Quotulatiousness

February 3, 2021

Just Following Orders? – Death Camp Commandants – WW2 Gallery

Filed under: Europe, Germany, History, Military, WW2 — Tags: , , , — Nicholas @ 04:00

World War Two
Published 2 Feb 2021

All Nazi transit, concentration, labour and extermination camps were led by Nazi officers. In this episode, we’re taking a look at some of them to see what kind of people rose to those positions and what impact they made.

The video Spartacus mentions about how Eicke created the Concentration Camp model is here: https://youtu.be/SjLFdw5u26s​

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Or join The TimeGhost Army directly at: https://timeghost.tv

Follow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Hosted by: Spartacus Olsson
Written by: Joram Appel and Spartacus Olsson
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Joram Appel
Edited by: Iryna Dulka
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory​)

Colorizations by:
– Mikołaj Uchman
– Norman Stewart – https://oldtimesincolor.blogspot.com/​

Sources:
– United States Holocaust Memorial Museum
– Bundesarchiv: 152-01-14, 152-01-26, 152-01-024, 119-0052-01, 152-01-16, 183-W0402-503, 152-23-10A, 152-26-27, 183-78612-0004, 146-2007-0068, 152-23-21A
– Yad Vashem: 202_65, 202_71, 4613_666, 202_169, 202_167, 202_133, 192-093, 11CO3, 192-006, 11FO7, 1137_208
– Watchtower by Eliricon from the Noun Project

Soundtracks from the Epidemic Sound:
– Gunnar Johnsen – “Not Safe Yet”
– Cobby Costa – “From the Past”
– Brightarm Orchestra – “On the Edge of Change”
– Phoenix Tail – “Last Minute Reaction”
– Christian Andersen – “Barrel”
– Farrell Wooten – “Rainy Landscapes”
– Flouw – “Endlessness”
– Wendel Scherer – “Defeated STEMS INSTRUMENTS”
– Craft Case – “Secret Cargo”

Archive by Screenocean/Reuters https://www.screenocean.com​.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

From the comments:

World War Two
5 hours ago (edited)
This is our first official “Gallery” episode. There are too many significant, impactful and interesting individuals to give them all their own Biography episodes. So we decided to bundle some of them together in categories in which they played a significant role, like the people who served as camp commandants in this episode. We will still do Biography specials when one individual story deserves to be told, but with the addition of this new format we will be able to cover a lot more and provide the broadest context to this immense war.

Fatah demands that Britain return Big Ben to its original Jerusalem home

Filed under: Britain, History, Middle East — Tags: , , , , , , — Nicholas @ 03:00

Daniel Greenfield unravels the historical misconceptions that informed the demand:

“Big Ben” by kev_zilla is licensed under CC BY-NC-ND 2.0

“The Jerusalem Clock is hidden in London today,” Fatah, the political movement behind the PLO and the Palestinian Authority, asserts in a post titled, “Jerusalem Stolen Clock”.

It goes on to claim that the British military ordered the clock tower dismantled. Then the “British moved the clock first to a new tower across from the municipality of Jerusalem, and transferred it to the British Museum in London, to become the famous British icon, ‘Big Ben’.”

How did Big Ben, which was built in 1859, become a Muslim clock tower from the 20th century?

There are some other slight differences between London’s Big Ben and the “stolen clock” such as the fact that Big Ben is 316 feet tall while the “Palestinian” clock tower was only 42 feet.

But the story of the “Palestinian clock” is also the story of the entire myth of “Palestine”.

When you believe that the Jerusalem of King David and King Solomon was originally yours, you can just as easily believe that London’s Big Ben was originally the property of “Palestine”.

The “Palestinian clock” is as real as “Palestine”. The myth of a “Palestinian” people propounded by Fatah which has spent decades killing over it is also the story of the “Palestinian clock”.

There’s no more of a “Palestinian” people who were dispossessed by the Jews than Big Ben is a “Palestinian” clock stolen and passed off as London’s Big Ben. Both are fake history built out of resentments and garbled stories whose context has been lost, but whose hatreds remain real.

There were never any Palestinians. When the clock was built the region had been part of the Ottoman Empire, the last Caliphate until ISIS. The caliphates had settled it with Arab Muslim clans who dominated Christian refugees fleeing Muslim persecution, along with groups of other minorities from escaped slaves to gypsies, along with the indigenous Jewish population.

The Ottomans had become obsessed with clock towers as a symbol of their empire. But the Ottomans hadn’t invented them, they had adopted them from Europe, and planted them in major cities of the empire to create a common sense of time and belonging for their subjects.

Sultan Abdul Hamid II, the last real sultan of the empire, obsessively erected clock towers to show off how modern the Ottoman Empire was. But by then the Empire was anything but modern and Hamid’s clock tower craze was powered by his German allies. Kaiser Wilhelm II gave Hamid a batch of clocks at the turn of the century which the Turks put into clock towers.

The Ottoman Empire erected some of its clock towers in Israel. These clock towers utilized the talents and funds of the indigenous Jewish and the Arab Muslim settler population. The clock tower projects in Israel began in 1901 which is also the date when Wilhelm sent Hamid a whole bunch of clocks. One of these clock towers was stuck on Jerusalem’s Jaffa Gate which Hamid had previously cut a hole in so that the Kaiser could enter Jerusalem in his tall plumed helmet.

H/T to Kate at SDA for the link.

Germany’s WW1 “Kurz” Model Tankgewehr

Filed under: Germany, History, Military, Weapons, WW1 — Tags: , , , — Nicholas @ 02:00

Forgotten Weapons
Published 29 Oct 2020

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When the German Tankgewehr was introduced in May 1918, the first 300 or so guns were of a different pattern than the standard production that would follow (and of which about 16,000 would be made). The Kurz model had a barrel about 4 inches shorter than the standard, and was about 2 pounds heavier, because that barrel (although shorter) was much larger in diameter than the standard pattern.

Contact:
Forgotten Weapons
6281 N. Oracle #36270
Tucson, AZ 85740

QotD: The “Parkerization” of wine

Filed under: Business, Economics, Quotations, Wine — Tags: , , , , — Nicholas @ 01:00

… mega-star wine critic Robert Parker Jr., a man who has more influence on the taste and price of wine than anyone else has, or ever had had. Now in his seventies, Parker is retired. But back in 1975, the former lawyer, taking his lead from former presidential candidate, Ralph Nader — a consumer rights advocate — began to publish The Wine Advocate, a kind of consumer guide to fancy wine.

The world of wine had never seen anything like it. Parker was on a mission to demythologise all the snobby and obscure terminology under which fine wine was clouded and developed a simple 100 point scale on which wines could be judged.

As his influence grew, a Parker wine score in the 90s would pretty much guarantee considerable financial success to a vineyard. Inevitably, so the argument goes, those who made wine started to adjust the taste of their product so that it would suit the arbiter’s palate.

Parker generally likes big, dark, gutsy, jammy, tannic wines that can, his critics say, be engineered to taste that way in post-production, often by use of imported yeasts or through the use of young oak barrels. It’s more about clever chemistry than the particular charisma of the local terroir. Parker’s taste favours the muscular Californian Cabernet wines and the great Château wines of Bordeaux, yet has little appreciation for the lighter, less tannic, more subtle Pinot Noirs from Burgundy or Gamays from the Loire Valley. “Bad critics look at Pinot through Cabernet-tinted spectacles and so criticise it for being something it never set out to be,” writes Clive Coates, in a not so subtle dig at Parker, in his encyclopaedic The Wines of Burgundy.

Those who bewail Parker’s phenomenal influence speak of “parkerisation” as the wine equivalent of globalisation. The New York Times wine critic Alice Feiring writes that this is how “Rioja loses its Spanish accent”: parkerisation leads to an increasingly homogenised style of wine in which the diversity of grapes and wine tastes come to be submerged under the over powerful influence of Parker’s very particular palate. Those, like her, who prefer subtlety in their wine speak dismissively of Parker’s love for “jam bombs”.

Those who defend Parker, argue that his 100 point scale works as a kind of bullshit detector. It’s cutting through all the fancy talk and obscure (often) French classifications, to focus on the taste and the taste alone.

Giles Fraser, “Is wine starting to taste the same?”, UnHerd, 2020-10-14.

February 2, 2021

When the self-defined elites achieved class consciousness

At Rotten Chestnuts Severian adds to his ongoing series of posts identifying areas where Marx was right:

“Jay Gould’s Private Bowling Alley.” Financier and stock speculator Jay Gould is depicted on Wall Street, using bowling balls titled “trickery,” “false reports,” “private press” and “general unscrupulousness” to knock down bowling pins labeled as “operator,” “broker,” “banker,” “inexperienced investor,” etc. A slate shows Gould’s controlling holdings in various corporations, including Western Union, Missouri Pacific Railroad, and the Wabash Railroad.
From the cover of Puck magazine Vol. XI, No 264 via Wikimedia Commons.

… I liken Karl Marx to one of those bird-masked medieval Plague doctors — he sees the pathology clearly, indeed far faster and better than anyone else, but his proposed “cure” is far likelier to kill you than the actual disease. Worse, what makes Marx’s cure especially lethal is what ends up making his diagnosis essentially right: It’s a self-fulfilling prophecy.

The proletariat is achieving class consciousness, all right — look no further than the GameStop “short squeeze” for proof. But the only reason the proles are achieving class consciousness is because the “capitalists” forced them to, just like Marx said they would. The Elite and the Bureaucracy (usually, but not always, a distinction without a difference) finally achieved class consciousness through the combination of NAFTA and the Louvre Accords. Starting around 1990, then, the Elite self-consciously embraced their role as rootless, stateless, jet-setting parasites (with the wannabe-Elites in the Media, academia, and the bureaucracies signing up for tours of duty as fart-catchers, both to bask in reflected glory and in hopes of being promoted).
In short, our “Capitalists” — really, “financial-ists” or “spreadsheet gangsters,” since they don’t actually make anything, they just bust out existing firms via debt manipulation — behave exactly as Marx described factory owners behaving all the way back in the First Industrial Revolution.

In my naivete, I used to think Marx’s ranting was hyperbole. I cited the example of Andrew Carnegie — a real bastard in his youth, who went on to be one of the world’s great philanthropists. That’s human behavior, I said, as opposed to the bloodthirsty caricature of Marx’s fantasies … but I was wrong, comrades. Carnegie happily would’ve sold his fellow Americans down the river, just as Bezos, Gates, and the rest of the pirates-in-neckties are happily selling us down the river now. Only two things prevented it back then: one structural, one cultural.

The structural one is simply technology, and therefore uninteresting. Britain’s “free traders” — you know, the Jardine-Matheson types who started the Opium Wars for fun and profit — would’ve happily outsourced Britain’s entire industrial base to China if they hadn’t been hampered by wind speed. By the time this was technically feasible — which is about 1860, if you’re keeping score — simple inertia had taken over. They didn’t retool until they had to, at which point instant communications and modern ships … well, you know the rest. Like I said, it’s vital, but boring.

The cultural one is much more interesting. You might be tempted to say, as I did, that Jardine and Matheson were always on the lookout for #1, of course, but were sincere British patriots for all that, just as Carnegie for all his faults was an authentic American. I doubt it, comrades. I sincerely doubt it. What kept these guys in check wasn’t patriotism, or even culture. Rather, it was fear.

The History of Hollywood

Filed under: Business, History, Media, USA — Tags: , , , , , , , — Nicholas @ 04:00

The Cynical Historian
Published 3 Sep 2020

This episode is about the history of Hollywood, and it’s quite a long one. This is part 9 in a long running series about California history.

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references:
Bernard F. Dick, Engulfed: The Death of Paramount Pictures and the Birth of Corporate Hollywood (Lexington: The University Press of Kentucky, 2001). https://amzn.to/3f2Yb0S​

Hollywood’s America: United States History Through its Films, eds. Mintz, Steven and Randy Roberts (St. James, N.York: Brandywine Press, 1993). https://amzn.to/2tZIoJT

Richard Slotkin, Gunfighter Nation: The Myth of the Frontier in Twentieth-Century America (New York: Atheneum Books, 1992). https://amzn.to/2KX0jI2

Kevin Starr, Inventing the Dream: California through the Progressive Era, (Oxford, U.K.: Oxford University Press, 1985). https://amzn.to/2VPTbVX​

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Wiki: By 1912, major motion-picture companies had set up production near or in Los Angeles. In the early 1900s, most motion picture patents were held by Thomas Edison’s Motion Picture Patents Company in New Jersey, and filmmakers were often sued to stop their productions. To escape this, filmmakers began moving out west to Los Angeles, where attempts to enforce Edison’s patents were easier to evade. Also, the weather was ideal and there was quick access to various settings. Los Angeles became the capital of the film industry in the United States. The mountains, plains and low land prices made Hollywood a good place to establish film studios.

Director D. W. Griffith was the first to make a motion picture in Hollywood. His 17-minute short film In Old California (1910) was filmed for the Biograph Company. Although Hollywood banned movie theaters — of which it had none — before annexation that year, Los Angeles had no such restriction. The first film by a Hollywood studio, Nestor Motion Picture Company, was shot on October 26, 1911. The H. J. Whitley home was used as its set, and the unnamed movie was filmed in the middle of their groves at the corner of Whitley Avenue and Hollywood Boulevard.

The first studio in Hollywood, the Nestor Company, was established by the New Jersey–based Centaur Company in a roadhouse at 6121 Sunset Boulevard (the corner of Gower), in October 1911. Four major film companies – Paramount, Warner Bros., RKO, and Columbia – had studios in Hollywood, as did several minor companies and rental studios. In the 1920s, Hollywood was the fifth-largest industry in the nation. By the 1930s, Hollywood studios became fully vertically integrated, as production, distribution and exhibition was controlled by these companies, enabling Hollywood to produce 600 films per year.

Hollywood became known as Tinseltown and the “dream factory” because of the glittering image of the movie industry. Hollywood has since become a major center for film study in the United States.
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Hashtags: #history​ #Hollywood​ #California

Well, it is a very, very cunning plan …

Filed under: Government, History, Media, Politics, USA — Tags: , , , , , , — Nicholas @ 03:00

In the latest Libertarian Enterprise, Sarah Hoyt explains why the progressives’ cunningest of cunning plans may not be cunning enough:

The left has a plan so cunning that if it were a person, it would be teaching cunningology at Oxford. And the ones who get the reference will also know that their plan is about to go pear shaped in all sorts of interesting ways, and at the end of it there might very well be a turnip or two involved, but not as the only item available in the shelves of the grocery store.

Look, someone pointed out in the comments the left are trying to follow the “plan” for other communist revolutions round the world.

He’s right. They’re trying to follow it to the letter. Partly because it’s worked before, and partly, because to be fair, they’re a cult, and cults don’t know the reason for the ritual, they just follow it.

… but it’s already going wrong. And it’s only going to get worse.

You see, part of the problem is that the cult of communism and the procedures for “the revolution” were set in the early twentieth century. And it’s designed for the early twentieth century. To the extent they worked in places like Venezuela, it is because the underlying structures of the society were still very much “early twentieth century.”

The US? Well, not so much. In fact we never were much like the early twentieth century in Europe, which is why they’ve had a hell of a time getting a foothold here.

The communist revolution is designed to work in a country that is mostly urban, with a vast urban underclass that can’t rise above for reasons both internal and external despite working unreasonable hours. It’s designed for a country with a firm aristocracy of the hereditary sort (even if that aristocracy is often from trade), it is designed for a country with a conscript army where the plum assignments go to the “good families” as a matter of course, it is designed to work — most of all and very importantly — in a country where they ABSOLUTELY control all the means of mass communication and do so without the vast majority of the people being aware of it.

The last time they could have pulled that off in the US was in the mid seventies. And my guess, honestly, is that they tried. I don’t know for sure, since the news of the time were all reported by biased sources, and besides I’m too lazy and too busy […] to spend my day chasing down hints. I bet they did try, though. I bet they gave it a sporting try. And I bet part of the issue back then — as now, btw — is that they were pinning their hopes on a race war, having both not realized how much of a minority people of African descent are in the US (last estimate is what? 14%? Sizeable, sure, but not a large minority and certainly not a majority. Also, and seriously, a lot of that minority is middle class and whatever they voice from the mouth-out as uninterested as the rest of us in having the apple cart overturned. Apples are tasty. Genocide not so much.) Mostly because that sh*t was so successful in Africa, and again the left doesn’t think. It ritualistically applies “what worked” without being able to account for changed conditions.

Anyway, that was the last time they could have MAYBE credibly have followed their little red map to revolution and have it work. And even then Americans were just too darn contrarian. Why everyone and their parents were telling us that Republicans were so dangerous, that they were going to start the nuclear war, that — And we went and voted Reagan in. (Well, not me. I only worked towards it. I didn’t vote. I wasn’t a citizen and I’m not a democrat.)

In fact, America could have engraved on its door lintel “authorities can go f*ck themselves.” The left keeps forgetting that. And sometimes justifiably. Take their Covid-psy-ops. It worked. And it was all run on the “experts” and how important it was.

Uh uh. So, they think their control is back! They’re golden again, baby!

.38 ACP Webley-Fosbery Automatic Revolver

Filed under: Britain, History, Weapons — Tags: , , , — Nicholas @ 02:00

Forgotten Weapons
Published 11 Nov 2020

http://www.patreon.com/ForgottenWeapons

https://www.floatplane.com/channel/Fo…

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The rarest variation of the Webley-Fosbery automatic revolver is the .38 ACP model. Only 341 of these were made by Webley, in an attempt to compete with the new semiautomatic pistols appearing on the market — most notably the Colt Model 1900 and Model 1902. The Colt was chambered for .38 ACP, a remarkable cartridge for its time — high velocity and semi-rimmed. Webley figured that an 8-shot Fosbery-type revolver would offer the same capacity and ballistics as the new Colt, but in a revolver format familiar to the British market. The design could load cartridges individually, but also offered use of an 8-shot moon clip. Unfortunately for Webley, British legislation in 1903 hampered civilian handgun ownership and the military was not interested at all because the bore was too small. Of the 341 originally made, some were finally converted to .455 caliber after years of sitting unsold in Webley’s warehouse.

This model makes a notable appearance in Dashiell Hammett’s novel The Maltese Falcon, which quite specifically identifies it as an 8-shot, .38 caliber Webley-Fosbery. In the movie version, Humphrey Bogart mistakenly says it is an 8-shot .45, however…

Contact:
Forgotten Weapons
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QotD: Why “artistes” defended Roman Polanski before #MeToo

Filed under: Law, Media, Quotations — Tags: , , , , — Nicholas @ 01:00

In 1977, Roman Polanski drugged, raped, and sodomized a 13-year-old girl. When he believed a sort-of-plea-bargain was about to come unstuck, he took it on the lam. He lived the high life in this self-imposed exile for thirty years, until busted in Switzerland recently. Now various of the usual suspects on the right wing’s enemies list are campaigning to block his extradition.

There’s a good deal of perplexity being expressed about this, and some predictable chuntering from right-wingers about lefties being moral degenerates. But this flap isn’t really about politics at all — it’s much simpler than that. It’s about people who think of themselves as “artistes” reserving themselves a get-out-of-jail card when they feel like behaving like repellent scum of the earth, too.

[…]

If you want to make that argument, Roman Polanski makes a great stake in the ground — not in spite of the heinousness of his crime, but because of it. If even a child-raper can invoke the all-purpose artiste excuse for scumminess, than the merely ordinary transgressions of artistes become trivia to be airily dismissed. And if the Polanski case becomes a “teachable moment” whereby people can be talked into feeling like boors or philistines for even thinking that artistes should be held to civilized standards of behavior, so much the better!

None of this is more than tenuously connected to leftism, and I have to say the the right-wing efforts to gin up indignation on that score sound quite contrived and stupid to me. This dispute isn’t about politics, it’s about privilege — not just whether Roman Polanski is above the law, but about whether his defenders can claim to be too.

Eric S. Raymond, “Why artists defend Roman Polanski”, Armed and Dangerous, 2009-09-29.

February 1, 2021

Battle of Hong Kong 1941 – Pacific War

Filed under: Britain, Cancon, China, History, India, Japan, Military, Pacific, WW2 — Tags: , — Nicholas @ 04:00

Kings and Generals
Published 31 Jan 2021

The first 100 people to go to https://www.blinkist.com/kingsandgenerals are going to get unlimited access for 1 week to try it out. You’ll also get 25% off if you want the full membership

Kings and Generals 3d animated historical documentary series on modern warfare continues with a video on the battle of Hong Kong of 1941. Japanese Empire is waging another Sino-Japanese war against China and decides that it is time to take over Hong Kong, as the British were using it to supply the Chinese. This battle is considered one of the first in the Pacific War within World War II.

Support us on Patreon: http://www.patreon.com/KingsandGenerals or Paypal: http://paypal.me/kingsandgenerals. We are grateful to our patrons and sponsors, who made this video possible: https://docs.google.com/document/d/1o…

The video was made by Leif Sick, while the script was developed by Ivan Moran. The video was narrated by Officially Devin (https://www.youtube.com/user/OfficiallyDevin)

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#Documentary #HongKong #PacificWar

In the wake of l’affaire GameStop, frantic regulators call for more power to intervene in the market

“Regulatory capture” is the term for situations where the regulators and the regulated begin to get too close and the regulated industries or organizations begin to indirectly control the actions of the regulator for their own benefit. A topical example would be the sudden, agonized cries of politicians and market regulators for new powers to clamp down on disruptive players like the Redditors or other small investors who triggered the rise in GameStop share prices causing potentially ruinous financial losses for regulated hedge funds.

“GameStop” by JeepersMedia is licensed under CC BY 2.0

Although the story has garnered the attention of regulators and even the White House, the wrong takeaway is to suggest options for retail investors should be restricted more than they already are. Yet this is precisely what William Gavin, Secretary of the Commonwealth of Massachusetts, has called for. Gavin argued that there should be a 30-day trading suspension on GameStop to protect “small and unsophisticated investors.”

Gavin’s suggestion would have serious extended consequences. First, consider the knowledge problem that is involved in constructing such a restrictive regulation. When exactly would a rally become unacceptable? Despite years of decline, Kodak experienced a rally after its announcement that it would move into pharmaceuticals. Would this be permissible? If so, one could simply point to GameStop’s decision to appoint three new directors in an effort to turn the company around. If this is not enough, regulators must clearly state what identified the investments as unacceptable.

It is unclear if there is a perfect benchmark to distinguish rallies. But without such a measure, the suspension proposal would put every rally at risk of wrongful closure — potentially halting the growth of companies and industries, alike. Worse yet, the fear of missing out on a rising stock may push some investors to rush in with less information than they would otherwise acquire. Even if it is in a traditional rally, an uninformed decision could cause more harm than good.

Yet suppose the knowledge problem is solved and there is a perfect measure in place. Should other protections be put in place? One could make the case for a law against allowing “unsophisticated” gamblers from going to Las Vegas and losing money. And although this may seem like a leap, Gavin himself told Reuters, “This isn’t investing, this is gambling,” when he spoke of the GameStop rally.

The rally has attracted the world’s attention, but it does not require it. Rallies are a normal part of financial market activity. The only difference here is that it was Main Street that pulled one over on Wall Street.

Four Cuts – A Wood Turning Basics Lesson

Filed under: Tools, Woodworking — Tags: , — Nicholas @ 02:00

wortheffort
Published 28 May 2019

There are only a few main cuts in turning and 3 turning blank orientations. Success comes from understanding the grain’s interaction with an edge/wedge. And since there are only a few handful of tools this is an easy reach for new woodworkers. Grasp this and your enjoyment of the craft and quality of results will all improve.

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Further Reference Material:

Turn Your First Bowl – https://youtu.be/D_P8Fm5-aVs
Woodturning Demystified – https://youtu.be/I60ilWTDss0
Rough’n LIfe – https://youtu.be/xYm8-taV998
$20 Bowl in 20 minutes – https://youtu.be/hwu0R5a1QGc
4 Aspects of Bowl Blanks – https://youtu.be/N8Ds03CG49c
Make and Sell Wood Tops – https://youtu.be/wpjogm7kJdQ
Free Wood – https://youtu.be/nc1SmIlLQh8
Chucks and Jaws – https://youtu.be/qO9xi5xd5NE

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QotD: “Useless things … do not further The Revolution”

Filed under: Politics, Quotations — Tags: , , , — Nicholas @ 01:00

“Fat acceptance,” slutwalks, and all the rest of it follow naturally from Bolshie beliefs. If you accept — as a good little Dialectical Materialist must — that there’s nothing to human happiness but bread, shoes, and shit, ugliness — physical, moral, mental — becomes a good in itself. How could it be otherwise? Only truly useless things can be beautiful, and useless things, by definition, do not further The Revolution.

Too bad for the Bolshies that it’s in our nature to confuse the messenger with the message. I like to think of myself as an open-minded, tolerant man who takes things as they come, but holy jeeebus, I don’t care what Emma Goldman’s deal is — if she’s for it, I’m against it. I need bleach for my eyes.

We need to use that. It’s no coincidence that Ashley Judd and now Taylor Swift are spouting off about Progtard politics — they used to be cute; now they’re not. See what Social Justice does to you, ladies?

Severian, “The Face You Deserve”, Rotten Chestnuts, 2018-10-11.

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