First, I need to provide some background on the sources of musical innovation. Over the course of three decades of research into this matter, I kept encountering new styles of song emerging in unexpected places — but these locations always had something in common.
These epicenters of musical innovation are always densely populated cities where different cultures meet and mingle, sharing their distinctive songs and ways of life. This intermixing results in surprising hybrids — new ways of making music that nobody can foresee until it actually happens in this hothouse environment.
New Orleans provides a great example. Around the time jazz originated in New Orleans, it was the most diverse city in the world — an intense intermixing of French, Spanish, African, Caribbean, Latin American, and other cultures. And the mixture was enhanced by the huge number of travelers and traders who came to the region because of the prominence of the Mississippi River as a business and distribution hub.
Here’s how I described this process in the appendix to my book Music: A Subversive History, where I shared 40 precepts on the evolution of human songs.
I wish I had time to defend these assertions here with empirical evidence. But we don’t have the space to do that. Let me say, however, that these statements are amply documented and supported with dozens of examples and case studies in the course of that book.
Ted Gioia, “The Most Important City in the History of Music Isn’t What You Think It Is”, The Honest Broker, 2023-01-26.
April 27, 2023
QotD: The unexpected sources of musical innovation
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