Quotulatiousness

October 19, 2025

Mandating the use of bodycams for ICE agents

On the social media site formerly known as Twitter, ESR discusses the results of mandating bodycams for police officers, suggesting that bodycams on ICE agents won’t drive the changes activists are hoping for:

This is a followup on my earlier post about the expected effects of requiring bodycams on ICE agents.

I used Grok to do some digging into the literature examining the effects of bodycams on measurable statistics of unlawful police violence.

I did not have any strong expectations about what I was going to find.

Do the query yourself if you like, but I can tell you that the answer is going to reduce to two sentences:

1. Bodycams do not have any statistically significant effect on measures of unlawful police violence.

2. Body cams do have a statistically significant effect, reducing allegations of unlawful police violence.

This means that the only statistically significant effect of bodycams is to deter false claims of police brutality and bigotry.

Note: do not read this as me claiming that cops are untarnished angels. I know people who have been brutally abused by police. I know this does occasionally happen, and I condemn the police culture of silence about such abuses.

What I am saying is that what you see on bodycam footage, which is almost always police exercising commendable restraint in dealing with extremely violent and stupid people, reflects reality. If it didn’t, reality would leak around the edges of the camera non-coverage as an observable effect on incident statistics.

I don’t expect the effect on ICE to be any different. I expect mandatory body cams to backfire rather badly on people who pushed them in the hopes of exposing ICE as some sort of out-of-control Gestapo.

If anything, I expect the consequence to be an increase in already high levels of public support for mass deportations of illegals. Because I know what the results of lots of bodycam and security camera footage has been about public perception of underclass criminality. It gets more difficult to sell the narrative of these people as innocent victims of a repressive society after you’ve seen your 47th video of a screaming semi-psychotic trying to knife a cop during a traffic stop.

Some of the activist orgs that wanted the body cams made mandatory for street cops now want them turned off. I think it’s pretty likely the same thing is going to happen with immigration enforcement sooner or later. Most likely sooner.

September 22, 2025

The Liberals fervently believe that saying something is the same as doing something

One of the most irritating aspects of Justin Trudeau’s long reign of error was his evident joy in making announcements about this or that topic. It got to the point that even the pro-Liberal media started to notice that the same policy would be announced several times over a few months but no actual progress was made (except where they could start setting up a new government program … they’d hire the staff very quickly, but little or nothing would get done beyond that). Mark Carney was supposed to be a clean break from the Trudeau years — even though most of his ministers were Trudeau retreads — but Carney may actually be worse than Trudeau in that he just loves photo ops with pretty props for the cameras. As Dr. Sylvain Charlebois notes, we need a lot fewer photogenic Potemkin Villages in how our federal government operates:

In recent weeks, we have witnessed politicians lean on powerful visuals to make their case on food and trade. But these staged moments rarely serve the public interest. Worse, they often deepen food illiteracy in a country where understanding how our system works is already fragile.

Take Ontario Premier Doug Ford’s stunt. Upset with Diageo’s decision to close its bottling plant in Ontario, he theatrically dumped a bottle of Crown Royal and urged Ontarians to boycott the brand. What he didn’t mention is that the bottle in question was made in Manitoba and bottled in Quebec by unionized Canadian workers — jobs unaffected by the Ontario closure. The Windsor facility mainly serviced the U.S. market, and Diageo’s decision was years in the making. Ironically, the boycott risks punishing Canadian workers who will continue producing Crown Royal for Canadians. And for future investors, the message is chilling: why put capital into Ontario if a government will trash your brand on television for a corporate restructuring decision?

The federal stage brought us another head-scratcher. During a trade visit to Mexico, Prime Minister Mark Carney posed with bags of Canadian wheat stamped with a maple leaf. The problem? Canada doesn’t export wheat in bags. We are among the most efficient bulk grain exporters in the world, shipping millions of tonnes through rail networks and ocean vessels designed for efficiency, safety, and traceability. Bagged wheat is a relic of less mechanized economies. For Canada to present itself this way trivializes our status as a modern agri-food powerhouse. Beyond being misleading, the image suggests to global partners that our system is less advanced than it truly is — a dangerous misrepresentation for a nation that depends on reputation as much as price.

Even I didn’t realize how bad it got until the feds paid contractors to put up a fake building site for Mark Carney to pose in front of, then tore it all down:

August 24, 2025

Much of our prosperity is based on trust, and we’re rapidly losing it

Ted Gioia foresees a precipitous fall in trust coming at us very soon, and I’m afraid he might be being too optimistic:

During the great purges of the 1930s, Stalin ordered the execution of a million people, including some of his closest associates. But it wasn’t enough to kill these victims — they also had to disappear from photographs.

In a famous case, Nikolai Yezhov got removed from his position next to Stalin in a photo taken by the Moscow Canal. This erasure alarmed many party elites because Yezhov, head of the secret police, had been one of the most feared men in the Soviet Union.

And now he got totally deleted.

Well, not totally. In those days of print media, original photos survived, and a paper trail made it difficult to erase history.

So this photo was later used to mock Stalin, and the pretensions of dictators. They can try to change reality, but that’s not possible.

Or is it? Maybe dictators now get the last laugh. Because in the last few months, reality has been defeated — totally, completely, unquestionably.

It is now possible to alter reality and every kind of historical record — and perhaps irrevocably. The technology for creating fake audio, video, and text has improved enormously in just the last few months. We will soon reach — or may have already reached — a tipping point where it’s impossible to tell the difference between truth and deception.

  • Can I tell the difference between a fake AI video and a real video? A few months ago, I would have said yes. But now I’m not so sure.
  • Can I tell the difference between fake AI music and human music? I still think I can discern a difference in complex genres, but this is a lot harder than it was just a few months ago.
  • Can I tell the difference between a fake AI book and a real book by a human author? I’m fairly confident I can do this for a book on a subject I know well, but if I’m operating outside my core expertise, I might fail.

At the current rate of technological advance, all reliable ways of validating truth will soon be gone. My best guess is that we have another 12 months to enjoy some degree of confidence in our shared sense of reality.

But what happens when it’s gone?

Back in 2023, I asserted that trust is the most scarce thing in society. But that was before all these tech deceptions came online. Trust will soon get even more scarce — or perhaps disappear completely from the public sphere.

This is not a small matter.

Most discussions of this issue focus on the technology. I believe that’s a mistake. The real turmoil will take place in social cohesion and individual psychology. They will both fracture in a world where our shared benchmarks of truth and actuality disappear.

We will be — already are — in desperate need of Robert Heinlein’s Fair Witnesses:

A Fair Witness is an individual trained to observe events and report exactly what is seen and heard, making no extrapolations or assumptions. While wearing the Fair Witness uniform of a white robe, they are presumed to be observing and opining in their professional capacity. Works that refer to the Fair Witness emphasize the profession’s impartiality, integrity, objectivity, and reliability.

An example from the book [Stranger in a Strange Land] illustrates the role of Fair Witness when Anne is asked what color a house is. She answers, “It’s white on this side.” The character Jubal then explains, “You see? It doesn’t occur to Anne to infer that the other side is white, too. All the King’s horses couldn’t force her to commit herself … unless she went there and looked – and even then she wouldn’t assume that it stayed white after she left.”

June 21, 2025

QotD: The camera lies, but the photographer doesn’t always realize it

Filed under: Media, Politics, Quotations — Tags: , — Nicholas @ 01:00

… in my last post I wrote of confirmation bias among journalists and bloggers. I have noticed the same thing among photographers. The camera doesn’t lie, but photographers can and often do. Their choice of lens can make the same group of people look rashly hugger mugger or responsibly social-distanced, for example. Their choice depends on how they want you to see the world – and who doesn’t want others to see the world as they do themselves? The photographer is sometimes consciously deceiving his viewer but more often is first lying to himself. Attending many photo workshops has proved to me repeatedly that photographers standing in the same location with similar equipment will produce very different images. That difference seems to depend just as much on their metaphorical point of view as their literal one.

Tom Paine, “Where we are and what we see”, The Last Ditch, 2020-05-20.

May 23, 2025

QotD: The decline of the photography business

Filed under: Business, Media, Quotations, Technology — Tags: , — Nicholas @ 01:00

… photographers work in a hard-fought, competitive market. The ubiquity of camera phones means there are now few full-time newspaper photographers, for example. Television killed the photo magazines where the “greats” of photography mostly earned their crusts. The rise of Getty Images and the like has destroyed residual income from stock photography. More images are being generated than ever, but less money is being earned for making them. Their main problem is like that of actors, however. It’s a fun, creative job that many people want to do but there are too few customers to pay more than a minority of them. If they were not so disdainful about economics, both professions would find the outcome of that predictable. Mostly they just see it as “wrong” however.

There are playful souls among them but they tend to be more than averagely earnest. There’s an historical reason for that. In the early days of photography it was derided by fine artists as mere mechanical trickery. Painters and sculptors thought of photographers as the Church had once thought of them — as low class artisans unworthy of respect and to be cheated of their pay wherever possible. In consequence photographic pioneers longed to be seen as artists too and paid a lot of attention to “serious” subjects and “social” issues.

[…]

In amateur photography, the comfortable pensions of teachers and university lecturers mean there are far too many of them in a leisure field that requires a certain amount of investment in kit — adding further layers of pseudo-intellectual pomposity, musty from a lifetime of never being challenged. I am a member of the Royal Photographic Society, but though I enjoy a few of its workshops from time to time, mostly find its members smug and insufferable. I hesitate every year before renewing. Its beautifully produced magazine, for example, unquestioningly peddles the conventional thinking of the BBC class. I have learned to appreciate the images while ignoring the priggish text around them.

Tom Paine, “Where we are and what we see”, The Last Ditch, 2020-05-20.

December 8, 2024

Why your landscape photos are boring 🥱

Filed under: Britain, Media — Tags: , , — Nicholas @ 02:00

Yorkshire Photo Walks
Published Jun 9, 2024

In this video Tom outlines a five-step process for turning your landscape photos from flat, boring shots to professional looking images.
(more…)

February 16, 2024

“… the rise in emotional disturbance among young women correlates precisely with the introduction of the smart phone”

Filed under: Health, Liberty, Media, Technology — Tags: , , , , , — Nicholas @ 05:00

At Postcards from Barsoom, John Carter sets off all the alarms with a proposal to address the burgeoning issue of social media addiction and the closely correlated rise in mental health issues among young women:

The psychic breakdown of the young Western female has been the defining political phenomenon of the twenty-first century. Women are suffering from depression, anxiety, neurosis, and dysphoria as never before, they’re drugged to the gills to deal with it, and they’ve got the SSREyes to prove it.

This isn’t only a problem for young women. Their suffering is everyone’s suffering. The romantic paranoia engendered by MeToo, a mass hysteria that has grown directly out of this plague of neurosis, has destroyed courtship among the young. As a result a shocking fraction of young men are virgin incels, while their femcel counterparts are contemplating a future where 45% of them will be childless. Driven by their neglected ovaries to latch on to surrogate children in the form of migrants and minorities, and entering into lesbian civil unions with the Mammy State, childless women overwhelmingly vote left – as always, the party of the psychically distressed thrives to whatever degree it cultivates psychic distress. The political derangement is downstream of their emotional derangement, and the two feed on one another in a vicious spiral of crazed minds pushing crazed policies that craze minds yet further, a cycle that threatens to break civilization, either gradually through steady demographic deflation and spiritual demoralization, or perhaps – if the young men alienated by a society that has ruined their women cease stupefying themselves with porn, and cohere as an army – more catastrophically.

There’s no real mystery as to why this has happened.

Jonathan Haidt has demonstrated at length and in extraordinary empirical detail that the rise in emotional disturbance among young women correlates precisely with the introduction of the smart phone, and the mass migration of social lives onto social media that immediately followed. The slot machine engineers of Silicon Valley trapped the world’s young women in a Skinner box by hacking their instinctive sexual competition strategies. Suddenly every young girl in the world was measuring herself against every other young woman, all viewing one another through the distorting filters of flattering camera angles, ruthlessly curated digital photographs, makeup, plastic surgery, and AI filters that smoothed wrinkles, removed blemishes, and reduced unwelcome poundage. On the Internet no girl is ever the prettiest girl in the room, or even the second or third prettiest. Meanwhile they’re flooded with a relentless barrage of that most intoxicating of drugs: male attention.

Of course they went mad.

They’re all wandering around in a state of selfie-shock.

July 18, 2023

Life lessons from Thomas Sowell’s memoir

Filed under: Books, Economics, History, Military, USA — Tags: , , , , , — Nicholas @ 05:00

Rob Henderson took a lot away from his recent reading of Thomas Sowell’s A Personal Odyssey, including some fascinating lessons from Sowell’s time in the US Marine Corps:

Trust people who value being honest more than being nice.

As the Korean War intensified, Sowell was drafted into the Marine Corps. He notes that color did not matter, as all new recruits were treated with equal disdain. Sowell describes his life in the Marine barracks in Pensacola. There were two non-commissioned officers permanently stationed to oversee the young marines. One was Sergeant Gordon, “a genial, wisecracking guy who took a somewhat relaxed view of life”. The other was Sergeant Pachuki, “a disciplinarian who spoke in a cutting and ominous way” and was always “impeccably dressed”.

Sowell and his peers preferred Sergeant Gordon, as he was more easygoing. Sowell had to go into town to pick up a package. Sowell asked his Chief Petty Officer if he could leave the base to retrieve his package. Sowell received permission.

Later, while Sowell was not on base, he was marked as absent and was accused of being AWOL (absent without leave), a serious offense. Sowell knew Sergeant Gordon, the nice one, had overheard him asking for permission to leave the base. Gordon denied having heard anything, and told Sowell, “You’re just going to have to take your punishment like a man”. Gordon fretted that if he crossed the higher-ups, he would be reassigned to fight in Korea.

But unasked, Sergeant Pachuki came forward and spoke with the colonel, explaining the situation. As a result, Sowell was exonerated and returned back to his duties.

Referring to Gordon, the “nice” sergeant who betrayed him, Sowell writes, “People who are everybody’s friend usually means they are nobody’s friend”.

A “free good” is a costless good that is not scarce, and is available without limit.

Sowell would regularly needle Sergeant Grover, another member who outranked him.

Here’s the excerpt:

    Some were surprised that I dared to give Sergeant Grover a hard time, on this and other occasions, especially since he was a nasty character to deal with. Unfortunately for him, I knew that he was going to give me as hard a time as he could, regardless of what I did. That meant it didn’t really cost me anything to give him as hard a time as I could. Though I didn’t realize it at the time, I was already thinking like an economist. Giving Sergeant Grover a hard time was, in effect, a free good and at a zero price my demand for it was considerable.

Sowell learned he could receive something he enjoyed (pleasure at provoking Grover) in exchange for nothing.

    Much of what you see has been carefully curated with an agenda in mind.

One of Sowell’s assignments in the Marine Corps was as a Duty Photographer on base. One day after submitting some of his photos, Sowell had the following exchange with the public information office sergeant:

    “They are good pictures, he said. “But they do not convey the image that the public information office wants conveyed.”

    “What’s wrong with them?” I asked.

    “Well, take that picture of the reservists walking across the little wooden bridge carrying their duffle bags.”

    “Yeah. What’s wrong with it?”

    “The men in that picture are perspiring. You can see the damp spots on their uniforms.”

    “Well, if you carry a duffle bag on a 90-degree day, you are going to sweat.”

    “Marines do not sweat in public information photographs.”

    “Okay, what was wrong with the picture of the reservists picking up shell casings after they had finished firing? That was one of my favorites.”

    “Marines do not perform menial chores like that, in our public relations image.”

    “But all these photos showed a very true picture of the reservists’ summer here.”

    “We’re not here to tell the truth, Sowell,” he said impatiently. “We are here to perpetuate the big lie. Now, the sooner you understand that, the better it will be for all of us.”

When I visited the Air Force recruiter in high school, I saw the brochures with images of well-groomed airmen in their dress blues graduating from basic training. I had no knowledge that much of that training would involve mind-numbing minutia. I suppose this is true for other career fields too. You see radiant coverage of academic research in legacy media outlets, or fun twitter threads outlining interesting research findings. You see the brand new hardcover book with all the glowing blurbs and reviews. You don’t see all the drudgery of research or writing behind the scenes.

Sometimes, it doesn’t pay to have too big a reputation.

Sowell and his fellow marines would sometimes have impromptu boxing matches around the barracks on base. One day Sowell was up against another guy and threw a sloppy right hand. The guy stumbled back, tripped, and fell to the ground. Although Sowell had swung and missed, witnesses thought he had knocked the other guy out.

Later, Sowell went up against another guy named Douglas. Douglas relentlessly came at Sowell and gave him a serious beating. Douglas told Sowell afterwards that the reason he was so aggressive was that he feared Sowell’s “one punch” could turn the fight around at any time. “Sometimes,” Sowell writes, “it doesn’t pay to have too big a reputation.”

May 30, 2023

QotD: The technical flaws of modern cameras

Filed under: Humour, Quotations, Technology — Tags: , — Nicholas @ 01:00

The camera, it is said, does not lie, but when it comes to me it not only lies but is a pathological liar, incapable of telling the truth. Who is that creature it takes when pointed at me? Certainly not I: Every camera in the world, it seems, has been programmed to make me balder, whiter-haired, more wrinkled than I am. Who has done this, or why, I cannot say, but the evidence is plain for me, if not for anyone else, to see.

Theodore Dalrymple, “The Grand Illusion”, Taki’s Magazine, 2017-08-19.

May 22, 2023

What Happened Behind a Photographer’s Lens on D-Day

Filed under: France, Germany, History, Military, USA, WW2 — Tags: , , , , — Nicholas @ 04:00

World War Two
Published 21 May 2023

Robert Capa has gone down in history as one the most groundbreaking war correspondents in all of journalism. His account of what happened on D-Day was something we wanted to share with all of you.
(more…)

February 2, 2023

QotD: “Selfies”

Filed under: Humour, Quotations — Tags: , , , — Nicholas @ 01:00

I do not take selfies, but (if I am to tell the truth) it is not because I am appalled at the vacuity doing so seems to require, or at least to call forth: Sheep in a field are more like Rodin’s Thinker than are people who hold their phones on those ridiculous sticks before their faces. No, the problem is that, where the camera and I are concerned, it is not that it never lies, but that it never tells the truth.

I am always appalled by its results. I do not look like that when I glance in the mirror: I look far younger, less bald, wrinkled, ugly in short. I conclude, of course, that I lack that mysterious quality that only some lucky people have: I am not photogenic. If the camera never lied, if it showed me as I truly am, I would come out much better in photos.

I think it was the French-Romanian writer Emil Cioran who said that if a man knew that someone would one day write a biography of him, he would cease to live; in other words, it would paralyze him. In like fashion, if I thought that people would photograph me, I would stay indoors — the millions of spy cameras everywhere don’t count, no one looks at what they have recorded until there has been a murder or a terrorist attack (and then everyone is mostly unrecognizable).

I conclude, therefore, that most people who take selfies are at least minimally satisfied with their appearance, however they may appear to others. But in fact it hardly requires reflection on the selfie as a social, or antisocial, phenomenon to know that very large numbers of people have no idea what they look like to others. Or perhaps it is simply that they don’t care.

Theodore Dalrymple, “Suit Yourselfie”, Taki’s Magazine, 2017-09-16.

December 7, 2021

The Oberg Color Film Footage of Pearl Harbor – December 7, 1941

Filed under: History, Military, Pacific, USA, WW2 — Tags: , — Nicholas @ 02:00

midway512
Published 7 Dec 2018

This short documentary tells the story of Harold & Eda Oberg, and the film footage they recorded of the Pearl Harbor attack on December 7, 1941. The couple captured shots during and after the attack on Hickam Army Airfield.

November 16, 2021

Bettie Page: The Queen of Pinup

Filed under: History, Media, USA — Tags: , , , , , , , — Nicholas @ 02:00

Biographics
Published 4 Mar 2019

Visit our companion website for more: http://biographics.org

Credits:
Host – Simon Whistler
Author – Shannon Quinn
Producer – Jennifer Da Silva
Executive Producer – Shell Harris

Business inquiries to biographics.email@gmail.com

Source/Further reading:

https://www.youtube.com/watch?v=MJhop…
https://www.pbs.org/video/history-det…
https://nces.ed.gov/pubs93/93442.pdf
http://news.bbc.co.uk/2/hi/americas/7…
https://www.biography.com/news/bettie…
https://www.celebritynetworth.com/ric…
https://www.forbes.com/sites/zackomal…

Secondary Sources/Photos/Videos:

(Hey guys- You technically can’t see any of her private parts in these videos, so it’s not really porn, but I still would not call this safe for work. Your wives, co-workers, or people on public transportation may give you really dirty looks if they see these over your shoulder. You have been warned.)
https://en.wikipedia.org/wiki/Bettie_…

Dancing video

https://www.youtube.com/watch?v=_Pndr…
The “Striporama” scenes with Bettie Page
https://youtu.be/ZDypKx8c1TM

August 1, 2021

Gresham’s Law, as applied to photography

Filed under: Books, Media, Technology — Tags: , , — Nicholas @ 03:00

In economics, Gresham’s Law states that “bad money drives out good”, that may need to be reformulated as it applies to modern standards of photography in a formulation something like: “bad photos drive out good photos“:

“Art is like a joke, either you get it or you don’t.” So it was explained to me in the late 1970s by photographer Randy Eriksen, whose cheeky observation about the importance of context to one’s appreciation of either comedy or art could have been a parenthetical second subtitle for author and educator Kim Beil’s Good Pictures: A History of Popular Photography (Stanford University Press, 2020).

Beil’s episodic and highly readable book identifies 50 photographic trends — illustrated by hundreds of vintage and contemporary photographs — that have guided the aesthetics of photography since 1851, when a group of American daguerreotypes made a splash at the Crystal Palace Exhibition in London. Back in 1851, context mostly equaled 1851, as the latest photo technology of the day played a major role in how Victorians decided that one picture was good and another was not.

[…]

Beil’s own context began in Albany, New York, where she grew up. “My mom was into photography,” Beil tells me over the phone. “She was the one who took the pictures in my family. When my parents got me my first camera, a Nikon FE, they made me attend a class offered by the camera store. I remember it was held in this dark ballroom at an Albany hotel. It was me and a bunch of middle-aged men. That’s where I learned about 35mm cameras, f-stops, and shutter speeds.”

“How To Make Good Pictures” (Rochester, NY: Eastman Kodak Co., 1943).
Source: Collection of the Prelinger Library, via Collectors Weekly.

Beil also learned from various “How to Make Good Pictures” manuals published by Kodak, which also hailed from upstate New York. “I’m pretty sure I internalized the advice I read in ‘How to Make Good Pictures’,” Beil says of her early aesthetic indoctrination, “things like avoiding centering your subject in the frame, the rule of thirds, shooting during ‘golden hour’, all that conventional wisdom.”

[…]

“Intention is central to the way I think about art, and maybe even how we define it,” Beil agrees. “Take lens flare: I think the power of lens flare comes from its initial unintentional use by people who were just taking casual pictures without any premeditation, without much intention.” In these sorts of photographs, Beil says, lens flare was an amateur mistake that conferred “a kind of authenticity to an image.” That’s why advertisers find lens flare so appealing. “Because we still associate it with authenticity,” Beil says, “it makes an advertising photo seem more real, maybe even spontaneous.”

Today, lens flare is so widely used, so intentional, that billions of smartphone cameras offer multiple variations of this former failing in the form of filters, which can be activated with a click or a swipe. “Everything can be achieved and there are no more accidents,” Beil says of photography in the 2020s, “so photographers look to things that happened before to reinsert some kind of authenticity into their pictures.” Thanks to technology, photographers can now pretend to take pictures as if they lacked the tools to make their pictures, well, good.

The problem, of course, is that technology is intrusive, inserting itself into aesthetics and even cultural paradigms without being invited to do so. “We have a situation today,” Beil says, “in which our smartphone cameras are producing pictures according to the criteria of software designers, who have made a lot of egregious assumptions about the tonality of skin color.” According the Beil, because the sample sets used by software designers have historically included more pictures of light skin tones than dark skin tones, the colors captured by our smartphone cameras do a better job of reproducing the lighter skin tones. “People with darker skin aren’t represented in the way that they want to be,” she says, “or even in the way that’s accurate. Google has promised that the Pixel 6 camera coming out in October 2021 is going to deal with that problem,” she adds, but Beil doesn’t sound like she’s expecting much more than an incremental improvement.

December 18, 2020

When Movies Were Magic (3D glasses recommended)

Filed under: France, History, Media, Technology, USA — Tags: , , , — Nicholas @ 02:00

Atun-Shei Films
Published 8 Sep 2020

A brief history of early motion picture technology and artistry, from the magic lantern to Georges Méliès. Presented in glorious 3-D!!!

To fully enjoy this video, you will need a pair of red/blue anaglyph 3-D glasses. They can be acquired cheaply at a number of online vendors, and you can even make them at home by coloring sheets of clear plastic with permanent markers: https://www.wikihow.com/Make-Your-Own…

Support Atun-Shei Films on Patreon ► https://www.patreon.com/atunsheifilms

Leave a Tip via Paypal ► https://www.paypal.me/atunsheifilms (All donations made here will go toward the production of The Sudbury Devil, our historical feature film)

Buy Merch ► https://www.teespring.com/stores/atun…

#FilmHistory #MagicLantern #3D

Reddit ► https://www.reddit.com/r/atunsheifilms
Twitter ► https://twitter.com/atun_shei

~REFERENCES~

[1] William Godwin. Lives of the Necromancers (1834). Project Gutenberg https://www.gutenberg.org/cache/epub/…

[2] Paul Clee. Before Hollywood: From Shadow Play to the Silver Screen (2005). Houghton Mifflin, Page 12-21

[3] Chris Bennett. “The Psychedelic Phantasmagoria Shows of the 18th Century” (2018). Cannabis Culture https://www.cannabisculture.com/conte…

[4] Clee, Page 39-47

[5] Clee, Page 84-85

[6] “Dissolving View Magic Lantern Slides.” Magic Lantern World https://magiclanternist.com/2016/09/2…

[7] “A Color Photograph Pioneer Comes to Light” (2018). The European Synchrotron https://www.esrf.eu/home/news/general…

[8] Clee, Page 83

[9] Clee, Page 85-95

[10] “Freeze Frame: Eadweard Muybridge’s Photography of Motion” (2000). National Museum of American History https://americanhistory.si.edu/muybri…

[11] “Sallie Garner at a Gallop.” IMDB https://www.imdb.com/title/tt2221420/…

[12] Laurent Mannoni. “Etienne-Jules Marey: French Physiologist and Chronophotographer.” Who’s Who of Victorian Cinema https://www.victorian-cinema.net/marey

[13] Clee, Page 107-109

[14] Harald Sack. “The Kinetoscope and Edison’s Wrong Way to Invent the Cinema” (2020). SciHi Blog http://scihi.org/kinetoscope-edison/

[15] Clee, Page 127

[16] Clee, Page 139-141

[17] James Travers. “Georges Méliés Biography: Life and Films” (2017). FrenchFilms.org http://www.frenchfilms.org/biography/…

[18] Clee, Page 158-159

Older Posts »

Powered by WordPress