Quotulatiousness

January 6, 2012

Michael Geist: help save Canada’s liberal public domain rules

Filed under: Books, Cancon, Law, Liberty, Media — Tags: , , — Nicholas @ 11:56

Canada’s standards for when works enter the public domain are more liberal than those in the US and Europe (that is, we provide shorter — but still generous — periods of copyright protection). Michael Geist says that these standards may be at risk soon:

Canada celebrated New Year’s Day this year by welcoming the likes of Ernest Hemingway and Carl Jung into the public domain just as European countries were celebrating the arrival of James Joyce and Virginia Woolf, 20 years after both entered the Canadian public domain. Canada’s term of copyright meets the international standard of life of the author plus 50 years, which has now become a competitive advantage when compared to the United States, Australia, and Europe, which have copyright terms that extend an additional 20 years (without any evidence of additional public benefits).

In an interesting coincidence, the Canadian government filed notice of a public consultation on December 31, 2011 on the possible Canadian entry into the Trans Pacific Partnership negotiations, trade talks that could result in an extension in the term of copyright that would mean nothing new would enter the Canadian public domain until 2032 or beyond. The TPP covers a wide range of issues, but its intellectual property rules as contemplated by leaked U.S. drafts would extend the term of copyright, require even stricter digital lock rules, restrict trade in parallel imports, and increase various infringement penalties. As I noted last month, if Canada were to ratify the TPP, it would require another copyright bill to undo much of what the government is about to enact with Bill C-11.

December 18, 2011

MPAA strategy shift: when the truth won’t serve, just lie

Filed under: Law, Liberty, Media — Tags: , , , , , — Nicholas @ 12:24

Cory Doctorow at BoingBoing:

MPAA Chairman Chris Dodd is making the rounds in DC, trying to gin up support for the Stop Online Piracy Act, which establishes a national censorship regime in which whole websites can be blocked in the US if the MPAA objects to them. The former senator turned shill has run out of plausible arguments in favor of the bill, so he’s resorted to really, really stupid lies.

Case in point: Dodd recently told the Center for American Progress that “The entire film industry of Spain, Egypt and Sweden are gone.”

Of course, this is a flat-out, easily checked, ridiculous lie.

December 17, 2011

Charles Stross divines the real reason for SOPA

Filed under: Government, Liberty, Politics, USA — Tags: , , , , , — Nicholas @ 11:39

Read the whole thing, but the last few points help to explain why the push for SOPA is coming right now:

7. Modern communications technologies (including the internet) provide people with a limitless channel for self-expression (not to mention distraction — endless circuses without the bread). They also provide the police state with a limitless flow of intelligence about the people. Note also that it’s possible to not merely listen in on mobile phone calls, but to use a mobile phone as a GPS-aware bugging device, and (with a bit more smarts) to have it report on physical proximity (within bluetooth range — about 20 feet) to other suspects. The flip side of social networking is that the police state knows all your acquaintances.

8. So I infer that the purpose of SOPA is to close the loop, and allow the oligarchy to shut down hostile coordinating sites as and when the anticipated revolution kicks off. Piracy/copyright is a distraction — those folks pointing to similarities to Iranian/Chinese net censorship regimes are correct, but they’re not focussing on the real implication (which is a ham-fisted desire to be able to shut down large chunks of the internet at will, if and when it becomes expedient to do so).

November 2, 2011

The decline and fall of Righthaven

Filed under: Law, Liberty, Media, USA — Tags: , , , , , — Nicholas @ 08:40

Ars Technica has what should be the final legal chapter in the Righthaven saga:

Looks like it’s time to turn out the lights on Righthaven. The US Marshal for the District of Nevada has just been authorized by a federal court to use “reasonable force” to seize $63,720.80 in cash and/or assets from the Las Vegas copyright troll after Righthaven failed to pay a court judgment from August 15.

Righthaven made a national name for itself by suing mostly small-time bloggers and forum posters over the occasional copied newspaper article, initially going so far as to demand that targeted websites turn over their domain names to Righthaven. The several hundred cases went septic on Righthaven, however, once it became clear that Righthaven didn’t own the copyrights over which it was suing. Righthaven, ailing, was soon buffeted by negative court decisions as a result.

[. . .]

The appeals court has refused to act on Righthaven’s request to delay its August judgment further, and the money was due last Friday. When it didn’t show up, Randazza Legal Group went back to the Nevada District Court to request a Writ of Execution to use the court’s enforcers, the US Marshals, to collect the money. The court clerk issued the writ today, and Righthaven’s $34,045.50 judgment has now ballooned to $63,720.80 with all the additional costs and fees from the delay.

I spoke to Marc Randazza this evening, who tells me, “We’re going to enlist the US Marshal in marking sure this court’s order has some meaning.” He looks forward to heading over to Righthaven’s offices as soon as possible. Should Righthaven not have the cash in its bank accounts, the writ allows Randazza to “identify to the US Marshal or his representative assets that are to be seized to satisfy the judgment/order.”

The degree of threat that Righthaven and other lawfare groups posed to bloggers and anyone else who quoted material on the internet was discussed back in May.

October 27, 2011

Up next: the Great Firewall of … America

Filed under: Government, Liberty, Media, Technology — Tags: , , , , — Nicholas @ 12:18

The headline on this article says it all: E-PARASITES Bill: ‘The End Of The Internet As We Know It’.

We already wrote about the ridiculously bad E-PARASITES bill (the Enforcing and Protecting American Rights Against Sites Intent on Theft and Exploitation Act), but having now had a chance go to through the full bill a few more times, there are even more bad things in there that I missed on the first read-through. Now I understand why Rep. Zoe Lofgren’s first reaction to this bill was to say that “this would mean the end of the Internet as we know it.”

She’s right. The more you look at the details, the more you realize how this bill is an astounding wishlist of everything that the legacy entertainment gatekeepers have wanted in the law for decades and were unable to get. It effectively dismantles the DMCA’s safe harbors, what’s left of the Sony Betamax decision, puts massive liability on tons of US-based websites, and will lead to widespread blocking of websites and services based solely on accusations of some infringement. It’s hard to overstate just how bad this bill is.

And, while its mechanisms are similar to the way China’s Great Firewall works (by putting liability on service providers if they fail to block sites), it’s even worse than that. At least the Chinese Great Firewall is determined by government talking points. The E-PARASITES bill allows for a massive private right of action that effectively lets any copyright holder take action against sites they don’t like. (Oh, and the bill is being called both the Stop Online Piracy Act (SOPA) and E-PARASITES (which covers the PROTECT IP-like parts of the bill, SOPA refers to the larger bill that also includes the felony streaming part).

July 29, 2011

Kashmir performed by the London Philharmonic Orchestra

Filed under: Law, Media — Tags: , , — Nicholas @ 00:05

Originally posted by Ghost of a Flea. I listened, I liked, I wanted to buy . . . but neither iTunes nor hmvdigital.ca have it available for purchase.

July 20, 2011

Another aspect of China’s amazing economic growth

Filed under: China, Economics, Law, Technology — Tags: , , , — Nicholas @ 07:28

Steve Jobs might want to look at the Chinese market a bit more carefully . . . something’s happening that he may need to pay closer attention to:

The Western news media is replete with pithy descriptions of the rapid changes taking place in China: China has the world’s fastest growing economy. China is undergoing remarkable and rapid change. This represents a unique moment for a society changing as quickly as China.

You probably read such things in the paper every day — but if you have never been to China, I’m not sure you know quite what this means on a mundane level. As I’ve mentioned elsewhere on this blog, in the 2+ years that RP and I have been in our apartment, much of the area around us has been torn down, rebuilt, or gutted and renovated – in some cases, several times over. I had the thought, only half-jokingly, that when we returned from a couple months abroad, we might not be able to recognize our apartment building. Or that it might not be there at all.

As it turns out, my fears were baseless — our scrappy little home remains. The neighborhood, however, has definitely kicked it up a notch or seven. Starbucks has opened not one, but THREE branches (that I encountered) within a 10 minute walk of one another. An H&M has opened across from our apartment building. These are the kinds of major Western brands that were previously only represented in Kunming by fast food chains like McDonald’s and KFC. Our neighborhood has quickly become the swanky shopping center of the city.

Update, 21 July: Andrew Orlowski thinks I’ve been taken in by a non-story:

Some stories are so unusual, you immediately wonder if they’re too good to be true. On Tuesday, a Western NGO in China posted a remarkable tale, reporting that ingenious Chinese retailers in a medium-sized provincial city called Kunming had cloned an Apple Retail Store, faithfully reproducing the staff T-shirts, furniture, display material, and name tags.

[. . .]

But another 10 seconds with Google would reveal that in China, as in the UK and many other countries, Apple has a network of authorised resellers. Apple lays down very strict guidelines on how the resellers must present the gear. The sales material is Apple’s, and the specifications are extremely precise. And to be an Apple “Premium Reseller”, you have to look a lot like an Apple Apple Store, but naturally, you can’t call yourself one. There are hundreds of these, with Apple manufacturer Foxconn’s brother Gou Tai-chang planning 100.

[. . .]

Think of it like this: if you had a Jaguar showroom, anywhere in the world, would you operate from a dodgy lock-up and advertise it with a hand-painted sign? I thought not. You’d want it to look as slick and expensive as the real thing. I’m not sure why we expect Chinese Apple resellers not to do so, too.

July 12, 2011

An amusing copyright tale (for a change)

Filed under: Cancon, Law, Media, Technology — Tags: , , , , , , — Nicholas @ 16:06

Jesse Brown has the most entertaining copyright story I’ve read in quite a while:

But some of the hooligans exposed on Youtube found a clever way to get the video removed—copyright claims. Under Youtube’s “Notice and Takedown” policy, all you need to do is claim you own the rights to a video and demand that it be removed, and Youtube will remove it. The video’s uploader will be informed of the allegation and then have a chance to challenge it.

But here’s the rub: in order to claim ownership of a video’s copyright, you have to identify yourself. And when Youtube informs the uploader that they’re being accused of a copyright violation, they have to tell them who their accuser is. So rioters are indirectly handing their names over to the very people who were trying to identify them.

May 30, 2011

Cory Doctorow: “Every pirate wants to be an admiral”

Filed under: Economics, Law, Liberty, Media, Technology — Tags: , , , , — Nicholas @ 10:09

May 16, 2011

A disturbing possible future: nanolaw

Filed under: Economics, Law, Media, Technology — Tags: , — Nicholas @ 12:48

Paul Ford writes about a morning in the near future:

My daughter was first sued in the womb. It was all very new then. I’d posted ultrasound scans online for friends and family. I didn’t know the scans had steganographic thumbprints. A giant electronics company that made ultrasound machines acquired a speculative law firm for many tens of millions of dollars. The new legal division cut a deal with all five Big Socials to dig out contact information for anyone who’d posted pictures of their babies in-utero. It turns out the ultrasounds had no clear rights story; I didn’t actually own mine. It sounds stupid now but we didn’t know. The first backsuits named millions of people, and the Big Socials just caved, ripped up their privacy policies in exchange for a cut. So five months after I posted the ultrasounds, one month before my daughter was born, we received a letter (back then a paper letter) naming myself, my wife, and one or more unidentified fetal defendants in a suit. We faced, I learned, unspecified penalties for copyright violation and theft of trade secrets, and risked, it was implied, that my daughter would be born bankrupt.

But for $50.00 and processing fees the ultrasound shots I’d posted (copies attached) were mine forever, as long as I didn’t republish without permission.

H/T to Kevin Marks, retweeted by Cory Doctorow for the link.

May 11, 2011

Belgian newspapers win appeal against Google

Filed under: Europe, Law, Liberty, Media — Tags: , , , , — Nicholas @ 07:45

Apparently, even a short summary and a hyperlink are considered to be a violation of copyright in Belgium:

A Belgian appeals court has upheld an earlier ruling that Google infringes on newspapers’ copyright when its services display and link to content from newspaper websites, according to press reports.

The search engine giant is responsible for infringing the copyrights of the papers when it links to the sites or copies sections of stories on its Google News service, the Belgian Court of Appeals said, according to a report in PC World.

Google must not link to material from Belgian newspapers, the court said, according to the report (in French). No translation of the ruling is yet available.

[. . .]

The newspapers argued that they were losing online subscriptions and advertising revenue because Google was posting free snippets of the stories and links to the full article on Google News.

Google’s search engine offers links to the websites it indexes but also to “cached” copies of those pages. The copies are stored on Google’s own servers.

May 6, 2011

The “orphan works” gap in US copyright law

Filed under: Law, Media, Technology, USA — Tags: , , — Nicholas @ 09:30

Nicole Ciandella writes about so-called “orphan works” under current US copyright law:

Jazz enthusiasts rejoiced when the National Jazz Museum in Harlem purchased the famous Savory Collection last year, but unless Congress fixes a gaping hole in U.S. copyright laws, few people will actually hear the prized recordings.

William Savory was an audio engineer who developed his own method of recording live audio performances in the late 1930s. Up until World War II, most live performances were recorded on 78 rpm records that could capture only about three minutes of music. But Savory used 12- and 16-inch aluminum discs, which enabled him to create and store high quality recordings of longer performances. His collection includes a six-minute version of Coleman Hawkins performing “Body and Soul” in the spring of 1940 and a recording of Billie Holliday singing a rubato-tempo version of “Strange Fruit” in a nightclub only a month after her original version was released.

While he was alive, Savory kept his recordings mostly to himself. He died in 2004. His son, who inherited the recordings, finally agreed last year to sell the whole Savory Collection to the National Jazz Museum.

Museum spokespeople say the museum is eager to share the songs with the public online, but because of the recordings’ murky copyright status, that’s unlikely to happen anytime soon. The performances Savory recorded are now considered “orphan works” — in other words, their copyright owners are unknown and cannot be tracked down. The museum can’t obtain permission to disseminate the recordings; and if the museum were to go ahead without permission, it would risk being hit with a copyright infringement lawsuit, meaning potentially hefty civil penalties.

May 3, 2011

The lawfare threat to bloggers (and anyone else who posts on the web)

Filed under: Law, Liberty, Media, Technology — Tags: , , , — Nicholas @ 18:15

Box Turtle Bulletin lays out the details of a very disturbing development:

By providing blockquotes, we let the source material speak for itself without any inadvertent inaccuracies or biases which may creep in if we were to paraphrase it. And by providing links, we allow you, the reader, to click through for more information. Of course, we cannot copy the source material in its entirety, nor can we copy major portions of it. That would violate copyright laws, which is a very serious issue. But copyright laws do allow us to copy small portions of source material for commentary and discussion purposes.

As I said, copyright laws — or more specifically, copyright lawsuits — are serious business. And now, three newspaper chains have discovered that filing copyright lawsuits can become yet another profit center. The problem is, their definition of copyright infringement not only contradicts copyright law, but also poses a serious threat to bloggers and other online outlets everywhere.

Righthaven LLC is a copyright holding company which acquires “rights” to newspaper content after finding the content published on other web sites without permission, and files lawsuits against those web site. Righthaven was created as a partnership with Stephens Media, publisher of the Las Vegas Review-Journal, and their business model rests entirely on suing web site owners and operators for extravagant “damages” as a shakedown exercise. (“Rights” are in quotes, because, contrary to what is required under copyright law, Righthaven doesn’t actually acquire any legitimate copyright “rights,” which is yet another problem with their business model.) Two other newspaper chains, WEHCO Media and Media News Group have entered into agreements with Righthaven to split the profits from lawsuits stemming from their respective newspapers’ contents.

The three newspaper chains partnering with Righthaven represent some very important voices in the newspaper industry, including the Las Vegas Review-Journal, Denver Post, Salt Lake Tribune, San Jose Mercury News, Oakland Tribune, St. Paul Pioneer Press, Detroit News, El Paso Times, Arkansas Democrat-Gazette, and Charleston Daily Mail.

I had already heard that the Las Vegas Review-Journal had some unusual views on quoting from their website, so I’ve avoided using that site for years. I didn’t know that the St. Paul Pioneer Press had also adopted that highly restrictive view of copyright, and they were one of the newspapers I read regularly for Minnesota Vikings information. I’m going to have to avoid quoting from them, however. Here is how Box Turtle Bulletin will be handling the situation in future:

And so to protect ourselves and this web site, we will no longer cite any content from Denver Post, Las Vegas Review-Journal, Salt Lake Tribune, or any of the other news sources listed no linkhere. There will be no links, no blockquotes, nothing. For the most part, it will be as if these sources simply don’t exist.

But if it happens that, for example, the Denver Post has an exclusive story that no one else has, we will do what the Associated Press does whenever the New York Times breaks a story. We will write about the story by paraphrasing the Post’s article, but we will not quote from it or provide a link to it — just like the Associated Press does. There will be however one tweak from standard AP practice: we will provide a link, but it will be to an explanation as to why there is no link. It will look something like this:

     “The Denver Post (no link) reports blah, blah, blah…”

H/T to Walter Olson for the link.

Michael Geist on what the Conservative majority means for digital policies

In short, he sees it as a mixed bag:

For example, a majority may pave the way for opening up the Canadian telecom market, which would be a welcome change. The Conservatives have focused consistently on improving Canadian competition and opening the market is the right place to start to address both Internet access (including UBB) and wireless services. The Conservatives have a chance to jump on some other issues such as following through on the digital economy strategy and ending the Election Act rules that resulted in the Twitter ban last night. They are also solidly against a number of really bad proposals — an iPod tax, new regulation of Internet video providers such as Netflix — and their majority government should put an end to those issues for the foreseeable future.

On copyright and privacy, it is more of a mixed bag.

The copyright bill is — as I described at its introduction last June — flawed but fixable. I realize that it may be reintroduced unchanged (the Wikileaks cables are not encouraging), but with the strength of a majority, there is also the strength to modify some of the provisions including the digital lock rules. Clement spoke regularly about the willingness to consider amendments and the Conservative MPs on the Bill C-32 committee were very strong. If the U.S. has exceptions for unlocking DVDs and a full fair use provision, surely Canada can too.

The Conservatives are a good news, bad news story on privacy. A fairly good privacy bill died on the order paper that will hopefully be reintroduced as it included mandatory security breach notification requirements. There will be a PIPEDA review this year and the prospect of tougher penalties for privacy violations is certainly possible. Much more troubling is the lawful access package which raises major civil liberties concerns and could be placed on the fast track.

April 4, 2011

Totally underground band loses millions to illegal downloads…or do they?

Filed under: Cancon, Economics, Media, Technology — Tags: , , , — Nicholas @ 09:39

An interesting article looks at a claim by an obscure band that their debut CD had been pirated over 100,000 times:

Late last week, TorrentFreak was contacted by a guy called Wayne Borean who alerted to us to a somewhat heated debate he’d been participating in on the ‘Balanced Copyright For Canada’ Facebook page.

“There’s a Rock Band called One Soul Thrust. They have a debut album, which I like (bought it off iTunes). However the first I heard of the band was when there were complaints that the band had gone Platinum — because of illegal Torrent downloads!” Borean explained.

Indeed, according to a press release from the band’s manager, Cameron Tilbury, the situation is very serious.

“The Canadian Recording Industry Association (CRIA) states that, to achieve Platinum status, an album must achieve sales of 100,000 copies/downloads of an album. Sales…that’s the key. A random polling of several torrent site’s downloads — ILLEGAL downloads — has shown that 1ST, the debut cd by ONE SOUL THRUST has been downloaded over 100,000 times,” he wrote.

That’s really terrible, isn’t it? An obscure band, hoping to make it big by selling their CD have an illegal audience more than 300 times their number of Facebook fans? How did all these illegal downloaders even find out about the band? Well, perhaps they didn’t:

At this point, since we couldn’t find any torrents on any site (Borean tried everywhere too), we have to admit we were beginning to wonder if this 100K download claim was some kind of publicity stunt. Furthermore, since Wayne Borean and Tilbury were starting to publicly tear each other apart (and getting pretty personal at times) it seemed sensible to get to the bottom of this, particularly since the band’s manager claimed that the all-powerful CRIA is supporting the band’s stance.

[. . .]

As many readers will now be aware, there is a huge problem. These results are completely fake and are generated from user input to draw traffic to site advertisers. You can type anything in the search boxes on some of these torrent sites (these apparently came from LimeTorrents) and anyone can appear to be pirated into oblivion [. . .]

We wrote back to Tilbury and explained our findings. We also asked him to comment on how he feels now that he realizes that people aren’t downloading the band’s music at all. He hasn’t responded to that question which is a real shame, because personally I think this is the most important part of the whole story.

I’m absolutely confident that there was no attempt to mislead with the band’s ‘piracy problem’ press release and that the band and their manager sincerely believed that 100K people had downloaded their album without paying for it. However, it would be intriguing to know what happened, when emotions of supposedly being ripped off by 100,000 pirates were replaced by other, perhaps more confused feelings.

Update, 5 April: Apparently you have two choices in a situation like this. 1) Own up to being mistaken and apologize for making a stink about a non-issue. 2) Double-down on stupid:

A day after One Soul Thrust’s manager had the entire Internet explain to him that his band’s music wasn’t being downloaded 100,000 times on BitTorrent sites, he’s still in deep denial. Today’s post is all about how the pirates attacked him “[b]ecause a debut album by an independent Canadian band is listed on torrent sites around the world and we had the audacity to point that out.” Um, no it’s not. It’s not listed on any torrent sites. As far as anyone can tell, not one human being on this planet has torrented this band’s CD. Dude, you made a mistake, you freaked out, you looked a little naive. Now you’re looking like an ass. Quit while you’re ahead, maybe?

Creative comments to that last post include 1) someone, somewhere actually upload the album to a torrent site, just so the band doesn’t look quite as pathetic, and 2) replace each track with varying length versions of a certain Rick Astley tune.

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