George Orwell, the chosen pen name of Eric Blair, is one of the best known writers of the 20th century and even people who have never read any of his writings are aware of his influence. John Rodden and John Rossi outline the immediate post-war period that saw Orwell publish his final and best-known work:
Seven decades ago on June 8, George Orwell’s Nineteen Eighty-Four exploded on the cultural front—fittingly enough, just two months before the Soviet Union’s first successful atomic test that August, which broke America’s nuclear monopoly. Orwell’s warning was urgent — and timely. Almost overnight, in the wake of the surrender of Germany and Japan that ended World War II in 1945, a new war—the so-called Cold War — had emerged. (Orwell is often credited with coining the term.)
The Cold War pitted the capitalist West against the communist East, above all the United States against the USSR (and soon China). Just three weeks before the publication of Nineteen Eighty-Four, the Soviet Union lifted the Berlin Blockade, thereby avoiding a potentially deadly showdown with the West that might have triggered World War III. Two weeks later, on May 23, the Federal Republic of Germany (West Germany) was officially established, effectively ending prospects in the near future of German reunification. On the very day of Nineteen Eighty-Four‘s publication, June 8, fears swept through liberal America of a growing Red Scare when a leaked document named numerous celebrities as Communist Party members (e.g., Helen Keller, Dorothy Parker, Fredric March, Danny Kaye, Edward G. Robinson). That same month, the communist armies of Mao Zedong captured Shanghai, and less than six months later on October 1, declared victory in the civil war against the American-backed Nationalists and the founding of the People’s Republic of China.
What educated person is not at least vaguely familiar with the language and vision of Orwell’s novel — even if he or she does not recognize the source? Indeed the very ignorance of the source represents an inadvertent tribute to the power of Orwell’s language and vision. Like Shakespeare’s poetry (“All the world’s a stage,” “To be or not to be,” “This above all: to thine own self be true”), so deeply have some of Orwell’s locutions become lodged in the cultural lexicon and political imagination that most people no longer recognize their author, let alone the source.
Today, as in the case of Shakespeare, hundreds of millions of people mouth Orwell’s coinages and catchphrases, such as “Big Brother” and “doublethink” — including his name as proper adjective, “Orwellian” (i.e., nightmarish, oppressive). And that’s just in English. Tens of millions more recognize and repeat them in foreign translations, as I [Rodden] discovered in our travels and teaching in the communist East Germany as well as in Asia. Rudimentary acquaintance with such locutions is regarded as a sine qua non of cultural literacy in English — even today, when prolefeed (mindless chatter) floods the print columns and dominates the airwaves.
Nineteen Eighty-Four represents Orwell’s Orwellian vision — in the form of a fictional anti-utopia (or “dystopia”) — of what a nightmarish, oppressive future might hold. It projects a world 35 years away — half the biblical lifespan of three score and ten. Having completed his novel by the end of 1948, Orwell flipped the last two digits to underscore his anti-utopian theme of a world turned upside down and inside out. Or so many scholars have reasonably claimed. The date resultant from the flipped digits also gave the novel its immediacy. Previous anti-utopias, such as Aldous Huxley’s Brave New World (1932), had cast their ominous scenarios far into the future, which lessened their dramatic impact and tended to render them entertaining thought experiments. (Huxley’s action is set in the 26th century.) By contrast, Orwell’s dire future is too close for comfort — and depicts the planet in the immediate aftermath of a global nuclear war that has nearly annihilated the human species. His vision thus projects a world in which middle-aged readers in 1949 might find themselves in old age — and certainly their children and grandchildren were likely to witness it. (If he had lived, Orwell himself would have still been just 80 years old on April 4, 1984, when the story opens.)
