Sabaton History
Published 16 Jul 2020August 1944. After nearly 5 years of suffering and oppression at the hands of the Nazis, the Polish resistance in Warsaw was ready to rise up against the German occupation. With the Red Army approaching towards the Vistula from the east, the insurgents planned to take over much of the Polish capital and hold it until help from their Allies arrived. In the early morning hours of August 1, groups of armed young men broke the curfew and stormed official buildings and German warehouses. But as insurgents fought for their lives and future, the outside world however, remained eerily quiet to their pleas for help.
Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory
Listen to “Uprising” on the album Coat Of Arms:
“CD: http://bit.ly/CoatOfArmsStore
Spotify: http://bit.ly/CoatOfArmsSpotify
Apple Music: http://bit.ly/CoatOfArmsAppleMusic
iTunes: http://bit.ly/CoatOfArmsiTunes
Amazon: http://bit.ly/CoatOfArmsAmzn
Google Play: http://bit.ly/CoatOfArmsGooglePlayWatch the Official Music Video of “Uprising” here:
https://www.youtube.com/watch?v=01IaK…Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShopHosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Community Manager: Maria Kyhle
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Post-Production Director: Wieke Kapteijns
Edited by: Iryna Dulka
Sound Editing by: Marek KaminskiEastory YouTube Channel: https://www.youtube.com/channel/UCEly…
Archive by: Reuters/Screenocean https://www.screenocean.com
Music by SabatonColorizations by Mikołaj Kaczmarek – Kolor Historii – https://www.facebook.com/KolorHistorii/
Sources:
– Imperial War Museum: H 4963.
– Mil.ru
– Bundesarchiv, CC-BY-SA 3.0: Bild_183-S73507, Bild_146-2005-0038, Bild_101I-695-0411-02A, Bild_183-97906, Bild 101I-695-0425-13, Bild_146-1973-113-23, Bild_146-1996-057, Bild_146-1994-054-30
– Liftarn from WikimediaAn OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
July 17, 2020
“Uprising” – The 1944 Warsaw Uprising – Sabaton History 076 [Official]
July 15, 2020
July 5, 2020
July 1, 2020
June 26, 2020
June 6, 2020
ϟϟ Foreign Fighters Part 1 – The Non-German Germanics Fighting for Hitler – WW2 Special
World War Two
Published 5 Jun 2020The SS are the elite force of the Third Reich, representing everything good about the German race. But half of them will one day be foreign-born non-Germans. How did this happen?
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_t…
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesHosted by: Spartacus Olsson
Written by: Francis van Berkel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Francis van Berkel
Edited by: Mikołaj Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
Dememorabilia – https://www.instagram.com/dememorabilia/Sources:
Bundesarchiv
Riksarkivet, image no. Fo30141711140064, Fo30141711140100_67, Fo30141711140102, Fo30141711140092
National Museum of Denmark
National Archives of Denmark
National Library of Norway
Narodowe Archiwum Cyfrowe
USHMM
from the Noun Project: Glasses by Yeong Rong Kim, Smile by The Icon Z, family tree by Kid KitaroSoundtracks from the Epidemic Sound:
Johannes Bornlof – “The Inspector 4”
Philip Ayers – “Trapped in a Maze”
Reynard Seidel – “Deflection”
Johannes Bornlof – “Deviation In Time”
Fabien Tell – “Last Point of Safe Return”
Rannar Sillard – “March Of The Brave 10”
Gunnar Johnsen – “Not Safe Yet”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
World War Two
1 hour ago (edited)
If you came for the glory of the SS you will be disappointed by this video, there is nothing cool about the SS, truly nothing. They represent the most terrible part of humanity and perpetrated the worst crimes against humanity that you can imagine, things a short video like this cannot do justice on its own. To understand the depths of these horrors we recommend that you follow our War Against Humanity series, also hosted by Spartacus here: https://www.youtube.com/playlist?list=PLsIk0qF0R1j4cwI-ZuDoBLxVEV3egWKoM
June 3, 2020
May 14, 2020
Three reasons the Western allies fail to fully acknowledge the efforts of the Soviets in WW2
Arthur Chrenkoff suggests three major reasons for why many Russians and other Soviet-nostalgics feel the west is wrongly denying the Soviet Union full credit for the defeat of Nazi Germany:

Kombat (Russian: Комбат, lit. “battalion commander”) is a black-and-white photograph by the Soviet photographer Max Alpert. It depicts a Soviet military officer armed with a TT pistol who is raising his unit for an attack during World War II. This work is regarded as one of the most iconic Soviet World War II photographs, yet neither the date nor the subject is known with certainty. According to the most widely accepted version, the photograph depicts junior politruk (political officer) Aleksei Gordeyevich Yeryomenko, minutes before his death on 12 July 1942, in Voroshilovgrad Oblast, Ukraine.
Wikimedia Commons.
But while the Russian – or, more correctly, Soviet – role in defeating Hitler is beyond question and deserves wider attention and recognition, there are several reasons why the Western acknowledgement of the eastern front will always remain qualified and somewhat ambiguous.
Firstly, while Russia continues to variously deny, downplay or excuse the fact, the Soviet Union was the initial co-aggressor in World War Two and for the first two years a Nazi ally and collaborator. Stalin might have had legitimate realpolitik reasons for the Ribbentrop-Molotov pact, in effect sacrificing Europe to win more time to prepare for the inevitable war with Germany (nice in theory, the gambit in any case did not work out in practice), but the fact remains that in concert with Hitler, Stalin invaded Poland and was rewarded with its eastern half, subsequently also helping himself to Bessarbia, annexing the Baltic states and invading Finland. In turn, the fact that Hitler assured himself he would not be facing a war on two fronts, which doomed Germany in World War One, allowed him to successively snatch Poland, Norway, Denmark, the Netherlands, Belgium, France, Yugoslavia and Greece, giving Germany a complete dominance over the continental Europe from the Atlantic to the Bug river and the Arctic Circle to Crete. And while Great Britain stood alone against Germany for a year from mid-1940 to mid-1941, Soviet resources and produce kept flowing in, feeding and arming the Nazi monster. This makes Stalin’s subsequent anger over the Allied delay in launching the Second Front in the West quite hypocritical – where was the Second Front in the East while Luftwaffe was blitzing Britain and its troops were battling Italians and Rommel in north Africa?
Secondly, without in any way diminishing the German barbarity in the east, a significant proportion of the Soviet military and civilian casualties were unnecessary and resulted from the communist government’s complete and utter disregard for the lives and well-being of its subjects. Stalin fought the war as he fought the peace at home. The man who prior to 1941 had managed to send somewhere upwards of 15 million of his own people to an early grave, clearly wasn’t going to spare the long suffering population when faced with an external existential threat. The Soviet Union might not have (at least initially) had much else, but it certainly had people, and they were sacrificed in obscene numbers by the man in the Kremlin and his minions on the ground. For most of the war, several Red Army soldiers were dying for every one German, while obeying absurd orders to stand ground or frontally attack in total disregard for the local circumstances or for that matter any reasonable tactical and strategic consideration. When Eisenhower and Zhukov caught up some time later in the war and the conversation turned to the best method of clearing mine fields, the Russian astonished the Allied Commander-in-Chief when he nominated simply sending the infantry through as the easiest and the cheapest method. This wasn’t a joke either; it was the way the Red Army fought from the first days of Barbarossa all the way to Berlin, even though the eventual overwhelming material superiority did save many an Ivan’s life in the later stages of the conflict. Not enough, however, to wipe out the entire generation of men born in the mid-1920s.
Thirdly, while the Red Army did indeed end the brutal Nazi occupation of the Central and the Eastern Europe, it did not bring freedom in any meaningful sense of the word, except perhaps (in most cases) freedom from sudden death. Debates about similarities and differences between the two totalitarian systems will no doubt continue well into the future. Unquestionably, for an average Slav, the Soviet domination was a better option that the Nazi one. Nazis, by and large, considered Slavs to be subhuman (though making some allowances, often quite significant, for their Slavic allies, like the Slovaks, the Croats or the Bulgarians), fit only to be initially enslaved and eventually exterminated. This was the far deadlier and much more ideological continuation of Germany’s 1000-year “drang nach osten” or the “civilising” mission to expand into the fertile east. Particular hatred was reserved for the Poles, who stood as a barrier for most of that millennium, preventing the dream of lebensraum from being realised. Russia was a much more recent enemy, having overlaid its Slavic barbarity with a Bolshevik malignancy. Even the initial Nazi plans called for starving between 25-30 million Belorussians, Ukrainians and Russians in order to free up food and resources for Germany. Communists could be deadly too, of course, and both the Reds and the Blacks were fond of decimating the local elites and intelligencia, but the Soviets at least did not see their Slavic brethren as subhumans but as proletarian masses to be converted to the glories of Marxism-Leninism.
Be that as it may, the Soviet liberation did not bring liberty or independence to the people of Eastern Europe. That had to wait until 1989-91.
May 7, 2020
1947: From Dutch Boy to Murderer – 1st “Police Actions” | The Indonesian War of Independence Part 3
TimeGhost History
Published 6 May 2020The Dutch are desperate to regain control over their colony as the Lingadjatti Treaty failed to deliver. They launch a brutal military offensive which they mask as “police actions” in an attempt to satisfy the international community.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Hosted by: Indy Neidell
Written by: Joram Appel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Joram Appel and Isabel Wilson
Edited by: Karolina Dołęga
Sound design: Marek KamińskiColorizations:
Carlos Ortega Pereira (BlauColorizations) – https://www.instagram.com/blaucoloriz…
Dememorabilia – https://www.instagram.com/dememorabilia/
Jaris Almazani (Artistic Man) – https://instagram.com/artistic.man?ig…
KlimbimResearch Sources: https://bit.ly/IndoSources
Visual Sources:
Nationaal Archief
Tropenmuseum, part of the National Museum of World Cultures
Archive by Screenocean/Reuters https://www.screenocean.com.Music:
“Last Point of Safe Return” – Fabien Tell
“Guilty Shadows 4” – Andreas Jamsheree
“Epic Adventure Theme 4” – Håkan Eriksson
“Symphony of the Cold-Blooded” – Christian Andersen
“Disciples of Sun Tzu” – Christian Andersen
“March Of The Brave 10” – Rannar Sillard – Test
“Remembrance” – Fabien Tell
“Moving to Disturbia” – Experia
“Deflection” – Reynard Seidel
“Heroes On Horses” – Gunnar Johnsén
“Not Safe Yet” – Gunnar Johnsen
“Ominous” – Philip Ayers
“Last Point of Safe Return” – Fabien Tell
“Epic Adventure Theme 4” – Håkan Eriksson
“Walk With Legends” – Bonnie Grace
“Epic Adventure Theme 4” – Håkan ErikssonA TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
March 28, 2020
Poland Will Not Bow to Nazis & Stalinists – WW2 – War Against Humanity 010
World War Two
Published 27 Mar 2020Poland faces two brutal occupiers led by Hitler and Stalin, hellbent on wiping Poland off the map. But the Poles have been preparing to stand up and resist since before the war — and now they do.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_t…
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesHosted by: Spartacus Olsson
Written by: Francis van Berkel and Spartacus Olsson
Produced and Directed by: Spartacus Olsson and Astrid Deinhard
Executive Producers: Bodo Rittenauer, Astrid Deinhard, Indy Neidell, Spartacus Olsson
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Francis van Berkel
Edited by: Mikołaj Cackowski
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
Norman Stewart – https://oldtimesincolor.blogspot.com/
Dememorabilia – https://www.instagram.com/dememorabilia/
Owen Robinson – https://www.instagram.com/owen.colori…Sources:
IWM IWM HU 128078, HU 17589, ((MOI) FLM 1117)
Narodowe Archiwum Cyfrowe
Muzeum Historii Polski
USHMM
Letter by Bonegolem from the Noun Project
Letter by Mochammad Kafi from the Noun Project
oil barrel by BomSymbols from the Noun Project
sugar by Maria Zamchy from the Noun Project
Poison by Ben Davis from the Noun Project
Food by Made from the Noun Project
broken hammer by Graphic Enginer from the Noun Project
photo©ErlingMandelmann.ch http://www.erlingmandelmann.ch/portra…Soundtrack from the Epidemic Sound:
Johannes Bornlof – “Deviation In Time”
Johannes Bornlof – “Death And Glory 3”
Reynard Deidel – “Deflection”
Gunnar Johnsen – “Not Safe Yet”
Fabien Tell – “Last Point of Safe Return”
Johannes Bornlof – “The Inspector 4”
Peter Sandberg – “Document This 1”
Fabien Tell – “Other Sides of Glory”
Farell Wooten – “Blunt Object”
Jo Wandrini – “Dawn of Civilization”
Phoenix Tail – “At the Front”
Andreas Jamsheree – “Guilty Shadows 4”
Philip Ayers – “Under the Dome”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
World War Two
17 minutes ago (edited)
We’re back in Poland to look at the resistance movement. Now, this is still a very controversial topic in 2020. So let us be crystal clear: the whole idea of blaming Poland, or holding Poles responsible for the Word censored by YouTube is absolutely ridiculous. But it is also not correct to claim that not a single Pole did anything to the word censored by YouTube during WW2, that is simply not correct. However, in difference to the rest of occupied Europe there was no organized collaboration, no systematic cooperation with the word censored by YouTube to round up, incarcerate, and murder the word censored by YouTube population. Acts of anti-word censored by YouTube were individual, isolated, and opportunistic in nature. The general rule in Poland was resistance and non-collaboration. We will cover the situation of the word censored by YouTube in Poland in 1940 and 1941 in our next War Against Humanity episode.An then there are the Soviets … we will not bow to revisionism and propaganda and whitewash history. The way we portray the situation in Soviet occupied Poland in this episode and others is factually correct. Any attempts to obfuscate the Soviet part in the destruction of Poland, the incarceration of Poles, and the mass murders by the NKVD will not be tolerated here. That also goes for arguments to justify, or trivialize these crimes in any way — just like we won’t tolerate word censored by YouTube apologist rhetoric, we will not tolerate Stalinist apologist rhetoric, We will also not debate this, so save yourself the effort and just don’t even start. We have made several videos about the interwar era in Poland in our Between Two wars episode where we also talk about all the things that are usually dragged out to somehow make an argument that the war of aggression and dismantling of Poland by the Red Army and NKVD was the right thing to do have been addressed in those videos. They are here: https://www.youtube.com/playlist?list=PLrG5J-K5AYAWDpPU1GbLYBKAPXfqkOipm
March 4, 2020
Resistance in China – Myth or Reality? – WW2 – War Against Humanity 009
World War Two
Published 3 Mar 2020The war in China already started in 1931 when Japan invaded Manchuria. Early resistance was small and was met by heavy Japanese retaliations. But throughout the 30’s, the movement started to grow.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_t…
Join our Discord Server: https://discord.gg/D6D2aYN.
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesHosted by: Spartacus Olsson
Written by: Francis van Berkel
Produced and Directed by: Spartacus Olsson and Astrid Deinhard
Executive Producers: Bodo Rittenauer, Astrid Deinhard, Indy Neidell, Spartacus Olsson
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Francis van Berkel
Edited by: Mikołaj Cackowski
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
Norman Stewart – https://oldtimesincolor.blogspot.com/Sources:
Library of Congress
Narodowe Archiwum Cyfrowe
Chinese anti-Japanese posters, courtesy of pictoright
SHANGHAI, CHINA-1921Soundtracks from the Epidemic Sound:
Johan Hynynen – “Dark Beginning”
Yi Nantiro – “Watchmen”
Yi Nantiro – “A Single Grain of Rice”
Reynard Seidel – “Deflection”
Fabien Tell – “Last Point of Safe Return”
Andreas Jamsheree – “Guilty Shadows 4”
Rannar Sillard – “Split Decision”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
February 7, 2020
Did WW2 Start in 1937? – The Rape of China | BETWEEN 2 WARS I 1937 Part 1 of 2
TimeGhost History
Published 6 Feb 20201937 marks the beginning of the Second Sino-Japanese War. And whether or not this is the “actual” starting point of World War Two, it definitely was a devastating conflict which led to the deaths of hundreds of thousands and the displacement of millions.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Subscribe to our World War Two series: https://www.youtube.com/c/worldwartwo…
Hosted by: Indy Neidell
Written by: Francis van Berkel
Directed by: Spartacus Olsson and Astrid Deinhard
Executive Producers: Bodo Rittenauer, Astrid Deinhard, Indy Neidell, Spartacus Olsson
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Francis van Berkel
Edited by: Daniel Weiss
Sound design: Marek Kaminski
Research and Writing Assistance: Rune Vaever HartvigSources:
Photo of Shanghai 1932. from 2013 Adrienne Livesey, Elaine Ryder and Irene BrienColorizations by Daniel Weiss
Soundtracks from Epidemic Sound:
– “The Beast” – Dream Cave
– “Split Decision” – Rannar Sillard
– “March Of The Brave 10” – Rannar Sillard – Test
– “Disciples of Sun Tzu” – Christian Andersen
– “The Inspector 4” – Johannes Bornlöf
– “Death And Glory 1” – Johannes Bornlöf
– “Magnificent March 3” – Johannes Bornlöf
– “Trapped in a Maze” – Philip Ayers
– “Last Man Standing 3” – Johannes Bornlöf
– “Not Safe Yet” – Gunnar Johnsen
– “Under the Dome” – Philip Ayers
– “First Responders” – Skrya
– “The Charleston 3” – Håkan ErikssonA TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
TimeGhost History
1 day ago (edited)
Okay, so we’re not actually telling you unequivocally that World War Two started in 1937. Technically things only got global when the European powers became involved with the backing of their colonies (and in Britain’s case, the Commonwealth). What we are trying to tell you here is that how you periodize or define a historical event depends on whose perspective you are writing from. The people of Eastern Asia experienced World War Two as the progressive escalation from 1937 (or even 1931), to 1941, to 1945. In the same way the German invasion of Poland in September 1939 marks for many in Europe the outbreak of war, the Marco Polo Bridge Incident in July 1937 marks for many in Eastern Asia the start of the very same event. Let us know what you think of this in the comments. Does it make you think differently about the war?
Cheers, Francis.
January 31, 2020
“Wehrmacht” – The German Army 1935-1945 – Sabaton History 052 [Official]
Sabaton History
Published 30 Jan 2020From 1935 onwards, the German Wehrmacht was expanding rapidly. Millions of men joined the army, the Luftwaffe and the Kriegsmarine to fulfill Adolf Hitler’s visions for the 3rd Reich.
Highly motorized Panzergrenadiers, elite parachute- and resilient mountain-infantry troops were trained and and led with the utmost combat-efficiency in mind, supported by state of the art Panzers and aircraft. If it came to war, they would break the enemy and break them fast, achieving fast victories in a series of devastating hits. However, succumbing to the ideological influence of National-Socialism, the Wehrmacht found itself soon to be both culprit and accomplice to a self-reinforcing cycle of violence and atrocities.
Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory
Listen to “Wehrmacht” here:
CD: http://bit.ly/CoatOfArmsStore
Spotify: http://bit.ly/CoatOfArmsSpotify
Apple Music: http://bit.ly/CoatOfArmsAppleMusic
iTunes: http://bit.ly/CoatOfArmsiTunes
Amazon: http://bit.ly/CoatOfArmsAmzn
Google Play: http://bit.ly/CoatOfArmsGooglePlayCheck out the trailer for Sabaton’s new album The Great War right here: https://www.youtube.com/watch?v=HCZP1…
Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShopHosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Post-Production Director: Wieke Kapteijns
Edited by: Iryna Dulka
Sound Editing by: Marek Kaminski
Maps by: Eastory – https://www.youtube.com/c/eastoryArchive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton.Sources:
– Bundesarchiv
– IWM: H 21907- Bundesarchiv
– IWM: H 21907An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
January 10, 2020
One more Scramble in Africa – The Second Italo-Abyssinian War | BETWEEN 2 WARS I 1935 Part 4 of 4
TimeGhost History
Published 9 Jan 2020After European Empires were done scrambling for Africa, not much of the African continent was left to be ruled by its native people, or to be colonised for other colony-hungry European powers. However, the Kingdom of Abyssinia is one of the countries that made it through the scramble alive. That is, until Benito Mussolini shifts the Italian focus to East-Africa once more.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Hosted by: Indy Neidell
Written by: Joram Appel, Spartacus Olsson and Naman Habtom
Directed by: Spartacus Olsson and Astrid Deinhard
Executive Producers: Bodo Rittenauer, Astrid Deinhard, Indy Neidell, Spartacus Olsson
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Naman Habtom
Edited by: Daniel Weiss
Sound design: Marek KaminskiSources:
Diploma by Alena from the Noun Project
Teacher by b farias from the Noun Project
guns by Cards Against Humanity from the Noun Project
Curved path by Allie Tate from the Noun Project
Labor Day by H Alberto Gongora from the Noun Project
train tracks by Prasad from the Noun ProjectColorizations by:
– Dememorabilia – https://www.instagram.com/dememorabilia/
– Julius Jääskeläinen – https://www.facebook.com/JJcolorization/A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
November 22, 2019
“Inmate 4859” – Witold Pilecki – Sabaton History 042 [Official]
Sabaton History
Published 21 Nov 2019Join Indy and Joakim as they dive into the out-of-life story of Witold Pilecki during the Second World War, that has made for this awesome song.
Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory
Listen to Heroes (where Inmate 4859 is featured):
CD: http://bit.ly/HeroesStore
Spotify: http://bit.ly/HeroesSpotify
Apple Music: http://bit.ly/HeroesAppleMusic
iTunes: http://bit.ly/HeroesiTunes
Amazon: http://bit.ly/HeroesAmz
Google Play: http://bit.ly/HeroesGooglePListen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShopHosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Post-Production Director: Wieke Kapteijns
Edited by: Iryna Dulka
Sound Editing by: Marek KaminskiEastory YouTube Channel: https://www.youtube.com/channel/UCEly…
Archive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton.An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
From the comments:
Sabaton History
23 hours ago (edited)
Witold Pilecki is one of those larger-than-life characters, and listen to Joakim and Indy talk about this amazing song as well as the historical background behind it. Now thanks to all of you we have ben able to film the history part of this in a new studio which is both bigger and better. This is 100% thanks to the Patrons whose generous contributions made this possible. Do you want to be a part of this as well? Make sure to support us on Patreon: https://www.patreon.com/sabatonhistory
Cheers, The Sabaton History Team