“Literature as we know it”, Orwell wrote in “Inside the Whale”, “is an individual thing, demanding mental honesty and a minimum of censorship”. It’s the “product of the free mind, of the autonomous individual”. This is why Orwell argued that “a writer does well to keep out of politics. For any writer who accepts or partially accepts the discipline of a political party is sooner or later faced with the alternative: toe the line, or shut up.”
According to Orwell, “As early as 1934 or 1935 it was considered eccentric in literary circles not to be more or less ‘left’, and in another year or two there had grown up a left-wing orthodoxy that made a certain set of opinions absolutely de rigueur on certain subjects”. In other words, many writers became communists, which meant they constantly had to decide whether to toe the line or shut up, depending on the circumstances: “Every time Stalin swaps partners”, Orwell wrote, “‘Marxism’ has to be hammered into a new shape … Every Communist is in fact liable at any moment to have to alter his most fundamental convictions, or leave the party. The unquestionable dogma of Monday may become the damnable heresy of Tuesday, and so on.”
Orwell also explained how communism replaced the patriotic and religious feelings that members of the English intelligentsia believed they had transcended: “All the loyalties and superstitions that the intellect had seemingly banished could come rushing back under the thinnest of disguises. Patriotism, religion, empire, military glory — all in one word, Russia. Father, king, leader, hero, savior — all in one word, Stalin”. Is it any wonder that Orwell, witnessing these endless intellectual and moral contortions, the shameless propaganda, and the constant stream of wartime lies and distortions, was drawn to a writer who didn’t regurgitate any orthodoxies or toe any lines? Miller gave his readers “no sermons, merely the subjective truth”.
Matt Johnson, “George Orwell, Henry Miller, and the ‘Dirty-Handkerchief Side of Life'”, Quillette, 2020-10-05.
May 3, 2026
QotD: Communism, nationalism and literature
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