead to a world the social engineers really don’t like.
Sarah Hoyt, “Unintended Consequences”, According to Hoyt, 2020-03-12.