Quotulatiousness

March 24, 2022

Making a little shelf from reclaimed wood. No plans.

Filed under: Tools, Woodworking — Tags: , , — Nicholas @ 04:00

Rex Krueger
Published 23 Mar 2022

You don’t need plans for every project. Learn how I improvised this fast build!

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What a bunch of hosers! Take off, eh?

Filed under: Cancon, History, Humour, Media — Tags: , , , , , , — Nicholas @ 03:00

In The Line (which is operating on skeleton staff due to March break), Laura Mitchell considers the existential question of Canadian nationhood: what if we’re just a bunch of hosers?

Bob and Doug MacKenzie’s “Great White North” on SCTV.
Screencapture from YouTube.

Remember Bob and Doug MacKenzie? I’m old enough to have owned a bag featuring this pair, Canada’s quintessential Hosers. But for those of you who might not remember, Bob and Doug were a pair of TV characters played by Canadian comedians Rick Moranis and Dave Thomas, who played up Canada’s silly, self-deprecating sense of humour on SCTV.

[…]

Now, The Canadian Encyclopedia has a definition and an entry to define this particular personality subtype, and it’s not terribly flattering:

    Hoser: is a slang word for a Canadian of limited intelligence and little education.

I profoundly disagree. Hoser is all of us and we are all hosers.

Hidden in the silliness of baby bottle beer chugging and yodelling, there is subtle genius to the premise behind these characters (beyond the genius of the entire concept, of course — Bob and Doug sketches were cheekily and overtly mocking “CanCon” rules by providing government regulators content that was wildly over the top in its stereotypical portrayal of an average Canadian). In this particular sketch, we see just two normal dudes concerned about local matters and asking basic questions. They don’t try to be anything more than they are and they don’t apologize.

In the entry above in the Canadian Encyclopedia, there is much hand wringing over the idea that a hoser has to be white. This obviously stems from the fact Rick Moranis and Dave Thomas are white and the skits are set in rural Ontario in the early ’80s, when Canada was noticeably less diverse. But focusing on race misses the point of the whole thing. Hoserdom isn’t racial, it is a state of mind. To be a Hoser is to accept your place in the world and to be at peace with it.

[…]

The Canada of the 21st century is suffering from an identity crisis — somewhere along the line we stopped feeling inferior and began to fancy ourselves superior. Whether it be our health-care system, immigration policies, perceived influence on global affairs or success of some of our celebrities (looking at you, Celine Dion), we took on a feeling of grandiose majesty we simply don’t deserve. Our current prime minister is the personification of this collective delusion — pretty on the outside but hollow and fake beneath. Canada is alarmingly little more than a two-bit Instagram influencer with a closet full of free designer clothes but no ability to pay the gas bill.

The French MAS-38 Submachine Gun

Filed under: France, History, Military, Weapons, WW2 — Tags: , , , , — Nicholas @ 02:00

Forgotten Weapons
Published 4 May 2017

The MAS-38 was France’s first officially adopted submachine gun, rushed into service in 1940. It was basically too late to help with the defense of France, with less than a thousand delivered by June 1940. The Germans kept the gun in production, making 20-30 thousand under the designation MP722(f). French production picked up immediately after the war, and 203,000 were made by the end of 1951. The gun would see service mostly in Indochina.

Mechanically, the MAS 38 is a simple blowback SMG, although it has a few unusual features. One is the approximately 6 degree angle between the barrel and receiver, which was done in order to drop the stock and allow a sight picture with shorter iron sights. As a result, the bolt face is also cut at about a 6 degree angle off perpendicular. The safety is the trigger itself, which folds up and forward to engage, locking the bolt in place. The weapon is chambered for the 7.65 French Long cartridge, which was also used in the 1935A and 1935S pistols. It is lighter than most other military submachine gun rounds, roughly on par with 9x18mm Makarov. That reduced ballistic peer does make for a very comfortable and controllable weapon, however.

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QotD: Tolkien’s wartime experiences and The Lord of the Rings

Filed under: Books, Britain, History, Military, Quotations, WW1, WW2 — Tags: , , , , — Nicholas @ 01:00

… there’s more to Tolkien than nostalgic medievalism. The Lord of the Rings is a war book, stamped with an experience of suffering that his modern-day critics can scarcely imagine. In his splendid book Tolkien and the Great War, John Garth opens with a rugby match between the Old Edwardians and the school’s first fifteen, played in December 1913. Tolkien captained the old boys’ team that day. Within five years, four of his teammates had been killed and four more badly wounded. The sense of loss haunted him for the rest of his life. “To be caught in youth by 1914 was no less hideous an experience than to be involved in 1939 and the following years,” he wrote in the second edition of The Lord of the Rings. “By 1918, all but one of my close friends were dead.”

Tolkien arrived on the Western Front in June 1916 as a signals officer in the 11th Lancashire Fusiliers, and experienced the agony of the Somme at first hand. In just three and a half months, his battalion lost 600 men. Yet it was now, amid the horror of the trenches, that he began work on his great cycle of Middle-earth stories. As he later told his son Christopher, his first stories were written “in grimy canteens, at lectures in cold fogs, in huts full of blasphemy and smut, or by candlelight in bell-tents, even some down in dugouts under shell fire”.

But he never saw his work as pure escapism. Quite the opposite. He had begun writing, he explained, “to express [my] feeling about good, evil, fair, foul in some way: to rationalise it, and prevent it just festering”. More than ever, he believed that myth and fantasy offered the only salvation from the corruption of industrial society. And far from shaking his faith, the slaughter on the Somme only strengthened his belief that to make sense of this broken, bleeding world, he must look back to the great legends of the North.

Yet The Lord of the Rings is not just a war book. There’s yet another layer, because it’s also very clearly an anti-modern, anti-industrial book, shaped by Tolkien’s memories of Edwardian Birmingham, with its forges, factories and chimneys. As a disciple of the Victorian medievalists, he was always bound to loathe modern industry, since opposition to the machine age came as part of the package. But his antipathy to all things mechanical was all the more intense because he identified them — understandably enough — with killing.

And although Tolkien objected when reviewers drew parallels between the events of The Lord of the Rings and the course of the Second World War, he often did the same himself. Again and again he told his son Christopher that by embracing industrialised warfare, the Allies had chosen the path of evil. “We are attempting to conquer Sauron with the Ring,” he wrote in May 1944. “But the penalty is, as you will know, to breed new Saurons, and slowly turn Men and Elves into Orcs.” Even as the end of the war approached, Tolkien’s mood remained bleak. This, he wrote sadly, had been, “the first War of the Machines … leaving, alas, everyone the poorer, many bereaved or maimed and millions dead, and only one thing triumphant: the Machines”.

“Trivial”, then? Clearly not. Tolkien was at once a war writer and an ecological writer; a product of High Victorianism and also a distant relative of the modernist writers who, like him, were trying to make sense of the shattered world of the Twenties and Thirties. But he wasn’t just a man of his time; he remains a guide for our own.

Dominic Sandbrook, “This is Tolkien’s world”, UnHerd, 2021-12-09.

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