Quotulatiousness

May 26, 2021

The Line refutes arguments recently posted in … The Line

Recently the editors at The Line accepted an article from the astroturf “advocacy” group Friends of Canadian Broadcasting, pushing the establishment line that all of us peons and useless idiots in the blogosphere and even a few undisciplined malcontents among the actual mainstream media are totally misunderstanding and misrepresenting what the government is trying to do with their “tax the web giants” initiative. Peter Menzies responds to the latest bullshit propaganda offensive:

[Mouthpiece for Friends of Canadian Broadcasting Daniel] Bernhard makes a great case for the regulation of tech giants, pointing to some truly dreadful things such as the New Zealand massacre streamed on Facebook, and exploitive content uploaded to Montreal’s PornHub.

To the best of my knowledge, none of the people listed above disagree with the Friends on this point. In fact, many have made the case that Bill C-10 is an unnecessary diversion from more serious online industry problems — some of which are addressed in another bill (C-11).

The big matters that need to be addressed by the government involve algorithms, data collection, privacy protection, and anti-competitive practices — not the facility of the Netflix search tool, nor whether the search term “Canadian” should pop up as a default selection.

My main point of disagreement to Bernhard’s piece is that the Internet is no more broadcasting than a cow is a caribou. Further, it’s ridiculous to think that an outmoded relic such as the 1991(!) Broadcasting Act is the proper tool to use to govern communications in the 21st Century (for those inclined, there is a complete policy paper available here that fleshes that out.)

In terms of the sections 2.1 vs 4.1 legal arguments, I’m pretty certain I will lose most of The Line readers if I delve into those details. I’m more than comfortable deferring to my fellow “militants” such as law professors Laidlaw and Geist, whose arguments have been so overwhelming that not even Attorney General David Lametti attempted to refute them in the defence of Guilbeault, who has now established himself as the most regressive Heritage Minister in the history of that ministry.

All readers really need to know is that, yes, Bill C-10 makes it legal for the CRTC to regulate your video or audio uploads if they are posted to “social media”, the definition of which will be left entirely up to the nine government-appointed CRTC commissioners. Who knows what they’ll come up with. There are no minutes of their meetings, so it’s impossible to know what they might be thinking.

I mean, if it was easy to define social media you’d think the government would have just done it, right? Similarly, if the legislation is aimed only at the bad behaviour of the “Web Giants” — the pejorative term Guilbeault has engaged — the bill ought to simply say that. But it doesn’t.

And as for the government-approved Canadian Content industry’s argument that it didn’t want to regulate/suppress the user generated content produced by the rest of us . . .

Oh Yes They Did.

May 21, 2021

Mission creep – to “make the web giants pay”, the feds will “need” to regulate everything Canadians view or post online

Filed under: Cancon, Government, Liberty — Tags: , , , , , , , — Nicholas @ 03:00

Michael Geist explains why we can safely discount any new lies that the Heritage Minister spews about his Bill C-10 censorship bill:

Canadian Heritage Minister Steven Guilbeault has tried to deflect public concern with the regulation of user generated content under Bill C-10 by claiming the intent is to make the “web giants” pay their fair share. Yet according to an internal government memo to Guilbeault signed by former Heritage Deputy Minister Hélène Laurendeau released under the Access to Information Act, the department has for months envisioned a far broader regulatory reach. The memo identifies a wide range of targets, including podcast apps such as Stitcher and Pocket Casts, audiobook services such as Audible, home workout apps, adult websites, sports streaming services such as MLB.TV and DAZN, niche video services such as Britbox, and even news sites such as the BBC and CPAC.

The regulations would bring the full power of CRTC regulation over these sites and services. This includes requiring CRTC registration, disclosure of financial and viewership data, Canadian content discoverability requirements (yes, that could mean Canadian discoverability for pornography services), and mandated payments to support Canadian film, television, and music production. The list also notably identifies potential regulation of Youtube Music, Snapchat Originals, and other social media services whose supposed exclusion has been cited as the rationale to extend regulation to user generated content.

The document was obtained by Postmedia journalist Anja Karadeglija, who first reported it last weekend, focusing on departmental warnings about the importance of excluding user generated content from the scope of regulation in Bill C-10 and the necessity of Sections 2.1 and 4.1 (Section 4.1 was removed by the government). The memo states:

    Social media services like YouTube and Facebook greatly expand the number of individuals and other entities that can be said to be transmitting programs over the Internet. This provides an important limitation on the application of the Act by ensuring that under the Act the CRTC cannot regulate the audio or video communications of individuals (or other entities) simply because they use a social media service.

The government obviously ignored the warning and removed the limitation. The document continues by identifying a non-exhaustive list of services that “are likely to regulated under the Act.” The department acknowledges that some services may be exempted by the CRTC, though there are no specifics in the bill that identify thresholds for exemptions. Even if exempted, services may still be required to register with the CRTC and provide confidential commercial data in order to obtain an exemption. Indeed, the default approach is that all services are subject to Canadian regulation, leading to a dizzying array of regulated services identified by the department.

Emphasis mine.

April 30, 2021

Bill C-10, despite frequent government denials, would regulate user-generated content on the internet

Filed under: Bureaucracy, Business, Cancon, Government, Media — Tags: , , , , — Nicholas @ 03:00

Michael Geist continues to sound the alarm about the federal government’s bill to vastly increase CRTC control over Canadians’ access to information and entertainment options online, including the Heritage minister’s mendacity when challenged about how the CRTC’s powers will increase to censor individual Canadians in what they post to online services like YouTube:

Canadian Heritage Minister Steven Guilbeault and the Liberal government’s response to mounting concern over its decision to remove a legal safeguard designed to ensure the CRTC would not regulate user generated content has been denial. The department’s own officials told MPs that all programming on sites like Youtube would be subject to regulation, yet Guilbeault insisted to the House of Commons that user generated content would be excluded from regulation as part of Bill C-10, his Broadcasting Act reform bill.

However, based on new documents I recently obtained, it has become clear that Guilbeault and the government have misled the Canadian public with their response. In fact, the government effectively acknowledges that it is regulating user generated content in a forthcoming, still-secret amendment to Bill C-10. Amendment G-13, submitted by Liberal MP Julie Dabrusin on April 7th and likely to come before the committee studying the bill over the next week, seeks to amend Section 10(1) of the Broadcasting Act which specifies the CRTC’s regulatory powers. It states:

    (4) Regulations made under paragraph (1)(c) do not apply with respect to programs that are uploaded to an online undertaking that provides a social media service by a user of the service – if that user is not the provider of the service or the provider’s affiliate, or the agent or mandatary of either of them – for transmission over the Internet and reception by other users of the service.

The amendment is a clear acknowledgement that user generated content are programs subject to CRTC’s regulation making power. Liberal MPs may claim the bill doesn’t do this, but their colleagues are busy submitting amendments to address the reality.

But it is not just that the government knew that its changes would result in regulating user generated content. The forthcoming secret amendment only covers one of many regulations that the CRTC may impose. The specific regulation – Section 10(1)(c) of the Broadcasting Act – gives the CRTC the power to establish regulations “respecting standards of programs and the allocation of broadcasting time for the purpose of giving effect to the broadcasting policy set out in subsection 3(1).”

August 12, 2020

CGP Grey was WRONG

Filed under: Business, History, Humour, Media, Military, USA — Tags: , , , — Nicholas @ 04:00

CGP Grey
Published 11 Aug 2020

‣ What Was TEKOI? (original version): https://www.youtube.com/watch?v=PCeMC…
‣ What Was TEKOI? (corrected version): https://www.youtube.com/watch?v=PCeMCwxayp0
‣ TEKOI Commentary: https://www.youtube.com/watch?v=ufsYK…
## Crowdfunders

Bob Kunz, John Buchan, Nevin Spoljaric, Donal Botkin, BN-12, Chris Chapin, Richard Jenkins, Phil Gardner, Martin, Steven Grimm, سليمان العقل, David F Watson, Colin Millions, Saki Comandao, Ben Schwab, Jason Lewandowski, Marco Arment, Shantanu Raj, rictic, emptymachine, George Lin, Henry Ng, Thunda Plum, Awoo, David Tyler, Fuesu, iulus, Jordan Earls, Joshua Jamison, Nick Fish, Nick Gibson, Tyler Bryant, Zach Whittle, Oliver Steele, Kermit Norlund, Kevin Costello, Derek Bonner, Derek Jackson, Mikko , Orbit_Junkie, Ron Bowes, Tómas Árni Jónasson, Bryan McLemore, Alex Simonides, Felix Weis, Melvin Sowah, Christopher Mutchler, Giulio Bontadini, Paul Alom, Ryan Tripicchio, Scot Melville, Bear, chrysilis, David Palomares, Emil, Erik Parasiuk, Esteban Santana Santana, Freddi Hørlyck, John Rogers, Leon, Peter Lomax, Rhys Parry, ShiroiYami, Tristan Watts-Willis, Veronica Peshterianu, Dag Viggo Lokøen, John Lee, Maxime Zielony, Julien Dubois, Elizabeth Keathley, Nicholas Welna

## Music

David Rees: http://www.davidreesmusic.com

April 29, 2020

“The war on ultraviolet radiation because it might help Trump is an educational moment”

Arthur Chrenkoff on the sudden decision that the World Health Organization is the ultimate arbiter of what we’re allowed to say on social media platforms like Twitter and YouTube:

There is of course no evidence that the video represents any disinformation. It relates to legitimate scientific research by a medical company conducted in association with a respected hospital to develop a novel treatment of possibly crucial importance in the current conditions and into the future. The only problem with the video is that is indirectly supports Trump’s flight of fancy speculation about using light and chemicals to “disinfect” the body. Ergo, according to a NYT journalist it represents a problem and YouTube agrees. YouTube now has a standing policy of removing COVID information that goes against the World Health Organisation’s guidelines. Putting aside the question of the WHO’s credibility in the wake of the pandemic, we are not talking here about some guy in a tinfoil hat talking about 5G towers spreading the virus; this is a video relating to ongoing, respectable scientific research. Will it work? Probably not. But perhaps neither will any of the 150 or so COVID-19 vaccines being currently developed around the world. We won’t know until we know. But in the meantime, scientific news should not be censored, period.

[…]

Goldsmith and Woods are correct in pointing out not only the greater role that governments have been playing in regulating speech but more importantly how much of that effort has been embraced and driven by the big tech — and by the private individuals enabled and encouraged by the big tech — what I have previously called the “democratised censorship”. The difference is that people like Goldsmith and Woods think that’s a good thing.

The dirty little secret is that a great number of leftists, progressives and even centrist technocrats and activists look at China, with its authoritarian government, social credit score system, ubiquitous surveillance, and the ability to “get things done” and done quickly and supposedly efficiently (in China, bullet trains run on time, I hear), and pine for such a system to be applied in their own countries — as long as, of course, they are the ones in power and decide what is right, important and valuable. The left’s objections are rarely against authoritarianism and its means and methods per se, just with the possibility that someone else — like Trump — is the one behind the wheel, implementing their, not the left’s, agenda.

The war on ultraviolet radiation because it might help Trump is an educational moment. One could say, first they came for crazy conspiracy theorists and I said nothing because I’m not an anti-vaxxer or anti-5G activist — and so on. The problem with censorship is that it keeps creeping up on everyone else. And those who do the censoring — who decide what the ignorant masses should and shouldn’t be allowed to read — are not some detached and impartial spiritual beings but people with political agendas. People who think that ideas and beliefs of one half of the society are harmful and offensive. People who will censor news that doesn’t fit the agenda and support the narrative.

And then they came for ultraviolet radiation… You have been warned.

February 12, 2020

Rebecca Black, nine years after the release of “Friday”

Filed under: Education, Humour, Media — Tags: , , , , , — Nicholas @ 05:00

CNN‘s Scottie Andrew talked to Rebecca Black about her experiences and the reactions to her debut video:

Partyin’, partyin’, YEAH! “Friday,” the accidental anthem of 2011 and an ode to the best day of the week, is officially nine years old.

It became something of a national joke when it debuted. But to a then-13-year-old Rebecca Black, the single’s star, the jokes made at her expense were immensely damaging.

Black, now 22 but still a pop singer, is remarkably well-adjusted for someone whose life was upended by a music video. She marked the 9th anniversary of the song that started it all with a note to her younger self — and advice for her followers to love themselves a little better.

[…]

Black was only in middle school when she filmed the infamous video. She paid a company called Ark Music Factory to write her a song and film a music video for it, starring her and her friends.

It’s not an artistic achievement, but it’s fitting for the young star at its center. In it, Black sways and sings her way through a Friday — she wakes up, she eats cereal, she can’t decide which seat in a convertible to take. Typical teen stuff.

The negative comments rolled in almost immediately, and nearly all of them lambasted Black.

At the time, I linked to a couple of deconstructions of the video that amused me. One was from The Awl:

She offers the camera a hostage’s smile, forced, false. Her smoky eyes suggest chaos witnessed: tear gas, rock missiles and gasoline flames. They paint her as a refugee of a teen culture whose capacity for real subversion was bludgeoned away somewhere between the atrocities of Kent State and those of the 1968 Democratic Convention, the start of a creeping zombification that would see youthful dissent packaged and sold alongside Pez and Doritos.

“Look and listen deeply,” she challenges. An onanistic recursion, at once Siren and Cassandra, she heralds a new chapter in the Homeric tradition. With a slight grin, she calls out to us: “I sing of the death of the individual, the dire plight of free will and the awful barricades daily built inside the minds of all who endure what lately passes for American life. And here I shall tell you of what I have done in order to feel alive again.”

***

Ms. Black first appears as her own computer-generated outline: wobbly, marginal, a dislocated erasure. The days of the week flip by accompanied by dull obligations — “essay due” — and tired clichés — “Just another manic Monday …” Her non-being threatens to be consumed by this virtual litany of nothing at all until, at long last — Friday.

[…]

Yet here the discerning viewer notes that something is wrong. Because it is a simple matter of fact that in this car all the good seats have already been taken. For Rebecca Black (her name here would seem to evoke Rosa Parks, a mirroring that will only gain in significance) there is no actual choice, only the illusion of choice.

The viewer knows that she’ll take the only seat that’s offered to her, a position so very undesirable as to be known by a derisive — the “Bitch” seat.

She might well have been better off on the school bus, among the have-nots. But Rebecca Black’s world is so advanced in the craft of evisceration that this was never a consideration. John Hughes died while out jogging, these are the progeny of his great materialist teen-villain, James Spader, a name that would come to be synonymous with desperate sex and high-speed collision. And as she gets in the car Ms. Black’s joy is as patently empty as her liberation.

“Partying, Partying,” she sings, in hollow mantra.

“Yeah!” an unseen mass replies, a Pavlovian affirmation.

The other was from Jeffrey Tucker in the Christian Science Monitor:

Far more significant is the underlying celebration of liberation that the day Friday represents. The kids featured in the video are of junior-high age, a time when adulthood is beginning to dawn and, with it, the realization of the captive state that the public school represents.

From the time that children are first institutionalized in these tax-funded cement structures, they are told the rules. Show up, obey the rules, accept the grades you are given, and never even think of escaping until you hear the bell. If you do escape, even peacefully of your own choice, you will be declared “truant,” which is the intentional and unauthorized absence from compulsory school.

This prison-like environment runs from Monday through Friday, from 8 a.m. to late afternoon, for at least ten years of every child’s life. It’s been called the “twelve-year sentence” for good reason. At some point, every kid in public school gains consciousness of the strange reality. You can acquiesce as the civic order demands, or you can protest and be declared a bum and a loser by society.

“Friday” beautifully illustrates the sheer banality of a life spent in this prison-like system, and the prospect of liberation that the weekend means. Partying, in this case, is just another word for freedom from state authority.

The largest segment of the video then deals with what this window of liberty, the weekend, means in the life of someone otherwise ensnared in a thicket of statism. Keep in mind here that the celebration of Friday in this context means more than it would for a worker in a factory, for example: for the worker is free to come and go, to apply for a job or quit, to negotiate terms of a contract, or whatever. All of this is denied to the kid in public school.

November 25, 2019

YouTube vs Grey: A Ballad of Accidental Suspension

Filed under: Bureaucracy, Business, Humour, Media — Tags: — Nicholas @ 04:00

CGP Grey
Published 24 Nov 2019

Join my email list: http://www.cgpgrey.com/email

Follow me on Twitter: https://twitter.com/cgpgrey

July 25, 2019

YouTube’s secret fight against history documentaries

Filed under: Business, Education, History, Media — Tags: , — Nicholas @ 03:00

The good folks at TimeGhost have been struggling with YouTube’s monetization and recommendation mechanisms for some time. A number of TimeGhost’s WW2 documentary videos have been demonetized over the last year, and the team noticed that every demonetized video had significantly fewer viewers than those that were not demonetized. They did some analysis and submitted the results to YouTube, showing that the demonetized videos were also being restricted from showing up on the automated recommendation lists that users see, which largely accounted for the lower viewership for their demonetized videos, but YouTube denied that there was any connection between these things … that demonetized videos are just as likely to be recommended as the ones that are not demonetized, and that TimeGhost’s analysis was just wrong. YouTube sent the TimeGhost team a set of guidelines for how to ensure that the videos they post were considered acceptable to advertisers and would not be subject to demonetization (and the stealth omission from recommendation lists). Here’s the first video from TimeGhost, implementing those guidelines:

This is how they explained the situation in the comments:

World War Two
3 hours ago (edited)
Now, to begin with – this is not about that we need YouTube’s ad money, at our viewership levels that money is not near enough to finance our content anyway. We have a fantastic community in the TimeGhost Army that support us financially, and make our shows possible, for which we are eternally grateful. This is also not about politics – nothing in our data indicates that YouTube is choosing what to monetize based on political considerations. However, indirectly this is about money, but even more importantly about our self-appointed mandate to share education about our common past. You see, when YouTube labels content as “not suitable for some, or most advertisers” they also recommend it less – in fact almost only under our own videos. This means that we don’t reach new viewers with those videos, this in turn means that our community grows less, or not at all.

When we sent the data proving that (data from YouTube no less), they at first denied that there was a connection between monetization and recommendation. We sent them more data showing conclusively that this is a false statement. Their response then was to say that maybe there is a connection between things that impact monetization and things that impact recommendation. They also sent us a list of things we should do to become “more advertiser friendly” – the list states among other things that content dealing with war, political controversies, terrorism, or death is not suitable for advertisers. That in effect means more or less the better part of human history and all of WW2.

We emphatically object to this interpretation of what is acceptable for advertisers – our kind of content has been attached to advertising for decades in main stream media, historical magazines and websites dealing with exactly the same things we do, receives advertising from major brands. Furthermore less recommendation means less viewers, which means that our content gets less support and thus risks becoming financially impossible – that is censorship by drip. Therefore we also vehemently protest this policy that in effect restricts the access to educational content, with high academic standards covering topics that are essential parts of human history. Events and phenomena that need to be widely understood in order for the world to learn from our past mistakes.

Last but not least we want to point out one more time – we do not have any indication whatsoever that we are being targeted for political reasons. We cover topics covering both right wing and left wing politics, we do not make judgement ourselves, instead we leave it up to you to decide positively or negatively depending on your opinion. We cover these topics factually, with completeness, and unbiased. The portion of our videos that have been deemed unsuitable to advertisers include political themes that cover the entire spectrum from Naziism to Marxism. Notably, and from the educational perspective troubling is that videos covering crimes against humanity such as the Holocaust or war crimes by the Soviet Union are almost always demonetized.

Please share this video to raise the awareness of what we find to be irresponsible behavior by a corporation that holds a virtual monopoly on free to access ad financed online video. Thank you.

June 23, 2019

They managed to get 7% approval? That’s surprising

Filed under: Business, Law, Liberty, Politics, Technology, USA — Tags: , , , , , — Nicholas @ 05:00

Michael van der Galien reports on a recent poll of registered voters in the United States that will not be happy reading for many social media companies:

Only seven percent are happy with social media companies being able to harvest and sell data without permission or compensation.
Chart from Hill.TV – https://thehill.com/hilltv/what-americas-thinking/449576-poll-voters-overwhelmingly-want-more-regulations-on-personal

Thirty-six percent of those polled say there is no scenario imaginable to them in which it’s OK for companies to collect and sell such information. Read that again: one-third of those asked always oppose companies like Facebook, Twitter, Amazon, and Google collecting and selling such data. Another 36% said they can support the collection and selling of personal data if the individuals involved are compensated for it.

Only 21% say they believe companies should be able to collect and sell personal information of users if they’ve expressly asked for permission. As for selling and collecting it without permission:

    Eight percent of Republicans and also Democratic respondents said that firms should be allowed to sell information without permission. Seven percent of independents agreed.

In other words, this is a bipartisan issue, which makes perfect sense. After all, this issue affects all of us, whether we are conservative or liberal.

Matthew Sheffield has more for Hill.TV:

On Monday, the Washington Post reported that the Federal Trade Commission has been investigating Google’s YouTube division for tracking child users, a practice allegedly in violation of a 1998 law which forbids tracking and targeting children under 13 years of age.

The poll found broad bipartisan agreement on what companies should be allowed to do with consumer data. Eight percent of Republicans and also Democratic respondents said that firms should be allowed to sell information without permission. Seven percent of independents agreed.

About the same number of Democrats and Republicans said that companies should not be able to sell data under any circumstance. Thirty-three percent of GOP respondents took this position, as did 35 percent of Democrats. Forty percent of independents agreed.

Younger voters were more willing to allow companies to sell consumer data than older ones although it was still a minority position. Fourteen percent of respondents who were between 18 and 34 said they supported letting companies compile and sell personal data without permission while only 2 percent of those 65 and above agreed.

February 20, 2019

What to do when you’re suddenly the star of the latest online witch-hunt

Filed under: Business, Liberty, Media, Technology — Tags: , , , , , — Nicholas @ 03:00

At Reason, Nancy Rommelmann gives a handy guide to what you need to know when a social media witch-smeller points at you and the masses start baying for your blood:

I am a pro-choice, aqua-haired, middle-aged liberal living in Portland, Oregon. I probably disagree with Nicholas Sandmann on every major issue. But we have something in common. In the last month we have both endured what is fast becoming an American ritual: our 15 minutes of hate.

Sandmann’s crime was a smirk while wearing a MAGA hat. Mine was a YouTube series I launched in December with another journalist in which we discussed the excesses of the #MeToo movement. This and the show’s name, #MeNeither, inspired an ex-employee of my husband’s coffee company to send an email to staff, characterizing the series as “vile, dangerous and extremely misguided” and adding that it “throws into question the safety of Ristretto Roasters as a workplace.”

She also sent an email to the media.

Within days, a quarter of the Ristretto staff quit and the company lost major accounts. I was repeatedly called a c*nt and was challenged to at least one fist fight. My husband was told to leave his wife or lose his business.

As someone who covers this stuff, I thought I knew how rough it might be to get dragged in public. It’s different when it’s tearing up your life.

If you do not think this can happen to you, you have not been paying attention. Here’s a guide for how to survive it…

January 10, 2019

Patreon’s changing role

At Quillette, Uri Harris outlines how Patreon has changed over the last year or so and what those changes mean for both content creators and financial supporters:

On December 6, crowdfunding service Patreon removed the account of popular YouTuber Carl Benjamin, who is better known by his YouTube moniker Sargon of Akkad. In a statement, Patreon explained that Benjamin was removed for exposing hate speech under its community guidelines, which prohibit: “serious attacks, or even negative generalizations, of people based on their race [and] sexual orientation.” The incident in question was an appearance on another YouTube channel where Benjamin used racial and homosexual slurs during an emotional outburst. (The outburst was transcribed and included for reference as part of Patreon’s statement.)

Patreon’s reaction sparked immediate accusations of political bias from many centrists and conservatives, as Benjamin—who identifies as a classical liberal—is a frequent and outspoken critic of contemporary progressivism, receiving hundreds of thousands of views on many of his videos. The fact that Benjamin was removed from Patreon for an outburst on another YouTube channel almost a year ago, when he produces hours of content every week on his own channels and appears regularly on many others, suggested that this was a targeted attempt to remove him due to his politics, either by Patreon employees themselves or as a response to outside pressure.

This belief was bolstered by the fact that Patreon’s CEO Jack Conte had appeared on popular YouTube talk show “The Rubin Report” last year to explain the removal of conservative YouTube personality Lauren Southern, where he seemed to suggest that Patreon’s content policy had three sections and that hate speech was in the first section, meaning that it only applied to content uploaded to Patreon’s own platform. (Southern was removed for off-platform activity because she had “crossed the line between speech and action,” Conte maintained, which he implied was covered by the more severe second and third sections of their content policy.)

There’s nothing unusual about a company revising its content policy, of course, but it seemed suspicious that Benjamin was being removed for a different set of rules than those Patreon’s CEO had previously articulated. In fact, several people pointed out the prevalence of similar slurs on Patreon’s own platform as further indication that Benjamin was specifically targeted for his political views.

January 7, 2019

QotD: The lifecycle of the pop music industry

Filed under: Business, History, Media, Quotations, Technology — Tags: , , , — Nicholas @ 01:00

… the music industry, the people involved in the business end of things, is about half the size it was at its peak. A couple of years ago I did a post on the state of music. Per capita music sales have collapsed from their peak 15 years ago. That peak was largely a bubble created by the advent of the compact disc. Everyone went out and repurchased their music collection in the new digital format. A lot of old stuff was remastered for the new format and that boosted sales too.

We are now in a time when selling songs is no longer very profitable. Often, bands will put their new releases on YouTube free of charge. The song itself is a form of marketing for their live shows. In my youth, the opposite was the case. Bands went on tour to promote their latest album. The tickets to the show were often cheaper than the album. Now, anything you want is on-line so trying to monetize the songs has become a lost cause. As a result, the focus is on making money from the live shows.

In many respects, pop music is back to where it was before the great wars of the 20th century. In the 19th century, sheet music was the item of value in the music business. Many of our intellectual property laws, in fact, come from efforts to protect the owners of sheet music. The main source of income for musicians, however, was the live act. They went around performing for customers. It is where the expression “sing for your supper” started. Often musicians were paid, in part, with a meal.

The Z Man, “The Cycle of Life”, The Z Blog, 2017-03-01.

October 10, 2018

Coming to a foxhole near you: Between 2 Wars, Q&A, and WW2 day by day

Filed under: History, Media, WW2 — Tags: , , , , — Nicholas @ 06:00

World War Two
Published on 9 Oct 2018

Six Weeks of WW2 and 112,450 Subscribers later and thanks to your support there will be more.

Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tv

A WW2 TimeGhost Public Service Announcement with Indy Neidell and Spartacus Olsson produced by OnLion Entertainment GmbH

June 2, 2018

YouTube Won’t Host Our Homemade Gun Video. So We Posted It on PornHub Instead.

Filed under: Business, Government, Law, Liberty, Media — Tags: , , , , , — Nicholas @ 04:00

ReasonTV
Published on 31 May 2018

Reason has a new video out today explaining how to put together a homemade handgun using some very simple tools and parts you can buy online. But you won’t find it on our YouTube channel.
_____

After the March for Our Lives rally, YouTube announced that it would no longer allow users to post videos that contain “instructions on manufacturing a firearm.”

Our video and its accompanying article are part of a package of stories in Reason‘s “Burn After Reading” issue. It includes a bunch of how-to’s, including how to bake pot brownies, how to use bitcoin anonymously, how to pick the lock on handcuffs, and how to hire an escort.

The whole issue is a celebration of free speech and our way of documenting how utterly futile of all kinds of prohibitions can be.

We made a video showing how easy it is to DIY a Glock because we wanted to show how the First Amendment reinforces the Second Amendment. If a bunch of journalists can build a handgun in their kitchen, we can assume it’ll be pretty hard to keep guns out of the hands of motivated criminals.

If YouTube prevents us from uploading the video, have they violated our First Amendment rights?

“YouTube of old days was this amazing thing that has become the digital library of Alexandria on the Internet,” says Karl Kasarda, the co-host of InRangeTV, a weekly YouTube show about guns. The show used to survive on ad revenue, until YouTube started de-monetizing certain forms of content. Once YouTube made it impossible for Kasarda to make money on its platform, he started posting his content to other places, including PornHub.

Last October Prager University, a conservative video production shop, sued YouTube, saying it had restricted the audience for content and alleging that the company was “unlawfully censoring its educational videos and discriminating against its right to freedom of speech.”

But here’s the thing: YouTube is a private platform. There is nothing in the First Amendment (or the Second) that requires them to host our gun video. Reason can turn down articles for any cause that we choose. We can do it because we don’t like the color of the author’s hair, or because we don’t like the font she used in her pitch email. We wouldn’t be violating a single constitutional right by doing so.

We wish YouTube would run our video. It’s awesome. But equally awesome is YouTube’s right — our right — not to run content we don’t like.

Karl Kasarda is correct that YouTube is the closest thing we have to the Library of Alexandria. It still doesn’t mean they have to carry our video.

YouTube is hardly the first to test this principle. In 1972, a teachers union president who was running for state legislature sued The Miami Herald, insisting it run an editorial he had written after he was attacked in its pages. The Supreme Court correctly ruled that ordering a newspaper to print an editorial violates the First Amendment. After all, a newspaper is “more than a passive receptacle.”

Prager University argued that YouTube isn’t entitled to the same editorial discretion as The Miami Herald because it advertises itself as a “platform for free expression” that’s “committed to fostering a community where everyone’s voice can be heard.” A federal judge, thankfully, dismissed the Prager lawsuit, rejecting the company’s argument that YouTube is comparable to a “government entity” and thus must be open-access. A slew of other judges have arrived at the same conclusion.

YouTube deserves the same editorial latitude those judges gave to The Miami Herald in the 1970s and that Reason enjoys today.

And that’s one of the things our new gun video is celebrating. If YouTube doesn’t want to post it to their site, its loss. We’ll just post it to another platform. That’s what the free and open internet is all about. So if you want to see our video, you can watch it here at Reason.com — or head over to PornHub and see how to make your very own unregistered firearm.

Links:
https://reason.com/archives/2018/05/31/how-to-legally-make-your-own-o
https://www.pornhub.com/view_video.php?viewkey=ph5b0460dc60380

Edited by Todd Krainin. Narrated by Katherine Mangu-Ward. Written by Jim Epstein and Katherine Mangu-Ward. Cameras by Meredith Bragg.

May 27, 2018

The Decreasing Viability of YouTube as a Platform for Independent Creators

Filed under: Law, Liberty, Media, Technology — Tags: , , , , — Nicholas @ 04:00

Computing Forever
Published on 25 May 2018

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