Tanya Gold at The Free Press:
I went to Dubai once. It is where tyranny meets hyper-capitalism, and it is as awful as it sounds.
I was helping a journalist friend research an article. I spent my days admiring an undersea bedroom in a lagoon and a ski slope inside a mall. At night I would meet trafficked maids, or a woman imprisoned for adultery. I asked an ancient British tourist why he came here for his holidays. He said, “The staff will hold your dick if you ask them.” That is what Westerners like about Dubai: the indentured servitude. And the weather.
Last week, at the grand opening of Atlantis The Royal, Dubai’s newest luxury hotel, Beyoncé gave her first live performance in five years. This gig featured a 48-person all-female orchestra — how feminist — a Lebanese dance troupe, and her daughter. She was reportedly paid $24 million for the occasion.
Her latest album, Renaissance, is, among other things, an homage to black queer culture. She performed no songs from it; how could she in a country where homosexuality is punishable by death? So she sang her back catalog for the equivalent of ten Bugatti Chirons. Oil-rich tyrannies have generous marketing budgets; they’re selling tyranny itself.
What Beyoncé does or doesn’t do for money wouldn’t matter but for the trend of celebrity activism, which insinuates that morality travels with a star like her wardrobe. Beyoncé acolytes say that just by arriving in Dubai she made the city gayer, a kind of subtle protest. Perhaps so subtle that even Dubai’s ruler Sheikh Mohammed bin Rashid — accused of abducting two of his daughters for noncompliance with his wishes, one from England, and another from a ship as she tried to flee Dubai — wouldn’t notice. Did his enforcers reconsider their stance on gayness as they sang along to “Drunk in Love”? Or are they laughing themselves stupid at the PR coup of persuading an until-now gay ally to perform at the opening of a hotel in a country that hates gays?
Dubai, along with Saudi Arabia, wants to reinvent itself as a tourist destination for when the oil runs out. There is nothing understated there — the Burj Khalifa, which is the tallest building in the world; the Palm Jumeirah, a man-made archipelago in the shape of a palm tree. Everything is vast and highly colored, a distraction. It has to be: To enjoy yourself in Dubai, you must close your eyes to suffering. Almost 90 percent of Dubai’s residents are migrant workers, and many of them live in conditions amounting to indentured slavery.