Quotulatiousness

June 17, 2022

Oikophobia run rampant

In the New English Review, Theodore Dalrymple considers the prevalence of oikophobia in western culture:

In an article for the American Mind, Daniel Mahoney draws our attention to a recent book on the phenomenon of oikophobia, the dislike or even hatred of one’s own country or culture, which now seems so prevalent in western academic and intellectual circles as to be almost an orthodoxy or requirement for acceptance into the intellectual class. Of course, no social trend or phenomenon is entirely new or has an indisputable starting point: for example, George Orwell drew attention to English self-hatred many years ago. But the spread of oikophobia has been of epidemic proportion in late years.

It seems to me that Mr. Mahoney’s analysis can be extended. The first question to ask is why oikophobia should now be so prevalent. To this, I should tentatively reply that it is because of the mass intellectualization of society consequent upon the spread of tertiary education. Intellectuals have an inherent tendency to be oppositional to all received opinion or feeling, for there is no point in going to the trouble of being an intellectual if one ends up thinking and feeling what the great mass of the people around one think and feel. Love of country and inherited custom is so commonplace as to appear almost normal or natural, and much of it, of course, is unreflecting.

But intellectuals are supposed to reflect. That is their function, and they are inclined to reject received opinion, not because it is wrong but because it is received. It goes without saying that received opinion can be wrong and even wicked or evil, in which case the strictures of intellectuals are necessary and salutary; but intellectuals themselves may promote wrong or even wicked opinions, partly from the a priori need to distinguish themselves from the run of mankind.

The phobia in oikophobia is the fear of being taken for one of the common run of mankind.

The second question about oikophobia is the old one of cui bono? Again, one must not confuse the psychological or social origin or function of an opinion with its justification or correctness in the abstract, but once one has decided that an opinion is mistaken or deleterious in its effect, it is natural to ask where it comes from and what interests it serves.

In my opinion, oikophobia is generally bogus, that is to say insincere, as is its cognate, multiculturalism. The oikophobe and the multiculturalist are not really interested in other cultures, except as instruments with which to beat their fellow citizens. The reason for their lack of real interest in other countries is not difficult to find and is of very common application. The fact is that it is very difficult genuinely to enter into a culture, or subculture, other than one’s own, even when that culture or subculture is close to or adjacent to one’s own.

Napoleon’s Retreat from Moscow – Why He Failed in Russia

Filed under: Europe, France, History, Military, Russia — Tags: , , , , , , — Nicholas @ 04:00

Real Time History
Published 16 Jun 2022

Sign up for the CuriosityStream + Nebula Bundle: https://curiositystream.com/realtimeh…

Napoleon’s retreat from Moscow and from Russia as a whole is one of the most dramatic scenes in history. Starving and freezing, the French Grande Armée is desperately trying to reach the Berezina River. The revitalized Russian Army is on their heels and almost catches their prey in the 2nd Battle of Krasny. But it wasn’t just “General Winter” that defeated Napoleon in Russia.

» SUPPORT US ON PATREON
https://patreon.com/realtimehistory

» THANK YOU TO OUR CO-PRODUCERS
John Ozment, James Darcangelo, Jacob Carter Landt, Thomas Brendan, Kurt Gillies, Scott Deederly, John Belland, Adam Smith, Taylor Allen, Rustem Sharipov, Christoph Wolf, Simen Røste, Marcus Bondura, Ramon Rijkhoek, Theodore Patrick Shannon, Philip Schoffman, Avi Woolf, Emile Bouffard, William Kincade, Daniel L Garza, Stefan Weiß, Matt Barnes, Chris Daley, Marco Kuhnert, Simdoom

» SOURCES
Boudon, Jacques-Olivier. Napoléon et la campagne de Russie en 1812 (2021).
Chandler, David. The Campaigns of Napoleon, Volume 1 (New York 1966).
Lieven, Dominic. Russia Against Napoleon (2010).
Mikaberidze A. The Battle of the Berezina: Napoleon’s Great Escape (Pen&Sword Military, 2010)
Rey, Marie-Pierre. L’effroyable tragédie: une nouvelle histoire de la campagne de Russie. (2012).
Zamoyski, Adam. 1812: Napoleon’s Fatal March on Moscow. (2005).
Отечественная война 1812 года. Энциклопедия (Москва: РОССПЭН, 2004)
Безотосный В. М. Россия в наполеоновских войнах 1805–1815 гг. (Москва: Политическая энциклопедия, 2014)
Троицкий Н.А. 1812. Великий год России (Москва: Омега, 2007)
(Прибавление к «Санкт-Петербургским ведомостям» №87 от 29 октября 1812 / http://www.museum.ru/museum/1812/War/…)

» OUR STORE
Website: https://realtimehistory.net

»CREDITS
Presented by: Jesse Alexander
Written by: Jesse Alexander
Director: Toni Steller & Florian Wittig
Director of Photography: Toni Steller
Sound: Above Zero
Editing: Toni Steller
Motion Design: Toni Steller
Mixing, Mastering & Sound Design: http://above-zero.com
Digital Maps: Canadian Research and Mapping Association (CRMA)
Research by: Jesse Alexander, Sofia Shirogorova
Fact checking: Florian Wittig

Channel Design: Simon Buckmaster

Contains licensed material by getty images
Maps: MapTiler/OpenStreetMap Contributors & GEOlayers3
All rights reserved – Real Time History GmbH 2022

The dark side of Tim Berners-Lee’s statement “When something is such a creative medium as the web, the limits to it are our imagination”

Filed under: Health, Media, Technology — Tags: , , , , — Nicholas @ 03:00

In The Critic, Tom Farr wonders about the wider meaning of the Eugenia Cooney story:

Eugenia Cooney in 2016.
Photo by Lilg54g – CC-BY-SA 4.0 via Wikimedia Commons.

Journalist and author Mandy Stadtmiller shared a new article last week on her excellent Substack series Rabbitholed entitled: “Why is Jeff Bezos Allowing Millions of Teenage Girls to Watch the Severely Anorexic Influencer Eugenia Cooney Slowly Kill Herself On Stream?”

The article itself received widespread attention for its harrowing coverage of the story of Eugenia Cooney, a 20-something Twitch streamer and YouTuber, who has built a global fanbase off vlogs featuring her cosplaying, and giving makeup and beauty tips amongst other things, as well as her distinctive early 2000s emo aesthetic.

Cooney is also severely anorexic. As Stadtmiller’s article succinctly explains:

    Cooney’s horrific skeletal appearance is documented lavishly by her sick and enabling mother, Debra Cooney, who is seemingly keeping her daughter trapped and isolated at home with almost no contact with the outside world outside of the online predatory men who pay her daughter tips to spin around, crawl around on the floor, act like a cat and show how weak she is when trying to lift things.

Whilst Cooney’s story warrants attention, that isn’t the purpose of this article. In order to understand fully the social apparatus that allows and encourages Cooney’s mother to disturbingly parade her young daughter around for tens of thousands of digital voyeurs, no better explanation can be found than the one that actually answers Stadtmiller’s original question: Just why is Jeff Bezos allowing millions of teenage girls to watch Eugenia Cooney slowly kill herself on stream?

Whilst Jeff Bezos could and should be skewered for his role in amassing grotesque, Scrooge McDuck levels of wealth at the expense of anyone with the temerity to want to use the toilet during their working hours, in this instance he is merely a symptom of a deeper rot that has taken hold of our society, aided in part by the explosion of the internet in the late 90s.

Sir Tim Berners-Lee, the founder of the World Wide Web, once said: “When something is such a creative medium as the web, the limits to it are our imagination.” Berners-Lee was not wrong, but it would be unfair to stick him with the responsibility for what the depraved depths of some individuals’ “imagination” have conjured up in the subsequent decades since the web’s mass adoption.

Those of us who grew up in the 90s and early 2000s — ostensibly the first generation to be exposed from an early age to the internet in its more rudimentary form – will surely remember the sporadic emergence of individual “shock videos”: from the fairly benign (“Meatspin”, anyone?) to videos of murder (“Three Guys One Hammer”), the internet was a developing digital territory that its early adopters were still testing the limits of. These videos were occasionally linked to entire websites that would host videos depicting varying degrees of degeneracy, but they operated mainly in the darker corners of the web, reliant on people sending links to each other on MSN with a description that would lull the recipient into a false sense of security in order to get them to click on it.

Such content ran, if not explicitly then certainly conceptually, parallel to another early-2000s meme: Rule 34. In short, Rule 34 stated: “Rule #34 There is porn of it. No exceptions.” It doesn’t really require Einstein’s intellect to parse what was meant by this aphorism: as the porn industry was finding its footing in the new digital age, the type of pornographic content that was readily available was also breaking new ground. Initially, those shock videos existed in a slightly separate orbit to that of more mainstream pornography, but their intersection was by no means a rarity, even in those early days. This somewhat grimly operates as the perfect example of Berners-Lee’s observation that the creativity fostered by the internet is only constrained by our collective imaginations.

Tank Chat #149 Cut in Half Centurion | The Tank Museum

Filed under: Britain, History, Military, Weapons — Tags: , , , — Nicholas @ 02:00

The Tank Museum
Published 25 Feb 2022

► JOIN OUR PATREON: Our Patreons have already enjoyed Early Access and AD free viewing of our weekly YouTube video! Consider becoming a Patreon Supporter today: https://www.patreon.com/tankmuseum

► TIMESTAMP:
00:00 – INTRO
00:31 – FEATURES

► SHOP THE TANK MUSEUM: tankmuseumshop.org

► FOLLOW THE TANK MUSEUM:
Instagram: https://www.instagram.com/tankmuseum/
Twitter: https://twitter.com/TankMuseum
Website: https://tankmuseum.org/
________________________

◈ Created by The Tank Museum

#tankmuseum #tankchats #DavidFletcher

QotD: The work of the blacksmith

Filed under: History, Quotations, Technology, Tools — Tags: , , — Nicholas @ 01:00

There are a few basic behaviors of iron that fundamentally control what blacksmiths are going to do with it in this stage. To begin with, we need to introduce some terminology to avoid this coming confusing: a given piece of metal can be hard (resistant to deformation) or soft; it can also be ductile (able to deform significantly before breaking) or brittle (likely to break without deformation). This is easiest to understand at the extremes: a soft, brittle material (like a thin wooden dowel) takes very little energy and breaks immediately without bending, while a hard, ductile material (the same dowel, made of spring-steel) bends more easily under stress but resists breaking. But it is also possible to have hard brittle materials (pottery being a classic example) which fiercely resist deforming but break catastrophically the moment they exceed their tolerances or a soft, ductile material (think wet-noodle) which bends very easily.

(I should note that all of these factors are, in fact, very complex – far more complex than we are going to discuss. In particular, as I understand it, some of what I am using “hardness” to describe also falls under the related category of yield strength. Hopefully you will all pardon the necessary simplification; if it makes you feel any better, ancient blacksmiths didn’t understand how any of this worked either, only that it worked.)

Of course these are not binaries but a spectrum. Materials have a degree of hardness or ductility; as we’ll see, these are not quite opposed, but changing one does change the other – increasing hardness often reduces ductility.

The sort of things that pre-modern people are going to want to be made in iron are going to have fairly tight tolerances for these sorts of things. Objects that had wide tolerances (that is, things which could be weak or a little bendy or didn’t have to take much force) got made out of other cheaper, easier materials like ceramics, stone or wood; metals were really only used for things that had to be both strong and relatively light for precisely the reasons we’ve seen: they were too expensive for anything else. That means that a blacksmith doesn’t merely need to bring the metal to the right shape but also to the right characteristics. Some tools would need to finish up being quite hard (like the tip of a pick, or the edge of a blade), while others needed to be able to bend to absorb strain (like the core of a blade or the back of a saw).

Bret Devereaux, “Collections: Iron, How Did They Make It, Part III: Hammer-time”, A Collection of Unmitigated Pedantry, 2020-10-02.

Powered by WordPress