Quotulatiousness

February 11, 2021

The Zionism of Albert Einstein | BETWEEN 2 WARS: ZEITGEIST! I E.11 – Spring 1921

Filed under: History, Middle East, Science, USA — Tags: , , , , , , , — Nicholas @ 04:00

TimeGhost History
Published 10 Feb 2021

Albert Einstein may be renowned for his work in the field of science, but this season he is fundraising for a new Jewish university. Charity isn’t the only activity on the cards in the United States this season however, much more tragic events are also afoot …

Join us on Patreon: https://www.patreon.com/TimeGhostHistory​

Hosted by: Indy Neidell
Written by: Francis van Berkel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Francis van Berkel
Image Research by: Daniel Weiss
Edited by: Daniel Weiss
Sound design: Marek Kamiński

Colorizations:
– Daniel Weiss – https://www.facebook.com/TheYankeeCol…​
– Dememorabilia – https://www.instagram.com/dememorabilia/​
– Daniel Hass

Sources:
Some images from the Library of Congress

From the Noun Project:
– Death by Adrien Coquet
– Ukraine by Lluisa Iborra, ES
– Immigrants by Luis Prado
– sun by MRFA
– Wine by Made
– orange By lieuchien, SG
– Champagne By Pete Baker

Soundtracks from Epidemic Sound and ODJB
– “One More for the Road” – Golden Age Radio
– “Dawn Of Civilization” – Jo Wandrini
– “London” – Howard Harper-Barnes
– “Ominous” – Philip Ayers
– “Prescient” – Howard Harper-Barnes
– “Not Safe Yet” – Gunnar Johnsen
– “Document This 1” – Peter Sandberg
– “Growing Doubt” – Wendel Scherer
– “Tiger Rag” – ODJB
– “It’s Not a Game” – Philip Ayers

Archive by Screenocean/Reuters https://www.screenocean.com​.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

From the comments:

TimeGhost History
2 days ago
In the year that Buck’s Fizz is born, the USA promises to be a hotbed of funding for Albert Einstein. But for the nation’s black population, this season will brutally prove that the USA is still lightyears from any semblance of racial equality. Further highlighting this racial inwardness will be legislation to curb immigration. Clearly, America is still a long way from being the Land of the Free.

Raunchy literature, Broadway and Buck’s Fizz will also make an appearance this season, tune in to find out how!

July 11, 2020

Truncating the state of Oklahoma

Filed under: Government, History, Law, USA — Tags: , , , , — Nicholas @ 03:00

Colby Cosh on what might turn out to be the most important US Supreme Court decision in recent history:

A map of Oklahoma from the mid-1880s showing county boundaries and the tribal areas of Indian Territory.
Encyclopedia Britannica, 9th edition, 1888 via Wikimedia Commons.

On Thursday the court published its judgment in the case of McGirt v. Oklahoma [PDF]. McGirt is Jimcy McGirt, a man convicted in state court in 1997 of heinous sex crimes against a four year old. A creative public defender had tried to argue for years in lower courts that, as McGirt was a member of the Seminole Nation and his crimes had occurred on territory set aside in the 19th century for Creek Indians, he was never subject to state prosecution.

He should have been tried, the argument ran, under the federal Major Crimes Act of 1885, which specifies that accusations of serious felonies against Indians in “Indian country” go immediately to federal court. Under an 1856 treaty between the U.S. and the Creeks, the Creek lands were to be a “permanent home” for the displaced nation for as long as it existed (at a time when Aboriginal-Americans were still widely expected to diminish and disappear as a race).

The formalized concept of an Indian reservation did not yet exist, but the theory, then and now, is that some Aboriginal nations have direct relationships, albeit ones of “dependence,” with the federal government. Sometimes it is said that the U.S. is the “suzerain,” the overlord, of otherwise sovereign Indian nations. The Creeks, and the other four “Civilized Tribes” who had been forced into the “Indian Territory” that once covered the eastern part of future Oklahoma, were given strong written promises that they would be held apart from the U.S. states proper and would have jurisdiction over crimes and civil matters on their lands. Only the United States Congress, as a power contracting with sovereign nations, could act to encroach upon this jurisdiction.

In a fashion familiar to anyone who has read even a shred of the history of the American Indian, these promises just kind of got … misplaced. In the early 20th century the Oklahoma tribes were encouraged by Congress to abandon communal property holding and take up individual “allotments” of Indian-held land. This ought not to have changed the underlying nation-to-nation relationship, any more than assigning homesteading parcels to settlers busted up or negated the ultimate sovereignty of the U.S. elsewhere in the American West. But that constitutional framework was more easily ignored once a contiguous bundle of territory began to be bought and sold. (Some of it became part of the city of Tulsa.) This history has helped to make similar allotment action in Canada impossible, whatever advantages it might have.

November 23, 2016

When is an American Indian artist not American Indian?

Filed under: Bureaucracy, Business, USA — Tags: , , , , — Nicholas @ 03:00

Answer: when federal bureaucratic rules interact unhappily with state-level bureaucratic rules. Eric Boehm explains why an artist is not legally allowed to market her beadwork as “American Indian-made”:

Peggy Fontenot is an American Indian artist, of that there can be no doubt.

She’s a member of the Patawomeck tribe. She’s taught traditional American Indian beading classes in Native American schools and cultural centers in several states. Her work has been featured in the Smithsonian’s National Museum of the Native American.

In Oklahoma, though, she’s forbidden from calling her art what it plainly is: American Indian-made.

A state law, passed earlier this year, forbids artists from marketing their products in Oklahoma as being “American Indian-made” unless the artist is a member of a tribe recognized by the U.S. Bureau of Indian Affairs.

The Patawomeck tribe is recognized by the state of Virginia, but not by the federal government. Fontenot says she can trace her Native American heritage back to the 16th Century, when the tribe was one of the first to welcome settlers from Europe who landed on the east coast of Virginia. She’s been working as an artist since 1983, doing photography, beading, and making jewelry.

[…]

According to PLF [Pacific Legal Foundation], Oklahoma’s law could affect as many as two-thirds of all artists who are defined American Indians under federal law. The state law also violates the U.S. Constitution’s Commerce Clause by restricting the interstate American Indian art market, the lawsuit contends.

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