Quotulatiousness

November 17, 2021

The Real History Behind The Forgotten Battle | Battle of Walcheren 1944

History With Hilbert
Published 10 Nov 2021

The Forgotten Battle is a Dutch/Belgian Netflix war film set during the Battle of Walcheren in 1944, part of the Liberation of the Netherlands from German control following the successful D-Day landings of the Allies. In this video I look at the history of the Battle of the Scheldt and in particular the assault on Walcheren, as well as some of the other historical aspects covered by the film such as Dutchmen who served in the Waffen SS on the Eastern Front and the Dutch Resistance (De Ondergrondse) who fought against the German occupiers and aided the Allies in their push into the Netherlands.

@History Hustle’s excellent videos on Dutch Waffen SS units:
https://www.youtube.com/watch?v=bQlF0…

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0:00 – Intro
3:00 – Walcheren Remains In German Hands
4:14 – The Battle of Walcheren Causeway
6:18 – Operation Infatuate I & II
8:00 – Walcheren Is Captured
8:47 – Dutchmen Serving in the SS
10:18 – The Dutch Resistance In World War 2
13:04 – Outro

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#WW2 #Netherlands #Netflix

Environmental pessimism despite the facts

Filed under: Economics, Environment, Media — Tags: , , , , — Nicholas @ 05:00

Alexander Hammond refutes one of the many, many articles preaching global environmental doom and disaster:

Last week, The Scotsman published an article by the journalist Anastasiia Zagoruichyk. In the piece, Zagoruichyk claims that thanks to climate change, fires, and deforestation in her native Ukraine, her children won’t get to experience childhood joys like “walking in the autumn forest, picking mushrooms and breathing fresh air.”

Forest coverage in Ukraine is, admittedly, a niche topic, but alarmism about the future of our forests and our children is unfortunately widespread. Indeed, it was not long ago that Extinction Rebellion founder Roger Hallam confidently declared that due to deforestation and other environmental damage, “our children are going to die in the next 10-20 years.” Thankfully for humanity, these far-fetched claims are not based in reality.

Contrary to what Zagoruichyk would have you believe, forest coverage in Ukraine has increased drastically in recent years. Between 1992 (the oldest data available) and 2020, the share of land in Ukraine covered by forest increased from 16.1 percent to 16.7 percent. While a 0.6 percentage point increase might seem like a small amount, this equates to an additional 3,622 square kilometers of forest – a land area roughly 1.5 times larger than the country of Georgia.

Globally, the world does continue to lose forest area. However, according to the United Nation’s Food and Agriculture Organisation (FAO), the rate of deforestation between 2010-2020 was 40 percent lower than in 1990-2000. At this rate, even without additional promises from world leaders at COP, the global deforestation rate will likely hit zero. Indeed, over the last 30 years, net afforestation has occurred in Europe (including Russia), North America, Oceania, and Asia.

The world’s two poorest regions, South America and Africa, are also the only ones that continue to experience net deforestation. This is no coincidence; many environmental scientists and commentators suggest that economic and ecological well-being are intimately related. According to one hypothesis, called the Environmental Kuznets Curve, a region’s environment worsens in tandem with economic growth but only until a certain income per capita is reached. At that point, people can afford to protect the environment, and ecosystems flourish. This environmental recovery has occurred across Europe and North America and is currently happening in China, Russia, India, and Vietnam.

Therefore, as South America and Africa continue to become richer, we can expect their rate of forest loss to slow and eventually reverse. Given this good news, why is there so much pessimism about the future of our forests? Zagoruichyk’s article offers some answers.

Earlier this month, Michael Shellenberger also had good-but-ignored environmental news to report in UnHerd:

No global problem has ever been more exaggerated than climate change. As it has gone from being an obscure scientific question to a theme in popular culture, we’ve lost all sense of perspective.

Here are the facts: in Europe, emissions in 2020 were 26% below 1990 levels. In the United States, emissions in 2020 were 22% below 2005 levels. Emissions are likely to start declining, too, in developing nations, including China and India, within the next decade. Most nations’ emissions will be bigger this year than last, due to post-Covid economic growth. But global emissions are still likely to peak within the next decade.

And the result will be a much smaller increase in global average temperatures than almost anyone predicted just five years ago. The best science now predicts that temperatures are likely to rise just 2.5-3°C above pre-industrial levels. It’s not ideal, but it’s a far cry from the hysterical and apocalyptic predictions of 6°C, made just a decade ago. A 3°C increase is hardly an existential threat to humanity.

Not that you’d know it, if you had half an eye on the headlines this summer. The floods, fires and heatwaves that plagued the world were, for many observers, proof that the impacts of climate change have already become catastrophic. In Europe, more than 150 people died in flooding. In the United States, wildfire season started earlier and lasted longer, razing hundreds of thousands of acres. Around the world, hundreds died from heatwaves.

But again, it’s worth reminding ourselves of the facts: there has been a 92% decline in the per decade death toll from natural disasters since its peak in the 1920s. In that decade, 5.4 million people died from natural disasters. In the 2010s, just 0.4 million did. Globally, the five-year period ending in 2020 had the fewest natural disaster deaths of any five-year period since 1900. And this decline occurred during a period when the global population nearly quadrupled — and temperatures rose more than 1°C degree centigrade above pre-industrial levels.

Child Soldier Camps, Captured Crewmen, and Chaotic Air Forces – WW2 – OOTF 025

Filed under: Europe, Germany, History, Military, Russia, WW2 — Tags: , , , , , — Nicholas @ 04:00

World War Two
Published 16 Nov 2021

How did the “Nazi pirates” treat their captured crewmen? Why didn’t the Soviets just bomb the motionless German armies stuck in a traffic jam? And how did the Nazi government convince parents to allow their children to go to “evacuation” camps? Find out the answers in this latest edition of Out of the Foxholes!
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The Supreme Court of Canada — four-ninths woke

Filed under: Cancon, Law, Liberty — Tags: , , , , — Nicholas @ 03:00

In The Line, Leonid Sirota discusses a disturbingly narrow victory for freedom of speech in the Supreme Court of Canada’s decision in Ward v Quebec (Commission des droits de la personne et des droits de la jeunesse):

The Supreme Court’s recent decision in Ward v Quebec (Commission des droits de la personne et des droits de la jeunesse) has attracted considerable public attention, and for good reason. Although no law was in danger of being found unconstitutional, the case did concern the limits of the freedom of expression, which have always been controversial, and are perhaps more controversial now than they had been in decades. In brief, the issue was whether nasty jokes by an “edgelord comedian”, as The Line‘s excellent editorial described Mr. Ward, at the expense of Jérémy Gabriel, a well-known disabled child artist, amounted to discrimination that could be punished by an award of damages.

Much has already been written about the Supreme Court’s narrow decision in favour of Mr. Ward; for my part, I have already commented on (mostly) the majority opinion on my blog. Here, I focus on the dissent, in which, as The Line put it, “[t]here’s an incredible amount of popular modern discourse seeping into judicial reasoning” that “culled plausible-sounding legalese from Twitter logic”. That sounds about right.

But let me put it slightly differently. The dissent is, in a word, woke. And I do not mean “woke” as a generic insult. Nor do I mean, incidentally, that Mr. Gabriel is a snowflake. I think he deserves sympathy on a human level, though not the protection of the law for his claim. Rather, what I mean by calling the dissent woke is that it embraces a number of specific tenets of contemporary social-justice ideology, which, if they become law ― and they were just one vote away from becoming law ― would be utterly corrosive to the freedom of expression.

For one thing, the dissent erases the line between words and actions, so that disfavoured words are treated as deeds and therefore subjected to vastly expanded regulation. Justices Abella and Kasirer (with whom two others agree) write:

    We would never tolerate humiliating or dehumanizing conduct towards children with disabilities; there is no principled basis for tolerating words that have the same abusive effect. Wrapping such discriminatory conduct in the protective cloak of speech does not make it any less intolerable when that speech amounts to wilful emotional abuse of a disabled child.

In what is going to be a theme of my comment, this twists the meaning of words beyond recognition. Conduct is conduct and speech is speech. Using words instead the proverbial sticks and stones is not just a disguise. It’s the better part of civilization. The law relies on a distinction between words and actions all the time. This is a principle, and a general one, but it has also been a cornerstone of the law of the freedom of expression in Canada since the early days of the Charter. I have criticized the majority decision for disregarding precedent and doctrine. The dissent does the same, only much worse.

Besides, as I once noted elsewhere, the negation of the distinction between speech and conduct often combines with a belief that violence against some politically heretical group or other is permissible with the toxic belief that “[w]hat one says, or does, is expression; what one’s opponents say, or do, is violence.” This, in turn, means that law dissolves into a raw competition for political power, with the ability to decide whose expression will be stripped of its “protective cloak” and proscribed as the prize.

Tank Chats #132 | Morris Light Reconnaissance Car | The Tank Museum

Filed under: Britain, History, Military, Weapons, WW2 — Tags: , , — Nicholas @ 02:00

The Tank Museum
Published 23 Jul 2021

David Fletcher is back with another Tank Chat discussing the Morris Light Reconnaissance Car.

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QotD: From Theda Bara to Lady Gaga

Filed under: Germany, History, Media, Quotations, USA — Tags: , , , , , , — Nicholas @ 01:00

… despite showing acres of pallid flesh in the fetish-bondage garb of urban prostitution, Lady Gaga is far less sexy than Stefani Germanotta used to be. In fact, Gaga isn’t sexy at all — she’s like a gangly marionette or plasticised android. How could a figure so calculated and artificial, so clinical and strangely antiseptic, so stripped of genuine eroticism have become the icon of her generation? Can it be that Gaga represents the exhausted end of the sexual revolution? In Gaga’s manic miming of persona after persona, over-conceptualised and claustrophobic, we may have reached the limit of an era.

In 1933, the critic I.A. Richards, writing about “The Waste Land”, spoke of T.S. Eliot’s “persistent concern with sex, the problem of our generation, as religion was a problem of the last.” After the first world war, sexual experimentation and titillating smart talk became the hallmark of the emancipated new woman, who smoked, drank, bobbed her hair and danced the antic Charleston. Hollywood discovered that sex was great box office — leading to pressure from civic and religious groups for a production code, which movie-makers found ingenious ways to evade.

We are approaching the 100-year anniversary of Hollywood sex: Theda Bara’s incarnation as The Vamp in A Fool There Was (1915), a lurid femme fatale who slew overnight the lingering Victorian ideal of the pure, saintly woman-child, portrayed on screen by Mary Pickford and Dorothy and Lilian Gish. Theda Bara, like Lady Gaga, was a manufactured personality; although the studio publicity department claimed she was born in the Sahara to a French artist and Arabian princess, she was actually Theodosia Goodman, the daughter of a Jewish tailor in Cincinnati.

The sexual icon of 1920s Hollywood was Clara Bow, a madcap flapper who was probably falsely rumoured to have bedded the entire University of Southern California football team. Lithe Louise Brooks, with her signature bobbed hair, made landmark films of decadent eroticism in Germany. Wicked Mae West and lushly buxom Jean Harlow began the tradition of the sex bomb, which continued through Hedy Lamarr to Jane Russell and Marilyn Monroe, whose influence endures around the globe. But the cardinal sexual pioneer was Marlene Dietrich, who exploded on the international scene in 1930 as the heartless cabaret singer of The Blue Angel. In her subsequent films with the director Josef von Sternberg, Marlene toyed with transvestism (based on the drag balls of Weimar Berlin) and created the sophisticated look of hard glamour that remains a staple of fashion magazines.

Marlene was Madonna Louise Ciccione’s idol; the seductive, commanding Marlene permeates Madonna’s brilliant videos of the 1980s and the early ’90s, with their dominatrix, transvestite and bisexual motifs. Madonna wanted to play Marlene on film, but the idea was overruled by Marlene herself, who (as the proud daughter of a Prussian officer) decreed Madonna “too vulgar”.

Weimar cabaret was recreated in the 1972 film Cabaret, based on Christopher Isherwood’s Berlin stories. Bob Fosse’s dazzlingly aggressive choreography in that blockbuster film was adopted by Madonna for her videos and stage shows — all of which have been doggedly imitated by Lady Gaga. Gaga has borrowed so heavily from Madonna (as in her latest “Alejandro” video) that it must be asked, at what point does homage become theft? But the main point is that the young Madonna was on fire. She was indeed the imperious Marlene Dietrich’s true heir. Madonna’s incandescence is still on view in videos like “Open Your Heart”, “Vogue” and “Express Yourself”. However, for Gaga, sex is mainly decor and surface; she’s like a laminated piece of ersatz rococo furniture. Alarmingly, Generation Gaga can’t tell the difference. Is it the death of sex? Perhaps the symbolic status that sex had for a century has gone kaput; that blazing trajectory is over.

Camille Paglia, “Lady Gaga: The Death of Sex”, Sunday Times, 2010-09-12.

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