Quotulatiousness

October 14, 2022

That time that H.G. Wells fell afoul of Muslim sentiments

Filed under: Books, Britain, History, India, Religion — Tags: , , , , — Nicholas @ 05:00

In the New English Review, Esmerelda Weatherwax recounts an incident from the 1930s where Muslim protestors took to the streets of London in reaction to a recent Hindustani translation of H.G. Wells’ A Short History of the World:

Screen capture of the 1938 Muslim protest march in London from a British Pathé newsreel – https://www.youtube.com/watch?v=ADausiEe4pM

… my husband was at the Museum of London and spotted a very brief mention of this protest in 1938 on a list of 20th century London events. I did some research.

The book they objected to was HG Wells’ A Short History of the World. This was originally published in 1922 but in 1938 an abridged version was tranlated into Hindustani and published in India. His observations about the Prophet Mohammed did not find favour with Indian Muslims (and as you know pre-partition the area called India covered what is now Pakistan and Bangladesh). There were protest meetings in Calcutta and Mumbai (then transliterated as Bombay) and the consignments of the books that WH Smith the booksellers sent to Hyderabad mysteriously never arrived. Investigation showed that the Sind government banned its import. Protests spread to east Africa and were reported in Nairobi and Mombasa.

The paragraphs concerned said “He seems to have been a man compounded of very considerable vanity, greed, cunning, self-deception, and quite sincere religious passion”. Wells concludes, not unfavourably, that “when the manifest defects of Muhammad’s life and writing have been allowed for, there remains in Islam, this faith he imposed upon the Arabs, much power and inspiration”.

There had been a number of Muslims living in east London for some years, sailors who came through the docks, retired servants, some professional men and in 1934 they formed a charitable association for the promotion of Islam called Jamiat-ul-Muslimin; they met on Fridays at a hall in Commercial Road.

On Friday 12th August 1938 a copy of A Short History of the World was, as apparently reported in the Manchester Guardian the following day “ceremoniously burned”. The main Nazi book burnings were over 5 years previously but I can’t but be reminded of them. I can’t access the Guardian on-line archive for 1938 as I don’t have a subscription, but I have no reason to doubt what they reported.

A few days later Dr Mohammed Buksh of Jamiat-ul-Muslimin attended upon Sir Feroz Khan Noon, the high commissioner for India. Sir Feroz tried to explain that in Britain we could (or could then) freely criticise Christianity, the Royal family and government as a right. He reminded Dr Buksh that Muslims were “a very small minority in England, and it would do them no good to try and be mischievous in this country, no matter how genuine their grievances were”.

Nazis Suck at Sabotage – WW2 – Spies & Ties 23

Filed under: Germany, History, Military, Russia, WW2 — Tags: , , , , , — Nicholas @ 04:00

World War Two
Published 13 Oct 2022

They say every masterpiece has its cheap copy. Well, the German Sicherheitsdienst are trying to copy the success of the Soviet Partisans. With Walter Schellenberg, Heinrich Himmler, and Reinhard Heydrich in charge, you know it’s going to be a bloody affair.
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The commercial failure of Bros

Filed under: Media, USA — Tags: , , , , — Nicholas @ 03:00

With the movie failing to find much of an audience, the director and lead actor blame homophobia, because that’s far easier than accepting that rom-com movies are quaint, out-of-date, and stale in the modern hookup culture:

In the case of movies, one might respond to Stoller and Eichner by saying that entertainers are supposed to provide products that the viewing public wishes to see. It might surprise the team behind the didactic Bros that many of us watch movies to be entertained, not to be preached at, seeing them as brief, trivial moments of escape from the drudge of daily life, not an opportunity to (as the Victorians would have said) “improve” ourselves. But even though it has proved an abject commercial failure, the movie is nonetheless instructive in how our culture is changing. And both its production values and its failure are likely signs not of the LGBTQ movement’s influence stalling, but of its remarkable success.

[…]

Romance depends upon sex being costly. It was the difficulty of obtaining sex, the need for that delicate, complicated, and unpredictable interpersonal dance between two people, that was the very essence of what it was to be romantic. In a world where sex is not simply casual but remarkably cheap, the notion of romance is dead. Romance requires a particular kind of culture in order to make sense. A world of hookups, one-night stands, and all-pervasive pornography is not one that gives people the cultural grammar and syntax to understand it. That the movie apparently contains scenes of sex and nudity is hardly exceptional today. But that’s the point: A world where sex and nudity are displayed on the screen is not a world where romance has any place. Just as explicit rap lyrics reflect a world antithetical to that in which Frank Sinatra sang “Fly me to the moon”, so the endless tedium of explicit sex on celluloid is not that of Audrey Hepburn and Fred Astaire in Funny Face. Romance depends upon social codes of restraint and modesty, and upon the idea that sex is not something casual but something special, even sacred.

The same point can be made with reference to what we might call romantic tragedy. Take Tolstoy’s Anna Karenina. The story simply could not be set in modern America because Anna, married to the tedious Karenin but falling in love with the dashing Vronsky, would simply file for divorce and move out of Karenin’s house and into that of her lover. The tragic romance is rooted in the impossibility of Anna’s situation, given the way sex is seen through the powerful moral lens of nineteenth-century Russian society. The genre of romantic tragedy depends upon a specific moral framework. So does the genre of romantic comedy. But the sexual revolution has obliterated that moral framework.

To return to Bros, it is frankly as ridiculous to make a rom-com in the twenty-first century as it is to hire a cast and crew on the basis of modern categories of identity rather than professional competence. And, while the Bros team might regard its box office failure as discouraging, it might just as easily be evidence of the triumph of the LGBTQ movement in wider society as it is of a residual resistance to the same. Please don’t blame homophobia for your commercial failure. Romance is dead. And you helped to kill it.

When Potatoes were Illegal

Filed under: Food, France, Health, History — Tags: , , , , , — Nicholas @ 02:00

Tasting History with Max Miller
Published 7 Jun 2022
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QotD: High school

Filed under: Education, Health, Quotations, USA — Tags: , , , , — Nicholas @ 01:00

Those of us on the back nine of our lives remember high school as a process of differential diagnosis. You try on a certain set of social roles to see which, if any, fit. You don’t go out for the baseball team because it’s the first step to making the Majors. Really, you might not even like playing baseball all that much. You go out for the baseball team because you want to be a Jock. If you make the team, you’re a Jock for a while, leading the Jock life and learning its lessons. If you don’t make the team, you go find something else — the Debate Club, heavy metal music, whatever — and learn the lessons those lifestyles teach.

You didn’t understand this back then, of course, but your parents did, and — crucially — your teachers did. If you wanted to be a Metalhead this semester, they’d treat you like a Metalhead, complete with the “Why are you wasting your potential (and ruining your ears) with that godawful noise?” They’d make a show of having a Very Serious Conversation with you about the dangers of drugs and satanism … knowing full well that you weren’t on drugs, weren’t sacrificing virgins to Moloch (if for no other reason than you didn’t actually know any girls), and would, in fact, come back as a clean-scrubbed Preppie after summer break your junior year.

The key word in “adolescent rebellion”, after all, is adolescent. All of that stuff was just practice. If it proceeded in the normal way, what going through all the permutations of high school identity taught you was:

  • you’re a fairly normal person; and
  • that’s ok.

In other words, you are not a collection of externals — clothes, music, hairstyles. You’re you. The externals can change, fairly radically — remember that one summer you broke your nose trying to be a skater? — but there’s a core in there that’s you. Which is great, because it means that you are just a person who takes customer service calls in a cubicle farm to pay the bills; they’re not going to put “Here lies Bill, a Customer Service Representative” on your tombstone.

Severian, “The Basic College Girl”, Rotten Chestnuts, 2019-07-24.

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