Quotulatiousness

February 25, 2021

Tank Chats #96 | D3E1 Wheel-cum-Track Machine | The Tank Museum

Filed under: Britain, History, Military, Weapons — Tags: , , , , — Nicholas @ 02:00

The Tank Museum
Published 28 Feb 2020

David Fletcher looks at the experimental inter-war Vickers D3E1, which was conceived to solve the problem of track wear, with wheels that could be used instead where the ground was suitable. In practice the concept proved too complicated.

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February 21, 2021

Missing the point of the 1851 Great Exhibition

Filed under: Britain, History, Technology — Tags: , , , — Nicholas @ 03:00

In the latest Age of Invention newsletter, Anton Howes explains why the 1951 Festival of Britain failed to reproduce the success of the Great Exhibition of a century earlier, even though it did succeed in other ways:

The Crystal Palace from the northeast during the Great Exhibition of 1851, image from the 1852 book Dickinsons’ comprehensive pictures of the Great Exhibition of 1851
Wikimedia Commons.

… the idea that I tend to get most excited about, which I mentioned only in passing last month, is how we might resurrect the spirit of the nineteenth-century exhibitions of industry.

The best-known of these is undoubtedly the Great Exhibition of the Works of Industry of All Nations of 1851, still famous for its Crystal Palace. Held in Hyde Park, London, it attracted six million visitors, and has been emulated many times since. The World Fairs of today number the Great Exhibition as their first. Yet most people today don’t really appreciate what the Great Exhibition was actually for. They see it as a big, international event, with millions of visitors, who saw all sorts of fancy and exciting things — a chance for Britain, and many other countries since, to show off. The result is that many of the events that seek to capture something of the spirit of the original exhibition — 1951’s Festival of Britain, most of the World Fairs since the Second World War, the Millennium Experience, the 2018 Great Exhibition of the North, and now an upcoming “definitely-not-a-Festival-of-Brexit” (currently branded as Festival UK* 2022) — totally and utterly miss the point.

This is perhaps best illustrated by the runup to the 1951 Festival of Britain. Its proposers in the 1940s saw that the centenary of the Great Exhibition was coming up, so they proposed that there should be something similar to mark it. Yet by doing so, they did things entirely back-to-front. The Great Exhibition had a purpose; the exhibition was just the medium. It was the tool for a specific and sophisticated agenda. The Festival of Britain, by contrast, started with the idea of an exhibition, and then flailed about for a reason why. The government had a vague idea of organising an event to lift the country’s spirits after the Second World War, as well as to have it Britain-focused so as to craft a new national identity as the old empire disintegrated. But as its director-general Gerald Barry put it when they actually started work on the event: “we sat before our blotting pads industriously doodling, in the hope perhaps that a coherent pattern might eventually emerge, on the same principle that if you set down twelve apes before twelve typewriters they will (or so it is said) in the course of infinity type out the complete works of Shakespeare.”

The Skylon at the Festival of Britain, 1951.
Photo by Bernard William Lee via Wikimedia Commons.

Looking at the build-up to Festival UK* 2022, it’s hard not to get the same impression. The government wanted something to vaguely help craft a post-Brexit identity, on which it is happy to spend well over a hundred million pounds. Yet to make it happen it has funded a “research and development” project: a whole bunch of committees tasked with coming up with ideas of what to actually do (so far, it’s to be “a collection of ten large-scale, public engagement projects”). This is not to say that the event won’t, in some sense, succeed. The 1951 Festival of Britain, after all, was widely lauded. Barry’s twelve apes at their typewriters didn’t quite write Shakespeare, but they did manage to come up with something that many people remembered fondly. Perhaps some of the projects in 2022 will be similarly impressive.

Yet that doesn’t change the fact that the more recent projects miss the point. In fact, I’d say they are the exact inverse of the Great Exhibition. For a start, the 1851 event was entirely self-funded. It had government support, of course, including a cross-party Royal Commission to oversee the team that did the day-to-day running of things, but it raised its money through a public subscription and, when this was insufficient, took out a loan backed by a group of wealthy guarantors. Fortunately, the guarantors never had to pay out, as the event made so much through ticket sales that it was wildly profitable — so much so that the Royal Commission for the Great Exhibition of 1851 still exists. It purchased the 87 acres of land immediately south of the exhibition site, at South Kensington, for a more permanent collection of cultural institutions including many of London’s major museums. It helped fund a subsequent exhibition of industry on that site in 1862 — which actually had even more visitors, though it’s hardly remembered today. And even now, the Royal Commission continues to dispense over £3m every year to students and researchers.

That self-funding was important, I think, because it removed one of the main criticisms faced by modern large-scale events: that they are expensive wastes of taxpayer money on the vanity projects of politicians. The crowd-funding and finding of sufficient guarantors meant that the event needed to be accepted by the public at large, and even had them committed to the project before it had even begun. It necessitated a clear, exciting message from the get-go, rather than a post-hoc rationalisation.

And what was that message? For nineteenth-century organisers, an exhibition of industry was not just some grand display with a certain je ne sais quoi. It was intended as an engine of improvement: a direct way to actually encourage invention rather than just celebrate it, to raise the standards of consumers, and to lower barriers to trade. It was even a tool of industrial policy, and a springboard for reform.

February 15, 2021

Gewehr 71/84: Germany’s Transitional Repeating Rifle

Filed under: Germany, History, Military, Weapons — Tags: , , — Nicholas @ 02:00

Forgotten Weapons
Published 10 Jun 2018

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In the ongoing arms race between France and Germany, the Mauser 71/84 was the first German repeating rifle. Paul Mauser began work on it in the late 1870s, patented the design in 1881, and it was adopted formally in 1884. Production began in 1885, with a total of 1,161,148 rifles being delivered by the four major state arsenals (Spandau, Amberg, Erfurt, and Danzig) by 1888 — when it was replaced by the Gewehr 88. With an 8-round tube magazine under the barrel, the 71/84 represented a substantial increase in firepower over the single-shot Mauser 71 and the French 1874 single shot Gras — but it was put into production just in time to be rendered obsolete by the Lebel and its smokeless powder cartridge in 1886.

The 71/84 was perhaps the German rifle with the shortest service life, at barely 5 years. It would come back out as a reserve rifle during World War One, of course, and it also was responsible for a change in German arms that would last all the way to the present day — the pull-through cleaning kit. The tubular magazine made it impossible to leave a cleaning rod under the barrel as on the Gew71, and rather than put it on the side like the French and Portuguese, Germany opted to remove it entirely in favor of the then-new pull-through cleaning kit.

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February 14, 2021

Helping to make more innovators

Filed under: Books, History, Media, Technology — Tags: , , — Nicholas @ 03:00

In the most recent Age of Invention newsletter, Anton Howes considers what “spark” seems to be needed to get people to think of innovations and how it can be done — albeit less efficiently — by reading about innovators or for more modern audiences, watching movies:

As I mentioned last time, increasing the supply of people becoming inventors is possibly one of the most significant, world-changing things that anyone can do. So I’ve been thinking a lot lately about what I call upstream policies: things that expose people to the idea of invention, increasing the chances that they themselves will be inspired with an improving mentality — a mindset of seeing problems where others do not, and then developing solutions to them. Contrary to “if it ain’t broke, don’t fix it”, the inventor is the person who can’t help but see the extra potential to improve things, and can’t resist applying their fixes too.

During the Industrial Revolution, most exposure to invention seems to have been face-to-face. There are a handful of cases where reading about inventors may have played a role in inspiring some people to invent. John Harrison, the clockmaker who created a timepiece so advanced that it allowed sailors to find their longitude even at sea, was allegedly given a copy of the scientific lectures of Nicholas Saunderson by a visiting clergyman when he was just a boy. (Whether it was the book or really the clergyman who inspired him, however, it is difficult to say.) Likewise, Francis Maceroni, an early nineteenth-century pioneer of kite-surfing, who also applied himself to improving swimming, paddle wheels, rockets, asphalt paving, and steam carriages, among other things, seems to have first been exposed to innovation by reading various books on science, including the works of Benjamin Franklin. Or take the young George Stephenson, pioneer of railway locomotion, who read a history of inventions that apparently prompted him to try to invent a perpetual motion machine (before another book, this time on mechanics, revealed to him the error in trying).

Inspiration can be indirect, with the written word complementing face-to-face interactions, or even prompting them to seek them, as well as giving people a taste of the improving mentality. I suspect that books like Samuel Smiles’s bestseller Self Help — essentially a collection of pulled-themselves-up-by-their-bootstraps stories about inventors — played a part in inspiring people to also have a go at improvement in the late nineteenth century, a little after the period I mainly study.

Today, however, we have many more media available to us to encourage people to become inventors — from radio and film, to video games and various other kinds of social media. Yet I’m not sure we’re doing it all that well. As I mentioned last time, I’ve been working my way through a bunch of the films that were suggested to me (the list is here), and so far I have largely been disappointed.

February 11, 2021

Tank Chats #94 | Kettenkrad and Springer | The Tank Museum

Filed under: Germany, History, Military, Weapons, WW2 — Tags: , , — Nicholas @ 02:00

The Tank Museum
Published 31 Jan 2020

Here David Willey examines two WW2 German tracked vehicles. The first is the Sd.Kfz. 2, better known as the Kettenkrad, a light tractor. The second, the Springer, a demolition vehicle which was fundamentally a mobile bomb, which shared the Kettenkrad’s running gear and engine.

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January 26, 2021

Tank Chats #92 | Challenger 2: Part 2 | The Tank Museum

Filed under: Britain, History, Military, Weapons — Tags: , , , , , — Nicholas @ 02:00

The Tank Museum
Published 17 Jan 2020

Part 2 of a two-part episode on Challenger 2 [part 1 was posted here]. As David Willey had so much to say about this British in-service vehicle, it has been split into two parts. The second part examines the Challenger 2 in service. David talks to soldiers currently serving on the Challenger 2, looks at where it has seen service and some of the tank’s features. With thanks to the British Army for their assistance.

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QotD: “A world organized around institutional mass slavery”

Filed under: China, Economics, Europe, Greece, History, Quotations — Tags: , , , , , — Nicholas @ 01:00

An example: We’ve discussed all the cool steampunk shit the Greeks could’ve had, if only Archimedes had … well, that’s just the thing, isn’t it? We look at the aeolipile and see a prototype steam engine; they looked at it and saw, as best we can tell, a party trick. Back when, I suggested, Marxist-style, that labor costs were a sufficient explanation for why nobody took the obvious-to-us next step of hooking the thing up to something productive and kicking off the Industrial Revolution. Machines are labor-saving devices; the ancient world had a gross excess of labor. Calling the aeolipile a steam engine, then, is a category error.

New hypothesis: It’s a category error, all right, but not because they didn’t think in terms of labor costs. It’s because they couldn’t think in terms of labor costs.

A world organized around institutional mass slavery is, in a very real sense, a timeless world. Herodotus (I think) actually says somewhere that nothing worth mentioning happened before him, and you can see echoes of this attitude even as late as the Antebellum South. You see their attitude described as “conservative,” but since that’s egghead shorthand for “evil” you can ignore it. They weren’t consciously backward-looking; rather, they were deeply rooted to their place and station. To the outsider, it looked like they were trying to hold time back, but to the insider, time — clock time, industrial time, the time of the Protestant work ethic — barely existed at all.

So with the Classical World. The Romans, for instance, are endlessly frustrating to their admirers (of which I am an ardent one). Their only economic fix, for instance, was debasing the currency, i.e. a primitive form of inflation. You guys could figure out how to hew an artificial harbor out of some desert rocks — a trick we’d have a hard time pulling off today — but you couldn’t figure out fiat currency? Or a better political system than the tetrarchy? Or that the forts-and-legions paradigm just isn’t cutting it? Or … etc.

Stuff like that is why Spengler said classical, Apollonian culture was fundamentally different from, and incompatible with, our Faustian culture. According to Spengler, the master metaphor for the Apollonian is the human body, which is beautiful but changeless (emphasis mine, not Spengler’s). You can improve your body somewhat, but only within certain tight limits, and the body’s fundamental form is always the same (we could time warp Julius Caesar into the Current Year and still recognize him as a fellow homo sap., no matter how different his mind might be).

The Faustian, though — that would be us — organizes his worldview around space, infinite space. Practically speaking, this results in our attitude of innovation-for-innovation’s sake. We send a man to the moon because we can, but such an idea would never occur to the Romans, for the same reason they didn’t apply all their awesome engineering knowledge to the problems of governance. Hacking a harbor out of the desert is a tremendous feat, but it’s a local feat — a one-shot deal, a very specific response to a very specific local problem, with no broader applications.

This, I suggest, is because the timeless world of institutional mass slavery naturally selects for the kind of man who is at home in the world of institutional mass slavery. It’s a world of very low future time orientation, because “time” hardly exists at all. Forget machinery for a sec; the Roman world was full of enormous problems that had teeny-tiny, head-slappingly obvious fixes. Julius Caesar, for instance, was considered some kind of prodigy because he could sight-read books. Which really was a noteworthy feat, because Romans didn’t even put spaces between their words, much less use any sort of punctuation marks. And they were radical innovators compared to the Ancient Egyptians, since at least Roman writing all ran left-to-right; hieroglyphics can be read in any direction, including vertically, and I’m pretty sure there are examples of them changing text orientations in the middle of the same inscription. It’s not hard to imagine some legion commander actually losing a battle because he had to stop and sound out an important communique from a subordinate …

… and yet the Romans, for all their technical skill, never even figured that tiny change out. See also: The Chinese doing fuck-all with movable type, vs. (Faustian) Europeans using it to conquer the world. China, too, was a timeless society. As Derb says somewhere, Classical Chinese isn’t even really writing; it’s more of an aide-memoire — designed to remind readers of stuff they already know, not to communicate new information.

Your post-Roman European, by contrast, lived in a world where high future time orientation was an absolute must. You don’t need hypotheses like the famous “lead in the drinking water pipes” to explain the seemingly bizarre things the Romans did, or didn’t do; all you need is time orientation, a fundamental attitude of “this is a variation on an old problem” vs. “this is an entirely new situation that requires a new response.” Life in the post-Roman world was solitary, poor, nasty, brutish, and short — every man for himself; think through the consequences of your actions very carefully before you do them, or die horribly. Those who failed to do so died. Bake that into the genetic cake for a few generations, and you get Renaissance Man, who’d see a million possible applications for the aeolipile.

Severian, “Bio-Marxism”, Rotten Chestnuts, 2020-09-24.

January 23, 2021

Innovation is infectious … you catch it from other innovators

Filed under: Britain, History, Technology — Tags: , — Nicholas @ 05:00

An interesting notion on how people innovate or invent is discussed in Anton Howes’ latest Age of Invention newsletter:

… my research on the Industrial Revolution has yielded a general model of how to think about it.

Core to the model is the observation that innovation spreads from person to person. It is a mentality, that we pick up from others. Of my sample of inventors, active c.1550-1850, the vast majority of them had had some kind of contact with an inventor before inventing anything themselves. So far, I’ve found evidence of that contact for about 83% of them, and for the remainder we frankly know next to nothing about them anyway. On the balance of probability, I suspect that all inventors had and continue to have such prior contact, even if the evidence has been lost to the mists of time.

Supposing I’m right about this — and there’s also more recent evidence from the largest and most detailed ever study of modern American inventors to support it — then such exposure to an inventor is the ultimate cause of innovation. Everything else we worry about when promoting innovation, from funding to intellectual property rights, or from education to social acceptance, is in a sense downstream of it.

Absent any exposure to inventors, people simply don’t become inventors. Knowing about invention as an activity is a necessary precondition to becoming an inventor yourself. The vast majority of people never innovate, for the very simple reason that it never occurs to them to do so. People are faced with problems all the time, but they generally have all sorts of pre-existing responses to them. Famine? The millennia-old response was to tighten belts or starve. Not to try to innovate with agricultural techniques. Trade route collapse? The millennia-old response was to take the hit, or try to shift to other familiar markets. Not to try to send ships into the icy unknown. As I’ve noticed time and time and time again, necessity is not the mother of invention. It only appears that way in retrospect — it’s when faced with a crisis that pre-existing inventors step forth to solve problems in ways they had already been investigating. Without them, there would be no such innovative response. Crises have an effect on the direction of invention — that is, on what problems people identify and then try to solve — but not on its underlying supply.

But this is not to say that exposure to an inventor is sufficient. Supposing you do meet an inventor. Your contact might be too fleeting to have an impact, or you might not be predisposed to be inspired by them. You might lack curiosity, or be distracted by some other preoccupation. Or perhaps the inventor you met might not be an especially inspiring person. Some people are simply more interesting than others. So from an initial spring of people who come into contact with inventors, we can immediately narrow the flow of new inventors down to those for whom such exposure actually had an impact.

But we then have to narrow it down further. Of the people who have met an inventor and been inspired by them, some might be distracted by other activities, or be dissuaded by social barriers, or lack the resources to tinker around with things, whether it be money or time.

January 20, 2021

Tank Chats #92 | Challenger 2: Part 1 | The Tank Museum

Filed under: Britain, History, Military, Weapons — Tags: , , , , , — Nicholas @ 02:00

The Tank Museum
Published 20 Dec 2019

Part 1 of a two-part episode on Challenger 2. As David Willey had so much to say about this British in-service vehicle, it has been split into two parts. This first part looks at the design and development of Challenger 2. With thanks to the British Army for their assistance.

Challenger 1 video: https://www.youtube.com/watch?v=Lwcx7…

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January 8, 2021

Renault’s Backwards Car

Filed under: France, History, Technology — Tags: , , — Nicholas @ 02:00

Big Car
Published 12 Oct 2020

Renault’s Project 900 is certainly an odd-looking car, but it’s also a car designed to break new ground. It used innovative new materials and gave class-leading visibility to try to leapfrog the competition. It also seems they were trying to beat their competition in the “weird” category as well, which given they were up against Citroën was no mean feat! So, what happened to Renault’s backwards car, and what echoes of this strange but innovative design are there in today’s cars?

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January 1, 2021

The paradox of innovation – the more you have, the less impact each individual innovation has

Filed under: Britain, Economics, History, Technology — Tags: , , — Nicholas @ 03:00

In the latest Age of Invention newsletter, Anton Howes considers the oddity that as the British economy expanded during the early Industrial Revolution, each new discovery had less and less direct impact on the economy as a whole:

What this means is that when there were even some slight improvements in agriculture alone, the effects on living standards could be dramatic. But absent such improvements, a rich culture of innovation affecting everything from clothes to watches to books, wine, glassware, metals, and pottery would have been almost entirely masked from the figures. Importantly, the same applies not only to the composition of average notional consumption baskets, but to the contributions of different sectors to the economy as a whole. While the total amount of food has increased dramatically for the past few hundred years, for example, agriculture’s share of the economy steadily fell (from over 40% of the English economy in 1600, and an even greater share of total employment, to less than 1% today, with a similar trend repeated worldwide). So the relative importance of your typical agricultural innovation for overall growth rates has fallen dramatically. Perhaps it’s no wonder that twentieth-century agricultural pioneers like Norman Borlaug still don’t really get their due.

The same goes, more recently, for manufacturing. The reason the textbooks always name Kay, Hargreaves, Crompton, Cartwright and Arkwright, is because they made improvements to what was already one of the most important sectors of the economy: textiles. In the eighteenth century, textiles as a whole accounted for a whopping 16-17% of the British economy. So any growth in the value of wool, linen, and increasingly cotton goods, had an appreciable impact on overall economic growth. Today, by contrast, you’d be hard pressed to find many sectors that account for even 5% of the country’s economy (except construction, and possibly financial services, depending on how broadly you define them). And while Britain may have long lost its role as the workshop of the world, textile production in China today still only accounts for about 7% of the country’s economy. To put it another way, the modern Arkwrights and Cartwrights and Cromptons of China, to have any comparable effect on national statistics, would have to make productivity improvements to their industry that are at least three times as impressive.

And impressive they are, though you won’t have heard of them. Arkwright and Crompton multiplied the number of threads that a single machine could spin, from one to dozens. Today, thread is spun by the thousands, at speeds they could have scarcely comprehended, and with entire factories hardly needing a single pair of human hands. Automatic sensors monitor the yarn’s tension and detect any defects while it is being spun, with robots even whizzing along to repair any snaps, able to find a loose end and piece the yarn together again — a task that once required the nimble fingers of small children. From an eighteenth-century perspective, our textile machines routinely now do magic, and are getting ever more fantastical every day. Imagine showing Arkwright the use of lasers in fading and cutting jeans.

But by replacing human labour, innovation has become ever more hidden. Many people don’t realise that British manufacturing is actually larger and more valuable than ever. It’s just that it employs fewer people than ever, so hardly anybody gets to witness its great strides forwards (to witness a flavour of manufacturing’s modern marvels, I recommend checking out MachinePix).

And more importantly, the overall effect of each innovation has also been steadily diluted — itself the result of growth. Innovation has, in a sense, been the victim of its own success. By creating ever more products, sprouting new industries, and diversifying them into myriad specialisms, we have shrunk the impact that any single improvement can have. When cotton was king, a handful of inventors might hope to affect the entire national textile industry in some way. Nowadays, there’s not a chance. Doubling the productivity of cotton spinning is all well and good, but what about nylon, polyester, rayon, and the host of other fibres we have since invented? And which kind of spinning machine would you improve? An old-fashioned ring-spinner, a newer rotor spinner, or perhaps even one of the brand new air-jet types?

If you make an improvement, it’s not going to be to the industry as a whole — it’ll be specific. And actually improvements have always been specific; it’s just that the industries have since multiplied and narrowed. Inventors once made drops into a puddle, but the puddle then expanded into an ocean. It doesn’t make the drops any less innovative. This paradox of progress affects all innovation, such that it is no wonder that the number of researchers has been increasing while national-level productivity growth has appeared fairly stagnant. Even general-purpose technologies, like the recent dramatic improvements to telecommunications, computing, and software, have had a muted effect, being applied more slowly than we’d have liked. I expect that all future general-purpose technologies will fare even worse, for it takes still further effort and innovation to apply a technology to a given industry, and those industries will continue to multiply. All future general-purpose technologies, that is, except improvements to energy.

December 18, 2020

When Movies Were Magic (3D glasses recommended)

Filed under: France, History, Media, Technology, USA — Tags: , , , — Nicholas @ 02:00

Atun-Shei Films
Published 8 Sep 2020

A brief history of early motion picture technology and artistry, from the magic lantern to Georges Méliès. Presented in glorious 3-D!!!

To fully enjoy this video, you will need a pair of red/blue anaglyph 3-D glasses. They can be acquired cheaply at a number of online vendors, and you can even make them at home by coloring sheets of clear plastic with permanent markers: https://www.wikihow.com/Make-Your-Own…

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~REFERENCES~

[1] William Godwin. Lives of the Necromancers (1834). Project Gutenberg https://www.gutenberg.org/cache/epub/…

[2] Paul Clee. Before Hollywood: From Shadow Play to the Silver Screen (2005). Houghton Mifflin, Page 12-21

[3] Chris Bennett. “The Psychedelic Phantasmagoria Shows of the 18th Century” (2018). Cannabis Culture https://www.cannabisculture.com/conte…

[4] Clee, Page 39-47

[5] Clee, Page 84-85

[6] “Dissolving View Magic Lantern Slides.” Magic Lantern World https://magiclanternist.com/2016/09/2…

[7] “A Color Photograph Pioneer Comes to Light” (2018). The European Synchrotron https://www.esrf.eu/home/news/general…

[8] Clee, Page 83

[9] Clee, Page 85-95

[10] “Freeze Frame: Eadweard Muybridge’s Photography of Motion” (2000). National Museum of American History https://americanhistory.si.edu/muybri…

[11] “Sallie Garner at a Gallop.” IMDB https://www.imdb.com/title/tt2221420/…

[12] Laurent Mannoni. “Etienne-Jules Marey: French Physiologist and Chronophotographer.” Who’s Who of Victorian Cinema https://www.victorian-cinema.net/marey

[13] Clee, Page 107-109

[14] Harald Sack. “The Kinetoscope and Edison’s Wrong Way to Invent the Cinema” (2020). SciHi Blog http://scihi.org/kinetoscope-edison/

[15] Clee, Page 127

[16] Clee, Page 139-141

[17] James Travers. “Georges Méliés Biography: Life and Films” (2017). FrenchFilms.org http://www.frenchfilms.org/biography/…

[18] Clee, Page 158-159

December 14, 2020

Hall Model 1819: A Rifle to Change the Industrial World

Forgotten Weapons
Published 7 Sep 2020

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John Hall designed the first breechloading rifle to be used by the United States military, and the first breechloader issued in substantial numbers by any military worldwide. His carbines would later be the first percussion arms adopted by any military force. Hall developed a breechloading flintlock rifle in 1811, had it tested by the military in 1818, and formally adopted as a specialty arm in 1819.

Hall’s contribution actually goes well beyond having a novel and advanced rifle design. He would be the first person to devise a system of machine tools capable of producing interchangeable parts without hand fitting, and this advance would be the foundation of the American system of manufacturing that would revolutionize industry worldwide. Hall did this work at the Harpers Ferry Arsenal, where he worked from 1819 until his death in 1841.

I plan to expand on the details of a variety of Hall rifle models in future videos, and today is meant to be an introduction to the system. Because it was never a primary arm in time of major war, Hall is much less well recognized than he should be among those interested in small arms history.

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December 11, 2020

Shooting the Webley-Fosbery Automatic Revolver – Including Safety PSA

Filed under: Britain, History, Military, Weapons, WW1 — Tags: , , , , — Nicholas @ 02:00

Forgotten Weapons
Published 10 Aug 2017

Following up yesterday’s look at the history and mechanics of the Webley-Fosbery self-cocking revolvers [posted here], today we are out at the range to do some shooting with one.

In terms of handling, it is a comfortable gun to shoot, albeit with some exaggerated recoil because of the very high bore axis relative to the hand. It has an interesting two-part recoil sensation, because the upper assembly takes quite a long time to return forward into battery.

Most importantly, we discovered that this particular Webley-Fosbery has a worn hammer engagement, which results in the firing pin coming into contact with cartridge primers even when it is in the safety notch. In other words, it can — and will — sometimes fire when the action is closed and without any manipulation of the trigger. This is a condition that could happen to any Fosbery revolver, so owners should handle them with this possibility in mind! This is also a great example of why gun safety rules are redundant — occasionally guns do have mechanical failures, so don’t point them at anything you don’t want to shoot!

Thanks to Mike Carrick of Arms Heritage magazine for providing this Webley-Fosbery for this video! See his regular column here: https://armsheritagemagazine.com

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December 8, 2020

Schmeisser’s MP-18,I – The First True Submachine Gun

Filed under: Germany, History, Military, Weapons, WW1 — Tags: , , , , — Nicholas @ 02:00

Forgotten Weapons
Published 14 Aug 2017

When Germany began looking in late 1915 for a new weapon ideally suited for the “last 200 meters” of a combat advance, Hugo Schmeisser’s blowback submachine gun would prove to be the weapon that would set the standard for virtually all submachine guns to come. It was a fully automatic-only weapon with a simple blowback action and a rather slow 400 rpm rate of fire. Although relatively heavy, the only real shortcoming of the MP18,I was its use of 32-round Luger snail drum magazines, which was dictated by the German military. These magazines were unreliable and difficult to load, but they were already in production and were a reasonable logistical answer in a time when material and production shortages were an endemic problem in Germany.

The MP18,I managed to see frontline combat only in the closing few months of World War One (50,000 were initially ordered, 17,677 were produced before the Armistice, and only an estimated 3,000 actually saw frontline combat use). During that time, however, it made a significant impression, easily convincing anyone with an open mind that this new type of weapon would play a major role in future wars.

After the end of the war, the Germany Army was prohibited from using submachine guns, so most of the existing ones (including the example in today’s video) were transferred to police organizations instead.

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