Quotulatiousness

January 3, 2026

Penelope vs Clytemnestra in Greek Mythology

Filed under: Books, Greece, History — Tags: , , , , — Nicholas @ 02:00

MoAn Inc.
Published 10 Sept 2025

I’m trying out shorter videos on the channel, so this is a very basic breakdown explanation. Clytemnestra and Penelope are polar opposites, and their characters bookend The Odyssey. One is seen as the best wife, one is seen as the worst. They’re supposed to be compared and contrasted in this way: Agamemnon’s homecoming to Mycenae is a warning to Odysseus about what could potentially go very, very wrong with his own return to Ithaca. There are so many fascinating ways to dissect these two women, so please don’t take this as a be-all-end-all!

Voice of Erica Stevenson, host of MoAn Inc.
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December 29, 2025

What Do We ACTUALLY Know About Homer? (Author of Iliad & Odyssey)

Filed under: Books, Greece, History — Tags: , , , — Nicholas @ 04:00

MoAn Inc.
Published 23 Dec 2025
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October 13, 2025

Stephen Fry’s Odyssey weighed in the balance and found wanting

Filed under: Books, Greece, History — Tags: , , , , , — Nicholas @ 03:00

Bryan Mercadente received a copy of Stephen Fry’s latest foray into Greek mythology and not only is not impressed, he writes, “Every page wasted on Fry is a page stolen from the real thing. The copy my aunt has given me for my birthday is already skimmed with disgust and thrown into the dustbin: it is too disgusting for the charity shops.”

The Iliad and Odyssey are the founding works of our civilisation. They are poems of war, loss, exile, and return. The hero of The Odyssey is a liar, a man of cunning and cruelty, but also a survivor who longs for home. The Homeric poems have come to us out of the Bronze Age. They have survived the collapse of at least two civilisations, and will survive the collapse of our own. They survive because they are already perfect. The hexameters carry an austere music. Their formulaic epithets — “ῥοδοδάκτυλος Ἠώς“, “πόδας ὠκὺς Ἀχιλλεύς“, “δῖος Ὀδυσσεύς” — are the memory-tricks of a sung tradition, but they also give the poems a dignity that no one who reads them can ever forget. Like The Iliad, The Odyssey was not written to be read in comfort with a cup of tea. It was composed to be chanted in smoky halls to men who might be dead tomorrow.

Stephen Fry knows none of this. Or if he knows it, he does not care. His Odyssey is Homer without the difficulty. It is Homer stripped of his grandeur, reduced to banter and “relatable” anecdotes. The Observer praised it for bringing “contemporary relevance” to the myths. That line is damning enough. Homer does not need contemporary relevance. A book that has spoken to audiences across three thousand years already possesses the only relevance that matters. To make Homer relevant is to make him trivial.

The Guardian called the book “relatable and full of humour“. Again, the praise condemns. Relatable? Homer is not relatable. The world he describes is harsh and alien. His heroes live by honour and die by the sword. They weep like children and sacrifice to gods who may or may not answer. That strangeness is the point. It is what makes Homer worth reading. To make him “relatable” is to gut him of meaning.

The Irish Independent calls Fry “A born storyteller“. This blurb, like the others, is the language of people who cannot read. No serious critic would praise a reteller of Homer as “a born storyteller”, as if the original poet were not the greatest storyteller of them all. These blurbs are not criticism. They are advertising slogans. And they work. The book is a bestseller.

Why, then, is Fry’s book a bestseller? Not because of merit. It sells because of Stephen Fry himself. For thirty years, he has been cultivated as a “national treasure”. He is the ideal leftist intellectual: clever enough to appear learned, shallow enough never to disturb. He quotes Wilde, sprinkles in Latin tags, and sprinkles them badly. His claque tells us that he is bipolar, gay, witty, and charming. He is on panel shows, chat shows, and literary festivals. He is always agreeable, always moderate, and always applauded.

Fry has built a career on the fact that the English middle classes like to feel cultured without effort. They want Plato without philosophy, Shakespeare without metre, Wagner without subversion, Homer without Greek. They want to be reassured that the classics are not difficult or dangerous, but fun. Fry gives them what they want. He domesticates the wild. He reduces epic to anecdote. He packages civilisation as entertainment.

It is not enough to call this dumbing down. It is worse. Dumbing down implies a reduction in complexity. What Fry does is not simplification but falsification. The Odyssey is not a sequence of funny stories about gods and monsters. It is about endurance and the fragility of human life under the indifference of the divine. To make it “funny” is to destroy it. It is as if someone rewrote the Inferno as a travel blog or recast the Iliad as a football commentary. The whole point of the work is lost.

Popularity, however, is not a defence. It is an indictment. Books that sell by the million are almost always worthless. They are consumed because they flatter the prejudices of the public. They make readers feel clever without having to be clever. They make them feel cultured without culture. They are the literary equivalent of processed food: cheap, sweet, addictive, fattening.

What, then, is the harm? Why not let people have their Fry and be happy? So what if his writing is as inconsequential as his suicide attempts? The harm is that time is short. Every hour spent on Stephen Fry is an hour not spent on Homer. It is an hour subtracted from Gibbon, Johnson, or Shakespeare. It is an hour less of life. The opportunity cost is everything. Bad books are not neutral. They are parasites. They feed on the hours that might have been spent on good ones.

August 10, 2025

Al Stewart – “Helen and Cassandra”

Filed under: History, Media — Tags: , , , , , — Nicholas @ 02:00

jonnoms
Published 19 Jun 2011

Slight re-working of ‘Where Are They Now?’ video to another, Al Stewart song.

February 6, 2025

Historian Answers Google’s Most Popular Questions About Ancient Greek Warfare

Filed under: Europe, History, Military — Tags: , , , , , , — Nicholas @ 02:00

History Hit
Published 2 Oct 2024

Was the Trojan War real? Did the Greeks dig ditches? Why did the Greeks fight the Persians?

Ancient Greek historian Roel Konijnendijk Answers Google’s Most Popular Questions About Ancient Greek Warfare.

00:00 Intro
00:46 Who did the Greeks fight?
01:47 How did the Greeks fight?
02:59 What weapons did the Greeks fight with?
04:25 Did the Greeks fight on chariots?
05:08 Did the Greeks have cavalries?
06:51 Did the Greeks have navies?
08:24 Did the Greeks do sieges?
09:46 Did the Greeks dig ditches?
10:47 Who was the best Greek warrior?
12:05 Was the Trojan War real?
14:04 Who started the trojan war?
15:34 Who was Helen of troy?
16:15 Did the gods fight in the trojan war?
17:02 Which heroes fought in the trojan war?
18:21 What was the trojan horse?
19:16 Who won the trojan war?
20:20 Why was the Trojan war important?
21:28 Why did the Greeks fight the Persians?
23:09 Where was the Persian war?
24:59 Who won the Persian war?
26:50 Why was the Persian war important?
28:26 Did the Spartans fight the Athenians?
28:58 Why was it called the Peloponnesian war?
29:50 Who won the Peloponnesian war?
31:51 What happened after the Peloponnesian war?
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October 12, 2024

Classics Summarized: The Oresteia

Filed under: History, Humour, Media — Tags: , , , , , — Nicholas @ 02:00

Overly Sarcastic Productions
Published Jul 19, 2017

Nobody look at how long ago I promised to do this.

That’s right! The sequel to Iphigenia, which itself was a prequel to the Iliad, has finally been given the ol’ OSP treatment! And it only took me TWO AND A HALF YEARS
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August 13, 2024

QotD: The weird world of the Iliad

[Jane Psmith:] … as weird and crufty and full of archaism as it is, the Iliad is actually the first step in the rationalization of the ancient world. Like, it’s even weirder before.

Homer (“Homer“) presents the gods as having unified identities, desires, and attributes, which of course you have to have in order to have any kind of coherent story but which is not at all the way the Greeks understood their gods before him (or even mostly after). The Greeks didn’t have a priestly caste with hereditary knowledge, or Vedas, or anything like that, so their religion is even more chaotic than most primitive religions. “The god” is a combination of the local cult with its rituals, the name, the myths, and the cultic image, and these could (and often did) spread separately from one another. The goddess with attributes reminiscent of the ancient Near Eastern “Potnia Theron” figure is Hera, Artemis, Aphrodite, Demeter, or Athena, depending on where you are. Aphrodite is born from the severed testicles of Ouranos but is also the daughter of Zeus and Dione. “Zeus” is the god worshipped with human sacrifice on an ash altar at Mt. Lykaion but also the god of the Bouphonia but also a chthonic snake deity. Eventually these all get linked together, much later, primarily by Homer and Hesiod, but even after the stories are codified — okay, this is the king of the gods, he’s got these kids and this shrewish wife, he’s mostly a weather deity — the ritual substrate remains. We still murder the ox and then try the axe for the crime, which has absolutely nothing to do with celestial kingship but it’s what you do. If you’re Athenian. Somewhere else they do something completely different.

I also really enjoyed this book, and I think for similar reasons to you. Because you’re right, at the end of the classical world it wasn’t just the philosophers. One major theme in Athenian drama is the conscious attempt to impose rationality/democracy/citizenship/freedom (all tied together in the Greek imagination) in place of the bloody, chthonic, archaic world of heredity.1 It’s an attempt at a transition, and one which gets a lot of attention I think in part because people read the Enlightenment back into it. But my favorite part of the The Ancient City is Fustel de Coulanges’s exploration of the other end of the process: where did all the weird inherited ritual came from in the first place?!

The short version of the answer is “the heroön“. Or as he puts it: “According to the oldest belief of the Italians and Greeks, the soul did not go into a foreign world to pass its second existence; it remained near men, and continued to live underground.” Everything else follows from here: the tomb is required to confine the dead man, the burial rituals are to please him and bind him to the place, the grave goods and regular libations are for his use, and he is the object of prayers. Fustel de Coulanges is incredibly well-read (that one sentence I quoted above cites Cicero’s Tusculan Disputations, “sub terra censebant reliquam vitam agi mortuorum“, plus Euripides’ Alcestis and Hecuba), and he references plenty of Vedic and later Hindu texts and practices too. I also immediately thought of the Rus’ funeral described by ibn Fadlan and retold in every single book about the Vikings, in which, after all the exciting sex and human sacrifice is over, the dead man’s nearest kinsman circles the funerary ship naked with his face carefully averted from it and his free hand covering his anus. This seems like precautions: there’s something in the ship-pyre that might be able, until the rites are completed, to get out.2 And obviously we now recognize tombs and burial as being very important to the common ancestors of the classical and Vedic worlds — from Marija Gimbutas’s kurgan hypothesis to the identification of the Proto-Indo-Europeans with the Yamnaya culture (Ямная = pit, as in pit-grave) — their funerary practices have always been core to how we understand them. But I’m really curious how any of this would have worked, practically, for pastoral nomads! Fustel de Coulanges makes it sound like you have your ancestor’s tomb in your back yard, more or less, which obviously isn’t entirely accurate when you’re rolling around the steppe in your wagon.

I’d also be interested to see an archeological perspective on his next section, about the sacred hearth. This is the precursor of Vesta/Hestia and also Vedic Agni, the reconstructed *H₁n̥gʷnis (fire as animating entity and active force) as opposed to *péh₂ur (fire as naturally occurring substance). I looked back through my copy of The Wheel, the Horse, and Language and (aside from a passing suggestion that the hearth-spirit’s genderswap might be due to the western Yamnaya’s generally having more female-inclusive ritual practices, possibly from the influence of the neighboring Tripolye culture), I didn’t find anything. I suppose this makes sense — you can’t really differentiate between the material remains of a ritual hearth and a “we’re cold and hungry” hearth, especially if people are also cooking on the ritual hearth so there’s not a clear division anyway. But if anyone has done it I’d like to see.

I don’t know enough of the historiography to know whether Fustel de Coulanges was saying something novel or contentious in the mid-19th century, but he seems to be basically in line with more recent scholarship even if he’s not trendy. But The Ancient City can be read as a work of political philosophy as well as ancient history!

Jane and John Psmith, “JOINT REVIEW: The Ancient City, by Numa Denis Fustel de Coulanges”, Mr. and Mrs. Psmith’s Bookshelf, 2023-02-20.


    1. And of course that tension is extra intriguing because the dramas are always performed at one of these inherited rituals, in this case the city-wide Great Dionysia festival, although it was a relatively late addition to the ritual calendar. Incidentally it’s way less bizarre than the Attic “rustic” Dionysia which is all goat sacrifices and phallus processions. (There’s also the Agrionia in Boeotia which is about dissolution and inversion and nighttime madness, and another example of “the god” being a rather fluid concept.)

    2. Neil Price, in his excellent Children of Ash and Elm, says that the archaeological evidence seems to confirm this:

    “Most of the objects [in the Oseberg ship burial] were deposited with great care and attention, but at the very end most of the larger wooden items — the wagons, sleds, and so on — were literally thrown onto the foredeck, beautiful things just heaved over the side from ground level and being damaged in the process. The accessible end of the burial chamber was then sealed shut by hammering planks across the open gable, but using any old piece of wood that seems to have been at hand. The planks were just laid across at random — anything to fill the opening into the chamber where the dead lay. The nails were hammered in so fast one can see where the workers missed, denting the wood and bending or breaking off the nail heads.”

November 16, 2023

The US military may need to find a modern-day Patroclus

Filed under: Media, Military, Politics, USA — Tags: , , , — Nicholas @ 03:00

John Carter explains why the sudden swerve in US military recruitment from all-diverse-all-the-time to an ad that might have been created in the 1960s … and why it still won’t help:

He is the very essence of a modern major general.

    Sing, o muse, of the wrath of Achilles, son of Peleus, that brought countless ills upon the Achaeans …

Thus opens the foundational epic of European civilization.

Achilles is angry because his woman, Briseis, has been appropriated by Agamemnon, the leader of the Greeks. He expresses this discontent by going on strike. While the rest of the Greek army fights and dies outside the walls of Troy, Achilles lounges in his tent, content to sit out the combat until Agamemnon comes to his senses and returns his war bride. If Achilles were simply any other warm body with a spear, this wouldn’t be such a big deal, but he is Achilles – the greatest warrior of the Heroic Age. Without him, the Greeks are at a severe disadvantage. Achilles’ petulance is therefore a problem for Agamemnon.

The lesson is hardly a subtle one. Kings and generals need to keep their soldiers happy. They especially need to keep their best soldiers happy. If they don’t – for instance, by taking their women from them – morale will suffer, and they may well find themselves without the crucial support of their warriors when it most matters.

Washington seems to have missed that lesson, and now, they’re paying the price.

For the last decade they have been relentlessly and mercilessly whipping American whites: defaming them as racists, mocking their intelligence and manliness, tearing down their statues, erasing the names of their ancestral heroes, replacing their fictional archetypes with diverse doppelgangers in the media, disadvantaging them in education and employment, demanding that they attend racial struggle sessions. The list of outrages and humiliations is long and all too familiar, permeating as it does every one of our institutions.

But now, the Empire of Lies faces a problem.

War has returned to the world. History, its rumoured demise notwithstanding, once again stalks the land. Russia mauls the Ukraine; Israel is beset with enemies; the Empire’s influence in Africa frays by the day; China salivates over Taiwan.

Meanwhile the American domestic economy, long since hollowed out by the extractive rent-seeking of financial parasites, lurches from one crisis to the next. The Great Satan remains powerful, for the present, but the young bucks can scent that the silverback is not what he used to be. Their provocations increase in daring and intensity. If they aren’t slapped down, their boldness will only increase.

The criminal regime that has insinuated itself into the halls of American power is running against a clock. They must have a war to cover the slow collapse of their fake economy. They must have a war to prevent rival regimes from displacing their American golem. But their golem is crumbling. Therefore they must have a war sooner rather than later, because with every moment of delay America becomes weaker, while China and Russia become stronger.

Their problem is that no one wants to fight for them.

The core warrior population of America has always been the Scots-Irish of the Appalachian regions, the good ol’ boys of the South, and the farm boys of the Midwest. Hillbillies and rednecks, in other words. Many families from these areas have multi-generational traditions of service. Dad served in Vietnam, Grampa in WWII, Great-Grandpa in the Great War, and Great-Grandpa’s Pappy fought under Lee in the War of Northern Aggression.

These are precisely the white populations that have been singled out for the most unrelenting and vicious racial abuse over the last several decades. They are the one group that it’s okay to defame in the media, depicted as ignorant, bigoted, backwards, and inbred. The people running Hollywood seem to have a special disgust for them. For generations they have born this with a sort of stoic good cheer, accepting their role as the heel in the great kayfabe of American political drama even as they shouldered a disproportionate burden of blood, tears, and sweat in America’s imperial wars.

The events of the last two decades seem to have put an end to that. It wasn’t just the psychotic frenzy of race communism that gripped the regime’s mind, although that certainly played a factor as the military has hardly been immune to it. Who wants to serve in an armed forces that has thrown meritocracy in the trash to make sure the commissioned ranks include as many strong black lesbians as possible, that spends more time making sure the enlisted ranks understand the nuances of pronoun usage and the finer points of critical race theory than training for war? Demoralizing as all that has been, the absolutely pointless debacle of the Neocon Forever War in the Middle East has played at least as large a role.

September 21, 2023

QotD: The Iliad as Bronze Age gangsta rap

A few months ago I tried moving the Iliad from the list of books I’m good at pretending to have read to the list of books I’ve actually read, and to my surprise I bounced off of it pretty hard. What I wasn’t expecting was how much of it is just endlessly tallied lists of gruesome slayings, disses, shoutouts to supporters, more killings, women taken by force, boasts about wealth, boasts about blinged-out-equipment, more shoutouts to the homies from Achaea who here repreSENTing, etc. The Iliad is basically one giant gangster rap track, and gangster rap is kinda boring.

What was cool though is I felt like I came away with a much better understanding of Socrates, Plato, and that whole milieu. Much like it’s easy to miss the radicalism of Christianity when you come from a culture steeped in it, it’s easy to miss the radicalism of Socrates if you don’t understand that this is the culture he was reacting against. Granted, the compilation of the Homeric epics took place centuries before the time of classical Athens, but my sense is that in important respects things hadn’t changed all that much. In our society, even people who aren’t professing Christians have been subliminally shaped by a vast set of Christian-inflected moral and epistemic and metaphysical assumptions. Well in the same way, in the Athens of Socrates and of the Academy, the “cultural dark matter” was the world of the Iliad: honor, glory, blinged out bronze armor, tearing hot teenagers from the arms of their lamenting parents, etc.

We have a tendency to think of the Greek philosophers as emblematic of their civilization, when in reality they were one of the most bizarre and unrepresentative things that happened in that society. But Numa Denis Fustel de Coulanges is here to tell us it wasn’t just the philosophers! So much of our mental picture of Ancient Greece and Rome is actually a snapshot of one fleeting moment in the histories of those places, arguably a very unrepresentative moment at which everything was in the process of collapsing. It’s like if [POP CULTURE ANALOGY I’M TOO TIRED TO THINK OF]. And actually once you think about it this way, everything makes way more sense. All those weird customs the Greeks and Romans had, all the lares and penates and herms and stuff, those are what these societies were about for hundreds and hundreds of years, and the popular image is just this weird encrustation, this final flowering at the end.

Jane and John Psmith, “JOINT REVIEW: The Ancient City, by Numa Denis Fustel de Coulanges”, Mr. and Mrs. Psmith’s Bookshelf, 2023-02-20.

June 10, 2023

Feeding a Greek Hoplite – Ancient Rations

Filed under: Europe, Food, Greece, History — Tags: , , , , , , — Nicholas @ 04:00

Tasting History with Max Miller
Published 6 Jun 2023
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April 4, 2023

History Summarized: the Ancient Greek Post-Apocalypse

Overly Sarcastic Productions
Published 31 Mar 2023

Turns out the “Studio Ghibli Post-Apocalypse” aesthetic has a historical basis in ancient Greek history’s Bronze Age Collapse, long Dark Age, and slow re-emergence into the Polis Age. I don’t know if I’d call the process pleasant, but it sure as hell is a vibe.

GO READ THE ILIAD: https://bookshop.org/p/books/the-ilia… — We enjoy the Fagles translation, as it’s the typical classroom and library standard, but if you want a real treat, try the Alexander Pope edition from the 1700s that’s written entirely in RHYME. THE DAMN THING RHYMES!!!

SOURCES & Further Reading:
“The Age of Heroes” and “Delphi and Olympia” from Ancient Greek Civilization by Jeremy McInerney – “Dark Age and Archaic Greece” from The Foundations of Western Civilization by Thomas F. X. Noble – “Dark Age and Archaic Greece” from The Greek World: A Study of History and Culture by Robert Garland “The Greeks: A Global History” by Roderick Beaton, “The Greeks: An Illustrated History” by Diane Cline, Metropolitan Museum “Geometric Art in Ancient Greece” https://www.metmuseum.org/toah/hd/grg… also have a degree in Classical Studies
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December 16, 2022

Coming of the Sea Peoples: Part 1 – Prelude

seangabb
Published 1 May 2021

The Late Bronze Age is a story of collapse. From New Kingdom Egypt to Hittite Anatolia, from the Assyrian Empire to Babylonia and Mycenaean Greece, the coming of the Sea Peoples is a terror that threatens the end of all things. Between April and July 2021, Sean Gabb explored this collapse with his students. Here is one of his lectures. All student contributions have been removed.

More by Sean Gabb on the Ancient World: https://www.classicstuition.co.uk/

Learn Latin or Greek or both with him: https://www.udemy.com/user/sean-gabb/

His historical novels (under the pen name “Richard Blake”): https://www.amazon.co.uk/Richard-Blak…

December 2, 2022

Legends Summarized: The Trojan War

Overly Sarcastic Productions
Published 29 Jul 2022

The grandest epic cycle this side of the Aegean! Today let’s talk about the tale of which The Iliad only makes up a tiny (if impressive) fraction!

Pst! Wanna know more about Quintus Smyrnaeus’s Posthomerica? Watch Blue’s Historymaker video about him HERE: https://www.youtube.com/watch?v=wfHGQ…
And if you want to know more about the historical, archaeological precedent that indicates some form of this story REALLY HAPPENED, watch Blue’s video on Mycenaean Greece HERE: https://www.youtube.com/watch?v=cki-9…
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October 28, 2022

History Summarized: Mycenaean Greece & the Bronze Age Collapse

Overly Sarcastic Productions
Published 24 Jun 2022

I’m pronouncing Mycenaean & Mycenae with a hard “K” sound because that’s how it sounds in Greek, and I would not be so impolite as to mispronounce the name of the first Greek-speaking civilization in history. (The name of “Mycenae” can be spelled Μυκῆναι or Μυκήνη, and I’m using the first one: mee-KEE-neh)
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October 3, 2022

QotD: The foundation of Rome, as recounted by Vergil and Livy

Filed under: Books, Europe, History, Quotations — Tags: , , , , , — Nicholas @ 01:00

Both Vergil and Livy begin by putting down Homeric roots and anchoring their stories in the Trojan War. That makes a good deal of sense from a mythic perspective: the Iliad and the Odyssey were the most illustrious legends of the Hellenic world and so it made sense for the Romans, looking to claim a place in the Mediterranean, to make that claim through connection to this most illustrious of tales (and of course later, when Rome was a colossus astride the Mediterranean, which the Romans by then called mare nostrum, “our sea”, it made sense they would prefer a heroic origin with grandeur to match their power at the time). And so both Vergil and Livy begin their story with Aeneas and his plucky band of Trojan refugees, fleeing the fall of Troy (though interesting, while Vergil tells the tale as a harrowing escape, Livy politely suggests that perhaps Homer’s Achaeans let Aeneas go, Liv. 1.1).

Aeneas (son of Aphrodite/Venus and a mortal man, Anchises) does appear, by the by, in the Iliad, though he isn’t a particularly notable or impressive hero (naturally Vergil will embroider Aeneas until he is presented as the equal of an Achilles or Odysseus because … well, wouldn’t you?). The Aeneid follows (with the aid of a major flashback) Aeneas as he shepherds his surviving Trojans from Troy to their prophesied new homeland in Italy (with a minor stopover in Carthage) and then covers also the war that breaks out between Aeneas’ Trojans and the local inhabitants (the Latins) when he arrives. Vergil cuts off at the climactic moment of the war (which in turn presents Aeneas as rather morally grey, a feature that is also present, as we’ll see, in Livy’s retelling of Rome’s legends), but Livy provides the denouement. After a period of conflict (Livy presents two different versions of the exact sequence), Aeneas ends up married to Lavinia, the daughter of Latinus, king of the Latins (Livy calls them the Aborigines – lit, “the native inhabitants”, Vergil the Latins; in both cases Latinus is their king) and the Trojan exiles and Latinus’ people form a single community at Lavinium, which in turn founds a colony at Alba Longa, both in Latium (the region of Italy in which Rome is, although note we haven’t founded Rome yet).

We then fast forward a few generations. Rhea Silvia, a priestess of Vesta at Alba Longa gives birth to twins, Romulus and Remus by (Livy expresses some doubt) the god Mars. The twins are exposed (for complicated royal-family-drama reasons we needn’t get into) and rescued by either a she-wolf or a woman of ill-repute (Livy isn’t sure which on account of Latin lupa having both meanings and clearly both legends existed, Liv. 1.4) and raised among shepherds in the hills of northern Latium. More politics ensues, Romulus and Remus, having grown to adulthood, right some wrongs in their home city of Alba Longa and set out to found their own city.

At which point Romulus promptly gets into a fight with and murders Remus over who is going to be in charge (this sort of intense moral ambiguity where the venerated legendary founder figures are also quick to violence and deeply flawed is also a feature of the Aeneid and can be read either as a commentary on Augustus or as some lingering Roman discomfort with their own recent history of civil wars running from 88 to 31 BC; we are not the first people in history to have very mixed feelings about how well people in our country’s past lived up to our ideals). Crucially, Romulus forms his new settlement (prior to the fratricide) out of – as Livy has it – “the excess multitudes of the Albans and Latins, to which were added the shepherds” (Liv. 1.6.3). After this, desiring to increase the population of the city, Romulus sets a place of refuge in the city so that “a crowd of people from neighboring places, altogether without distinction, free and slave, fled there eager for new things” (Liv. 1.8.6) and were incorporated into Romulus’ growing city. Livy approves of this, by the by, declaring it the first step towards rising greatness.

Romulus quickly has another problem because all of these new settlers were men, so he concocts a plot to carry off all of the unmarried women of the neighboring people, the Sabines – an Umbrian people (we’ll come back to this, for now we’ll note they are ethnically and linguistically distinct from the Latins) – who lived in the hills north of Rome under the guise of a religious ceremony (Liv. 1.9-13). At a festival where the Sabines had been lured to under false pretenses, the Romans abduct and forcibly marry the Sabine women, while using hidden weapons to chase away their families (I should note Livy goes to some length to assure the reader that the captured maidens were subsequently persuaded to marry their Roman captors, rather than forced (Liv. 1.9.14-16), though what choice he imagines the unarmed, captive women to have had is left for the reader to wonder at in vain; in any event, we need not share Livy’s judgement or his effort at patriotic euphemism and may simply note that bride-capture is a form of rape). The Sabines naturally go to war over this but (according to Livy) a peace is mediated by the captured women (according to Livy, unwilling to see their new husbands and old fathers kill each other) and the two communities instead merge on equal terms. In the midst of all of this, Livy does have Romulus set down a set of common customs for his people, which he thinks to have been mostly Etruscan (Liv. 1.8.3), the Etruscans being the people inhabiting Etruria (modern Tuscany) the region directly north of Rome (Rome sits, in essence, on the dividing line between Latium to the South and Etruria to the North).

Now we want to note two things here from this high-speed trip through the first few chapters of Livy. First is the deep ambivalence towards Roman violence here. Livy presents Rome as a city founded on fratricide, conquest, rape and sacrilege. Livy occasionally attempts to soften the impact of these legends (particular with the Sabines), but only so far. This isn’t really the place to unpack of all of that but suffice to say that I think that Livy’s willingness to open his history of Rome – practically an official history of Rome – so darkly speaks to a literary project still attempting to come to grips with the stunning civil violence which had gripped Rome for Livy’s entire adult life and had, as he wrote, only recently ended. And one day we also ought to come back and do a deeper look at how women function in Livy’s legends and histories (Livy’s account becomes much more properly historical as he gets closer to his own time); women, mostly Roman women, suffering (often sexual) violence so that in their sacrifice the Roman state might be enhanced is a repeated motif in Livy (e.g. Lucretia, Verginia).

But more directly to our topic today, I want to note at this point exactly the sort of society Livy is imagining the earliest Rome, under its first king Romulus, in particular that it consists of a lot of different peoples and heritages. We’ll come back to exactly who all of these peoples are (historically speaking) in a moment. But Livy and Vergil first create a Trojan-Latin fusion community, which produces both Romulus and Remus and their initial core of settlers (mixed in with other, apparently purely Latin communities), who then gather up shepherds from all around, and then invite literally anyone from nearby communities to join them (which must include Etruscan communities to the north as well as Umbrians and Falisci of various sorts from the hills) and then finally fuses that community with the Sabines (an Umbrian people).

So we have our very first Romans, as the first Senate is being set up (1.8.7) and the very first spolia opima – the prize for when one commander defeats his opposite number in single combat – being won (1.10.7) and the very first temple being founded in the city (1.10.7). And those very first Romans, as Livy imagines them, are not autochthonous (that is, the original inhabitants of the place they live), nor ethnically homogeneous, but rather a Trojan-Aborigines-Latin-Faliscian-Umbrian-Etruscan-Sabine fusion community. For Livy, diversity – ethnic, linguistic, religious – defines Rome, from its very first days.

But of course this is all legends – important for understanding how the Romans viewed themselves, but necessarily less valuable for understanding the actual conditions in Rome at its earliest. Unfortunately, we lack reliable written sources for this part of the world so early (most of the “regal” period, when Rome was ruled by kings, notionally from 753 – the legendary founding date for the city – to 509, is beyond historical reconstruction).

Bret Devereaux, “Collections: The Queen’s Latin or Who Were the Romans? Part I: Beginnings and Legends”, A Collection of Unmitigated Pedantry, 2021-06-11.

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