Quotulatiousness

July 24, 2020

Winston Churchill and the 1943 Bengal famine

Filed under: Britain, Economics, History, India, Japan, WW2 — Tags: , , , , — Nicholas @ 05:00

Christopher Howarth on a recent BBC production that threw facts out the window in a rush to condemn British Prime Minister Winston Churchill for the famine in Bengal during 1943:

A 1945 map of Bengali districts as of 1943.
Famine Inquiry Commission (1945): Report on Bengal via Wikimedia Commons.

This argument was put forward by the BBC’s own Yogita Limaye, an Indian engineer and reporter on Women’s safety, based on the book Inglorious Empire by Shashi Tharoor, who was interviewed to give his opinion that Churchill was an “odious figure of reprehensible views and racist attitudes.”

No doubt the narrative of British evil and oppression is believed in India and elsewhere, but that does not make it true or worthy of the BBC reporting it as fact without any semblance of balance. The BBC failed its licence fee paying audience in two main regards, namely, conceptually and factually.

The British ruled India, one of the largest populations on earth, for well over two centuries. Good and bad things happened, just like everywhere else ever. You can join the dots to create whatever picture you like – Dr Tharoor chose the picture he wished to create. Why is the Bengal famine uniquely interesting to a BBC audience in 2020 over say a mini-series on British Railways and development in India? BBC presenters are demonstrably more interested in the first narrative: this is a major conceptual failing on their part. Being equal mixtures primitivism and solipsism. Always the borderline racist Western assumption is that “we” did things to “them”: we had agency, they were passive brutes. They are boring, we are endlessly interesting. Let’s talk about us. However even the slightest knowledge of the British-in-India teaches one that “we” did nothing without them. How on earth could we? There were famously few of us.

Yet it’s the second great BBC failing – over accuracy – which is so especially galling. On the actual allegation the BBC is plain wrong. Churchill was not responsible for the Bengal famine as any actual delving into the facts would have shown. Note well that they didn’t even try.

In 1943 Britain was at war with Japan, who were at the gates of India having occupied Burma, a major supplier of grain to Bengal. Important facts. Bengal was in the grips of a famine, nobody disputes that. But Churchill was not responsible, neither for the weather nor the agriculture nor the Japanese aggression.

Even the BBC did not allege that Churchill instigated the famine, the charge sheet is that he refused to help when he could. There were “stockpiles [of food] in the UK” and shipping which was retained in the northern hemisphere, prioritised for use there. Stockpiles of food in the UK in 1943? Even if there was the food and shipping, transporting US corned beef to Bengal would have been ludicrous. If there was shipping and protection from Japanese naval assault the food would have come from the rest of India. So why was food not transported from other parts of India to Bengal?

Prime Minister Winston Churchill greets Canadian PM William Lyon Mackenzie King, 1941.
Photo from Library and Archives Canada (reference number C-047565) via Wikimedia Commons.

War Diplomats, Japanese/Soviet Neutrality, and why not Sweden? – WW2 – OOTF 015

Filed under: Britain, Europe, Germany, History, Japan, Military, Russia, WW2 — Tags: , , , , — Nicholas @ 04:00

World War Two
Published 23 Jul 2020

What happened to Allied ambassadors? And how did Hitler react to the Soviet-Japanese Neutrality Pact? And why didn’t he invade Sweden? Once again, Indy is in the Chair of Infinite Knowledge answering all your exciting questions about World War Two!

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Orchestras encouraged to ditch blind auditions for reasons of diversity

Filed under: Business, Media, Politics, USA — Tags: , , , — Nicholas @ 03:00

Tal Bachman responds to a recent New York Times article by Tony Tommasini demanding that musical organizations ignore the relative quality of a potential musician’s play in order to ensure more visible minority players get hired:

The New York Philharmonic Orchestra, detail from a group portrait in 2018.
Photo from the New York Philharmonic Orchestra website.

Tommasini begins his piece, entitled “To Make Orchestras More Diverse, End Blind Auditions”, by decrying the racism and sexism which, he claims, kept the orchestras of yesteryear predominantly white and male. He then pays tribute to the simple practice that helped erase that racism and sexism from orchestra hiring procedures: the blind audition. Starting in the late 1960s, orchestras began ditching traditional face-to-face auditions in favour of auditions that took place behind screens. With orchestra administrators no longer able to see the race or sex of the orchestra applicant, conscious and unconscious bias in hiring choices became impossible. Musical skill became the sole criterion for winning one of those prized professional playing positions.

This meritocratic turn, Tommasini argues, proved especially beneficial to female players. Whereas in 1970, women made up only 6% of orchestras, they now make up somewhere between a third and half of an average orchestra.

I add that audiences also benefited from meritocratic hiring processes as orchestras played increasingly brilliant renditions of the classics. Those improved performances also showed greater reverence for the original composers themselves. In short, the blind audition was a big win for all lovers of musical excellence – players, living composers, and fans alike.

So why on earth would anyone now call for their abolition?

Tommasini answers this way:

    Blind auditions changed the face of American orchestras. But not enough. American orchestras remain among the nation’s least racially diverse institutions, especially in regard to black and Latino artists … Ensembles must be able to take proactive steps to address the appalling racial imbalance that remains in their ranks. Blind auditions are no longer tenable.

In other words, the low number of black and Latino classical musicians means orchestras need to re-institute the old-time racial discrimination Tommasini began his article by decrying. Orchestras need to know which applicants are white and Asian precisely so they can refuse to hire them on that basis, no matter how skilled they are. Blind auditions make racial discrimination impossible, so they must be scrapped. American orchestras, writes Tommasini, should stop “passively waiting for representation to emerge from behind the audition screen”. Instead, they must realize that “removing the screen is a crucial step”.

To summarize: For Tommasini, it’s not just that justice requires injustice. It’s that justice is injustice (injustice in the form of racial discrimination). And if that reminds you of the official slogan of Orwell’s Ministry of Truth in 1984 – war is peace, freedom is slavery, ignorance is strength – you’re not alone.

10 Quick Woodworking Tips 02 | Paul Sellers

Filed under: Tools, Woodworking — Tags: , , — Nicholas @ 02:00

Paul Sellers
Published 26 Mar 2020

Paul is back again bringing you another lot of 10 Quick Woodworking Tips!

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QotD: A death in the Roman Empire

Filed under: Europe, History, Middle East, Quotations, Religion — Tags: , , , , — Nicholas @ 01:00

The women who came to tend the tomb in the garden had no doubt that their Lord was dead. They had personally arrayed his body in shining white vestments, and then, when all was ready, laid his physical remains to rest. Rejected as he had been by his own people, legally condemned as an enemy of Rome, brought to a squalid and ignominious end, his defeat had seemed total. What victory could there possibly be in the wake of such a death?

Yet then something miraculous happened. Spreading from east to west across the Mediterranean, travelling along the great network of roads and shipping lanes that constituted the arteries of the Roman Empire, news began to spread that this man whose mortal remains supposedly lay entombed in the grave had been seen alive. Most people, of course, scoffed at such reports — but there were some, small communities of believers, who did not. These, even as the decades passed, kept the faith: the conviction that their saviour would come again, that he would reign, in the words of a widely circulated prophecy, as “the king of Jerusalem”, that he would bring to groaning humanity a universal peace.

In the event, Nero did not come again. Despite the various imposters who appeared in the wake of his death in AD 68, and the fact that, centuries later, there were cities in the eastern reaches of the Roman Empire that still honoured his memory, his fate was to be commemorated, not as a saviour, but as a monster. And so, in numerous ways, he was. His readiness to have members of his own family — mother, brother, wife — put to death ensured that when he himself died the dynasty of the Caesars perished with him.

His sex games were notorious. He was darkly rumoured to have set fire to Rome. By the time that Suetonius, half a century after his death, came to write his biography, the details of his life could be structured almost entirely as a catalogue of deviancies and crimes. “Insolence, an uninhibited sexual appetite, dissipation, greed, cruelty: these were the vices which, to begin with — because he gave expression to them only secretly and incrementally — might well have been chalked up as the excesses of youth, had it not been manifest to everyone even at the time that they were failings, not of age, but of character.”

Nero’s rule had become one protracted blasphemy against the customs of the Roman state. These, hallowed by the centuries, enabled the people of a city that had conquered most of the known world to feel a sense of communion still with the mos maiorum: the customs of their distant ancestors. To no class of society was this more important than the Senate, which still, despite the collapse of Rome’s venerable republican order and its replacement by the autocracy of the Caesars, cherished its time-honoured role as the guardians of tradition.

Tom Holland, “When Christ conquered Caesar”, UnHerd, 2020-04-10.

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