World War Two
Published 26 Mar 2021The British are attacking the Mareth Line in North Africa while the Americans hit the Axis flank, but the Allies are withdrawing in Burma. It’s the Germans who are pulling back in the USSR, though, and there is another attempt from within German Command to assassinate Adolf Hitler.
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March 27, 2022
American Army Finally Does Something Right – WW2 – 187 – March 26, 1943
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The zombie Russian empire under Tsar Vladimir I
In the most recent Weekly Dish, Andrew Sullivan looks at the quasi-Imperial goals of Vladimir Putin:
Imperial Standard of the Emperor of Russia, used from 1858 to 1917.
Image by Trajan 117 via Wikimedia Commons.
“The huge iceberg Russia, frozen by the Putin regime, cracked after the events in Crimea; it has split from the European world, and sailed off into the unknown,” – Vladimir Sorokin, New York Review of Books, 2017.
The greatest mistake liberals make when assessing reactionaryism is to underestimate it. There is a profound, mesmerizing allure — intensified by disillusion with the shallows of modernity — to the idea of recovering some great meaning from decades or centuries gone by, to resurrect and resuscitate it, to blast away all the incoherence and instability of post-modern life into a new collective, ancient meaning.
Even when it’s based on bullshit. You’d be amazed how vacuous slogans about returning to a mythical past — “Make America Great Again!”, “Take Back Control!” — can move public opinion dramatically in even the most successful modern democracies. That’s one reason it’s self-defeating for liberals to press for maximal change in as many things as possible. National identity, fused often with ethnic heritage, has not disappeared in the human psyche — as so many hoped or predicted. It has been reborn in new and strange forms. Now is the time of monsters, so to speak. Best not to summon up too many.
This, it seems to me, is what many of us have missed about the newly visible monster of post-Communist Russia. It would be hard to conjure up a period of post-modern bewilderment more vividly than Russia in the post-Soviet 1990s. A vast empire collapsed overnight; an entire totalitarian system, long since discredited but still acting as some kind of social glue and cultural meaning, unraveled in chaos and confusion.
Take away a totalitarian ideology in an instant, and a huge vacuum of meaning will open up, to be filled by something else. We once understood this. When Nazi Germany collapsed in total military defeat, the West immediately arrived to reconstruct the society from the bottom up. We de-Nazified West Germany; we created a new constitution; we invested massively with the Marshall Plan, doing more for our previous foe than we did for a devastated ally like Britain. We filled the gap. Ditto post-1945 Japan.
But we left post-1991 Russia flailing, offering it shock therapy for freer markets, insisting that a democratic nation-state could be built — tada! — on the ruins of the Evil Empire. We expected it to be reconstructed even as many of its Soviet functionaries remained in place, and without the searing experience of consciousness-changing national defeat. What followed in Russia was a grasping for coherence, in the midst of national humiliation. It was more like Germany after 1918 than 1945. It is no surprise that this was a near-perfect moment for reactionism to stake its claim.
It came, like all reactionary movements, not from some continuous, existing tradition waiting to be tweaked or deepened, but from intellectuals, making shit up. They created a near-absurd mythology they rescued from the 19th and early 20th centuries — packed with pseudo-science and pseudo-history. Russia was not just a nation-state, they argued; it was a “civilization-state”, a whole way of being, straddling half the globe and wrapping countless other nations and cultures into Mother Russia’s spiritual bosom. Russians were genetically different — infused with what the reactionary theorist Lev Gumilev called “passionarity” — a kind of preternatural energy or will to power. They belonged to a new order — “Eurasia” — which would balance the Atlantic powers of the US and the UK, and help govern the rest of the world.
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Book Review: The Uzi Submachine Gun Examined, by David Gaboury
Forgotten Weapons
Published 13 Aug 2017The UZI Submachine Gun: Examined is a newly published book this year by David Gaboury — long time owner and operator of the uzitalk.com forum. Until now there has not really been any substantive written reference material on the Uzi, but Gaboury has certainly changed that!
The Uzi has not really seen many major variations in its design beyond the Uzi/Mini Uzi/Micro Uzi scaling (and the semiauto and full auto variations of each), but it has lived two rather distinct lives. One is the Uzi as a global military arm, and the other is the Uzi as an American commercial product — and this book covers both in excellent detail.
On the military side, the book begins with a substantial chapter on the initial development of the Uzi and Israeli submachine gun trials. A remarkably wide variety of guns were considered by the Israeli armed forces, and the trial ultimately came down to two domestic designs. The influence of the Czech ZK-476 and SA vz 23/4/5/6 designs are well explained, and much of the mythology about where the design came from is dispelled. Gaboury makes good use of both original documentary sources and firsthand conversation with those who were involved at the time to tell this story.
With the gun accepted, in production, and becoming very popular with Israeli troops, international sales become a possibility. Gaboury covers the adoption of the gun by the Dutch armed forces, followed by the German and South African militaries — as well as the licensed production by FN. He also examines other copies and adaptations, including Croatian, Japanese, and Chinese.
The second half of the Uzi story is that of its sale in the United States (including the use by US security organizations including the Secret Service). This is a story every bit as complex and detailed as the international military use of the gun, as US legal changes in 1968, 1986, 1989, 1994, and 2004 all play a major role in dictating changes that must be made to the guns for import and sale. In particular, Gaboury has detailed chapters on the major sellers of Uzis in the US — Action Arms, Group Industries, and Vector Arms (as well as many other smaller players).
While there may not be many major variations of the Uzi, there are a multitude of smaller changes to individual parts in both design and production technique, and Gaboury covers these in remarkable detail. If there is a flaw to the book, it is not in lack of detail, but perhaps in a bit of dryness to the writing. The information is clearly presented, but not particularly engaging to the reader who is only mildly interested in the subject. This is a minor criticism, however, and the book is an outstanding reference for anyone who has, well, really any questions at all about the Uzi.
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QotD: Period culture in old movies and TV shows
From the vantage point of the 1970’s, “old” TV shows were mostly things from the 1960’s, but old movies from the 40’s and 50’s were common too. In other words, if you wanted to peek back in time to the previous eras of American culture, you could reliably go back a decade and selectively go back a few decades. Bad old TV shows like Get Smart and Star Trek would go into syndication, but bad old movies were just forgotten. The old movies that were shown on TV were usually the good ones that people liked.
What that meant is if you wanted to know what it was like to live in 1945, you had to ask someone who was alive in 1945. You could get a little taste of it from watching old movies on a Saturday afternoon, but that was a stylized version. To really get a feel for the age before color movies and television, you had to rely on the fading memories of grandma and grandpa. Of course, this was true for all of human history until recent. It’s why old people are good at telling stories about the old days. They’re built for it.
Today it is different. I watched The Thomas Crown Affair the other night off the Kodi machine. This was the 1968 version with Faye Dunaway and Steve McQueen. There was a remake of this in 1999 with Pierce Bronson. I had seen the remake a few times, but I never saw the original. In fact, I did not know there was an original. That’s a bit of interesting cultural data right there. Just about every movie produced over the last twenty-five years is either a remake or made from a children’s comic book.
What I found remarkable about the movie is something I notice whenever I watch old movies and that is the maturity. A movie about the cat and mouse between a male and female today will have at least half an hour of rutting and humping, along with some explosions and lots of vulgar language. The modern presentation of male-female relations is so crude, that porn makers of the past would have been offended. In the old days, the film maker and audience expected a more sophisticated portrayal of sexual relations.
That is the other thing that turns up in old movies and television. Hollywood made assumptions about the cultural awareness of the audience we don’t see now. In The Thomas Crown Affair, there is a long scene around a chess game. It was supposed to be a stand in for the sexual tension between McQueen and Dunaway. It’s a bit ham-handed, but vastly more sophisticated than anything you would see today. One reason is the typical viewer today knows nothing about chess, so it would be lost on them.
Part of that is due to Hollywood relying on international audiences to make money. You can’t expect to make money in China or India when your film is full of essential references to Anglo-Saxon cultural items. When you make films for the universal culture, you are making movies for a culture that does not exist. That means the goal is to remove cultural references, rather than rely on them to tell a story. There can be no subtlety and nuance without common cultural reference points understood by the audience.
The Z Man, “Old Movies”, The Z Blog, 2019-02-13.
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