Quotulatiousness

June 3, 2020

Fanatics gonna fanatic … they can’t help it

It’s funny that no matter what the claimed crisis, the answers always go in the same direction, as Kristian Niemietz points out with the demands to turn our still unending lockdown toward “protecting the environment”:

The change, superficially, is to encourage “a safe return to work” allowing more social distancing between pedestrians, but more substantially in order to preserve the cleaner air that has resulted from the lockdown.

The health and safety excuse for the policy change can be largely dismissed. The simple truth of the pandemic and national policy is that if social distancing matters, the centre of London is not safe to return to work. It is too densely populated and almost entirely reliant on mass transit which cannot operate above 10-15% capacity with 2m exclusion rules. With average commutes over 9 miles each way, substitution effects to walking and cycling will be extremely limited and temporary.

It is then hard to see then how the policy’s architects imagine the streets will fill up to the extent urgent measures are needed. Conversely, if social distancing does not matter (and it will cease to matter eventually), then a policy to enable more social distancing outside by widening the pedestrian streetscape is redundant. If it is safe to sit on a crowded train, it is safe to walk on a crowded pavement. It is not hard then to cut through the pandemic packaging to note that the motive for this policy is opportunistic, to accelerate a pedestrianisation plan that is the dream of many an urban planner.

Many will see this as self-evidently a good thing. Removing vehicle traffic from densely populated narrow streets will reduce air pollution, congestion and road traffic accidents. As a policy it will have more supporters than opponents; very few people drive into the centre of London to commute and there is very little capacity for parking. London’s leaders are not wrong to think that this is the future, the question is really one of timing and how they go about it, which is far more difficult and does not have anything to do with managing a coronavirus.

What the pandemic allows is the ability to use emergency powers for something that is not an emergency. This matters, in normal times it took several years to close one dangerous junction at Bank to most traffic, and this under a hail of protests from local businesses and taxi drivers. The same result can now be achieved in a few weeks across many streets. The democratic checks and balances that differentiate the UK from authoritarian states can be ditched and London officialdom granted extraordinary powers to do as they please. If the protestors don’t like it this time, they should note the right to protest has also been suspended, at least for now.

May 21, 2020

The Great Exhibition of 1851 also served (for some) as the 19th century equivalent of the “Missile Gap” controversy

In the latest edition of his Age of Invention newsletter, Anton Howes discusses the changing role of the British government and how the Great Exhibition was also useful as subtle domestic propaganda for a more active role for government in the British economy:

The Crystal Palace from the northeast during the Great Exhibition of 1851, image from the 1852 book Dickinsons’ comprehensive pictures of the Great Exhibition of 1851
Wikimedia Commons.

… a whole new opportunity for reform was provided by the Great Exhibition of 1851. As I explained in the previous newsletter, an international exhibition of industry functioned as an audit of the world’s industries. It, and its successors, the world’s fairs, gave some indication of how Britain stood relative to rival nations, especially France, Prussia, and the United States. And whereas some people saw the Great Exhibition as a clear mark of Britain’s superiority, for would-be reformers it was a chance to expose worrying weaknesses. Thus, Henry Cole and the other original organisers of the exhibition at the Society of Arts exacerbated fears of Britain’s impending decline, giving them an excuse to create the systems they desired.

They identified two areas of worry: science and design. Britain of course had many eminent scientists and artists — some of the best in the world — but other countries seemed to have become better at diffusing scientific training and superior taste throughout the workforce as a whole. Design skills were an issue because France appeared to be catching up with Britain when it came to the mechanisation of industry; if it caught up on machinery while maintaining its lead in fashion, then Britain would not be able to compete. And scientific training appeared more useful than ever, with the latest scientific advances “influencing production to an extent never before dreamt of”. Visitors to the Great Exhibition had marvelled at the recent inventions of artificial dyes, a method of processing beetroot sugar, and the latest improvements to photography and the electric telegraph. Thus, for Britain to maintain its lead, it would need to improve the education of its workers.

The reformers’ scare tactics worked. The aftermath of the Great Exhibition saw the creation of a government Department of Science and Art under the direction of Henry Cole, who in turn oversaw the agglomeration of various museums, design schools, and other cultural institutions to what is now the “Museum Mile” in South Kensington. (Curiously, the area was originally called Brompton, but when Cole opened a museum of design and industry there, he named it the South Kensington Museum. Kensington was a much more aristocratic area nearby, though it had no “south” at the time. The museum evolved, rather complicatedly, into what is now the Victoria & Albert Museum. But unlike so many top-down area re-brands, the name South Kensington stuck.)

And that was just the beginning. Cole and his allies then oversaw a dramatic expansion of the state into education, largely through the use of examinations. Although state-funding for education had initially centred on building new schools, getting any more involved was a highly contentious issue. Most schools were controlled and funded by religious organisations, but were split between the established Anglican church and dissenters. When the government first became involved in schools, it was thus bitterly opposed by many dissenters as they feared that their children might become indoctrinated to Anglicanism. And naturally, the government could not teach dissenting religions. Yet the proposed compromise of teaching no religion at all was unacceptable to both sides. Schools were crucial, the groups believed, to keeping religion alive.

So the utilitarians came up with a workaround. Rather than getting the state too involved directly in managing the schools themselves, it would instead influence the curriculum. By holding examinations, and then paying teachers based on the outcomes of the tests, they could incentivise the teaching of certain subjects and leave the schools free to teach whatever religious beliefs they pleased. Indeed, by diverting more and more time towards teaching particular subjects, the reformers saw it as a secularising blow “against parsonic influence”. The tactic was initially applied to adult education. The Society of Arts would first trial out examinations without payments, to test their viability. Then Cole would have his department take over the examinations, first for drawing, and later for science, using his budget to fund payment-by-results. The effects were dramatic. The Society’s relatively popular examinations in chemistry, for example, rarely had more than a hundred candidates a year. But when the department instituted its payments, it soon drew in thousands. By 1862, when the government wanted to improve the teaching of reading, writing, and arithmetic in schools, they adopted Cole’s suggestion that they also use payment-by-results.

May 19, 2020

Some changes to the working world … when the world gets back to working

Filed under: Britain, Business, Economics — Tags: , , , , , , — Nicholas @ 05:00

Sean Gabb has some thoughts on the post-lockdown return so … well, not normal, but as the economy reaches toward a new working equilibrium:

Kensington High Street at the intersection with Kensington Church Street. Kensington, London, England.
Photo by Ghouston via Wikimedia Commons.

The Coronavirus and its aftermath of lingering paranoia are the perfect excuse. Decentralisation and homeworking must be done. They must be done for the duration. They must be continued after that to maintain social distancing. No one will think ill of Barclays and WPP for taking the leap. No one will blame them for taking the leap in a way that involves a few deviations from course and a less than elegant landing. A year from now, these organisations will be making measurably larger profits than they would be otherwise. The mistakes will have been ignored.

And other organisations will follow. Whether the present crash will bring on a depression shaped like a V or an L, there is no doubt that, even if slowly at first, the wheels of commerce will continue turning. But they will be turning on different rails. As with any change of course, there will be winners and losers. I have already discussed how I can expect to be among the winners. I will leave that as said for the other winners — these being anyone who can find a market for doing from home what was previously required by custom and lack of imagination to be done somewhere else. I will instead mention the losers.

Most obvious among these will be anyone involved in commercial property. Landlords will find themselves with many more square feet to fill than prospective tenants want to fill. Rental and freehold values will crumble. Bearing in mind how much debt is carried by commercial landlords, there will be some interesting business failures in the next few years. Then there are the ancillary sectors — property management companies, commercial estate agents, maintenance companies. These employ swarms of architects and surveyors and lawyers and negotiators, of builders, plumbers, electricians, of drivers and cleaners. If the humbler workers will eventually find other markets, many with degrees and professional qualifications can look to a future of straitened circumstances.

The lush residential estates in and about Central London will follow. I think particularly of the aristocratic residential holdings in Kensington. Houses here go for tens of thousands a week to senior bank workers from abroad. If the City and Canary Wharf are emptied out, who needs to live in a place like Kensington? It has poor Underground connections. It is close by places like Grenfell Tower. Its residents keep predators at bay only by heavy investment of their own in security and by suspecting every knock on the door and every sound in the night. Many of the shops and eateries that make its High Street an enjoyable place to be will not reopen. Those that do reopen will be hobbled by continuing formal and informal rules on social distancing.

As a result, restaurants and pubs and coffee bars will begin to disappear. All but a few of these were barely making normal profit before they were closed last month. So few are in liquidation as yet only because so few petitions have been lodged in the courts. Most of them will now be surplus to requirement. The same can be said of hotels. Speaking for myself, I used to visit Cambridge twice a year on examinations business. I was always put up there for a couple of nights. I shall now do from home all that I did in Cambridge. I doubt I am alone. Zoom will destroy business travel. In the same way, bigger televisions plus continued social distancing will finish off the theatres and cinemas — also in decline before last month.

May 12, 2020

Dave Grohl on live music

Filed under: Government, Health, Media — Tags: , , , , , — Nicholas @ 03:00

Writing in The Atlantic, he regrets having to miss a particular event:

Dave Grohl and the Foo Fighters at Rock am Ring, 3 June 2018.
Photo by Andreas Lawen via Wikimedia Commons.

Where were you planning to be on the Fourth of July this year? Backyard barbecue with your crankiest relatives, fighting over who gets to light the illegal fireworks that your derelict cousin smuggled in from South Carolina? Or maybe out on the Chesapeake Bay, arguing about the amount of mayonnaise in the crab cakes while drinking warm National Bohemian beer? Better yet, tubing down the Shenandoah with a soggy hot dog while blasting Grand Funk Railroad’s “We’re an American Band”?

I know exactly where I was supposed to be: FedExField, outside Washington, D.C., with my band Foo Fighters and roughly 80,000 of our closest friends. We were going to be celebrating the 25th anniversary of our debut album. A red, white, and blue keg party for the ages, it was primed to be an explosive affair shared by throngs of my sunburned hometown brothers and sisters, singing along to more than a quarter century of Foo.

Well, things have changed.

Unfortunately, the coronavirus pandemic has reduced today’s live music to unflattering little windows that look like doorbell security footage and sound like Neil Armstrong’s distorted transmissions from the moon, so stuttered and compressed. It’s enough to make Max Headroom seem lifelike. Don’t get me wrong, I can deal with the monotony and limited cuisine of quarantine (my lasagna game is on point!), and I know that those of us who don’t have to work in hospitals or deliver packages are the lucky ones, but still, I’m hungry for a big old plate of sweaty, ear-shredding, live rock and roll, ASAP. The kind that makes your heart race, your body move, and your soul stir with passion.

There is nothing like the energy and atmosphere of live music. It is the most life-affirming experience, to see your favorite performer onstage, in the flesh, rather than as a one-dimensional image glowing in your lap as you spiral down a midnight YouTube wormhole. Even our most beloved superheroes become human in person. Imagine being at Wembley Stadium in 1985 as Freddie Mercury walked onstage for the Live Aid benefit concert. Forever regarded as one of the most triumphant live performances of all time (clocking in at a mere 22 minutes) Freddie and Queen somehow managed to remind us that behind every rock god is someone who puts on their studded arm bracelet, absurdly tight white tank, and stonewashed jeans one pant leg at a time just like the rest of us. But, it wasn’t necessarily Queen’s musical magic that made history that day. It was Freddie’s connection with the audience that transformed that dilapidated soccer stadium into a sonic cathedral. In broad daylight, he majestically made 72,000 people his instrument, joining them in harmonious unison.

May 10, 2020

London’s Metropolitan Police live down to expectations … and then some

Filed under: Britain, Health, Law, Liberty — Tags: , , , , , — Nicholas @ 06:00

Brendan O’Neill observes the latest sweep by the Metropolitan Police, relentlessly cracking down on scofflaws and evil-doers who … were walking peacefully in the sunshine?

Armed Metropolitan Police near Downing Street in London.
Photo by Stanislav Kozlovskiy via Wikimedia Commons.

You heard them before you saw them. It sounded like a platoon of soldiers. The one in charge was barking orders to “move forward!” and then came the trudge of their boots. Scores of them, making military manoeuvres, marching in a long, thin line through one of Britain’s prettiest parks: St James’s Park in London. This was the Metropolitan Police today, enforcing the lockdown, sweeping through parks and streets and issuing the same warning to everyone they came across, from young lovers to dads playing football with their kids to homeless people with nowhere else to go: “Move on.” It’s one of the most disturbing things I’ve ever seen the police do.

Watching them stream through St James’s Park, looking for all the world like a line of soldiers conquering a small town, you’d think they were on their way to confront some serious organised crime. But of course their targets were sunbathers, those apparently selfish people demeaned in the media and now harassed by the cops. And a dad playing football with his toddler. “Aren’t we allowed to exercise?”, the dad asked. “For one hour”, came the reply. “How long have you been out?” And young lovers and friends. I saw a copper on horseback shouting down at two young men as if they were in the process of committing some awful crime. I guess they were in the eyes of the lockdown fanatics: they were sitting under a tree.

A young Muslim mum sitting down and watching her two kids play with little tennis bats was confused, too. Can’t kids play outside? She was told she couldn’t sit still. She had to walk. “How about walking your kids around the park?”, said the spectacularly patronising cop. They even threw out homeless people. I saw them tell four individual homeless people (ie, not a group of homeless people) to move on. Where to? Must they also walk and walk, forever, and never sit down anywhere? The most despicable thing I saw was a policeman telling an elderly homeless gentleman to move on. Inarticulately, the man explained he had nowhere else to go. I stepped in and explained to the cop that there is no home for him to go to, and he has to be able to sit down somewhere on a hot day. “I don’t make the rules”, came the snivelling, officious reply.

The police’s reputation will have taken a severe beating in London today. Anyone who argued back — as two young women did, patiently explaining that they are from the same household and that they were metres away from everyone else — was patronised or even insulted. “You’re putting other people’s lives at risk”, the women were told, which is completely untrue — being outside and socially distanced on a very warm day carries virtually zero threat of infection. I heard an officer call someone an idiot. Another officer made fun of someone who asked about his right to be outside. It was staggeringly rude and even repugnant behaviour. A politician, or someone, needs to get a grip on these people.

May 3, 2020

The Great Exhibition of 1851

In the latest Age of Invention newsletter, Anton Howes looks at one of the biggest popular events of Queen Victoria’s reign, the Great Exhibition:

The Crystal Palace from the northeast during the Great Exhibition of 1851, image from the 1852 book Dickinsons’ comprehensive pictures of the Great Exhibition of 1851
Wikimedia Commons.

On this day, in 1851, Londoners were finally allowed to enter one of the most spectacular edifices to grace their city. Over the previous months they had watched it spring up in Hyde Park — the largest enclosed structure that had ever been built, and made with three hundred thousand of the largest panes of glass ever produced. Set against the blackened, soot-stained buildings of London, the massive glass edifice gleamed. It soon became known as the Crystal Palace.

Although it no longer exists — it was rebuilt in Sydenham, but the new version burnt down in the 1930s — the fame of the Crystal Palace endures. The same goes for the event that it was originally built for, the Great Exhibition of 1851. But, despite that name-recognition, I’ve found that most people don’t really know what the Great Exhibition was for. Yes, it attracted six million visitors in the space of just a few months — an estimated two million people, almost a tenth of the entire population of Great Britain, most of them returning again and again. But why? I must admit, despite having mentioned the event before in some of my work, I’d never really considered it properly before I started researching the history of the Society of Arts.

The idea of such an exhibition in Britain originated with the Society’s secretary in the 1840s, the civil engineer Francis Whishaw. He had seen the use of industrial exhibitions in France, as a means of catching up with Britain in terms of technology. Every few years since 1798, the French government had held an exhibition of its national industries in Paris. The state paid for everything — a grand temporary building, as well as the expenses of the exhibitors — and the head of state himself awarded medals and cash prizes for the bet works on display. Some of the very best exhibitors were even admitted to the Légion d’honneur, France’s highest order of merit. The benefits to exhibitors were so high that essentially every manufacturer wished to take part. In the days before GDP statistics, the exhibitions were thus an effective means of getting a detailed snapshot of the nation’s manufacturing capabilities. An exhibition served as the nation’s industrial audit.

[…]

Although there had been a few local exhibitions of industry in Britain in the late 1830s and early 1840s, there had been nothing on a national scale to rival the French ones. So Francis Whishaw began the work of getting the Society to organise such an event — a national exhibition of industry for Britain. His initial plan came to nothing, partly as he left the Society to take another job, but in the late 1840s the project was resurrected by a new member of the Society, a civil servant named Henry Cole. In fact, Cole almost entirely took over the Society in the late 1840s, turning it into an exhibition-holding organisation. It held exhibitions devoted to particular living artists, on ancient and medieval art, on inventions, and especially on industrial design — what Cole liked to call “art-manufactures”. And, at the 1849 national exhibition in Paris, he adopted an idea that had already been floated for some years by French officials: an international exhibition, to show the industry of all nations.

This was the crucial step. The idea of an international exhibition of industry appealed to the free trade movement in Britain, which had achieved success in the 1840s with the abolition of the Corn Laws. By displaying the products of other nations, the argument went, British consumers would demand that they be able to buy them more cheaply. And free trade would hopefully bring an end to war, too. Free trade campaigners argued that the productive classes of rival nations competed peacefully, simply by trying to outdo one another in the quality and quantity of what they produced. It was the landed aristocracy, they argued, who let the competition become violent, feeding their pride by causing destruction. Thus, a grand exhibition of the products of all nations — the Great Exhibition — would be a physical manifestation of free trade and international harmony: a “competition of arts, and not of arms”.

The Great Exhibition thus had many roles. It was partly born of national paranoia, about French industrial catch-up, as well as about Britain being the first to hold such an event. It was also about exciting competitive emulation between manufacturers, showing consumers what they did not know they wanted, and achieving world peace and free trade. It certainly spurred on dozens of examples of international cooperation. In fact, just the other day I discovered that the first international chess tournament was held in London to coincide with the exhibition. And it served as an audit of the world’s industries, allowing people to judge who was ahead and who was behind. It thereby gave domestic reformers the ammunition to push for changes in areas where Britain seemed to be falling behind, in areas like education, intellectual property, and design. But more on those another time.

March 17, 2020

When the state renounces enforcing the law, there are two alternatives

Filed under: Britain, Government, Law, USA — Tags: , , , — Nicholas @ 03:00

Yesterday, David Thompson linked to a post by Natalie Solent about how the police in London failed to do anything about a blatant theft at a Boots pharmacy because it was considered a “civil matter”. The accused thief was prosecuted privately by the parent corporation, which is apparently the first time this has happened in England. As Natalie says, this is the “nice” option when the government fails to enforce the law of the land — or enforces it only sporadically and unevenly.

In the latest edition of the Libertarian Enterprise, Eric Oppen provides an example from the US in the post-Civil War era that shows the other option for private law enforcement:

Many of the victims of the kind of small-time crime committed by vagrants and the “homeless” are, themselves, far from rich. Repeated thefts can drive a small, struggling business under, and loss of, for example, a bicycle can represent a catastrophic blow to a poor person’s finances. This doesn’t address the sense of violation felt by those victimized by crime.

The original San Francisco Committees of Vigilance formed because the “forces of law and order” either were not doing their jobs, or were actively in league with the very criminals they were supposed to be suppressing. Many police were incompetent or lazy, while others were often corrupt on a scale that would shock Boss Hogg.

Do-it-yourself justice was far from uncommon in nineteenth-century America, including in the “civilized” East. In upstate New York, after decades of unpunished crime, the Loomis family gang received an epic comeuppance in 1865. Fifteen years earlier, their outraged neighbors had tried staging a raid on the Loomis farm, but uncertainty about who owned the stolen goods they found prevented any Loomis from being convicted. In 1865, many of their neighbors were returned Civil War combat veterans. They had become inured to violence, and they were tired of the Loomis’ thefts, arsons and intimidation. They killed George “Wash” Loomis, the leader of the gang, nearly lynched one of his brothers, and burned down the family’s home. After that, the Loomis family’s power was broken and their reign of crime was pretty much over.

These things happened because there was no other way to deal with these situations. Law enforcement, in those days, was primitive, especially outside of the major cities. Large corporations often had their own private police simply because of this fact.

The “social contract” is supposed to read something like “renounce personally avenging your wrongs, and society will do it for you.” But what can one do, when society is visibly abrogating the contract? Take it to court?

Vigilantism is not unknown even in Canada.

“Tombstone Courthouse State Historic Park” by August Rode is licensed under CC BY-NC-SA 2.0

December 23, 2019

Policing London – His Majesty King Mob – Extra History – #4

Filed under: Britain, History, Law — Tags: , , , — Nicholas @ 04:00

Extra Credits
Published 22 Dec 2019

John Fielding, Henry Fielding’s brother, took over the Bow Street Runners after his brother’s death. He was well known as a man who could identify over 3,000 criminals by voice alone. After all, he was blind. But his real contribution to policing was his organizational skills. He created the first Central Database of stolen goods and suspect descriptions and published papers that included not only London criminals but also descriptions of criminals wanted by other prisons in the country. And while the courts may have loved him, the public was much more skeptical. These were times marked by distrust in authority and having a criminal database seemed like an intrusion on personal liberty. What was required to change public opinion?

Join us on Patreon! http://bit.ly/EHPatreon

December 15, 2019

Policing London – The Bow Street Runners – Extra History – #3

Filed under: Britain, Government, History, Law — Tags: , , , , — Nicholas @ 06:00

Extra Credits
Published 14 Dec 2019

Henry Fielding was a dangerous man … with a pen. He had a razor-sharp wit and created the page-turner novel, but that’s not what we want to focus on here. Because Henry Fielding is also responsible for assembling London’s first organized police force. The Bow Street Runners were inspired by Wilde’s operation just … not corrupt. But Fielding quickly found that in London’s justice system, corruption was the assumed default, not the exception. He certainly had his work cut out for him!

Henry Fielding – Everything Wilde did but you know… without the whole… being morally bankrupt bit.

Join us on Patreon! http://bit.ly/EHPatreon

December 9, 2019

Policing London – The Fall of Jonathan Wild – Extra History – #2

Filed under: Britain, History, Law — Tags: , , , — Nicholas @ 04:00

Extra Credits
Published 7 Dec 2019

Jonathan Wild had the whole crime system figured out. A man of justice by day, and leader of a criminal empire by night. But that is when Jack Sheppard came into his life. Jack Sheppard was a talented thief but an even more talented escape artist. And one of the last criminals in London who refused to bend the knee to Jonathan Wild. This was unacceptable. Jonathan Wild became obsessed. But obsessions can be dangerous. Every prison escape causes Sheppard’s popularity amongst the people, sick and tired of corruption, to grow. And the consequences may be deadly.

Join us on Patreon! http://bit.ly/EHPatreon

December 4, 2019

The British Blitz Spirit is a Myth – WW2 – War Against Humanity 005

World War Two
Published 3 Dec 2019

Strategic bombing was used to destroy the popular support for their governments war effort, and the British boosted that their resistance to bombing was an unique trait. But both are false, based on lies and propaganda.

Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tv

Follow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_t…
Join our Discord Server: https://discord.gg/D6D2aYN.
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Hosted by: Spartacus Olsson
Written by: Joram Appel and Francis van Berkel
Produced and Directed by: Spartacus Olsson and Astrid Deinhard
Executive Producers: Bodo Rittenauer, Astrid Deinhard, Indy Neidell, Spartacus Olsson
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Francis van Berkel and Joram Appel
Edited by: Karolina Dołega

Thumbnail Colorization by:
– Julius Jääskeläinen – https://www.facebook.com/JJcolorization/

Colorizations by:
Dememorabilia – https://www.instagram.com/dememorabilia/

Sources:
– Imperial War Museum: D2168, D1623, D2956, 36206, D1587, D2154, D2157, HU36143, HU 36199
– Deutsche Fotothek, 0000436
– Noun Project: Natural Disasters 1674928 By Claudia Revalina, ID
noun_prisoner 63221 By carlotta zampini, IT, Bomb by P Thanga Vignesh
– Toni Frissell, Abandoned boy, London, 1945
– Battle of Britain, film from United States Holocaust Memorial Museum

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

From the comments:

World War Two
7 hours ago (edited)
Having spoken to many British people while researching this episode, I realised that many in the United Kingdom still grow up with the idea that the perseverance in the face of constant bombing was something uniquely British, and that the so-called “Blitz Spirit” caused people to proudly face Hitlers bombs and transcend class-differences, and that bombing actually boosted their morale. However, research – half of which was done by Francis who is from Britain as well, shows that this idea is mainly based on propaganda. Furthermore, it is still considered controversial to doubt Churchill’s war cabinet’s policy of mass bombing German cities to force them out of the war. However, the effectiveness of this too has been proven to be based on falsehoods and lies. The true effectiveness of strategic bombing was already known to Churchill’s advisors during the war. Feel free to enter discussion about this in the comment section, but keep it civil and back up your arguments with examples and sources wherever possible.

Cheers,
Joram

December 2, 2019

Policing London – The Thief-Taker General – Extra History – #1

Filed under: Britain, History, Law — Tags: , , , — Nicholas @ 04:00

Extra Credits
Published 30 Nov 2019

These days we kind of assume that police are a normal part of law and order. But that wasn’t always the case. In fact, it wasn’t the case for a lot of human history. So how did we start thinking of police as a natural part of a city? It all starts in London with the Thief-Taker General Jonathan Wilde, a man of two faces. Which one is real: valiant crime fighter or the puppet master of London’s underbelly?

Join us on Patreon! http://bit.ly/EHPatreon

November 28, 2019

Deltic Diesel Powered Train (1962) | British Pathé

Filed under: Britain, History, Railways — Tags: , , — Nicholas @ 06:00

British Pathé
Published 13 Apr 2014

Catch a glimpse of Finsbury Park and Kings Cross station back in the day in this remarkable footage of diesel powered trains in 1962.

For Archive Licensing Enquiries Visit: https://goo.gl/W4hZBv
Explore Our Online Channel For FULL Documentaries, Fascinating Interviews & Classic Movies: https://goo.gl/7dVe8r

#BritishPathé #History #London #KingsCross #FinsburyPark #Trains

(FILM ID:165.08)

Finsbury Park and Kings Cross, London.

L/S of a row of steam train engines on a set of tracks, M/S of steam coming out of the engine. M/S of the driver and fireman in overalls climbing down from the cabin of the engine. M/S of a diesel train in a station, two staff climb into the train, they are a lot cleaner than the steam men.

Interior of the engine, one of the men turns a couple of taps before the journey. C/U of a set of gauges, C/U of another part of the engine. M/S of the driver washing his hands, he closes the folding washbasin and dries his hands. C/U of the sign ‘Max. Speed 100 M.P.H.’ M/S of the driver pouring water from a kettle into a coffee pot. He places the pot on a hot plate and sits down. C/U of his feet on the footrest. M/S of the train pulling out of Kings Cross Station. M/S from the driver’s viewpoint as the train comes out of a tunnel. M/S of two shafts rotating in the engine. M/S of the driver in the cabin, M/S from his viewpoint as the train travels down the track. M/S as the train passes through a station. Various shots of the train and driver, and various point of view shots from inside the cabin of the track as it speeds along. C/U of the speed dials. M/S from the point of view of the driver as the train speeds down the track under bridges and past a steam train going in the opposite direction.

BRITISH PATHÉ’S STORY
Before television, people came to movie theatres to watch the news. British Pathé was at the forefront of cinematic journalism, blending information with entertainment to popular effect. Over the course of a century, it documented everything from major armed conflicts and seismic political crises to the curious hobbies and eccentric lives of ordinary people. If it happened, British Pathé filmed it.

Now considered to be the finest newsreel archive in the world, British Pathé is a treasure trove of 85,000 films unrivalled in their historical and cultural significance.

British Pathé also represents the Reuters historical collection, which includes more than 136,000 items from the news agencies Gaumont Graphic (1910-1932), Empire News Bulletin (1926-1930), British Paramount (1931-1957), and Gaumont British (1934-1959), as well as Visnews content from 1957 to the end of 1984. All footage can be viewed on the British Pathé website. https://www.britishpathe.com/

November 17, 2019

Mark Steyn on the post-Basil-Fawlty John Cleese

Filed under: Britain, Humour, Media, Politics — Tags: , , , , — Nicholas @ 05:00

He’s trying fairly hard not to turn into one or another of the stock characters he’s played over the years:

John Cleese at the Byline Festival, 2017.
Photo by Raphael Moran via Wikimedia Commons.

“John was a boy that kept to himself,” recalled Mrs Hicks, Reg and Muriel Cleese’s next-door neighbor in Totnes in Devon, deploying the formulation traditionally reserved for the landladies of suburban serial killers. “I suppose he was all right with his Cambridge people, but us being country folk he wouldn’t say very much. At one time I looked after John for a couple of days and did his bedroom when his parents were away. He was writing something on his desk at the time. Course I didn’t look at it, but it was sarcastic sort of stuff about Churchill. I do often wonder what happened to him.”

Listening to Mrs Hicks, you appreciate the particular challenge of comedy writing – for who could ever improve on that? Nonetheless, she’s not the only one to wonder what’s happened to John Cleese. He turned eighty a couple of weeks back, and the jubilations were more muted than one might once have expected. My local PBS station still shows Fawlty Towers as part of its Britcom lineup, but Sadiq Khan, Mayor of London, bemoans that Cleese has now turned into Basil Fawlty lui-même. Younger “comics” regret that the a great comedic talent is now the pub bore he played in his youth.

And why would that be? Well, after supporting Brexit, he moved to Nevis in the British West Indies and announced that the imperial metropolis was “not really an English city anymore”. Mayor Khan replied that “Londoners know that our diversity is our greatest strength” – although, strong as it is, it doesn’t seem much use during a knife attack. During the ensuing Twitterstorm, an opposing Tweeter declared that “I can’t stand Englishness”, and Cleese wistfully responded:

    I suspect I should apologise for my affection for the Englishness of my upbringing. But in some ways I found it calmer, more polite, more humorous, less tabloid, and less money-oriented than the one that is replacing it.

The Two-Minutes Tweet-Hate rampaged on, and Cleese retreated to the charms of his post-colonial backwater:

    Nevis has excellent race relations, a very well educated population, no sign of political correctness… conscientious lawyers, a relaxed and humorous life style, a deep love of cricket, and a complete lack of knife crime …and the icing on the cake is that Nevis is not the world centre for Russian dirty money laundering…

    I think it’s legitimate to prefer one culture to another. For example, I prefer cultures that do not tolerate female genital mutilation. Will this be considered racist by all those who hover, eagerly hoping that someone will offend them?

Is this the room for an argument? Not anymore. There are just things you’re not meant to bring up, lest the hoverers pounce.

As it happens, I agree with almost all of the above. But then I always have. It’s odder to hear it from Cleese. In essence, he misses the England of Mrs Hicks, of couples called Reg and Muriel, of saloon-bar majors, bowler-hatted civil servants, Church of England vicars, socially insecure lower-middle-class hoteliers and all the other stock types of a now vanished Albion he mocked at the height of his celebrity. The counterculture triumphed so totally that there is no longer a culture to counter, and the void of “diversity” makes London feel, even overlooking the stabbings and clitoridectomies, just like a large version of every other cookie-cutter multiculti western city.

“I know they were very disappointed with John,” Mrs Hicks told Cleese’s biographer Jonathan Margolis. “Muriel was so excited when she came in here and said John had passed his exams at Cambridge. They thought he was going to be a solicitor, and then he fell in with David Frost and that was it.”

November 16, 2019

Funny English Idioms – and why we say them!

Filed under: Britain, History — Tags: , — Nicholas @ 02:00

Joolz Guides – London History Walks – Travel Films
Published 7 Jan 2018

Funny English Idioms – and why we say them!

English people use some funny idioms and expressions. We love them, especially if they are about going to the toilet!

Subscribe on Youtube ➜ https://www.youtube.com/joolzguides

Joolz Guides website to book a private tour ➜ http://joolzguides.com/

Julian McDonnell, that’s me, runs a London vlog and youtube channel where he talks about all things to do with London which you may not have known. This includes language and the way English people speak. Amongst many other funny idioms for going to the toilet one of the oldest ones is “To Spend a Penny”. This came about because it used to cost one penny to go to the public lavatories when they first appeared on the streets in 1851!

Hopefully this video will help you to understand the origins of these funny English idioms and expressions and help you to learn English or they may even be helpful if you are an ESL teacher or TEFL.

Another funny English idiom is when we say “He was sent to Coventry”. This indicates somebody who has been ostrasized and no one wants to talk to. Watch the video to find out how this came about.

Did you ever hear someone use the idiom “To hear a pin drop”? This actually originates from the tea auctions where you were only allowed to bid for a certain amount of time. They put a pin into a candle and let it burn down. When the pin fell out if there were no more bids you could hear a pin drop!

Our fourth funny idiom is a baker’s dozen. Anyone will tell you that a dozen is 12 but a baker’s dozen is 13! This is because in 1266 there was a law that would penalise bakers if they sold less than they said they were selling! So to make sure they weren’t short of their weight they would add a thirteenth loaf just to make sure.

Then comes our final idiom – To be on the wagon.

This means that someone is not drinking alcohol and it originates from the days when criminals would be hanged. They would stop at the Resurrection Gate pub and be bought one last drink but after that drink they had to get back onto the wagon and couldn’t drink any more. Then the wagon would take them to the gallows.

To make it more fun I have tried to show some of the locations which would have been affected by these expressions as well as point out some interesting historical facts which are related to them.

I go to Twinings in The Strand, The Royal Exchange, Pudding Lane and St Giles in the Fields

SUPPORT MY CHANNEL ON PATREON ➜ https://www.patreon.com/joolzguides

DONATE TO MY CHANNEL WITH PAYPAL ➜ https://www.paypal.me/julianmcdonnell

« Newer PostsOlder Posts »

Powered by WordPress