Quotulatiousness

September 13, 2022

Society would be happier if we all paid even less attention to “the tossers of Tinsel Town”

Filed under: Media, Politics, USA — Tags: , , , — Nicholas @ 05:00

Ian O’Doherty on the malign influence pretty people who mouth other people’s words for the cameras still exude in our popular culture:

Tucker Carlson … the man from Jennifer Lawrence’s nightmares, apparently.

They never learn, do they? If the tumultuous events we have all watched with growing horror over the past few years taught us one thing, it is this – people don’t care what the pampered starlets of Hollywood have to say about politics. If we did, then Hillary Clinton would be comfortably enjoying her second term as the pantsuit POTUS, Jeremy Corbyn would be prime minister of the UK and we would all be driving electric cars.

But regular people are smarter than actors, which seems to drive the luvvies wild with fury. Rather than accepting that maybe, just maybe, there is another side to the argument, the tossers of Tinsel Town insist that anyone who doesn’t fully embrace the so-called progressive agenda is simply a monster.

We saw this recently when Jennifer Lawrence, who used to be quite refreshingly down to Earth, proudly admitted that she had to “work so hard … to forgive my dad and my family” for voting Republican. She also, quite wonderfully, spoke about having “recurring nightmares” about Fox News anchor Tucker Carlson.

In the course of her interview for the cover issue of Vogue magazine – that renowned bastion of proletarian agitation – the Hunger Games actress claimed that she was born a Kentucky Republican, was raised as a Kentucky Republican and had considered herself to be a Kentucky Republican, until she watched an episode of 30 Rock. And then her worldview completely changed.

Now most of us would agree that 30 Rock was a brilliant sitcom. After all, it was so ingenious in its construction that it even managed to make Alec Baldwin look likeable. But would anyone think that Liz Lemon’s line, “I’m not a crazy liberal – I just think people should drive hybrid cars”, would be enough to utterly transform someone’s political beliefs?

Apparently, this is what changed everything for Lawrence. She even seemed proud of the fact that a throwaway line in a sitcom triggered some sort of Damascene conversion to what is now so tediously known as “the right side of history”.

Predictably, following the Vogue interview, Lawrence was hailed as a modern-day Joan of Arc – for refusing to be “passive about politics”. But there is no real bravery involved in simply having the courage of other people’s convictions – she knows which way the political wind is blowing and is bending to it. That’s not all that brave, is it?

The Greatest Escapes of World War Two – WW2 Special

Filed under: Europe, France, Germany, History, Military, WW2 — Tags: , , , , , — Nicholas @ 04:00

World War Two
Published 12 Sep 2022

This is an intimate story inspired by real events (notably inspired by the story of a member of the Danish resistance and grandmother of Hans von Knut Skovfoged, Head of Development at PortaPlay. A story told not on the front line, but in the intimate setting of a small Danish village.
(more…)

The Boise Pride Festival’s “Drag Kids on Stage”

Filed under: Business, Media, Politics, USA — Tags: , , , , — Nicholas @ 03:00

I’m not sure I could accurately place Boise on a map, but the city’s relative obscurity doesn’t mean it can’t have a really progressive LGBT scene, including a special “Drag Kids” event planned for their Pride Festival:

Remember that California has just passed a new law, SB 1100, to protect local legislative bodies against “bullying” from people who do hateful things like disagreeing with them, and that the recent failure of another (spectacularly offensive) bill in the state legislature was the product of “harassment”, by which the author of the bill meant that the peasantry forcefully and persistently criticized it. And you should definitely read this twopart essay from Bat Cattitude on the technocratic presumption that disagreement with technocrats can only be dangerous extremism.

With that background in mind, consider a modest victory in the most dismal battlefield of the culture war, and then watch the response to it.

This one happens in Boise, a purple town in a red state. This year’s Boise Pride Festival was all set to feature an event called Drag Kids:

“Now it is time to see the kids”, sexy eleven year-olds shaking that dirty little moneymaker on the stage. So hot. So empowering!

[…]

Now, the Big Pivot: Boise Pride pays its bills by soliciting the support of corporate sponsors, so a bunch of corporations suddenly found themselves sponsoring the sexuality-incorporating performances of some hot little eleven year-olds. They quickly began to jump clear of the thing:

Because bigotry still prevails in Amerikkka, see, corporations aren’t brave enough to stand up and support the sexy eleven year-olds in their extremely hot sexiness. Atavists! Prudes!

Now, here come the politicians. The mayor of Boise, Lauren McLean, is Very Disappointed In You All™:

Slogan slogan slogan, slogan slogan, slogan slogan slogan. A spotlight on the critical need for a conversation about standing together!

If you challenged Mayor NPC to publicly identify specific pieces of inflammatory rhetoric that were important and central to the controversy, she couldn’t; she just knows that the “inflammatory rhetoric” box has to be checked, because Mean Republicans objected to something involving an LGBT event, specifics not important. Nor could she explain how sexy children represent the dignity of all people, or respond coherently to a discussion about sexual commodification and the erasure of childhood. She has a list of slogans. She deploys them.

Down the Line – A look into the legacy of the cuts made to the rail network by Doctor Beeching (2008)

Filed under: Britain, History, Railways — Tags: , , , , — Nicholas @ 02:00

Kevin Birch
Published 29 Jul 2013

Joe Crowley meets the people who battled to save their local railway lines in the South of England in the 1960’s.

First aired on BBC One 26th October 2008

(more…)

QotD: J.R.R. Tolkien’s childhood and schooling

Filed under: Books, Britain, History, Quotations — Tags: , , , — Nicholas @ 01:00

One reason highbrow people dislike The Lord of the Rings is that it is so backward-looking. But it could never have been otherwise. For good personal reasons, Tolkien was a fundamentally backward-looking person. He was born to English parents in the Orange Free State in 1892, but was taken back to the village of Sarehole, north Worcestershire, by his mother when he was three. His father was meant to join them later, but was killed by rheumatic fever before he boarded ship.

For a time, the fatherless Tolkien enjoyed a happy childhood, devouring children’s classics and exploring the local countryside. But in 1904 his mother died of diabetes, leaving the 12-year-old an orphan. Now he and his brother went to live with an aunt in Edgbaston, near what is now Birmingham’s Five Ways roundabout. In effect, he had moved from the city’s rural fringes to its industrial heart: when he looked out of the window, he saw not trees and hills, but “almost unbroken rooftops with the factory chimneys beyond”. No wonder that from the moment he put pen to paper, his fiction was dominated by a heartfelt nostalgia.

Nostalgia was in the air anyway in the 1890s and 1900s, part of a wider reaction against industrial, urban, capitalist modernity. As a boy, Tolkien was addicted to the imperial adventure stories of H. Rider Haggard, and it’s easy to see The Lord of the Rings as a belated Boy’s Own adventure. An even bigger influence, though, was that Victorian one-man industry, William Morris, inspiration for generations of wallpaper salesmen. Tolkien first read him at King Edward’s, the Birmingham boys’ school that had previously educated Morris’s friend Edward Burne-Jones. And what Tolkien and his friends adored in Morris was the same thing you see in Burne-Jones’s paintings: a fantasy of a lost medieval paradise, a world of chivalry and romance that threw the harsh realities of industrial Britain into stark relief.

It was through Morris that Tolkien first encountered the Icelandic sagas, which the Victorian textile-fancier had adapted into an epic poem in 1876. And while other boys grew out of their obsession with the legends of the North, Tolkien’s fascination only deepened. After going up to Oxford in 1911, he began writing his own version of the Finnish national epic, the Kalevala. When his college, Exeter, awarded him a prize, he spent the money on a pile of Morris books, such as the proto-fantasy novel The House of the Wolfings and his translation of the Icelandic Volsunga Saga. And for the rest of his life, Tolkien wrote in a style heavily influenced by Morris, deliberately imitating the vocabulary and rhythms of the medieval epic.

Dominic Sandbrook, “This is Tolkien’s world”, UnHerd.com, 2021-12-10.

Powered by WordPress