Quotulatiousness

November 27, 2025

We’re not quite at the point that we get trigger warnings for trigger warnings, but …

Filed under: Books, Health, Media — Tags: , , , , — Nicholas @ 10:00

On her blog, Sarah Hoyt discusses the continued expansion of trigger warnings in fan fiction, but not because the readers demand it:

Image from According to Hoyt

… I’ve noticed a creep up of trigger warnings in fanfic. Some of these would be incomprehensible to non-Jane-Austen fans and are actually not so much trigger warnings as sub-genre warnings. There are subgenres some fans (sometimes I’m some fans) hate, like “Lizzy is not a Bennet” or “Bingley is evil” or … whatever. That’s fine. It saves me the trouble of reading a fanfic that’s going to annoy me. Unless I’m in the mood to be annoyed, in which case I will read it so I can grit my teeth and mentally yell at the writer. (Bingley is evil is a problem because it usually turns into a revenge-fest on EVERYONE. Everyone is evil. Etc. I don’t think there’s ever a time I want to read that. You find yourself wanting to take a shower for the soul. With a wire scrub brush.)

We make fun of trigger warnings, often, but it’s a real measure of how stupid things have gotten. When I’m having to read a trigger warning for say “kissing without consent.” or “violence against children” (Okay, you’ll think that last makes perfect sense, until you find out it’s because a kid gets slapped once in the novel) or “verbal violence” or –

And you start wondering, on the serious, if the ideal novel for these people has no plot at all, just people sitting around having a nice meal and talking.

This is disturbing, because the whole point of a novel is to make you feel emotions and experience things you either can’t in your real life, or which wouldn’t be safe to experience in your real life, followed by resolution and catharsis. That’s what a novel offers you. The opportunity to be the someone else far away experiencing “Adventure” (which as we all know is really a series of unpleasant events.)

Anyway, I’ve slowly come to the conclusion all this demand for warnings and screeching about offense isn’t by real readers.

No, seriously. Real readers know that no one can insulate them against all surprises in a book (or blog) and that in fact the point of reading is to get out of your head and experience different things, different events, different emotions and different points of view. You might disagree vehemently with them (I actually do with most of the really old science fiction. Really, scientists in charge? Who thinks that’s even safe? Oh, yeah, the Soviet Union. But even they didn’t DO IT. They just paid lip service. They might have killed a lot more people if they’d done it, at that.) but that forces you to think about why you disagree and how you’d do it differently. If you’re of a certain frame of mind, you [might] end up becoming a novelist and writing your response to what you disagree with. Though if you are worth spit, even then, your “response” will be less of a response and more of this whole new thing it became, with the response buried somewhere inside it. And if you’re not of that frame of mind, you’ll still end up a more considered and self-reflective thinker than you were before. For one, while you might think that the other POV is stupid, if you read a whole novel with it, you’ll be aware that thought went into it, and might even have to confront that the worst stupid takes a lot of thought and self deception.

Anyway, the point is, I don’t think the offense-monsters read. Because the whole point of their screeching is to shut down the thinking and prevent ANYONE ELSE from being exposed to the material, and maybe thinking.

That’s not what they say, of course. They say “I’m offended”. And “I’m hurt”. And “You’re mean because you offended me”.

But what they really mean is “this you cannot think” “This you cannot see” and “this you cannot read” and “this you cannot write”. And “this you cannot say”.

They have, you see, completely surrendered their very core to the herd. They have given up their right to think and feel and be, in favor of belonging completely to the herd. (They used to have a term for this and said it as though it were praiseworthy: “mind-kill”.) So being exposed to contrary things hurts, and they have no defense, because they have taught themselves not to think and/or reason through things.

The pain they feel at the slightest hint of disagreement is true. It is also a symptom of what they have done to themselves, and has nothing to do with being mentally or emotionally healthy.

Just like the pain of withdrawal of a chronic alcoholic denied alcohol is real, and continued and too fast withdrawal might kill him, however continuing to feed his drinking habit will also kill him, faster.

To give them trigger warnings, apologize for any offense and handle them with kid gloves is not only bad for them but bad for society in general.

Lack of talent is no obstacle to music success … even before Auto-Tune

Filed under: History, Media, Technology, USA — Tags: , , , , , — Nicholas @ 05:00

One of the reasons I like Ted Gioia’s Substack is that even when I’m not overly interested in the topic of any particular post, I usually learn something:

I’ve tried to identify the turning point — the moment when the rules changed. By my measure it happened one night in 1958.

Let’s revisit that fateful day …

One Friday evening in 1958, record producer George Avakian sat down in front of his TV set, and watched an episode of the popular detective show 77 Sunset Strip. This chance incident would have surprising ramifications in the music business for decades to come.

A few minutes into the episode, the record producer decided that one of the actors on the show looked and talked like a rock star. His name was Edd Byrnes and he played a hipster character named Kookie.

Kookie parked cars at a Hollywood nightclub in the show, and acted very cool. He had the right look and said witty hipster-ish things. The TV audience loved him, especially younger viewers.

Check Kookie out and decide for yourself.

There was just one tiny problem. Byrnes wasn’t a musician.

But Avakian didn’t worry about this. “I was sure that kids would like his talk and his looks, especially a way he had of looking out of the corner of his eye,” he later recalled. “And — the real clincher for his popularity with kids — parents would loathe him.”

They didn’t have Auto-Tune back then, but studio engineers had a few tricks to fix vocal imperfections. They knew how to splice together different takes, or make slight alterations in tape speed.

But when Byrnes did an audition for the label, it was bad. It was scary bad. This promising rock star had no sense of pitch. He had no range. He couldn’t even stay in rhythm with his accompanist.

No technology could fix this mess.

Record producer Avakian was no fool. During an illustrious career, he worked with Louis Armstrong, Duke Ellington, Miles Davis, Dave Brubeck, Sonny Rollins, and Keith Jarrett, among others. He had collaborated with genius, and now he had someone on the opposite end of the spectrum.

Maybe this situation is commonplace nowadays, but back in 1958 the record business believed in something called musical talent. Avakian’s bold decision to ignore that variable marks a historic moment in our culture.

Anybody else would have walked away from this looming disaster. They would have feared not just commercial failure but a tainted reputation. You don’t want to be the exec to greenlight a recording by somebody with zero musical ability.

But in a moment of brilliant insight, Avakian decided that Kookie didn’t need to sing, he could just rap. Of course, rapping wasn’t even a concept back in those days. But it sorta existed without a name. Deejays at radio stations often introduced a song by speaking in a hip tone of voice over the intro to a song.

Kookie would do the same. He would speak or rap his part, while somebody else did the actual singing. Connie Stevens, another Hollywood talent with the right look — and a slightly better voice — could handle the actual vocals.

Carney – “Who cares?”

Filed under: Business, Cancon, Economics, Government, Media, Politics, USA — Tags: , , — Nicholas @ 03:00

On the social media site formerly known as Twitter, Melanie in Saskatchewan reacts to Prime Minister Mark Carney’s shrugging-off the economic concerns of ordinary Canadians with a casual “Who cares?”

Dear @MarkJCarney

“Who cares?”

That’s what you actually said when asked when you last bothered talking to Trump about the tariffs that are currently body-slamming Canadian jobs.

“Who cares? … It’s a detail.”

Really Mark? Let’s meet some of those “details”, Prime Minister.

The single mom juggling three gig jobs because the factory that used to pay her mortgage “paused investment” and then paused her entire livelihood: she’s just a detail.

The Windsor autoworker whose night shift got cancelled forever while you were busy perfecting your thoughtful squint for the cameras: tiny detail.

The steelworker in Hamilton burning through EI while the mill runs skeleton crews and you call the carnage a “temporary adjustment”: just a little detail.

The small-shop owner deciding which of her three employees to fire this month because 25% tariffs turned her cross-border contracts into suicide notes: who cares, right? Detail.

The rail worker staring at empty tracks where trains full of Canadian auto parts and steel used to roll: super minor detail.

The Saskatchewan electrician watching Nutrien build its next billion-dollar terminal in Washington State instead of BC because at least the Americans aren’t at war with their own economy: I guess that’s barely worth mentioning.

The welders and millwrights being told the next big plants are going up in Ohio and Texas, not Ontario or Alberta, because Canada’s too busy arguing about jurisdiction to actually fight for work: pfft, details.

The family parked on gurneys in an ER hallway at 3 a.m. because we never trained enough doctors and now the ones we have are bolting: honestly, who has time for that detail?

All those kids with degrees doing DoorDash because private-sector job growth is wheezing and every company is frozen waiting for the next Trump tweet or Trudeau shrug: whatever, details.

You flew around the world taking heroic photos, sold us “Team Canada”, bragged you were the adult who could handle Trump, and the second a reporter asks when you last actually picked up the damn phone to fight for Canadian jobs, you smirk and say “Who cares?”

Message received, loud and clear.

Those people I mentioned above? They care.

Every single one of them cares when the shift vanishes, the mortgage renews, the mill goes quiet, the doctor quits, the plant gets built south of the border, and their kids ask why Mom’s crying at the kitchen table again.

But you don’t care.

And the worst part? You didn’t even bother to lie about it.

You lied to every single Canadian to get elected, yet you don’t care.

Well Mark … we sure as hell do care.

And you WILL care.

When your greasy grifting ass is voted to the curb and we undo all the harm you’ve caused Canadians to fatten your coffers. You cant stand living in Canada and can’t wait to move back to the UK … remember?

We sure will.

Just watch us.

Sincerely,
One of the millions of Canadians tired of being your rounding error.

Melanie in Saskatchewan

Also published on her Substack.

Apparently even the most detached of politicians can occasionally be persuaded to acknowledge an unforced error:

Operation Catapult: The Royal Navy’s day of infamy?

Filed under: Africa, Britain, France, History, Military, WW2 — Tags: , , , , , — Nicholas @ 02:00

Lindybeige
Published 28 May 2025

Operation Catapult took place on July 3rd 1940 at Mers El Kebir on the Algerian coast. It remains a point of controversy in the relations between the British and the French. Who was to blame for the sinking of the French ships and deaths of French sailors? You be the judge.

Erratum: Acting Rear Admiral Onslow, captain of the aircraft carrier Hermes, was not “Rodney” Onslow as I named him, but Richard Francis John Onslow, M.V.O., D.S.C. (29 March, 1896 – 9 April, 1942).
(more…)

QotD: Honor, homage, and fealty in Game of Thrones

Filed under: Europe, Government, History, Media, Quotations — Tags: , , , , — Nicholas @ 01:00

What the above means is that if, say, Tywin Lannister wants his army, he only gets it if House Falwell, and Ferren and Foote and Clegane choose to come out and fight for him. If Tywin wants to administer the countryside, change a law, count his subjects, impose new taxes – he can only do these things if the houses under him follow through (remember, he has functionally no administrative apparatus of his own – that’s why he outsourced the job). But, Tywin’s options to coerce this cooperation are – because of those castles – extremely limited.

To refer to a distinction introduced in Wayne Lee’s talk [here] – Tywin cannot rely on force (do it because I will kill you if you don’t), he has to use power (do it because you think you ought). Because the apparatus of the state here is very limited, that power is largely generated through personal relationships – you ought to fight for your liege because you have a personal relationship with him. You see him fairly often, you swore loyalty to him (in person!!), he (or his ancestors) have helped resolve your problems in the past and most importantly, because he has kept faith with you in the past.

Which is a way of saying that this system runs on trust and reputation, and that runs both ways. Even as Tywin watches his vassals for signs of disloyalty, his vassals are watching him. Is he true to his word? Can I trust him? Because if the answer is no – I best start hedging my bets. And that bet-hedging is going to come in ways Tywin does not want – I might refuse to come out and fight, or redirect my efforts to fortifying my own holdings, or even switch over to another liege. And in the very early seasons, key characters – most notably Tywin and Tyrion – know this and act accordingly. Tywin talks a good game about lions and sheep, but when it comes down to it, he knows his reputation matters – what the sheep say about the lion matters a great deal, it turns out. Robb Stark’s failure to handle the Karstarks, Tullys and Freys is his eventual undoing. Tyrion berates Cersei on returning to King’s Landing for her actions which might call the Lannister reputation into question (“that bit of theatre will haunt our family for a generation”.)

What is unusual here is how frequently key characters deviate from the norms these societies need to function – Westerosi nobles are stunningly treacherous for people who rely on systems based in trust for survival. In a system which runs on trust and reputation, elites tend to value trust and reputation. They produce literature extolling it (as, indeed, do most “mirrors for princes” – guidebooks on how to be a good ruler – from the Middle Ages do; see, for instance, Book 3 of Dhouda’s Liber Manualis (9th cent.), which goes on and on about trustworthiness) and refine its practice. The sort of eye-popping treachery so common in Game of Thrones was far rarer in the actual historical Middle Ages for exactly the reason Game of Thrones would lead you to believe: it is almost always self-defeating.

The problem here comes in the later seasons and how they re-contextualize all of this concern. That problem has a name, and it is Cersei. Cersei breaks all of these rules. Even early on, she has her soldiers (who recall – are not paid mercenaries, but likely vassals of her house who can very much take their skills elsewhere if they don’t like their current employer) demonstrate her own capricious untrustworthiness on Lord Baelish (she has also, I will note, mistaken violence for power). She humiliates Barriston Selmy in court, a spectacle her own future vassals might have remembered. She incinerated her own family – by blood and marriage – along with her erstwhile allies. Cersei is endlessly treacherous, often foolishly and obviously so, and yet …

And yet it doesn’t matter. The Lannister bannermen in the penultimate episode mount the walls to fight a doomed battle for her anyway. Not only is that behavior inexplicable, it hardly seems possible. Who, after all, is raising and leading these men? Who is coordinating supplies and grain shipments to the capital? Remember, the reason for this distributed system of political leadership is that the central state does not have the administrative apparatus to raise armies or feed cities on its own – it has to outsource that to vassals. Vassals that Cersei has murdered or alienated, almost to a man. Cersei is defeated because dragons are unstoppable monsters, but she should have been defeated because she would have simply been incapable of raising an army at all.

Bret Devereaux, “New Acquisitions: How It Wasn’t: Game of Thrones and the Middle Ages, Part III”, A Collection of Unmitigated Pedantry, 2019-06-12.

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