Quotulatiousness

August 19, 2012

UK girls did better than the boys in annual examinations

Filed under: Britain, Bureaucracy, Education — Tags: , , — Nicholas @ 11:39

Tim Worstall explains how it was engineered and why it’s not the wonderful accomplishment that some have been exulting about:

As a general rule one of the things that we know about education is that girls do better under a system of continuous assessment and boys under a system of competitive examination. This is of course not necessarily true of any one individual: but it is on average across any particular age cohort of children. If you want the girls to do better than the boys then skew the testing system to course work. Want the boys to appear to do better then bugger the homework and see what they can regurgitate in two three hour periods in the summertime.

That we really do know that this is true comes from the way that a few years back the system of examinations in England and Wales was deliberately changed to reflect this very point. GCSEs, A Levels, are now more based upon coursework than they used to be. The actual exams themselves now have less importance in the system than they used to. The stated objective of this change was to lessen the skew in favour of boys that a purely examination based system entailed.

So it is possible to exult about the girls outdoing the boys these days if that’s what you want to do. For it would be an example of a government policy, a very rare one indeed, actually achieving the goal originally set out. The educationalists wished to reduce the achievement gap between boys and girls. They did so.

Minnesota Vikings to play at Wembley?

Filed under: Britain, Football — Tags: , , , — Nicholas @ 09:58

Don’t panic, Vikings fans … the team isn’t moving. What is being considered is to allow the Vikings to play a couple of “home” games at Wembley Stadium in England while they await the end of construction on their new stadium:

The NFL and Vikings are both reportedly very keen to make this happen. It makes sense for the Vikings because, with the new stadium construction, they’ll have to play away from their real home for up to two years anyway. A couple home games at Wembley, which seats 86,000 for American football, means two fewer home games at temporary residence TCF Bank Stadium, which after upgrades will still be able to accommodate less than 60,000.

Of course the state-side fans might gripe about losing a couple of home games, but if there’s money to be made elsewhere, the Vikings won’t hesitate to follow it (sorry fans). It seems what we have here is a match made in heaven. The NFL wants to make more inroads in the European market, and the Vikings want to make back some of the revenue they’ll be losing by temporarily moving into a much smaller venue. So it seems inevitable that, for awhile at least, the Vikings will become England’s team.

A side-benefit to this would be that it ensures at least two games will be telecast outside the Vikings’ home region: a matter of great interest to this Toronto-area Viking fan.

The end of the world is nigh

Filed under: Books, Environment, Media, Randomness — Tags: , , , — Nicholas @ 00:07

Sell all your posessions! Live for the now! Repent your sins! Or, as Matt Ridley suggests, keep calm and carry on:

This is the question posed by the website 2012apocalypse.net. “super volcanos? pestilence and disease? asteroids? comets? antichrist? global warming? nuclear war?” the site’s authors are impressively open-minded about the cause of the catastrophe that is coming at 11:11 pm on December 21 this year. but they have no doubt it will happen. after all, not only does the Mayan Long Count calendar end that day, but “the sun will be aligned with the center of the Milky Way for the first time in about 26,000 years.”

When the sun rises on December 22, as it surely will, do not expect apologies or even a rethink. No matter how often apocalyptic predictions fail to come true, another one soon arrives. And the prophets of apocalypse always draw a following — from the 100,000 Millerites who took to the hills in 1843, awaiting the end of the world, to the thousands who believed in Harold Camping, the Christian radio broadcaster who forecast the final rapture in both 1994 and 2011.

Religious zealots hardly have a monopoly on apocalyptic thinking. Consider some of the environmental cataclysms that so many experts promised were inevitable. Best-selling economist Robert Heilbroner in 1974: “The outlook for man, I believe, is painful, difficult, perhaps desperate, and the hope that can be held out for his future prospects seem to be very slim indeed.” Or best-selling ecologist Paul Ehrlich in 1968: “The battle to feed all of humanity is over. In the 1970s [“and 1980s” was added in a later edition] the world will undergo famines — hundreds of millions of people are going to starve to death in spite of any crash programs embarked on now … nothing can prevent a substantial increase in the world death rate.” Or Jimmy Carter in a televised speech in 1977: “We could use up all of the proven reserves of oil in the entire world by the end of the next decade.”

Predictions of global famine and the end of oil in the 1970s proved just as wrong as end-of-the-world forecasts from millennialist priests. Yet there is no sign that experts are becoming more cautious about apocalyptic promises. If anything, the rhetoric has ramped up in recent years. Echoing the Mayan calendar folk, the Bulletin of the Atomic Scientists moved its Doomsday Clock one minute closer to midnight at the start of 2012, commenting: “The global community may be near a point of no return in efforts to prevent catastrophe from changes in Earth’s atmosphere.”

August 18, 2012

Vikings win convincingly over Buffalo in second preseason game

Filed under: Football — Tags: , , — Nicholas @ 08:56

Unlike last week’s game at San Francisco, where you had to look carefully at the right angle and squint just a bit to see anything positive, the second preseason game had all kinds of positive signs. Here’s Dan Wiederer at the Star Tribune:

For all those Vikings optimists out there, Friday might well have been the perfect night just 23 days before the start of the regular season.

All those empty seats inside Mall of America Field? Hey, at least the stadium was half-full, right?

And for those who did turn out for a hype-free preseason game against the Buffalo Bills, it’s fair to say most left with a feeling this team’s glass may be half-full, too.

The Vikings not only built a 10-0 lead at the end of the first quarter of what turned out to be a 36-14 victory, but they did so with style, so many young players flashing the signs of promise that the coaching staff has been advertising since training camp began.

Where do we even start? That is, before rookie linebacker Audie Cole became an instant hero with two interception return touchdowns in the final minutes.

Do we begin with receiver Jerome Simpson, who on the game’s fourth play beat rookie Bills cornerback Stephon Gilmore on a short slant, then decided to show off his Olympic-style hurdling skills, leaping over safety Jairus Byrd on his way to a 33-yard pick-up?

Or do you start with Toby Gerhart’s continued power and the 30 yards he rushed for on six attempts?

Or is it easiest to circle back to the obvious command shown by second-year quarterback Christian Ponder, who orchestrated an impressive 80-yard touchdown drive to open the game, then tacked on a 50-yard march on the next possession to set up a Blair Walsh field goal?

Warships are not like books or DVDs

Filed under: Britain, Bureaucracy, Economics, Military — Tags: , — Nicholas @ 00:23

“Sir Humphrey” explains why adding another two Type 45 destroyers to the Royal Navy’s current construction plans won’t fly, even though it would be popular with many key constituencies: “it would win votes, it would keep supporters of the Navy happy, and the RN would be delighted”.

From the outset, let’s be extremely clear. This article is not saying that the UK could not build two more Type 45s – if the will is there, and the budget exists to do so, then anything is possible. As will be seen though, the challenge is trying to do so in a manner which makes rational sense.

[. . .]

In terms of support and manning, providing two additional Type 45s would raise a significant cost and manpower burden on the fleet. The RN has scaled itself to provide spares for six hulls. An additional two hulls means increasing spares by 33% above the existing fleet, which in turn would mean extra funding for parts, supplies, maintenance and munitions. Even basic issues like Sea Viper war shots, helicopter fleets, ammunition for 4.5” guns and the like would need to be increased. The funding for this is not in place at present. It’s not that the RN can’t find this funding, but that it will cost more to fund it than previously expected — this money has to be found from commensurate savings elsewhere.

[. . .]

The final point is perhaps the best reason why it would be near impossible to achieve this. There is simply no room in the construction yards to build two additional Type 45s. As was seen in the award of the MARS tanker project to Korea, the current UK shipbuilding industry is operating at peak capacity – the CVF programme is in pure tonnage terms providing the equivalent of 20 Type 45 destroyers worth of construction. The yards are full with CVF work now, and in a few years’ time will be ramping up to construct Type 26. To inject two additional Type 45s now would throw that programme into disarray as the yards struggle to work out how they can actually build the vessels. It’s not just a case of laying some steel down and a new ship popping up. T45s are built across multiple yards in parts, so it would need all the component yards to work together to fit it into their programme. They’d also need to work out how to take on the extra staff, who would then need to be made redundant later on as the workflow dropped off again. One of the key successes of the terms of business agreement is that the shipyards can plan for an agreed level of work. Adding ships in to this actually throws the plan into confusion as the yards have to resource to a higher level than before, incurring additional costs, and probably delaying both CVF and T26.

It is not impossible to build extra ships. That much is clear — if the willpower is there, then it can be done. But the days of shipyards existing in a short term environment, dependent on the next RN order, whatever it may be, are all but gone. The issue is the preservation of key skills, such as ship design and also high end manufacture of critical components, and doing so in a manner which makes the industry sustainable for the long term, and not the ‘boom and bust’ approach of the last century.

Regular readers of the blog may remember that the Type 45 destroyer design in particular came in for a hammering from other sources.

The road to publishing Orwell’s works

Filed under: Books, Britain, History, Media — Tags: — Nicholas @ 00:07

The notion of putting out a complete set of the works of George Orwell formed in the early 1980s. It was, as Peter Davison relates, a very long, troubled process:

For many years I taught scholarly editing and edited the work of Shakespeare and his colleagues (in particular 1 and 2 Henry IV, in Penguin editions still in print after some 45 years) — oh, and, for a New York publisher in 1971 a critical edition of music-hall songs. Out of the blue in July 1982 I was telephoned and asked if I would edit a de luxe edition of Orwell’s nine books. That meant closely comparing over fifty texts and manuscripts in twelve months. The intention was to publish this edition in 1984 — a new but intriguing kind of anniversary celebration. The concept of a de luxe edition of Down and Out in Paris and London and The Road to Wigan Pier has never ceased to amuse me but owing to the disastrous delays in getting even the first three books into print (they saw the light of day only in 1986 and had immediately to be pulped because the printer had used the uncorrected version of my text) that embarrassing description was quickly dropped. Two examples, both, fortunately, just caught in time, might well illustrate the kind of errors introduced by the printer. The title of Orwell’s last novel appeared as:

Nineteen 48pt
Eighty-Four

’48pt’ was, of course, the type-size for the title-page. And that famous formula, 2 + 2 = 5 appeared as 2r 29 5-

[. . .]

Obviously an edition of this extent takes time to produce, especially if the editor has also simultaneously to earn a living outside academe without benefit of grants and fellowships, but even then it might be asked why the 21 volumes took seventeen years to get into print. First, the edition was abandoned by its publishers — Secker & Warburg in London and by Harcourt, Brace Jovanovich in New York — no fewer than six times. For example, after being abandoned in summer 1986 it was again abandoned three years later — without it having been resuscitated in between. Perhaps foolishly, but in the end fortunately, we ignored ‘abandonments’ and simply kept at it, seeking, editing and annotating material.

Prog rock today: looking back on the future

Filed under: History, Media — Tags: , , , , — Nicholas @ 00:05

The final installment of Dave Weigel’s history of prog rock at Slate:

This is what fascinates me about prog. The music is relentlessly futurist, with no nostalgia for anything in rock. Was there excess? I think we’ve answered that — there was horrible excess, and some of it involved the lead singer from the Who singing atop a giant rubber penis. In the U.K., the music press turned on prog, and turned viciously. Same thing in the States. “If you can’t have real quality,” wrote Lester Bangs of ELP, “why not go for quantity on a Byzantine scale, why not be pompous if you’re successful at it?” Bangs, played by Philip Seymour Hoffman, made it into Cameron Crowe’s ‘70s nostalgia film Almost Famous. ELP did not.

[. . .]

Pop’s move away from prog didn’t happen that quickly. It was slow and tortured and involved a ton of moving parts breaking around the same time. In the United States, where most of this music ended up being sold, progressive rock radio slowly, slowly was assimilated into the Borg of commercial networking. “The reason free-form, underground progressive ended up becoming unpopular is it was the ultimate ‘active’ format,” says Donna Halper. “It was aimed at music freaks who adored everything about the newest groups and didn’t ever wanna hear a hit. OK, fine, that makes up about 6 percent of your audience. But the mass audience wanted a middle ground.” A&R men stopped looking for “progressive” acts. Sire stopped promoting Renaissance and started schlepping the Ramones. “You’d put an album out, but they were expecting to sell so many thousand,” says Davy O’List. “I don’t think it hurt the live concert attendances, but it hurt overall.”

Culturally and lyrically, prog began as anti-“establishment” music. But compositionally, it rewarded long listens and worship of virtuosity. Punk deconstructed that. [. . .]

Prog, went the thinking, was an affront against sincerity. If you gussied a song up with strings, surely you were covering for a lack of feeling. That point was made countless times, usually in the same terms with which Bangs dismissed ELP. The originators of prog were trying to make simple pop songs irrelevant. The music that replaced prog copied that reaction — what had gone before was corrupt, and had to be destroyed.

That sensibility lasted longer than most medieval land wars. The occasional mainstream defender of prog always, always started in defense mode. In June, this year, Ted Leo published a confessional in Spin all about his love for Rush. It was packaged as a “confessional” because Rush were proggy, and you couldn’t endorse prog qua prog.

[. . .]

Rush, who came late to the prog wave (1974), have trimmed back the pretention while flaunting the virtuosity. As a reward, they can still play stadiums, in basically any country. They just happen to be the most sellable artists in a niche genre. Virtuoso metal and math rock, bands like Mastodon and Protest the Hero, have nestled into the same place. That’s one fractal of modern-day prog.

August 17, 2012

This week in Guild Wars 2

Filed under: Gaming — Tags: , — Nicholas @ 11:46

We’re into the home stretch now, with just a week left to go before the headstart period for pre-purchasers begins. My usual community round-up at GuildMag is now online. This week’s post includes lots of getting started guides for first-time players plus the usual assortment of blog posts, podcasts, and videos from the Guild Wars 2 fan community.

You might also be interested in my brief wrap-up report from the most recent GW2 stress test here.

Even Guardianistas are puzzled by Assange’s Ecuador gambit

Filed under: Europe, Law, Liberty, Media — Tags: , , , , — Nicholas @ 09:10

There are few newspapers who have been as supportive of Julian Assange in his legal plight than the Guardian. When even Guardian columns find it difficult to figure out why he turned to Ecuador, we’ve moved into a different universe:

Julian Assange’s circus has pulled off another breathtaking stunt: he has won political asylum in Ecuador. Assange’s flight from Sweden, a decent democracy with a largely excellent justice system, takes ever more absurd forms. After the decision of Ecuador’s foreign minister, Ricardo Patiño, the Swedish Twitterverse filled with mocking jokes.

Assange has few fans left here. On the contrary, his unholy alliance with Ecuador’s political leadership casts a shadow over what was, despite everything, his real achievement: to reveal shattering news through the revolutionary medium of WikiLeaks.

Patiño praised Assange as a fighter for free expression, and explained that they had to protect his human rights. But Ecuador is a country with a dreadful record when it comes to freedom of expression and of the press. Inconvenient journalists are put on trial. Private media companies may not operate freely.

President Rafael Correa is patently unable to tolerate any truths that he does not own. Reporters Without Borders has strongly and often criticised the way that media freedoms are limited in Ecuador. Assange is a plaything for the president’s megalomania.

The police war on photographers and videographers: the Canadian front

Filed under: Cancon, Law, Liberty — Tags: , , — Nicholas @ 08:44

Karen Selick in the National Post confirming that Canadian police are also under the impression that their work cannot legally be photographed:

What have cops got against cameras these days? Increasingly, people are getting arrested, charged or even assaulted by police officers, merely for attempting to take photos or videos of officers at work. Often, police simply command people to stop photographing. Scared into thinking they must be breaking some law, citizens comply.

When Polish visitor Robert Dziekanski died after being tasered at the Vancouver airport in 2007, police seized the now famous video made by witness Paul Pritchard, who had to hire a lawyer and threaten court proceedings to get it back.

[. . .]

There is no law in Canada that prohibits people from openly photographing police. Section 129 of the Criminal Code prohibits “wilfully obstructing” police in the execution of their duty, but it is hard to imagine how standing by peacefully and videotaping as police searched the premises and piled up items for seizure could be considered obstructing. After all, the police themselves were videotaping on Ms. Jones’ premises — but selectively. They probably didn’t capture themselves ordering her friend to refrain from taking the pictures she was legally entitled to take.

That same day, three other search warrants were executed at the homes of other individuals the CFIA suspects of conspiring with Ms. Jones to save her healthy sheep. At Michael Schmidt’s residence, all cell phones were immediately confiscated. When a visitor from outside arrived with his cell phone, Schmidt’s wife borrowed it and took photos of police inside her home. Officers seized the phone even though it was clearly outside the scope of the warrant. They returned it three hours later, with the photos erased. When the victim of this apparently illegal seizure objected, police responded, “We can do whatever we want.” But of course, that arrogant response was not permitted to be recorded.

[. . .]

Police must be made to understand that being on duty or executing a search warrant does not transform an officer into a petty dictator with carte blanche to issue arbitrary orders to everyone in sight. Police cannot do “whatever they want.” Citizens have the right to hold them accountable for their actions. Personal cameras are important tools in implementing that right. Bullying people out of using them must cease.

The plight of Russian submariners

Filed under: History, Military, Russia — Tags: , , , , — Nicholas @ 08:36

An update from Strategy Page on how far the Russian nuclear submarine threat has diminished from its peak during the cold war:

Three years ago two Akulas were detected (by the U.S. Navy) off the east coast of the United States, in international waters. Russia admitted two of its Akula class boats were out there. This was the first time Russian subs had been off the North American coast in over a decade. This spotlights something the Russian admirals would rather not dwell on. The Russian Navy has not only shrunk since the end of the Cold War in 1991, but it has also become much less active. In the previous three years, only ten of their nuclear subs had gone to sea, on a combat patrol, each year. Most of the boats going to sea were SSNs, the minority were SSBNs (ballistic missile boats). There were often short range training missions, which often lasted a few days, or just a few hours.

The true measure of a fleet’s combat ability is the number of “combat patrols” or “deployments” in makes in a year and how long they are. In the U.S. Navy, most of these last from 2-6 months. Currently U.S. nuclear subs have carry out ten times as many patrols as their Russian counterparts. Russia is trying to catch up, but has a long way to go.

Russia has only 14 SSNs (nuclear attack subs) in service and eight of them are 7,000 ton, Akulas. These began building in the late 1980s and are roughly comparable to the American Los Angeles class. All of the earlier Russian SSNs are trash, and most have been decommissioned. There are also eight SSGN (nuclear subs carrying cruise missiles) and 20 diesel electric boats. There is a new class of SSGNs under construction, but progress has been slow.

[. . .]

The peak year for Russian nuclear sub patrols was 1984, when there were 230. That number rapidly declined until, in 2002, there were none. Since the late 1990s, the Russian navy has been hustling to try and reverse this decline. But the navy budget, despite recent increases, is not large enough to build new ships to replace the current Cold War era fleet that is falling apart. The rapid decline of Russia’s nuclear submarine fleet needed international help to safely decommission over a hundred obsolete, worn out, defective or broken down nuclear subs. This effort has been going on for over a decade, and was driven by the Russian threat to just sink their older nuclear subs in the Arctic Ocean. That might work with conventional ships, but there was an international uproar over what would happen with all those nuclear reactors sitting on the ocean floor forever. Russia generously offered to accept donations to fund a dismantling program that included safe disposal of the nuclear reactors.

Prog rock still has those who poke fun… via @daveweigel

Filed under: History, Humour, Media — Tags: , , , — Nicholas @ 00:13

Although I’ve been happily linking to the prog rock series of articles at Slate, not everyone thinks that progressive rock is great. Here’s an “ad” put together by @SlateV for prog’s greatest hits (H/T to Dave Weigel himself):

And here’s James Lileks from a few years back:

It’s obvious from Note One that everyone involved in the effort had so much THC in their system you could dry-cure their phlegm and get a buzz off the resin, but instead of having the loose happy ho-di-hi-dee-ho cheer of a Cab Calloway reefer number, the songs are soaked with Art and Importance and Meaning. You can imagine the band members sitting down to hash out (sorry) the overarching themes of the album, how it should like start with Total Chaos man because those are the times in which we live with like war from the sky, okay, and then we’ll have flutes because flutes are peaceful like doves and my old lady can play that part because she like studied flute, man, in high school. The lyrics are all the same: AND THE KING OF QUEENS SAID TO THE EARTH THE HEIROPHANT SHALL NOW GIVE BIRTH / THE HOODED PRIESTS IN CHAMBERED LAIRS LEERED DOWN UPON THE LADIES FAIR / NEWWWW DAAAAY DAWNNNING!

Weigel’s prog rock series: the excess goes critical

Filed under: Britain, History, Media — Tags: , , — Nicholas @ 00:04

Part four of Dave Weigel’s look at the rise and fall of progressive rock:

The order, Rick Wakeman remembers, was for chicken vindaloo, rice pilau, six papadums, bhindi bhaji, Bombay aloo, and a stuffed paratha. This was November 1973 and Yes had sold out the Manchester Free Trade Hall for a performance of Tales From Topographic Oceans. The album consisted of four songs that rolled gently together, over four sides of vinyl, for 83 minutes. “There were a couple of pieces where I hadn’t got much to do,” Wakeman would recall, “and it was all a bit dull.

During every show, a keyboard tech reclined underneath Wakeman’s Hammond organ, ready to fix broken hammers or ribbons and to “continually hand me my alcoholic beverages.” That night in Manchester, the tech asked the bored Wakeman what he wanted to eat after the show. Wakeman, the lone carnivore in Yes, ordered the curry. “Half the audience were in narcotic rapture on some far-off planet,” Wakeman wrote in his 2007 memoir, “and the other half were asleep, bored shitless.”

Wakeman kept on at the keyboards, adding gossamer organ melodies and ambient passages to the songs. And then, around 30 minutes later, his tech started handing up “little foil trays” of curry, and Wakeman began placing them on top of his keyboards. “I still didn’t have a lot to do,” he wrote, “so I thought I might as well tuck in.” The food was obscured by the instrument stacks, further obscured by Wakeman’s cape, but the aroma danced over to Yes’s lead singer, Jon Anderson. He took a good look at the culinary insult. Shrug. Papadum in hand, he returned to his microphone to sing his next part.

Tales From Topographic Oceans just might be the recorded ur-text of prog rock excess. No band had ever tried to fill each side of two LPs with long, multisection suites. Yes did it, and voila — a No. 1 album. They went on tour with a sci-fi lullaby backdrop, designed by their three-time album cover artist Roger Dean. He had seen the sort of enormous venues they’d booked, realized how hard it now was for faraway audiences to see the band, and so voila — phantasmagoric eye candy. Their set began with 82 minutes of new music before they played an old familiar tune. They played in their biggest-ever concert halls, and they sold them out.

But as the tour went on, Yes dropped the third section of the album from the show, then the second. Soon, Wakeman vented to reporters about the band’s screw-up. “Tales From Topographic Oceans is like a woman’s padded bra,” he told one interviewer. “The cover looks good but when you peel off the padding there’s not a lot there.” Yes had gotten too damn silly. The music had collapsed in on itself.

August 16, 2012

QotD: Old wines

Filed under: Media, Quotations, Wine — Tags: — Nicholas @ 09:05

Some people poo-poo the idea of old wines because they lack the fresh fruit they expect to have in their wines. I for one embrace older wines, if for nothing else you’re tasting a piece of history. Hopefully by now you’ve seen the movie Sideways think back, to Maya and Miles sitting on her porch talking about old wines: “I like to think about the life of wine … How it’s a living thing. I like to think about what was going on the year the grapes were growing; how the sun was shining; if it rained. I like to think about all the people who tended and picked the grapes. And if it’s an old wine, how many of them must be dead by now. I like how wine continues to evolve, like if I opened a bottle of wine today it would taste different than if I’d opened it on any other day, because a bottle of wine is actually alive. And it’s constantly evolving and gaining complexity. That is, until it peaks … And then it begins its steady, inevitable decline.”

One of the oldest wines I can remember drinking was a 1970 Chateau Haut Bailly … it sticks in my mind cause it has special meaning in a couple of ways. It was the first time I had tried a wine from the year of my birth, and two I had it on the occasion of my engagement when my family had gathered around for a dinner to celebrate. I thought there was no better time to show off something old from a great Bordeaux vintage. Most dismissed the brownish liquid in their glass and turned their nose up at the interesting, and admittedly, odd smells emanating from the glass; but I relished in it and more people should learn and understand that if you spent X number of years cooped up in a bottle (in this case some 38 years +) you’d be a little crabby when you emerged too; but with a little time and a little air I’m sure you’d come around — start feeling like a more mature version of your old self … the same can be said for wine.

Michael Pinkus, “Tasting Old Wines from the Chateau”, Ontario Wine Review, 2012-08-16

Weigel’s prog rock series: the excess creeps in

Filed under: Britain, History, Media — Tags: , , — Nicholas @ 08:32

The third entry in Dave Weigel’s excellent and informative history of progressive rock:

With more gigs came more pomp. Ian Dove, one of the New York Times’ rock writers, approached ELP’s December 1973 Garden shows the way a reporter might write about a fully loaded nuclear submarine. The gear — tell us about this gear. ELP had arrived in Manhattan, Dove wrote, with “over 200 separate items of equipment, valued by customs at just over $100,000.”

Among them:

  • “Thirteen keyboard units” for Keith Emerson, including a “brand new prototype Moog synthesizer.”
  • A $5,000 Persian rug, “for bass player Greg Lake to stand on while playing.”
  • A drum kit as complex as a painting by H.R. Giger — he’d designed the nightmare cover to ELP’s most recent album, Brain Salad Surgery — crafted in stainless steel, topped off by an “old church bell from the Stepney district of London,” surrounded by Chinese gongs. If a stage was equipped right, the kit could rotate 360 degrees while Carl Palmer pounded out the solos in “Tarkus.” Cost: $25,000.

Band members got a little tired of talking about all this. Lake showed up for a Rolling Stone interview in cheap jeans and pronounced touring “incredibly tiring.” The excess was the sacrifice the band made for you, the fan. “It is very hard to get something across to 10,000 people with just a piano, a bass, and a set of drums,” Emerson told the Times. “It works fine in smaller places and the recording studio. I always compose on the piano. But in the large arenas where we have to play, everything gets lost.”

Where we have to play — a magnificent early example of the humblebrag.

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