Quotulatiousness

January 19, 2016

JourneyQuest Season 3 Kickstarter Begins

Filed under: Gaming, Humour — Tags: , — Nicholas @ 03:00

Published on 18 Jan 2016

JourneyQuest 3 is funding on Kickstarter now! Click here to renew the show for a third season: http://vid.io/xqEB
Now on Kickstarter! Renew JourneyQuest for an epic third season, featuring the ongoing adventures of Perf, a dyslexic wizard with a quest problem.

Watch the first two seasons here: https://www.youtube.com/playlist?list…

December 5, 2015

The Terrible Mr. G

Filed under: Gaming, Humour — Tags: — Nicholas @ 04:00

Uploaded on 26 Apr 2006

Guy playing CounterStrike gets recorded and remixed by someone at insoc.org.

Then I transcribed it, and a few years later, decided to make this subtitle video!

December 1, 2015

A Canadian “Swatter”

Filed under: Cancon, Gaming, Law, Technology, USA — Tags: , , , , , — Nicholas @ 04:00

Cory Doctorow on the intersection of adolescent rage and police militarization, complicated by an international border:

“Obnoxious” is the online name of British Columbia teenager who spent years destroying the lives of women who had the audacity to create popular, lucrative channels on Twitch in which they streamed their amazing video-game play.

Obnoxious would get their IP addresses, dox them, DDoS them, try to blackmail them into befriending him and then to performing on-camera sex-acts for him, he would order pizzas and other crap to their homes, and then he would swat them.

“Swatting” is when you call someone’s local police force and pretend that you are a crazed gunman/bomber in their house, so that the cops show up locked and loaded, fingers on the trigger. At best, you terrorize your victim and her family; at worse, you get the police to murder one or more of them.

Jerks and people with emotional problems have used bomb threats and similar methods for decades. I went to a school where one kid — who was already in and out of residential psychiatric facilities — would routinely call in bomb threats. The precautionary principle applied — we’d go stand on the lawn and the cops would search the building — but there was none of today’s auto-immune disorder, no MRAPs parked on the lawn and cops in Afghanistan-surplus military gear hup-hupping through hallways with their fingers on the triggers.

Shutting down “Obnoxious” proved to be nearly impossible. The jurisdictional problems of getting Canadian cops to care about crimes in America, combined with American cops’ ignorance of “cyber” and tendency to blame the victims (a cop told one survivor of repeat swattings was told to stop playing games and “just pick up a book” to avoid more trouble), combined with the diffused nature of the crimes meant that Obnoxious operated with near-total impunity as he attacked more and more women.

October 27, 2015

A dispatch from the new (Guild Wars 2) front

Filed under: Gaming, Humour — Tags: — Nicholas @ 04:00

The Guild Wars 2: Heart of Thorns expansion was announced early in January 2015, but only released this month. The Orrator has a unique viewpoint of the new front opened up in the war against the dragons:

The Orrator - HoT battle report

October 19, 2015

The cyclic history of SF fandom

Filed under: Books, Gaming, Media, Politics — Tags: , , , , , — Nicholas @ 02:00

I attended my first science fiction convention when I was 16, and being a science fiction fan in the mid 70s was ever so slightly more reputable than being a junkie or a drag queen in “mundane” society. Fandom was a tiny, tiny group of people compared to just about any other group of enthusiasts you could think of. At my first SF con in Toronto, there was a sharp dividing line between the “real” SF fans and the (euchhhhh!) Star Trek fans … even though the Trek fans were close to 50% of the attending fanbase. The “real” SF fans viewed the Trekkies as just barely tolerable (think of a guest bringing along a new and not-yet-housetrained puppy to your party). This was the first cycle of modern SF fandom history. On LiveJournal, wombat-socho outlines the pattern:

A short-lived show on NBC, Star Trek, generated massive fan interest in people who had never heard of science fiction fandom. The Trek fans flooded into fandom, and in the first of a sadly repetitive series of dumb mistakes, fandom turned on these newcomers and made them aware that they were most certainly Not Welcome. Fandom’s open and non-judgmental culture suddenly became harshly critical of “drobes” who ran around in Starfleet and Klingon uniforms they hadn’t even made themselves, and Trekkies who seemingly had no other interest in SF outside the series. This was horseshit, of course; perhaps predictable horseshit, given that so many SF fans (as I mentioned previously) were more than a little lacking in social skills, but horseshit all the same. Trekkies were in many cases SF fans fired up by the campaigns to bring the show back, fans writing fanfic, fans writing fanzines to publish fanfic and fanart in, fans starting conventions to which bemused actors were invited and besieged by legions of fans seeking autographs. In short, fans doing fanac, but not in the Approved Manner or on the Approved Topics. And so Trek fandom and its conventions, for the most part, went its separate way from traditional literary SF fandom.

Not too long after the hordes of unwashed Trekkies had been successfully repelled from the ghetto, a fellow named George Lucas showed up at the Kansas City Worldcon in 1976, promoting a remake of Akira Kurosawa’s The Hidden Fortress featuring starships, a courageous young farmboy with hidden psychic powers, a couple of amusing robots, two ancient masters of martial arts, and a brutal Galactic Empire. He got a warm reception, and a few years later millions of people around the world were flocking to see the movie we all know now as Star Wars. They, too, started showing up at science fiction conventions, and got the same warm reception shown to their older brothers and sisters the Trekkies, and they in turn started going to what were increasingly called media conventions. The media conventions, like the Trek conventions before them, were very different from the fan-run SF conventions that preceded them. More (if not most) of them were unabashedly for-profit, charged different membership rates with different levels of access to the guests, and sometimes seemed more like combination flea markets/autograph sessions, with some panels where the guests talked about the shows. And they drew tens of thousands of people, because after Hollywood saw the huge piles of money Lucas was making, they couldn’t wait to launch a new Star Trek movie, a new Star Trek TV series, and all manner of TV shows and movies with science fiction themes. And lo, the fans of these shows and movies were likewise greeted with a cold shoulder by the Big Name Fans, Filthy Pros, and Secret Masters of Fandom.

At about the same time, role-playing games (Dungeons and Dragons, Traveller) exploded in popularity, followed not much later by collectible card games like Magic. For some reason, gamers had always fit better with traditional fandom, perhaps because so many of them were SF and fantasy fans to begin with, but after a while (perhaps around the time video games started becoming affordable and popular) they, too, started feeling less than welcome at regular SF conventions, and began going off to swell the crowds at GenCon and other conventions that were mostly about games and gaming.

Are you starting to see a pattern here? Is a trend becoming apparent to you?

Fans, back before Star Trek, were an isolated low-status fringe group who banded together against the mundanes who looked down on them. Given multiple opportunities to live up to their declared open and tolerant mores, each and every time they tried to do to the newcomers (Trekkies, Star Wars fans, gamers, and so on) exactly what the mundanes had done to them. You can’t say fans aren’t human, because they certainly re-enacted the same social exclusion, belittlement, and shaming that almost every in-group in human society uses against almost every out-group. Oh, and look, the “real” SF fans did the same thing recently to the libertarian and conservative fanbase.

Having read the preceding, should the results of SP3 have been a surprise to anyone? The people running WSFS and the people running local SF conventions are the same people who for the last fifty years have been mouthing off about “openness” and “tolerance” and “not being judgmental” while doing their best to run off “fringefans” at every opportunity instead of welcoming new chums and introducing them to the wider world of science fiction and fantasy. In order to join traditional fandom, you are only allowed to come in through one door, only allowed to read certain books, only allowed to express certain opinions. Then you can be accepted as a “true fan”. Why would anyone in their right mind want to put themselves through that? It’s a good question, and one which a lot of fans have answered by ignoring traditional fandom in favor of geek culture events such as the San Diego Comic Convention, Otakon, GenCon, and Dragon*Con. Some fans have signed up for Sad Puppies 4, hoping to recruit enough friends and allies to retake the Hugo Awards from the Sadducees and Pharisees who have controlled it (and increasingly, handed it out to those favored by Tor) for going on ten years. In the long term, though, perhaps what fandom (as opposed to Fandom) needs to do is build up a fan organization that welcomes all fans of science fiction and fantasy, no matter what door they enter by.

September 27, 2015

World of Warships – The Tirpitz!

Filed under: Europe, Gaming, Germany, History, Military — Tags: , — Nicholas @ 02:00

Published on 27 Aug 2015

What’s the matter, Tommy… are ze Germans coming? Actually yes, they are and they’re in dirty great Battleships! I think we’re going to need bigger guns…

August 17, 2015

“#Gamergate summarized in one impossibly perfect tweet”

Filed under: Gaming, Media, Politics — Tags: , , — Nicholas @ 05:00

It’s always awkward when you see (and publicize) something that seems to perfectly encapsulate your opponent’s position turns out to be nothing of the sort:

This afternoon multiple bomb threats were called in to a Society of Professional Journalists debate about GamerGate. I’ve been passed the remarks my fellow panellist, AEI scholar and feminist academic Christina Hoff Sommers, was planning to make.

A video game journalist from Vancouver recently took to Twitter to draw attention to a Tweet sent by a gamer: The gamer had tweeted: “I fucking swear — they get rid of Huge Boobs, I’m gone.” For this journalist those 11 words captured the essence of the gamer crusade. The hypermasculine dudebro attitude –— the crude objectification of women. It’s all there. Or so it seemed to him. As he put it: “#Gamergate summarized in one impossibly perfect tweet.”

But as is often the case with media accounts of GamerGate – the facts don’t really fit the narrative. First of all, the author was not talking about video games, but rather efforts to censor images of buxom ladies on Reddit. But more importantly — the author of the tweet is a young woman named Alison. Alison is a lesbian gamer who apparently enjoys gazing at images of busty women. For me, it is the game journalist’s tweet, not Alison’s, that is emblematic. It is an impossibly perfect illustration of a serious flaw in contemporary journalism: the narrative matters more than truth. The Rolling Stone’s apocryphal story about a gang rape at UVA is frequently cited as the classic example of narrative over-reach. But the press literature on GamerGate is strikingly similar.

According to dozens of media stories, #Gamergate is a nightmarish cabal of right wing males who will stop at nothing to keep women out of gaming. Comparisons with hate groups, lynch mobs and terrorists are not uncommon. In reality Gamergate has support from hundreds of thousands of rank and file video game enthusiasts from all over the world and across the political spectrum. Gamers identify with GamerGate for different reasons. A recurrent theme is consumerist – gamer journals are toadies for the game companies and need to be replaced by authentic critics, they say. Another — and the one that drew me into the world of gamers — is impatience with cultural scolds who evaluate games through the lens of political correctness. Are there some bullies and lunatics on the fringes of GamerGate? Yes there are. It’s the internet.

Media stories have focused on the female critics who have received hateful messages and even death threats. Those messages and threats are deplorable, but what the journalists typically fail to mention is that no one knows who sent them. Furthermore, those who defend Gamergate (males and females) have received hate mail and death threats as well. Too many in the media are addicted to a simplistic damsel in distress storyline — but inconveniently there are distressed damsels on both sides of the GamerGate controversy. The best data we have on on-line threats, a 2012 Pew Study for example, suggest that men, not women, are the primary targets.

Update, 10 December: It’s no wonder that outsiders to this fight (like me) get confused about who is who … I got a link from @Nezumi_Youjo asking me if I was going to post a retraction “now that it’s come out that Alison was a sockpuppet?” and provided me with a link to this article by Natalie Walschots:

Gamergate is good at perpetuating this fiction; otherwise they wouldn’t have gotten the time, attention, and platforms they have managed. But every once in a while, the facade falters, a crack appears, and we get a glimpse of the monster-cum-wizard behind the curtain.

The most immediate and chilling example? The recent tale of Alison Prime.

[…]

Steven Polk’s reluctance to accept help may have stemmed from the fact that he had another extensive community from which to draw support, once much larger and more nebulous than his next-door neighbors and Joe’s high school friends could offer, access or even understand. Reaching out to this network, however, was a much more complicated, and potentially dangerous, prospect.

On November 5, Steve Polk gave an extraordinary interview with Another Castle, a gaming site that purportedly caters to “all things nerd”: since 2009, and actively since September 2014, Steve had constructed and maintained an elaborately constructed online identity, that of a young woman called Alison Prime.

July 12, 2015

Gaming journalism

Filed under: Business, Gaming — Tags: , — Nicholas @ 03:00

I really haven’t been following the uproar over the gaming journalism narrative … so this story may be completely off-base (but it does at least match some of what I’ve heard from folks who are invested in the argument):

Video game journalists: those guys who use phrases like “high octane,” “balls-to-the-wall” and “artistic integrity“; the sadomasochists who label factions of their own community xenophobes and fascists, for daring to express an ironic sense of humor; the enlightened few, who described fans as whiny and “entitled” for voicing their displeasure over the conclusion to a beloved franchise.

These past few years have not been kind to the gaming community. To put it mildly, of late, video game journalists have not been too generous to the gaming community.

“Give us your clicks, your Facebook shares, your unfaltering loyalty,” they say, all doe-eyed and loving. “Oh, and please don’t enable AdBlock!” Video game journalists excitedly invite their readership to view their news articles, reviews and opinion pieces, only to kick them to the curb when they’ve siphoned up the ad money. If that’s not how the state of play is, that’s certainly how it feels.

It’s like a depressing, unfulfilling booty call, where, ultimately, everyone comes out a little crustier and disease-ridden. The games journalists may earn some clicks for cash, but they lose little pieces of their souls, their innocence, their Bambi-like demeanor. Meanwhile, angry gamers hop about social networks, gnashing their teeth and venting their disdain for the press. The fans’ incredulity over the behavior of these journalists, in turn, makes the journalists just as incredulous. The fans feel downtrodden and used, the journalists feel violated and misunderstood, and a toxic cycle of hate ensues.

A number of culture critics and social crusaders have helped foster an atmosphere of tension and animosity, striking a war between gamers and members of the games press. However, while these individuals struck the match of the debate, the journalists hurriedly gathered the canisters of gasoline. In fact, little did the community realize, these self-interested people had not been on “their side” for quite some time.

H/T to Perry de Havilland for the link, and the rather eye-catching GIF:

Mass-Effect-3-IGN-review-score

July 7, 2015

World of Warships open beta

Filed under: Gaming, History, Military, WW2 — Tags: , , — Nicholas @ 02:00

I’ve been keeping an eye on World of Warships, if only due to the renderings of the various ships (as a kid, I used to love the diagrams of ships in publications like Purnell’s History of the Second World War). I doubt I have the time to play the game very much, but I’ll probably sign up for the open beta which began last week.

At Massively Overpowered, MJ Guthrie talks to the developers:

Immersion. That’s not a word you often hear associated with lobby-based PvP games. But in the case of World of Warships, the third title in Wargaming’s WWII-era trilogy, it’s more than just fitting; it’s defining. Although not a battle simulation, WoWS offers a genuinely immersive experience thanks to the historical authenticity and the level of detail in both the audio and visual departments. You’ve heard the devil is in the details? Well that’s where the immersion is, too. And now that open beta has started, more players are finally able to dive in and experience this for themselves.

To learn more about how the development team achieved such a high level of immersion, I went to the source: I visited Wargaming’s headquarters in St. Petersburg and talked with the devs who create everything you see and hear in the game. And after watching the creation process in action, I appreciated the ambiance all the more when I jumped in for a hands-on in the closed beta.

Accuracy must take second place to what the players say they want, however:

Sounds really start to shine through once you turn the music down. Although the game’s smart music slider suppresses it when you fire, try clicking it off sometime to focus on the many ambient sounds. Tohtash said that the team has already added “about 3,000″ different sounds to the game. Players will actually hear different metallic sounds from the engines and hulls when the ships change speeds and from the guns when they fire. Engines have four different sound elements (engine, turbine, resonance, and post effects), and guns have three (attack, body, and echo or tail), which combine with recoil, load, and double echo. Using the various elements, the team took care to make different caliber of guns have different sounds. On top of all the types of sounds is the fact that they are positional, changing depending on what view players are in. If your camera is too close to the gun, you will get ringing in your ears after the shot!

Artillery sounds in World of Warships are something that diverges from historical accuracy. The team has access to reference videos, but focus groups have not wanted the more accurate gunfire sounds; they favor big booming ones. Tohtash admitted that actual sounds alone are a bit dry, but once effects such as implementing the bass and the full range of frequencies are added in, the sound is richer and fuller.

June 17, 2015

Guild Wars 2: Heart of Thorns pre-purchase now available

Filed under: Gaming — Tags: — Nicholas @ 07:18

Yesterday, Arenanet announced that the first Guild Wars 2 expansion, Heart of Thorns is now available for pre-purchase at http://buy.guildwars2.com. There is still no definite release date, but pre-purchasing will allow you to take part in the upcoming beta weekend events (just as they did for the original game).

GW2 Heart of Thorns prepurchase screen

May 20, 2015

Minecraft – the latest moral panic

Filed under: Gaming, Media — Tags: , — Nicholas @ 03:00

At Techdirt, Karl Bode pours some scorn on a deserving demographic:

Like many people, video games have been an integral part of my life for about as long as I can remember. From my days visiting Wildcat! BBS systems where I’d play Trade Wars 2000 — to obsessing over the Apple IIe, IIc and IIgs — video games were not only an integral part of my childhood, they actually helped forge an adult career path. Swapping out graphics cards and building new PCs to play Quake 2 led to a job in Manhattan legal IT, which in turn resulted in a life focused on writing about technology. Aside from a few tics, I like to believe I wound up relatively normal, and video games have made my life immeasurably more rewarding.

That background usually forces me into the role of video game evangelist when surrounded by folks that, all too frequently, are engaged in hand wringing over the diabolical moral dangers games purportedly present. At a party recently, some friends expressed muted shock because a colleague’s kid was, instead of being social, playing a game in which he was “herding human beings and keeping them in a barn to eat.” I had to explain (skipping the part about how you’d need a mod to actually eat them) how this behavior wasn’t indicative of a Jeffrey Dahmer in training, he was simply engaged in normal problem solving behavior on the new frontier […]

Despite the fact that Minecraft is simply an amazing evolution of the Lego concept for the modern age, the moral panic surrounding the game never quite seems to abate. The latest case in point is over at the BBC, where the outlet implies it has heard all of the pro-Minecraft arguments before, it’s just choosing to ignore them in order to portray the game as an unpoliced virtual-reality hellscape that’s rotting the brains of children everywhere. While there are some good points embedded within, there are notably more bad ones, like the argument that kids should instead be reading, because reading engages imagination and builds character

May 9, 2015

A rather satisfying way to punish an in-game cheater

Filed under: Gaming — Tags: , , , — Nicholas @ 08:24

BBC News picked up the story of a Guild Wars 2 player who’d been cheating on a massive scale:

A character controlled by a hacker who used exploits to dominate online game Guild Wars 2 has been put to death in the virtual world.

The character, called DarkSide, was stripped then forced to leap to their death from a high bridge.

The death sentence was carried out after players gathered evidence about the trouble the hacker had caused.

This helped the game’s security staff find the player, take over their account and kill them off.

Over the past three weeks many players of the popular multi-player game Guild Wars 2 have been complaining about the activities of a character called DarkSide. About four million copies of the game have been sold.

Via a series of exploits the character was able to teleport, deal massive damage, survive co-ordinated attacks by other players and dominate player-versus-player combat.

To spur Guild Wars‘ creator ArenaNet to react, players gathered videos of DarkSide’s antics and posted them on YouTube.

The videos helped ArenaNet’s security head Chris Cleary identify the player behind DarkSide, he said in a forum post explaining what action it had taken. Mr Cleary took over the account to carry out the punishment.

H/T to MassivelyOP for both the original story and the BBC News link.

April 30, 2015

When Dungeons and Dragons met LEGO

Filed under: Gaming, Media — Tags: , — Nicholas @ 05:00

A picture really can convey a thousand words:

Lego version of 1977 D and D box

I’ve often contend that three of the most significant influences on my adolescent years were: LEGO building, computer programming, and playing Dungeons & Dragons. With this latest mosaic project, I more or less bring all of those things together (the LEGO and D&D are obvious, while behind the scenes I have the software program I wrote to help me map out the whole mural).

For those not quite as nerdy as myself, here’s the background on this image. It is the cover to the boxed set of the 1977 version on the game Dungeons & Dragons. This was the first version of the game released as the “Basic” set. It was the first set that my brother and I owned and played with. Obviously, the countless hours I spent reading the rulebook and perusing the illustrations made a pretty big impression on me. In fact, I still run a Basic D&D campaign semi-regularly using this very set.

April 28, 2015

Fever dream meets DOOM

Filed under: Gaming — Tags: — Nicholas @ 03:00

Ever have one of those fever dreams where you’re moving through the terrain of a video game? Want to recreate that experience for some reason? You’ll want to download Doomdream:

doomdream

Ever play a video game so often that it shows up in your dreams?

That’s the idea behind Doomdream, an interactive experience created by Ian MacLarty to simulate what his own dreams look like after he’s been playing the classic 1993 shooter Doom all day.

Although there are no enemies, no combat or really any plot, it generates a labyrinth of pixelated gray tunnels and bloody stalagmites for you to wander in forever, recreating the nightmare of so many players who got lost in the purgatory of Doom‘s looping levels, searching fruitlessly for an exit sign.

H/T to BoingBoing for the image and story.

April 18, 2015

How the Hugo Awards became the latest front in the Culture Wars(TM)

Filed under: Gaming, Media, Politics, USA — Tags: , , — Nicholas @ 03:00

At The Federalist, Robert Tracinski talks about the expansion of the ongoing culture wars into the SF and Fantasy communities:

This is the era in which we are all being drafted in the Culture War. It doesn’t matter if you’re secular or religious, political or apolitical, frat boys or geeks, hipsters or bros. Nobody gets to be neutral or sit on the sidelines, because we’ll all be expected to make our obeisance to the latest politically correct opinion handed down to us by a Twitter mob.

By now, we know the basic ingredients of a typical skirmish in Culture War 4.0. It goes something like this: a) a leftist claque starts loudly pushing the “correct” Culture War position onto b) a field previously considered fun, innocuous, apolitical, purely personal, or recreational, and c) accusing anyone who opposes them of being a racist, sexist, bigot who relies on oppressive “privilege” to push everyone else down, while these claims are d) backed up by a biased press that swallows the line of attack uncritically and repeats it.

Any of that sound familiar? It’s just daily life for anyone on the Right, and it’s slowly becoming daily life for everybody else. Ask Comet Guy.

The innocuous field in which the personal is suddenly discovered to be very political might be fashion, music, toys, sports, or sex, not to mention weddings, flowers, cake-baking, and pizza.

Or video games. Or science fiction.

Which explains the latest, wide new front of the Great Social Justice War: Gamergate*, and the battle over the Hugo Awards, a prestigious annual fiction award for science fiction and fantasy writers.

Hugo nominations are not made by a cloistered group of experts. They are voted on by anyone who becomes a “supporting or attending member” of the World Science Fiction Convention, or Worldcon. This has usually meant that the voting is limited to a small pool of a few thousand die-hard science fiction fans. But in practice it means that anyone willing to shell out $40 can cast a ballot.

Science fiction has always been a fertile arena for exploration of big ideas — much more so, these days, than highbrow “literary” fiction. The use of fantastical science fiction premises allows authors to project a future in which everything is done differently, or in which human nature itself has been altered, and this leads them to ask questions about what is really natural, necessary, or essential to human life and what is merely conventional, artificial, and unnecessary. It has been remarked that “big-idea novels are more likely to have an embossed foil dragon on the cover than a Booker Prize badge.”

Clearly, all of this freewheeling exploration of ideas has got to stop.

« Newer PostsOlder Posts »

Powered by WordPress