Chris Bray on the inevitable endgame of “all crisis, all the time” culture:
The journalist John Tierney has described the Crisis Crisis, “the incessant state of alarm fomented by journalists and politicians”. What we’re experiencing now is the Crisis Crisis crisis, the emerging crisis caused by the Crisis Crisis. Over and over again, interventions in some invented or overhyped form of the crisis, undertaken in the hysterical spirit of the Crisis Crisis, cause a form of the Crisis Crisis crisis, which eventually results in a course correction that may or may not be fully apparent for a while. Skip right over the next paragraph if you don’t need to see examples again.
The Sri Lankan government intervenes in climate change by instantly ending the use of commercial fertilizers in agriculture, which causes a dangerous decline in the production of food. The German government intervenes in climate change by declaring a commitment to 100% clean energy, which causes dangerous instability in the availability of actual energy (“committing national suicide“), with some help from the Nord Stream shut-off valve, which nobody ever could have seen coming. The Dutch government intervenes in climate change by declaring an intention to limit agricultural production, which doesn’t cause anything yet, because Dutch farmers won’t stand for it, but final outcome TBD.
All over the world, things that work stop working because of excessive and unwarranted interventions led by people who cry crisis and throw sand in functioning gears. Dutch agriculture was just fine; then the government decided to help end the crisis. The interventions — the interveners, the people who get in the way — are harming us, when their harm could be prevented by literal nothing, by the simple choice to not perform the interventions. What we need is for the interveners to go play Risk in their basement or something, and forget their important duty to help.
The entertainment industry has had its own intervention, famously described on Substack, in woke-facing talent purges and narrative shifts and insulting “It’s Ghostbusters … but with WOMEN!” reboots. And now some hint about the endgame of the one big cycle of fraud comes from woke Hollywood — which has pounded audiences with The Message for years, resulting in a catastrophic loss of audience. The result is starting to look like this:
The social justice intervention in Hollywood storytelling is harming Hollywood; the intervention in that industry is causing the decline of the industry. At some point, people stop eating shit.
