Tasting History with Max Miller
Published 8 Feb 2022
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February 15, 2023
Ancient Rome’s Naked Fertility Festival (Lupercalia)
December 31, 2022
Coming of the Sea Peoples: Part 6 – Crete and the Minoans
seangabb
Published 6 Jul 2021The Late Bronze Age is a story of collapse. From New Kingdom Egypt to Hittite Anatolia, from the Assyrian Empire to Babylonia and Mycenaean Greece, the coming of the Sea Peoples is a terror that threatens the end of all things. Between April and July 2021, Sean Gabb explored this collapse with his students. Here is one of his lectures. All student contributions have been removed.
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December 2, 2022
Legends Summarized: The Trojan War
Overly Sarcastic Productions
Published 29 Jul 2022The grandest epic cycle this side of the Aegean! Today let’s talk about the tale of which The Iliad only makes up a tiny (if impressive) fraction!
Pst! Wanna know more about Quintus Smyrnaeus’s Posthomerica? Watch Blue’s Historymaker video about him HERE: https://www.youtube.com/watch?v=wfHGQ…
And if you want to know more about the historical, archaeological precedent that indicates some form of this story REALLY HAPPENED, watch Blue’s video on Mycenaean Greece HERE: https://www.youtube.com/watch?v=cki-9…
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October 31, 2022
Halloween Special: The Wild Hunt
Overly Sarcastic Productions
Published 30 Oct 2020It’s a Halloween special AND a miscellaneous myth! Who could ask for more? Today let’s dive into a very spooktacular folkloric motif and get real in the spirit of the season!
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October 3, 2022
QotD: The foundation of Rome, as recounted by Vergil and Livy
Both Vergil and Livy begin by putting down Homeric roots and anchoring their stories in the Trojan War. That makes a good deal of sense from a mythic perspective: the Iliad and the Odyssey were the most illustrious legends of the Hellenic world and so it made sense for the Romans, looking to claim a place in the Mediterranean, to make that claim through connection to this most illustrious of tales (and of course later, when Rome was a colossus astride the Mediterranean, which the Romans by then called mare nostrum, “our sea”, it made sense they would prefer a heroic origin with grandeur to match their power at the time). And so both Vergil and Livy begin their story with Aeneas and his plucky band of Trojan refugees, fleeing the fall of Troy (though interesting, while Vergil tells the tale as a harrowing escape, Livy politely suggests that perhaps Homer’s Achaeans let Aeneas go, Liv. 1.1).
Aeneas (son of Aphrodite/Venus and a mortal man, Anchises) does appear, by the by, in the Iliad, though he isn’t a particularly notable or impressive hero (naturally Vergil will embroider Aeneas until he is presented as the equal of an Achilles or Odysseus because … well, wouldn’t you?). The Aeneid follows (with the aid of a major flashback) Aeneas as he shepherds his surviving Trojans from Troy to their prophesied new homeland in Italy (with a minor stopover in Carthage) and then covers also the war that breaks out between Aeneas’ Trojans and the local inhabitants (the Latins) when he arrives. Vergil cuts off at the climactic moment of the war (which in turn presents Aeneas as rather morally grey, a feature that is also present, as we’ll see, in Livy’s retelling of Rome’s legends), but Livy provides the denouement. After a period of conflict (Livy presents two different versions of the exact sequence), Aeneas ends up married to Lavinia, the daughter of Latinus, king of the Latins (Livy calls them the Aborigines – lit, “the native inhabitants”, Vergil the Latins; in both cases Latinus is their king) and the Trojan exiles and Latinus’ people form a single community at Lavinium, which in turn founds a colony at Alba Longa, both in Latium (the region of Italy in which Rome is, although note we haven’t founded Rome yet).
We then fast forward a few generations. Rhea Silvia, a priestess of Vesta at Alba Longa gives birth to twins, Romulus and Remus by (Livy expresses some doubt) the god Mars. The twins are exposed (for complicated royal-family-drama reasons we needn’t get into) and rescued by either a she-wolf or a woman of ill-repute (Livy isn’t sure which on account of Latin lupa having both meanings and clearly both legends existed, Liv. 1.4) and raised among shepherds in the hills of northern Latium. More politics ensues, Romulus and Remus, having grown to adulthood, right some wrongs in their home city of Alba Longa and set out to found their own city.
At which point Romulus promptly gets into a fight with and murders Remus over who is going to be in charge (this sort of intense moral ambiguity where the venerated legendary founder figures are also quick to violence and deeply flawed is also a feature of the Aeneid and can be read either as a commentary on Augustus or as some lingering Roman discomfort with their own recent history of civil wars running from 88 to 31 BC; we are not the first people in history to have very mixed feelings about how well people in our country’s past lived up to our ideals). Crucially, Romulus forms his new settlement (prior to the fratricide) out of – as Livy has it – “the excess multitudes of the Albans and Latins, to which were added the shepherds” (Liv. 1.6.3). After this, desiring to increase the population of the city, Romulus sets a place of refuge in the city so that “a crowd of people from neighboring places, altogether without distinction, free and slave, fled there eager for new things” (Liv. 1.8.6) and were incorporated into Romulus’ growing city. Livy approves of this, by the by, declaring it the first step towards rising greatness.
Romulus quickly has another problem because all of these new settlers were men, so he concocts a plot to carry off all of the unmarried women of the neighboring people, the Sabines – an Umbrian people (we’ll come back to this, for now we’ll note they are ethnically and linguistically distinct from the Latins) – who lived in the hills north of Rome under the guise of a religious ceremony (Liv. 1.9-13). At a festival where the Sabines had been lured to under false pretenses, the Romans abduct and forcibly marry the Sabine women, while using hidden weapons to chase away their families (I should note Livy goes to some length to assure the reader that the captured maidens were subsequently persuaded to marry their Roman captors, rather than forced (Liv. 1.9.14-16), though what choice he imagines the unarmed, captive women to have had is left for the reader to wonder at in vain; in any event, we need not share Livy’s judgement or his effort at patriotic euphemism and may simply note that bride-capture is a form of rape). The Sabines naturally go to war over this but (according to Livy) a peace is mediated by the captured women (according to Livy, unwilling to see their new husbands and old fathers kill each other) and the two communities instead merge on equal terms. In the midst of all of this, Livy does have Romulus set down a set of common customs for his people, which he thinks to have been mostly Etruscan (Liv. 1.8.3), the Etruscans being the people inhabiting Etruria (modern Tuscany) the region directly north of Rome (Rome sits, in essence, on the dividing line between Latium to the South and Etruria to the North).
Now we want to note two things here from this high-speed trip through the first few chapters of Livy. First is the deep ambivalence towards Roman violence here. Livy presents Rome as a city founded on fratricide, conquest, rape and sacrilege. Livy occasionally attempts to soften the impact of these legends (particular with the Sabines), but only so far. This isn’t really the place to unpack of all of that but suffice to say that I think that Livy’s willingness to open his history of Rome – practically an official history of Rome – so darkly speaks to a literary project still attempting to come to grips with the stunning civil violence which had gripped Rome for Livy’s entire adult life and had, as he wrote, only recently ended. And one day we also ought to come back and do a deeper look at how women function in Livy’s legends and histories (Livy’s account becomes much more properly historical as he gets closer to his own time); women, mostly Roman women, suffering (often sexual) violence so that in their sacrifice the Roman state might be enhanced is a repeated motif in Livy (e.g. Lucretia, Verginia).
But more directly to our topic today, I want to note at this point exactly the sort of society Livy is imagining the earliest Rome, under its first king Romulus, in particular that it consists of a lot of different peoples and heritages. We’ll come back to exactly who all of these peoples are (historically speaking) in a moment. But Livy and Vergil first create a Trojan-Latin fusion community, which produces both Romulus and Remus and their initial core of settlers (mixed in with other, apparently purely Latin communities), who then gather up shepherds from all around, and then invite literally anyone from nearby communities to join them (which must include Etruscan communities to the north as well as Umbrians and Falisci of various sorts from the hills) and then finally fuses that community with the Sabines (an Umbrian people).
So we have our very first Romans, as the first Senate is being set up (1.8.7) and the very first spolia opima – the prize for when one commander defeats his opposite number in single combat – being won (1.10.7) and the very first temple being founded in the city (1.10.7). And those very first Romans, as Livy imagines them, are not autochthonous (that is, the original inhabitants of the place they live), nor ethnically homogeneous, but rather a Trojan-Aborigines-Latin-Faliscian-Umbrian-Etruscan-Sabine fusion community. For Livy, diversity – ethnic, linguistic, religious – defines Rome, from its very first days.
But of course this is all legends – important for understanding how the Romans viewed themselves, but necessarily less valuable for understanding the actual conditions in Rome at its earliest. Unfortunately, we lack reliable written sources for this part of the world so early (most of the “regal” period, when Rome was ruled by kings, notionally from 753 – the legendary founding date for the city – to 509, is beyond historical reconstruction).
Bret Devereaux, “Collections: The Queen’s Latin or Who Were the Romans? Part I: Beginnings and Legends”, A Collection of Unmitigated Pedantry, 2021-06-11.
August 21, 2022
History Summarized: The Acropolis
Overly Sarcastic Productions
Published 29 Apr 2022They say of the Acropolis, where the Parthenon is …
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June 10, 2022
Ancient Greek Olives – Gifts from A Goddess
Tasting History with Max Miller
Published 1 Jun 2021Help Support the Channel with Patreon: https://www.patreon.com/tastinghistory
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Subtitles: Jose Mendoza
PHOTO CREDITS
Trapitum: Carole Raddato from FRANKFURT, Germany, CC BY-SA 2.0 https://creativecommons.org/licenses/…, via Wikimedia Commons
Akhenaten, Nefertiti and their children: By Neoclassicism Enthusiast – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index…
Amphora with Palm Trees: By Sharon Mollerus – Amphora with Palm Trees, Mycenaean, 15th century BC., CC BY 2.0, https://commons.wikimedia.org/w/index…
Procession fresco from Knossos: By ArchaiOptix – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index…
The Olive tree of Vouves: By Eric Nagle – https://www.reddit.com/r/europe/comme…, CC BY-SA 4.0, https://commons.wikimedia.org/w/index…
Reconstruction of the palace at Knossos: By Mmoyaq – Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index…
The soldiers of Xerxes I: By A.Davey – This file has been extracted from another file: Xerxes detail ethnicities.jpg, CC BY 2.0, https://commons.wikimedia.org/w/index…
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April 29, 2022
Kalevala – The most epic national epic
Mandelin
Published 2 Feb 2021Kalevala is the national epic of Finland. But if you have no time to read through all the 22,795 verses, but still want to learn more about this epic Finnish epic, this video contains most of the important things you need to know about.
April 25, 2022
Miscellaneous Myths: Pygmalion and Galatea
Overly Sarcastic Productions
Published 7 Jul 2016Hey, any of you ever wanted a girlfriend? Statistically speaking, more than half of you just thought “yes”, and a non-trivial percentage probably even went so far as to think “HECK yes.” Well, this is the story of one brave pioneer who, rather than waiting for Miss Right to find him, decided to speed up the process by MAKING her! Don’t go getting any ideas, though — I’m afraid our boy didn’t quite think this through in advance.
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March 27, 2022
The zombie Russian empire under Tsar Vladimir I
In the most recent Weekly Dish, Andrew Sullivan looks at the quasi-Imperial goals of Vladimir Putin:
“The huge iceberg Russia, frozen by the Putin regime, cracked after the events in Crimea; it has split from the European world, and sailed off into the unknown,” – Vladimir Sorokin, New York Review of Books, 2017.
The greatest mistake liberals make when assessing reactionaryism is to underestimate it. There is a profound, mesmerizing allure — intensified by disillusion with the shallows of modernity — to the idea of recovering some great meaning from decades or centuries gone by, to resurrect and resuscitate it, to blast away all the incoherence and instability of post-modern life into a new collective, ancient meaning.
Even when it’s based on bullshit. You’d be amazed how vacuous slogans about returning to a mythical past — “Make America Great Again!”, “Take Back Control!” — can move public opinion dramatically in even the most successful modern democracies. That’s one reason it’s self-defeating for liberals to press for maximal change in as many things as possible. National identity, fused often with ethnic heritage, has not disappeared in the human psyche — as so many hoped or predicted. It has been reborn in new and strange forms. Now is the time of monsters, so to speak. Best not to summon up too many.
This, it seems to me, is what many of us have missed about the newly visible monster of post-Communist Russia. It would be hard to conjure up a period of post-modern bewilderment more vividly than Russia in the post-Soviet 1990s. A vast empire collapsed overnight; an entire totalitarian system, long since discredited but still acting as some kind of social glue and cultural meaning, unraveled in chaos and confusion.
Take away a totalitarian ideology in an instant, and a huge vacuum of meaning will open up, to be filled by something else. We once understood this. When Nazi Germany collapsed in total military defeat, the West immediately arrived to reconstruct the society from the bottom up. We de-Nazified West Germany; we created a new constitution; we invested massively with the Marshall Plan, doing more for our previous foe than we did for a devastated ally like Britain. We filled the gap. Ditto post-1945 Japan.
But we left post-1991 Russia flailing, offering it shock therapy for freer markets, insisting that a democratic nation-state could be built — tada! — on the ruins of the Evil Empire. We expected it to be reconstructed even as many of its Soviet functionaries remained in place, and without the searing experience of consciousness-changing national defeat. What followed in Russia was a grasping for coherence, in the midst of national humiliation. It was more like Germany after 1918 than 1945. It is no surprise that this was a near-perfect moment for reactionism to stake its claim.
It came, like all reactionary movements, not from some continuous, existing tradition waiting to be tweaked or deepened, but from intellectuals, making shit up. They created a near-absurd mythology they rescued from the 19th and early 20th centuries — packed with pseudo-science and pseudo-history. Russia was not just a nation-state, they argued; it was a “civilization-state”, a whole way of being, straddling half the globe and wrapping countless other nations and cultures into Mother Russia’s spiritual bosom. Russians were genetically different — infused with what the reactionary theorist Lev Gumilev called “passionarity” — a kind of preternatural energy or will to power. They belonged to a new order — “Eurasia” — which would balance the Atlantic powers of the US and the UK, and help govern the rest of the world.
March 24, 2022
QotD: Tolkien’s wartime experiences and The Lord of the Rings
… there’s more to Tolkien than nostalgic medievalism. The Lord of the Rings is a war book, stamped with an experience of suffering that his modern-day critics can scarcely imagine. In his splendid book Tolkien and the Great War, John Garth opens with a rugby match between the Old Edwardians and the school’s first fifteen, played in December 1913. Tolkien captained the old boys’ team that day. Within five years, four of his teammates had been killed and four more badly wounded. The sense of loss haunted him for the rest of his life. “To be caught in youth by 1914 was no less hideous an experience than to be involved in 1939 and the following years,” he wrote in the second edition of The Lord of the Rings. “By 1918, all but one of my close friends were dead.”
Tolkien arrived on the Western Front in June 1916 as a signals officer in the 11th Lancashire Fusiliers, and experienced the agony of the Somme at first hand. In just three and a half months, his battalion lost 600 men. Yet it was now, amid the horror of the trenches, that he began work on his great cycle of Middle-earth stories. As he later told his son Christopher, his first stories were written “in grimy canteens, at lectures in cold fogs, in huts full of blasphemy and smut, or by candlelight in bell-tents, even some down in dugouts under shell fire”.
But he never saw his work as pure escapism. Quite the opposite. He had begun writing, he explained, “to express [my] feeling about good, evil, fair, foul in some way: to rationalise it, and prevent it just festering”. More than ever, he believed that myth and fantasy offered the only salvation from the corruption of industrial society. And far from shaking his faith, the slaughter on the Somme only strengthened his belief that to make sense of this broken, bleeding world, he must look back to the great legends of the North.
Yet The Lord of the Rings is not just a war book. There’s yet another layer, because it’s also very clearly an anti-modern, anti-industrial book, shaped by Tolkien’s memories of Edwardian Birmingham, with its forges, factories and chimneys. As a disciple of the Victorian medievalists, he was always bound to loathe modern industry, since opposition to the machine age came as part of the package. But his antipathy to all things mechanical was all the more intense because he identified them — understandably enough — with killing.
And although Tolkien objected when reviewers drew parallels between the events of The Lord of the Rings and the course of the Second World War, he often did the same himself. Again and again he told his son Christopher that by embracing industrialised warfare, the Allies had chosen the path of evil. “We are attempting to conquer Sauron with the Ring,” he wrote in May 1944. “But the penalty is, as you will know, to breed new Saurons, and slowly turn Men and Elves into Orcs.” Even as the end of the war approached, Tolkien’s mood remained bleak. This, he wrote sadly, had been, “the first War of the Machines … leaving, alas, everyone the poorer, many bereaved or maimed and millions dead, and only one thing triumphant: the Machines”.
“Trivial”, then? Clearly not. Tolkien was at once a war writer and an ecological writer; a product of High Victorianism and also a distant relative of the modernist writers who, like him, were trying to make sense of the shattered world of the Twenties and Thirties. But he wasn’t just a man of his time; he remains a guide for our own.
Dominic Sandbrook, “This is Tolkien’s world”, UnHerd, 2021-12-09.
March 19, 2022
History of Rome in 15 Buildings 01. The Hut of Romulus
toldinstone
Published 27 Sep 2018This first episode of my History of Rome in Fifteen Buildings discusses the origins of Rome in relation to the enigmatic and frequently-rebuilt structure known as the Hut of Romulus. Along the way, we’ll encounter a floating phallus, a remarkably accommodating she-wolf, and, of course, the homicidal demigod who founded the city of Rome.
If you enjoyed this video, you might be interested in my forthcoming book Naked Statues, Fat Gladiators, and War Elephants: Frequently Asked Questions about the Ancient Greeks and Romans.
https://toldinstone.com/naked-statues…
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Thanks for watching!
March 14, 2022
Legends Summarized: Journey To The West (Part IX)
Overly Sarcastic Productions
Published 26 Nov 2021Journey to the West Kai, episode 6: Two Weddings And An Asskicking
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February 14, 2022
QotD: Canadians and imaginary peacekeeping
… the word “peacekeeping” triggers a series of powerful memories and positive images in the Canadian mind: Lester Pearson’s Nobel Peace Prize; a Canadian soldier in a blue helmet interposed between warring factions; the peacekeeping monument in Ottawa, and the widely believed mantra that, while Americans make war, we Canadians keep the peace.
Canadians are fixated on peacekeeping. We believe that Mike Pearson invented it, that Canadians are the best in the world at it, and that if we do peacekeeping, ideally for the United Nations, then we will not need large numbers of troops or much expensive equipment. The idea of peacekeeping as our métier has certainly shaped Canadian defence policy, and not for the better. The billions of dollars that Liberals and Conservatives have belatedly pledged to rebuild the Canadian Forces will take years to make a difference and to undo four decades of neglect …
J.L. Granatstein, “Wake up! This is our war, too”, Globe and Mail, 2006-02-28.
February 1, 2022
Ancient Nian Gao | Lunar New Year Cake
Tasting History with Max Miller
Published 9 Feb 2021Help Support the Channel with Patreon: https://www.patreon.com/tastinghistory
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Subtitles & Ketchup with Max host: Jose Mendoza
PHOTO CREDITS
Pig: By Made by Fanghong – Own work, CC BY 2.5, https://commons.wikimedia.org/w/index…
Rat and Ox: D.h.Isais, CC BY-SA 4.0 https://creativecommons.org/licenses/…, via Wikimedia Commons
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Guangdong Niangao: avlxyz from (optional), CC BY-SA 2.0 https://creativecommons.org/licenses/…, via Wikimedia Commons
Hong Kong niangao: Mk2010, CC BY-SA 3.0 https://creativecommons.org/licenses/…, via Wikimedia Commons
Niangao from local Hong Kong: Geoffreyrabbit, CC BY-SA 4.0 https://creativecommons.org/licenses/…, via Wikimedia Commons
Nian gao 2: ProjectManhattan, CC BY-SA 3.0 https://creativecommons.org/licenses/…, via Wikimedia Commons
Chinese New Year Sticky Rice Cakes: ProjectManhattan, CC BY-SA 3.0 https://creativecommons.org/licenses/…, via Wikimedia Commons
Spring and Autumn Period Map: By Yug – Own work, *Background data: ETOPO1 + QGIS > then vectorized using Inkscape *Semantic data: some from Le Monde Chinois, Gernet, p58.or (en:) Gernet (1996) A History of Chinese Civilisation, Cambridge university press, p. 59, CC BY-SA 3.0, https://commons.wikimedia.org/w/index…
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