The Great War
Published 24 Mar 2023
The Polish-Soviet War was one of the most important conflicts in the aftermath of the First World War when Eastern Europe was in flux. Both the Polish and the Bolshevik Army had the advantage numerous times and at the Battle of Warsaw is looked like the Bolsheviks would carry the revolution into Western Europe.
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March 27, 2023
Why Russia Lost the Polish-Soviet War
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January 19, 2023
The Partisan War Behind the Frontlines – WW2 Documentary Special
World War Two
Published 18 Jan 2023There is a second war raging on the Eastern Front. From the huge expanses of no man’s land behind the German lines, Moscow’s battle-hardened and well-armed partisan bands are waging a Rail War in support of Red Army offensives. But every successful mission brings down the wrath of the genocidal Axis war machine.
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July 18, 2022
General Patton Orders War Crimes – WAH 069 – July 17, 1943
World War Two
Published 17 Jul 2022This week, we see a contrast in the way different civilians behave within occupied Ukraine, Patton orders war crimes, and Jewish resistance give up one of their own fighters.
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April 30, 2021
The Horrors of Partisan Warfare – WAH 033 – April 1942, Pt. 2
World War Two
Published 29 Apr 2021April 1942 sees bombing campaigns in Germany and Britain, as well as German anti-partisan actions in the Balkans and Eastern Europe.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesHosted by: Spartacus Olsson
Written by: Spartacus Olsson and Joram Appel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Joram Appel
Edited by: Miki Cackowski
Sound design: Marek Kamiński
Map animations: Miki Cackowski and Eastory (https://www.youtube.com/c/eastory)Colorizations by:
Klimbim https://www.flickr.com/photos/2215569…
Mikołaj Uchman
Spartacus Olsson
Daniel WeissSources:
IWM MH 24764, HU 36196, Q(HS) 256, D 16649
Yad Vashem 48AO3, 953, 86FO2, 3116/71
Bundesarchiv
Tito giving a speech in Foča, courtesy of Музеј Старе Херцеговине
Narodowe Archiwum Cyfrowe
Star of David, courtesy of Jacek Proszyk https://commons.wikimedia.org/wiki/Fi…
Picture of Gustav Braun von Stumm, courtesy of Thomas Föhl https://www.geni.com/photo/view/60000…Soundtracks from the Epidemic Sound:
Wendel Scherer – “Defeated”
Johan Hynynen – “Dark Beginning”
Jon Bjork – “Disposal”
Christian Andersen – “Barrel”
Wendel Scherer – “Growing Doubt”
Jon Bjork – “For the Many”
Reynard Seidel – “Deflection”
Gavin Luke – “Drifting Emotions 3”
Jon Bjork – “Icicles”
Gunnar Johnsen – “Not Safe Yet”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
Update: TimeGhost had to repost a censored version of this episode and provided this explanation:
World War Two
1 hour ago (edited)
The original version of this video was age restricted by YouTube for containing pictures of dead bodies. We do not feel that it is correct to document these events by finessing history and self censoring, but YouTube has left us no choice. We have several problems with these age restrictions, but let’s start off with what an age restriction means on YouTube. In theory it simply restricts the video from anyone who isn’t over 18 and logged in to the YouTube platform, but in effect it does much more than that;1. It takes the video out of most subscribers’ feeds and notification lists
2. In some countries like for instance South Korea, for legal reasons it is not accessible at all, for anyone
3. YouTube ranks it lower in their recommendation engines sending out recommendations to view to only a fraction of the ‘normal’ recommendations
4. It can no longer be viewed off YouTube as an embedded video – meaning that it won’t display even on our own website
5. It gets a boiler plate informing the viewer that the content has been “identified by the community as offensive to some viewers”
6. On many mobile devices it cannot be shared with the YouTube app
7. In countries were legal proof of age is required for adult content you have to provide a driver’s license, or credit card proving you are over 18In effect that means that YouTube is soft censoring the video from a large section of potential viewers. The result is that we get around half, or less of the views on videos that are age restricted. And we should note that according to YouTube’s own system more than 90% of our viewers are over 18, so it’s not just an effect of losing underage viewers.
Now, this content is without any doubt hard to watch, but it’s educational content based on solid facts, documented through crystal clear academic research. It is about the crimes against humanity during WW2. It documents events that are to this day in 2021, denied by sympathizers of extreme ideologies. Because of the special importance for new generations to learn about these events, many countries, especially in the EU and North America, do not require in their youth protection laws or media regulation that this kind of content shall be for 18+ only. To the contrary many countries have these topics, told just as graphically as we document them on their school curriculum for ages 13 and above. Moreover, YouTube has in their own community guidelines a provision that allows for displays of violence, dead bodies, and so on in an educational context also for under 18s.
So in effect YouTube is here choosing to restrict, even censor content of high educational importance although they are not legally required to do so, and they have their own provisions to allow it to be unrestricted. Why do they do that? Well, we can’t read their minds, but we have some indications that;
A) they ere on the side of caution to avoid ANY legal risk.
B) They fear any kind of content that has to do with extremism, even when unmasking it after the advertising boycotts they faced a couple of years back.
C) when the community complains they put extra weight on those complaintsIt is item C that troubles us the most. We have over 500 videos on our channels – very many of them contain graphic images of death and violence for reasons of the topics we document. Among these videos, a few dozen have been age restricted, while the rest have not. The common denominator between the age restricted videos is that they document events, or phenomena that unmask extremism by historical Communists, Nazis, and Imperialists. Its is difficult to not see the common interest by sympathizers of these groups and YouTube. If you want something suppressed, and there’s an easy way to just get it suppressed by just pressing a button – is it not reasonable to assume that you would use that button? We’re not conspiracy mythologists, we don’t believe there is a conspiracy here, but just by creating a simple path to fulfill different, but in effect common interests YouTube has made it easy for deniers of crimes against humanity, and war crimes to suppress information about these events.
We have explained to YouTube that inadvertently they are supporting the exact kind of hateful extremism they are fighting against with their other sword arm. We have implored them to lift the age restrictions in the interest of what society has decided: that content like this needs to be freely accessible in the public space. Despite an otherwise good and healthy relationship to the platform operators who are after all our distribution partners,, we have been met with standard replies, and a denial for our request.
Once again we express our dismay, sadness, and disappointment that YouTube chooses to restrict access to content that should serve a greater good; that we do not forget the victims of atrocities and extremism so that we can learn from our past and improve our societies.
Never Forget.
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August 29, 2020
“Last Sunday in Minsk was indeed a bizarre day”
Vladislav Davidzon reports on recent news from Belarus:
Protest in Minsk against Belarussian President Lukashenko, 23 August 2020.
Photo by Homoatrox via Wikimedia Commons.
“Where were you grandpa,” I dearly hope that my historically minded descendants will inquire of me one day, “when that maddened Belarusian president flew over the crowd of protestors in that helicopter with a machine gun in hand?” Last Sunday in Minsk was indeed a bizarre day. As the protestors of this most velvet of revolutions approached the presidential palace, Lukashenko panicked and ordered his personal military helicopter to fly over the crowd.
We are now into the third week of the political crisis that has wracked Belarus in the wake of the discredited presidential election of 9 August. Following the outcome of the fabricated election, Lukashenko has forfeited all political legitimacy after ruling the country as his own personal kingdom for the past 26 years. Yet, as the daily demonstrations taking place across every town and region demonstrate, Belarus is no longer governable under the old political agreement.
The entire capital of Minsk appears to be in revolt, if only passively. When I discreetly asked the cleaning lady at my hotel where I can go to make a call without being noticed, she replied with a knowing smile: “You can’t, they listen to everything.” The repressive apparatus on which Lukashenko has relied for decades clearly no longer functions. The protests are organised by encrypted telegram channels – many based in Poland and Lithuania – which the government is powerless to stop. NEXTA Live (the main telegram channel of the opposition, managed by an exiled 22-year-old Belarusian activist) has reported an extraordinary one billion views of its posts for the first three weeks of August.
So, it is understandable that the opposition demand that Lukashenko retire. He is 65 years old and will be celebrating his next birthday this coming Sunday (the day that protestors stage their weekly marches, routinely bringing 200,000 people into the streets of the capital). Those who run the opposition telegram channels have taken to referring to him as “a certain pensioner in Minsk”. Thus, “a certain pensioner in Minsk is meeting with the KGB and interior ministry generals today”. A “certain pensioner in Minsk is shaking his fist and threatening NATO”, and a “certain pensioner in Minsk has ordered a flight of Belarusian Mi-24 ‘Hind’ helicopters to intercept a formation of enemy flags bearing balloons on the Lithuanian border”.
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August 26, 2020
For British liberals, it’s somehow different when it happens in another country
At Spiked, Brendan O’Neill emphasizes the hypocrisy of some of the people lionizing the Belarussian democrats who also spent the last few years demonizing the democratic process that led to Brexit:
Protest in Minsk against Belarussian President Lukashenko, 23 August 2020.
Photo by Homoatrox via Wikimedia Commons.
British liberals are cheering on the tens of thousands of brave Belarusians who have taken to the streets to demand the enactment of their democratic vote. Which is odd, to say the least, given that the last time British liberals themselves marched in the streets, often in their tens of thousands, it was to demand the crushing of a democratic vote. It was to call upon the state to refuse to enact the democratic wishes of 17.4 million people, the largest democratic bloc in the history of the UK. The hypocrisy is staggering: the British chattering classes celebrate democracy abroad and wage war on it at home.
Belarusians are fighting tooth and nail for their democratic rights. They are marching in the streets in vast numbers – in defiance of the government’s authoritarian clampdown on public gatherings – and workers are going on strike. They are furious with the rigged outcome of the election two weeks ago, which gave their authoritarian president, Alexander Lukashenko, who has been in power for 26 years, yet another term. Lukashenko’s regime claims he won more than 80 per cent of the vote in the election on 9 August while the opposition won around 10 per cent. No one believes this. And they are right not to believe it: Lukashenko has a history of anti-democratic, tyrannical behaviour.
The Belarusians rising up against Lukashenko and demanding the meaningful right to determine who governs their country are an inspiration to democrats everywhere. They are taking enormous risks. They are breaking illiberal laws by taking to the streets of Minsk. At least four people have been killed in the protests. Some demonstrators claim they were tortured by security forces after being arrested. It is testament to people’s yearning for democratic power, for a real say in the future of their country, that so many are flooding the streets of Belarus or downing their tools at work in order to force the regime to listen to their voices. This is democracy in action.
And yet, there is something nauseating in the British chattering classes’ attempt to cosy up to the Belarusian uprising for democracy. For these are the same people who spent the past four years trying to do in the UK what Lukashenko is currently doing in Belarus – that is, silence people’s democratic cry and write off their democratic votes. Lukashenko does it with batons and torture, while our far more polite elites tried to do it with court cases, parliamentary intrigue and a relentless campaign of Project Fear. But the motive was the same: to prevent the supposedly problematic little people from having their say and screwing up political life.
[…]
The British columnists and politicos celebrating the Belarusian uprising have to face up to this fact: they have nothing in common with these brave warriors for democracy. On the contrary, their marches over the past four years were singularly devoted to stopping democracy. Who can forget those huge “People’s Vote” gatherings in which armies of middle-class Remainers would gather in London to sneer at ordinary voters, plead with the government to ignore their votes, and demand that big constitutional questions be taken out of the hands of the dangerous, reckless “low-information” masses. Guess who probably feels similarly to this? Yes, Alexander Lukashenko.
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March 14, 2016
Pink Floyd – Another Brick in the Wall (Part II) (medieval cover by Stary Olsa)
Published on 5 Oct 2015
Stary Olsa performing “Another Brick in the Wall” by Pink Floyd for Belarusian TV-show “Legends. Live” on ONT channel.
Produced by Mediacube Production. (Minsk, Belarus)
If you’ve liked this or the earlier covers, you might like to know that Stary Olsa has a Kickstarter campaign to fund their next album called “Old Time Rock n Roll”, which will include this song and at least the following:
- “One,” by Metallica
- “Another Brick in the Wall” part II, by Pink Floyd
- “Californication,” by the Red Hot Chili Peppers
- “Ob-la-di, Ob-la-da” and “A Hard Day’s Night,” by the Beatles
- “Child in Time” by Deep Purple
- “Smells Like Teen Spirit” by Nirvana
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July 30, 2015
Stary Olsa covers the Red Hot Chili Peppers on medieval instruments
Published on 29 Apr 2015
Stary Olsa performing “Californication” by Red Hot Chili Peppers for Belarusian TV-show “Legends. Live” on ONT channel.
Produced by Mediacube Production. (Minsk, Belarus)
H/T to Open Culture.
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July 23, 2015
Stary Olsa cover Deep Purple on medieval instruments
Published on 14 Dec 2014
Stary Olsa performing Deep Purple – Child In Time!
Produced by Mediacube Production. (Minsk, Belarus)
H/T to Open Culture.
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November 9, 2014
A medieval cover of Metallica’s “One”
I’m not familiar with the original, but I love the cover by Belarus group Stary Olsa:
H/T to Metal Injection:
Metallica is just rip for covering on unique instruments. Today, we hear what it would be like if it was covered in Medieval Times. Here is a band from Belarus doing just that.
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