Uploaded on 1 Mar 2011
Official music video for the single “Hounds of Love” — which is the title track of the Hounds of Love album by Kate Bush. It was also the third of the album’s four singles. The single was released on 24 February 1986, and reached number 18 in the UK Singles Chart.
The music video was directed by Kate Bush herself.
The versions worldwide differ slightly: the US single mix included an additional chorus just after the second chorus.
June 23, 2017
Kate Bush – Hounds of Love – Official Music Video
February 6, 2016
Alberta and federal equalization payments
Colby Cosh on the wrenching psychological damage the collapse of oil prices is inflicting on Alberta:
Alberta is not in any real danger of becoming a “have-not” province under the equalization program. Its fiscal capacity did not dip below the required standard even under the intentional cudgelling of former prime minister Pierre Trudeau’s National Energy Program in the 1980s. As it happens, it has been a half-century since Alberta received any equalization at all: the last payment was a paltry $1.2 million, received in fiscal 1964-65.
You can’t mention Alberta and equalization in the same sentence without attracting a gnat-like cloud of failed accountants who are eager to remind you that equalization doesn’t technically “take” from particular provinces. The money comes out of the general revenue; Alberta as a province, the lecture goes, has not been “paying in” so that others can “take out.”
But since equalization was introduced in 1957, Ottawa has transferred, if my figures are right, about $374 billion to the provinces. Almost exactly half of that has gone to Quebec. Alberta got a grand total of $92 million in the early years, zero since and zero for the foreseeable future.
It is thought paranoid to dwell on this. When the flow of funds is acknowledged at all, Albertans are told to buck up, for it is merely the price of living in a decent, well-ordered Confederation. Like brethren, we lift one another out of economic turmoil!
Yet, mysteriously, the identities of the equalization recipients do not change much from decade to decade. Little if any lifting occurs. Quebec has not only never threatened to join the “haves”; it becomes more disadvantaged, relatively, as the haves give it more.
How much easier would it be for Alberta to bear this long-term proposition — which I dare not call a swindle — if it had, just once, been pulled out of the mire by its fellow provinces at a timely moment? Imagine there were a Trudeau who, instead of deliberately designing economic shocks for Alberta, actually displayed some enterprise in assisting it at a time of perceived crisis? It might not even have to cost all that much: follow up a lot of fine talk and concern with a few hundred million, and perhaps you buy yourself another half-century of calm. The moral high ground is fine real estate. A bargain, surely, at the price.
July 28, 2014
Mark Knopfler – Brothers in arms
Uploaded on 28 May 2008
Mark Knopfler from his promo tour for Kill to Get Crimson, live in Berlin 2007.
April 11, 2014
March 27, 2014
September 18, 2013
QotD: 80’s pop music
Before Auto-Tune, if you wanted to make money in pop music, you sort of had to be able to sing. It wasn’t absolutely necessary, of course. You used to be able to mumble into a microphone, then the producer would put all sorts of sturm und drang all around it, and you could have a hit; see: Don’t You Want Me Baby, by Human League. But crooners have an easier time of it, and have less trouble having more than one bite of the top forty apple.
Crowded House was one of those eighties bands — A Flock of Seagulls; ABC, The Bangles; Thompson Twins; Duran Duran; Escape Club; The Fixx; Simple Minds; Simply Red; Howard Jones; XTC; Dan Hartman; Icehouse; Level 42; Psychedelic Furs; Hair Cut 100; Tears for Fears; Wang Chung; World Party — bands that are growing interchangeable with the decades slipping by. If you put them all on the same bill, and they all wore matching suits, they could all play each other’s tunes and not many people would notice. But you always notice when people sing well.
Sippican Cottage, “Pure Pop For Then People — Crowded House”, Sippican Cottage, 2013-09-17





