World War Two
Published 1 Aug 2020Japan needs resources for its seemingly endless war in China, but where to look for them? And who might have a problem with it? Meanwhile in the Soviet Union, Hitler’s forces have been diverted from the Moscow Road, and are on the move in the north and the south.
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Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesWritten and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Iryna Dulka
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
– Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
– Norman Stewart – https://oldtimesincolor.blogspot.com/
– Jaris Almazani (Artistic Man) – https://instagram.com/artistic.man?ig…
– Dememorabilia – https://www.instagram.com/dememorabilia/
– Carlos Ortega Pereira, BlauColorizations – https://www.instagram.com/blaucoloriz…
– Olga Shirnina, a.k.a. Klimbim – https://klimbim2014.wordpress.com/
– Daniel WeissSources:
– Mil.ru
– Narodowe Archiwum Cyfrowe
– Bundesarchiv, CC-BY-SA 3.0 – Bild_101I-265-0024-21A, Bild 146-1976-080-13A
– Yad Vashem 1295/1Soundtracks from the Epidemic Sound:
Gunnar Johnsen – “Not Safe Yet”
Rannar Sillard – “Easy Target”
Johannes Bornlof – “Magnificent March 3”
Fabien Tell – “Break Free”
Brightarm Orchestra – “On the Edge of Change”
Wendel Scherer – “Growing Doubt”
Philip Ayers – “Under the Dome”
Philip Ayers – “Trapped in a Maze”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
August 2, 2020
July 21, 2020
“Journalists” and photographers in the media
David Warren considers the decline of boots-on-the-ground reporting and the rise of comfortable bourgeois “journalism”:
When I was a “journalist” — God help me, but it was an increasingly long time ago — my understanding was that the job involved getting into the riot. Andy Ngo may be the only journalist left, unless we count “talking heads” and “scribblers.” Well-informed, at first hand, on events in such towns as Seattle and Portland — where the bourgeoisie now enjoy their “summer of love” — he has been beaten up a few times. For journalism was meant to be a dangerous sport, quite unlike ping-pong.
Alas, and already in Vietnam, I discovered that only the photographers looked directly on the face of battle. This is because they were getting paid for the pics — in cash, but sometimes in prizes. The people who wrote the (frequently misleading) captions were safe in a bar, back in Saigon, or more likely, in the editorial suites of New York. It interested me that the photographers were often rightwing crazies. Whereas, the scribblers were, generally, leftists to a man, or in those days, the very occasional woman. I liked to get my information from photographers, whenever possible, but the scribblers did not. In possession of a fully-formed “narrative” from New York, they had already written their stories.
Am I exaggerating? Less than usual. My caricature points to a flaw in the meejah — cowardice, ignorance, arrogance, and malice, stirred into a rather potent brew. Then we had “editors,” to do the distillation.
July 16, 2020
Canada should welcome immigrants from Hong Kong with open arms
The PRC communist government is clearly set on extinguishing the unique status of Hong Kong within China and a lot of Hong Kong residents are considering getting out before the gloves come off. Canada should join Britain and Australia in offering a safe refuge, regardless of the attitude of Beijing. Sadly, this probably won’t happen, as Justin Trudeau has demonstrated that he’s willing to kow-tow whenever his paymasters demand:
Britain has taken the lead by announcing that Hongkongers holding a British National Overseas (BNO) Passport will be allowed to live and work in the UK for five years, after which they can apply for settled status, and, one year later, citizenship. This could mean that almost three million people will be able to relocate to Britain if they so choose. In response to earlier British overtures along these lines, China made clear in no uncertain terms that Hong Kong is their concern, and that the UK should mind its own business, with China’s foreign ministry spokesman Zhao Lijian saying that the “UK has no right to lecture or interfere in China’s internal affairs …”.
However, a BNO Passport is only available to Hong Kong residents born before the 1997 transfer of the city back to Chinese control, which leaves around 4.5 million of the city’s residents — including many of the younger generation born after the handover occurred — unable to access that option.
This is why this sort of idea must be expanded on more broadly by all liberal democracies, who should consider granting special dispensations allowing Hong Kong residents who wish to emigrate to do so. The United States is considering following Britain’s example, and Australia has opened the door to citizenship for any Hongkongers with work or student visas. Hopefully, they are just the first of many.
It wouldn’t be the first time liberal democracies have taken in a large influx of exiles from specific countries.
Consider the influx of refugees which started with the Boat People, who originally were mostly South Vietnamese fleeing after the U.S. pulled out of the war and their country fell to the communist north. They, and many more from other southeast Asian countries who fled their homes in the 1970s and 80s, many ending up in Western nations. The United States took in the majority, with Canada, Australia, and a few others accepting large numbers as well.
There are some major differences however when it comes to opening our doors to residents of Hong Kong who wish to leave the increasingly oppressive rule from Beijing. Unlike many who flee war-torn or poverty-stricken nations searching for a better life, Hongkongers are among the most educated and wealthy people on the planet. Most important though, many of them love freedom, and have grown up in a society where many of the things we claim to value — rule of law, personal liberty, freedom of conscience, free speech, and a free market — are (or, at least, were) paramount.
Accepting Hongkongers into our countries would be good for us. It seems that in the last few decades, liberal democracies have been growing complacent about our hard-won freedoms. We have forgotten or ignored history, and seem not to realize that the foundations on which our freedoms are built need constant maintenance and defense.
July 8, 2020
US M2/M2A1 Flamethrower
Forgotten Weapons
Published 12 May 2016http://www.patreon.com/ForgottenWeapons
After a dismal first attempt at designing a flamethrower (the M1) in 1941, the US Chemical Corps along with several universities and industrial partners put in a lot of research to develop a more usable and effective flamethrower. The result was the M2, which went into production in early 1944. It would prove to be an exceptionally effective weapon in the island-hopping campaign towards the end of the war.
The M2 was arguably the best flamethrower fielded by any military during the war, with a number of excellent design features. These included:
* A constant-pressure regulator to ensure that the range stayed the same from the first to the last shot of a tank of fuel
* An on/off main valve easily accessible to the operator
* A supremely waterproof and reliable pyrotechnic cartridge ignition system
* An auto-shutoff valve which sealed at the nozzle, preventing dribble (and cutting off fuel flow should the operator lose control of the weapon)The M2 would see service into the Vietnam War even as its successor the M9 was being issued. It was a truly outstanding design, and remains viable to this day.
Thanks to Charlie Hobson for showing us the unit and teaching me to fire it, and also thanks to Adaptive Firearms for letting us use their range facilities!
You can find Charlie Hobson’s book, US Portable Flamethrowers here:
http://amzn.to/1SP9yc5
June 6, 2020
106mm M40 Recoilless Rifle, History and Firing
Forgotten Weapons
Published 29 Feb 2020http://www.patreon.com/ForgottenWeapons
https://www.floatplane.com/channel/Fo…
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The M40 was the final and largest iteration of the recoilless rifle in American military service. Designed to fix the shortcomings of the 105mm M27 that preceded it, the M40 was light and powerful, and added a .50 caliber spotting rifle to assist in being able to make first-round hits. The massive backblast of a recoilless rifle dictates that a crew generally only has one chance to make a hit before they must relocate to avoid retaliatory fire.
Thanks to Hamilton & Sons Firearms for permission to film their M40 and bring it to you!
Contact:
Forgotten Weapons
6281 N. Oracle #36270
Tucson, AZ 85740
May 8, 2020
Soldier of Three Armies Pt. 3 – Vietnam War – Sabaton History 066 [Official]
Sabaton History
Published 7 May 2020Crossed the water a new start, war still beating in his heart, a new legend has been born.
Arrested by the Finnish secret police and tried for treason, war-hero and living legend Lauri Törni realized that his home country held no more future for him any longer. Törni made a run for it. Towards a new country, a new life and a new name. And a new war.
Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory
Listen to “Soldier of Three Armies” on the album Heroes:
CD: http://bit.ly/HeroesStore
Spotify: http://bit.ly/HeroesSpotify
Apple Music: http://bit.ly/HeroesAppleMusic
iTunes: http://bit.ly/HeroesiTunes
Amazon: http://bit.ly/HeroesAmz
Google Play: http://bit.ly/HeroesGooglePCheck out the trailer for Sabaton’s new album The Great War right here: https://www.youtube.com/watch?v=HCZP1…
Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShopHosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Post-Production Director: Wieke Kapteijns
Edited by: Iryna Dulka
Sound Editing by: Marek Kaminski
Maps by: Eastory – https://www.youtube.com/c/eastoryArchive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton.Sources:
– Helsinki City Museum
– KANSALLISARKISTO
– Lauri Törni in 1951 from Forum Marinum, CC BY-ND 4.0
– Cricket sound by damonmensch from freesound.org
– Photo of Lauri and Marja courtesy of Hillevi KopsAn OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
May 2, 2020
Saigon memories
I had no idea that David Warren had some brief journalism experience in Vietnam before the US pulled out their military forces:
An article in the New York Post (here) brings one historical event back into view, with a bitterness I haven’t yet overcome. It is only an aside on an old photo-caption, which like so many others from the Vietnam War was, shall we say, inaccurate. Taken for a symbol, it has passed into our electronic folk memory, as one of innumerable lies it contains. I wasn’t there, of course, but I had visited that country, and once, too briefly, lived in Saigon. The (very consequential) deceit, dishonesty, and faithlessness of “the mainstream media” was among the lessons I took from my apprenticeship. My ludicrous ambition, to “correct it” some day, will never be fulfilled. But to the link: my praise to one writer who did his homework. Let me be grand and say, the truth has set him free.
It will soon be fifty years since I first attended the “Five O’Clock Follies” at “MAC-V,” where the best hamburgers in South-east Asia could be obtained for the price of a chocolate bar. This press conference format — bluster and counter-bluster — has not changed in all this time. Everything in that vast sprawling compound of military administration was sprayed, swept, and polished; I always entered with wide eyes. There, and in bars along Tu-Do Street (the old rue Catinat, once an exquisite ribbon from the Cathedral down lines of fragrant tamarinds), was where I first fell in with “real professional journalists,” practising their trade.
Those I met were, by and large, pathological liars, and extremely vain. They were also coarsely disrespectful, much like our journalists today: rudely cynical and sarcastic. The only serious exceptions I came to know were a couple of religious weirdos — one a Lutheran ex-pastor from West Germany, the other a reject from a Catholic seminary in southern France. They, like me, had strayed into the field, from a misplaced sense of adventure.
At all levels, and on all sides, I was witnessing a freak show — there and wherever I wandered outside the Unreal City. I owned a reliable Nikkormat camera, that would sometimes earn me much-needed cash, but was quite unsuccessful as a print journalist. My earnest despatches, sent to newspapers on spec, were routinely “spiked” — not, I think, because I was so young (they didn’t know that), but because I kept, often unknowingly, writing things that contradicted what the New York Times and CBS were reporting.
Not only was I learning that the “mainstream” was all lies, but too, that it invariably followed an agenda. The self-appointed purpose of the press was to sabotage the American war effort. (That of the life-or-death desperate Viets was, at best, ignored.)
But then, I was deceitful, too. I was pretending to be over 18 when I was still only 17, in order to get a press pass.
April 19, 2020
French Foreign Legion | Stuff That I Find Interesting
Jabzy
Published 14 Oct 2017
April 4, 2020
“Into The Fire” – The Vietnam War – Sabaton History 061 [Official]
Sabaton History
Published 3 Apr 2020During the height of the Cold War, weapons ran hot in the jungles of Vietnam. Combat along the overgrown trails, the wide open fields of rice-paddies or the marshes of the Mekong Delta, was not only exhausting and relentless, but also the place where many of the old doctrines of warfare did no longer apply. The western coalition had to face the elusive guerilla methods of the North Vietnamese forces, who prepared ambushes and traps along the marching routes. The eerie quietness of the jungle was all too often broken by a sudden explosion of violence as troops marched right into the fire.
Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory
We would like to thank the World of Tanks team for their contribution and help with the video filming. If you’re not yet a World of Tanks player, join the game and get your hands on cool in-game stuff for free via the link: https://redir.wargaming.net/w7fwclmx/…
Listen to “Into the Fire” on the album Primo Victoria:
CD: http://bit.ly/PrimoVictoriaStore
Spotify: http://bit.ly/PrimoVictoriaSpotify
Apple Music: http://bit.ly/PrimoVictoriaAppleMusic
iTunes: http://bit.ly/PrimoVictoriaiTunes
Amazon: http://bit.ly/PrimoVictoriaAmzn
Google Play: http://bit.ly/PrimoVictoriaGooglePlayCheck out the trailer for Sabaton’s new album The Great War right here: https://www.youtube.com/watch?v=HCZP1…
Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShopHosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Post-Production Director: Wieke Kapteijns
Edited by: Iryna Dulka
Sound Editing by: Marek Kaminski
Maps by: Eastory – https://www.youtube.com/c/eastoryArchive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton.An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
March 9, 2020
QotD: The wrong lessons learned from World War II
Americans learned several misleading lessons from World War II. The first and greatest error was overestimating the effectiveness of military force. World War II — the last conflict in which the world’s great powers went toe-to-toe against each other, with no holds barred — created a new understanding of how wars are fought and won. But wars since then have not fit this paradigm, and many of our subsequent military mistakes came as a result of misapplying World War II’s lessons.
Lyndon Johnson led the country into a massive military commitment in South Vietnam in part because of misplaced faith in what the United States could accomplish by force of arms. The Johnson administration convinced itself that fighting modern wars was a branch of management science, akin to running a large corporation like General Motors, and that America’s military was a versatile instrument that could be dialed up or down to deliver precisely calibrated levels of violence, tailored to meet any foreign policy challenge. World War II also led many Americans to conclude that liberal democracy could be imposed on foreign peoples through the application of what George W. Bush’s administration would later call “shock and awe.”
It turns out that, even in the age of precision weapons, military power is a blunt instrument, ill-suited to nation-building, except in rare circumstances and at great cost. Germany and Japan — our preferred examples — are highly idiosyncratic. Liberal democracy flourished in each only after the deaths of millions of citizens and the reduction of their societies to rubble. Americans haven’t shown much stomach for projects of this scope after 1945.
E. M. Oblomov, “The Greatest Generation and the Greatest Illusion: Success in World War II led Americans to put too much faith in government—and we still do.”, City Journal, 2017-12-28.
January 29, 2020
M20A1B1 Super Bazooka – It’s a Super Bazooka. Need I Say More?
Forgotten Weapons
Published 28 Oct 2017Sold for $1,380 (deactivated).
The US was one of the few major military powers that went into World War II without a substantial infantry antitank weapon. Most countries had an antitank rifle of some sort, but the US just had some marginal antitank rifle grenades. That was rectified in late 1942 when the M1 Rocket Launcher — aka the Bazooka — was introduced. Using a 2.36″ shaped charge warhead, it was able to penetrate about 4.7 inches of armor, which was effective through most of the war. A larger version went into development in 1943 though, because it was clear that the M1 would soon become obsolete.
The 3.5″ M20 Super Bazooka was adopted in late 1945 and put into production in 1948, with its first combat use coming in the Korean War. It was much more powerful, capable of penetrating 11 inches of armor plate. The launcher itself weighed just 13 pounds, with each rocket adding another 8.9 pounds. This, and the updated M20A1, would serve as the main US infantry antitank weapon until replaced by the 90mm recoilless rifle in the 1960s.
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From the comments:
WeirdHarold49
2 years agoSince Ian forgot and Wikipedia knows:
Origin of the “bazooka” name
Shortly after the first prototype launcher and rockets had been tested by firing into the Potomac River, Skinner and Uhl took the new system to a competitive trial of various types of spigot mortar (at that time seen as the most promising way to deliver a shaped charge), which was held at the Aberdeen Proving Ground in May 1942. The new rocket launcher scored several hits on a moving tank while the five different mortars achieved none; this was a considerable achievement since the launcher’s sights had been fabricated that morning from a wire coat hanger. The trial was being watched by various senior officers, among them the Chief of Research and Engineering in the Ordnance Department, Major General Gladeon M. Barnes. Barnes was delighted by the performance of the system and fired it himself, but commented: “It sure looks like Bob Burns’ bazooka”. Bob Burns was a popular radio comedian, who used a novelty musical instrument which he had devised himself and called a “bazooka”.
January 25, 2020
Swedish K: The Carl Gustav m/45B and the Port Said
Forgotten Weapons
Published 24 Jan 2020http://www.patreon.com/ForgottenWeapons
https://www.floatplane.com/channel/Fo…
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During the 1930s, Sweden acquired an assortment of different submachine guns, including Bergmanns, Thompsons, and Suomis. As World War Two progressed, they decided that they really needed to standardize on a single caliber and model of gun, and requested designs from both the Carl Gustav factory and Husqvarna. The Carl Gustav design won out, and was adopted as the m/45.
It was a very simple open-bolt, tube-receiver, fixed-firing-pin design chambered for 9x19mm Parabellum ammunition. The original guns were built around Finnish Suomi magazines, both 71-round drums and 50-round “coffin” mags. After the war these were replace by a new 36-round traditional box magazine, and magazine well adapters were fitted to the guns which precluded the use of the larger mags. The new magazines were much more convenient to carry, less expensive, and more reliable.
The name “Swedish K” comes form the full designation: Kulsprutepistol m/45. The guns were used by American special operations forces in Vietnam until the Swedish government stopped export sales to the US, at which point the Navy commissioned Smith & Wesson to produce the Model 76 submachine gun (essentially a copy of the m/45). The design was also licensed by Egypt, which also licensed the AG-42 Ljungman rifle at the same time. The Egyptian copy was called the Port Said, and shows the features fo the original Swedish m/45 pattern, where the guns in Swedish service were mostly updated to the m/45B pattern.
Photo of m/45C with bayonet from: http://www.gotavapen.se/index_eng2g.htm
Check them out for a ton of information on Swedish small arms!
Contact:
Forgotten Weapons
6281 N. Oracle #36270
Tucson, AZ 85740
January 3, 2020
M20 75mm Recoilless Rifle: When the Bazooka Just Won’t Cut It
Forgotten Weapons
Published 8 Mar 2018Sold for $6,325.
Note that this is a rewelded action. It should be inspected by a professional before being fired (the firing footage in the video is a different example).
The M20 75mm Recoilless Rifle was developed starting in 1944 as a replacement for the 3.5″ bazooka in an antitank role. It was developed and produced in parallel with a 57mm recoilless rifle (the M18), and both entered service in March of 1945, seeing just a slight bit of combat use before the end of World War Two. It would be a mainstay of US troops in the Korean War, however, along with a 105mm recoilless rifle. The M20 fired HE, HEAT, and WP (smoke) rounds, with the projectiles weighing 20-22 pounds (about 10kg) and having muzzle velocities of about 1000 fps (305 m/s). The shaped charge HEAT warhead could penetrate about 4″ (100mm) of armor, and had an effective range of about 400 yards. The HE warhead could be effectively used out to about 1000 yards, and the gun was equipped with both direct fire and indirect fire optical sights in order to effectively use both types of ammunition.
By the Vietnam War, the M20 was on its way out, as were recoilless rifles in general — they were being replaced with wire-guided missiles for antitank use. However, the M20 remains in service today for avalanche control in many Western states — a neat repurposing of obsolete weaponry!
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If you enjoy Forgotten Weapons, check out its sister channel, InRangeTV! http://www.youtube.com/InRangeTVShow
November 20, 2019
Sterling Meets Owen: The Australian F1 Submachine Gun
Forgotten Weapons
Published on 20 Sep 2019http://www.patreon.com/ForgottenWeapons
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The Australian Owen submachine gun was once of the best overall SMG designs of the Second World War, and when Australia decided to replace them in the 1960s, the new F1 design had big shoes to fill. The basic configuration of the top-mounted magazine remained, but coupled with elements of the Sterling SMG. The F1 used a simple sheet metal tube receiver with elements welded on, and a typical open bolt, blowback operating system. The unique rear system of separating the recoil spring from the main receiver body in the Owen was not included, instead using a basic open tube and large diameter mainspring. The sights are curiously still mounted to the right side of the gun, with a thin folding rear sight and a front sight affixed to the magazine well. These simplifications did have the effect of lightening the F1 compared to the Owen, which is a nice improvement. The F1 was manufactured from 1962 until 1973, with a total of about 25,000 made. It served in Vietnam and through the 1990s, when replaced by a variant of the F88 Austeyr. All reports are that it was a perfectly adequate submachine gun, but it did not earn the affection of troops like the Owen had.
Contact:
Forgotten Weapons
6281 N. Oracle #36270
Tucson, AZ 85704
September 29, 2019
An Axis of Evil is Complete – WW2 – 057 – September 28 1940
World War Two
Published 28 Sep 2019This week, the factions of World War Two begin to crystallise as the Japanese join the Axis powers.
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Source list: http://bit.ly/WW2sourcesWritten and Hosted by: Indy Neidell
Produced and Directed by: Spartacus Olsson and Astrid Deinhard
Executive Producers: Bodo Rittenauer, Astrid Deinhard, Indy Neidell, Spartacus Olsson
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Iryna Dulka
Map animations: EastoryColorisations by Norman Stewart and Julius Jääskeläinen https://www.facebook.com/JJcolorization/
Eastory’s channel: https://www.youtube.com/channel/UCEly…
Archive by Screenocean/Reuters https://www.screenocean.com.Sources:
– USHMM
1. Accession Number: 1992.252.1 | RG Number: RG-60.0621 | Film ID: 302
2. Photograph Number: 74565
– IMW:
IWM (A 1378)
IWM (A 1376)
IWM (CH 1429)
IWM (C 1819)TimeGhost chronological documentary produced by OnLion Entertainment GmbH.