Forgotten Weapons
Published 24 May 2017Armament Research Services (ARES) is a specialist technical intelligence consultancy, offering expertise and analysis to a range of government and non-government entities in the arms and munitions field. For detailed photos of the guns in this video, don’t miss the ARES companion blog post:
http://armamentresearch.com/british-e…
One of the original design intentions of the SA80 project was to replace the infantry rifle and the submachine gun with a single weapon that could fulfill both roles — hence the choice of a bullpup configuration. This would, theoretically, allow rifle ballistics and also SMG handling and maneuverability. As with most bullpup projects, however, this plan did not last. It quickly became clear that a shortened version of the L85 rifle could be made, which would be more suitable for troops who would previously have been issued submachine guns — notably aircraft and armored vehicle crews.
Today we take a look at a couple of early prototypes of these carbines which did not go into production. We also examine an L22A2 carbine, which did become standard issue in 2003 for some units. This carbine includes all of the H&K A2 pattern upgrades, and was given the A2 designation despite there never being an adopted L22A1.
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December 17, 2021
SA80 History: L22A2 and Experimental L85 Carbines
December 14, 2021
Chatellerault M24/29: France’s New Wave of Post-WWI Small Arms
Forgotten Weapons
Published 26 Aug 2017France fought the Great War with an array of weapons which were all sub-par in one way or another — the Lebel rifle was obsolescent by 1914, the Berthier was a cavalry carbine forced into rifle service, the Chauchat was an emergency wartime design optimized for production volume instead of quality, and the handguns were a mixture of old revolvers and desperate imports from Spain. Once the war finally ended, the French military would move to replace the whole lot with new and modern arms.
This would begin by finally replacing the 8mm Lebel cartridge with a non-tapered, rimless cartridge — something that would be well suited to use in magazines and repeating arms. Simultaneously, a new light machine gun would be found, as this was deemed to most important improvement to be made. The cartridge was adopted in 1924 as the 7.5x58mm, but it would soon be realized that there was a critical problem with that round. The French military had a large supply of German arms taken as war reparations, and the new 7.5mm cartridge looked very similar to the 8x57mm Mauser cartridge. Worse, the Mauser round would chamber and fire in the new French chambers, causing serious damage to guns when the 8mm bullet was squeezed down to 7.5mm. To fix this issue, the French cut their cartridge down by 4mm, resulting in the 1929 adoption of the 7.5x54mm round — the chamber of which would no longer fit a German 8mm round.
As for the machine gun, the first choice was to simply adopt the Browning BAR — but France insisted on obtaining the technical data package and producing the guns in France, and they could not come to an agreement with Colt over the price of such a license. So, the French held trials of other guns, looking at virtually everything then available. In the aftermath of the trials, it was decided that the Chatellerault arsenal could design its own weapon using the best features of the other existing guns. The arsenal rather quickly produced prototypes, and they were adopted in 1924 (and then updated to use the shorter version of the 7.5mm cartridge in 1929).
The Chatellerault M24/29 is a quite good weapon, especially considering how early it was designed. It uses a tilting bolt and a top-mounted 25 round magazine. It has two triggers, the front one firing in semiautomatic and the rear one in fully automatic. The wooden front handguard allows for fire from the hip or shoulder if desired, and a set of thorough dust covers keep the gun free from ingress of mud or dirt. About 188,000 would be manufactured, and it would stay in service for many decades.
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December 8, 2021
SA80 History: The Pre-Production XL85 and XL86
Forgotten Weapons
Published 17 May 2017Armament Research Services (ARES) is a specialist technical intelligence consultancy, offering expertise and analysis to a range of government and non-government entities in the arms and munitions field. For detailed photos of the guns in this video, don’t miss the ARES companion blog post:
http://armamentresearch.com/british-e…
The SA80 saga continues today with the final pre-production versions of the L85A1 and L86A1, although at this point they still both carry XL designations, as they were not yet formally adopted weapons. In these weapons we can see a couple last distinctive mechanical changes, but perhaps more importantly by this time the worker morale at RSAF Enfield was thoroughly in the tank. It had become well known that the factory complex was going to be taken public or sold outright, and it was widely expected that Enfield would be shut down as a result. A new facility would be built in Nottingham, but none of the rank and file staff expected to transfer. They would be laid off, and they knew it. Not surprisingly, quality control suffered as a result.
As for the guns themselves, the first distinctive visible improvement was in the magazine well. In the XL70 weapons, the bottom half of the magazine well had been simple welded onto the bottom of the lower receiver, in order to retain the easy stamping of that element. On these guns, that have been replaced by a separate box which encompassed the magazine and was spot welded into the lower receiver. This change in construction method allow the magazine well to be much more precisely located in the receiver, and then fixed in place without the risk of warping the thin sheet metal of the lower receiver – while still retaining the simple stamping of that lower.
The other visible change was to the Light Support Weapon, and it consisted of a long “girder” support added below the barrel. This was intended to mount the bipod onto, in the hopes of resolving the long-running problem of split groups in the LSW. This was a problem in which the first round of a burst would hit substantially low and left relative to the rest of the burst. While the LSW was a quite accurate weapon in semiautomatic mode, this split group problem was a substantial detriment to its effectiveness as a proper support weapon.
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December 4, 2021
QotD: Still making dystopia
It is now three years since James Stevens Curl’s Making Dystopia was first published. Professor Curl’s book revised the history of architecture in the 20th century, exposing the standard curriculum taught to students as a poorly-conceived fabrication. The truth, backed by the mountains of evidence he cited, was frightening.
Curl’s critique of the theory and practice of modernism demolished the economical-ethical-political arguments put forward for decades that justified forcing people to live in inhuman environments. It was all a power-play, to drive humane architecture and its practitioners into the ground so that a new group of not very competent architects and academics could take over.
Alas, after three years, the situation is much the same as it was before 2018. Whoever practised humane architecture continues to do so today. Practitioners who have always applied Curl’s philosophy include Classical and Traditional architects, and followers of Christopher Alexander (who do not necessarily use a Classical style, but reject the modernist design straightjacket so as to create a more living structure). Those who produced image-based inhumane architecture have not changed tack or been influenced in any perceivable way.
Curl’s book covers human-scale developments that were allowed at the margins of the profession during several decades, as long as they didn’t threaten the core where the spotlight shines. Practitioners the world over, most often working in isolation, produce excellent and humane buildings. That work is hardly ever seen in the media, certainly never in the architecture journals. I’m sure that those architects now feel vindicated. It is possible that Curl’s book provides a rallying point for those who desire a new, humane architecture.
Nikos A. Salingaros, “Still making dystopia”, The Critic, 2021-08-30.
December 1, 2021
Tank Chats #134 | Centurion | The Tank Museum
The Tank Museum
Published 20 Aug 2021David Fletcher is back with another Tank Chat on one of the most successful post-war tank designs, Centurion. It was the primary British Army main battle tank of the post-World War II period.
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November 27, 2021
Armored Vehicles of Operation Torch Pt. 2: America and Britain (and France) – by the Chieftain
World War Two
Published 26 Nov 2021Part two of Chieftain’s return to the North African campaign. Here he looks at the armored fighting vehicles of the British and Americans with a small bit on the French as well. We see the introduction of the iconic Sherman and the varied fortunes of British designs.
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November 21, 2021
SA80 History: XL60 Series in 4.85mm
Forgotten Weapons
Published 10 May 2017Armament Research Services (ARES) is a specialist technical intelligence consultancy, offering expertise and analysis to a range of government and non-government entities in the arms and munitions field. For detailed photos of the guns in this video, don’t miss the ARES companion blog post:
http://armamentresearch.com/british-e…
Once the basic configuration of the new British rifle was determined, the next step was to build a series of prototypes. The design that took form was basically a bullpup copy of the Armalite AR-18. The design team at Enfield were mostly senior draftsmen, with virtually no firearms experience among them. To make things worse, most of the design team was regularly rotated onto other projects, preventing them from developing any project experience on the rifle.
Several prototype batches were made (typically of a dozen guns each, both IWs and LSWs), all in the unique British 4.85x49mm cartridge, with a variety of different feature sets. Through the different patterns, configurations would change on the safety (push button vs lever) fire selector (push button vs lever), and magazine catch (straight-in side lever vs rock-in side lever vs rock-in rear paddle). At this time, plans still existed to make both left- and right-handed versions of the final gun, so prototypes of both were manufactured.
Because cost-cutting measures had not yet been forced on the project, these XL-60 series guns were generally reliable, at least in normal conditions. They are quite comfortable to fire, with a cartridge very similar to the 5.56mm NATO in practical terms. There is nothing particularly wrong with that cartridge, but it would be dropped when it lost NATO trials to the Belgian SS109 … but we will address that in the next episode of the SA80 history.
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November 18, 2021
All the Guns on a T-62 Tank (with Nicholas Moran, the Chieftain)
Forgotten Weapons
Published 5 Aug 2021Try out World of Tanks with a special bonus tank using this link!
Today Nicholas Moran (the Chieftain) and I are at Battlefield Vegas courtesy of Wargaming.net, to show you around a Soviet T-62 and all its various armaments. This particular T-62 was built in 1971 or 1972 and initially sold to Syria. It saw combat in the Valley of Tears in 1973, but survived as was eventually transferred to Lebanese ownership. From there is was captured by Israel and eventually imported into the United States via the UK. The T-62 was the last of the “simple” WW2-style Soviet tanks, and equipped with an extremely effective 115mm smoothbore main gun. In addition to that cannon, we will discuss and shoot the coaxial PKT machine gun and the loader’s antiaircraft DShKM heavy machine gun.
If you enjoy this video, check out World of Tanks – and maybe they will send Nicholas and I back again to do the same thing yet again on a third tank!
For videos on the detail of tanks like this one, check out The Chieftain:
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https://www.youtube.com/channel/UCp4j…0:00:00 – Introduction
0:06:02 – Coaxial PKT
0:13:12 – Antiaircraft DShKM
0:20:25 – 115mm Main Gun
0:28:43 – Firing the main gunContact:
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November 12, 2021
Britain’s Highly Unusual Crescent-Wing Victor Bomber
Dark Skies
Published 2 Nov 2021The V force was a legendary team of bombers built to serve during the post-war crisis. However, they would not carry ordinary bombs, but nuclear weapons.
As World War II ended, the division between the West and the East became a significant threat to world peace, and shortly before the Cold War began, Britain started working on a modern jet bomber force that could rival any other on the planet.
The Handley Page Victor featured a one-of-kind wing, making it the largest aircraft to break the sound barrier up to that point.
As the British mastered the atomic bomb by the mid-1950s with the exceptional V force and the Victor to deliver it, Britain’s stature among the world’s superpowers significantly solidified.
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Join Dark Skies as we explore the world of aviation with cinematic short documentaries featuring the biggest and fastest airplanes ever built, top-secret military projects, and classified missions with hidden untold true stories. Including US, German, and Soviet warplanes, along with aircraft developments that took place during World War I, World War 2, the Korean War, the Vietnam War, the Cold War, the Gulf War, and special operations missions in between.
As images and footage of actual events are not always available, Dark Skies sometimes utilizes similar historical images and footage for dramatic effect and soundtracks for emotional impact. We do our best to keep it as visually accurate as possible.
All content on Dark Skies is researched, produced, and presented in historical context for educational purposes. We are history enthusiasts and are not always experts in some areas, so please don’t hesitate to reach out to us with corrections, additional information, or new ideas.
November 9, 2021
Bayonet Development for the Lee Enfield No4 Rifle
Forgotten Weapons
Published 22 Jul 2021http://www.patreon.com/ForgottenWeapons
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Having wrapped up our series on the major development of the Lee Enfield rifle in British service, I figured it would be a nice addendum to talk about the bayonets developed for the No4 rifle. These went through a substantial evolution, and are an interesting field for collectors all by themselves.
During World War One, the British used the Pattern 1907 bayonet, a long blade type essentially copied from the Japanese Type 30. By the 1920s, this was being reconsidered – the long blades were expensive, fragile, and perhaps not really necessary. When the No1 Mk VI rifle was put into trials, it was given a new bayonet style. This was inspired by the Swiss cyclists’ bayonet, with a cruciform spike instead of a true blade. It was only 8 inches long; this was determined to be long enough for virtually all use cases and being short minimized weight and bulk.
As World War Two progressed, the spike bayonet was simplified several times. Before the initial production of the first standard model (No4 MkI) was completed, the cruciform pattens had already been abandoned for a much simpler (and faster and cheaper) round body spike with a screwdriver-like point at the end. This was in turn simplified by separating the socket and spike into two parts for easier production, and then further simplified by casting the socket instead of forging it. After the war, the spike was replaced by a short blade-type socket bayonet (the No9), although this was rather short-lived because of the adoption of the SLR (FN FAL).
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October 28, 2021
Tank Chats #130 | Ikv 91 | The Tank Museum
The Tank Museum
Published 18 Jun 2021Curator David Willey discusses the Cold War era Swedish Ikv 91. Short for Infanterikanonvagn 91, this tank destroyer was developed to meet the operational requirements of the Swedish Army post-WW2.
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October 25, 2021
P90: FN’s Bullpup PDW
Forgotten Weapons
Published 2 Jul 2021http://www.patreon.com/ForgottenWeapons
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FN began developing the P90 in the late 1980s, actually preceding the NATO requirement that it would eventually compete for. The idea of the P90 was to develop a weapon for secondary troops to replace 9mm pistols and SMGs. There was an anticipated threat of Russian paratroops wearing armor that could defeat 9mm ball. The P90 was intended to be a light and handy weapon that was easily controllable without a tremendous about of training, and could defeat that sort of body armor.
The result was the 5.7x28mm cartridge, firing a 31 grain armor-piercing bullet at 2350 fps. This was combined with a simple blowback action and a Hall-style 50-round magazine in a fully ambidextrous, bullpup layout. The gun was introduced onto the market in 1990, and has been widely purchased by security and special operations organizations. In its original intended role for support troops, it has only been adopted by Belgium.
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October 22, 2021
The Vehicle That Will Win World War Two – WW2 Special
World War Two
Published 21 Oct 2021The Higgins Landing Craft, Higgins Boat, Landing Craft, or whatever you would like to call it, is one of the most important vehicles of the Second World War — perhaps just as much as tanks, planes, and warships. In a war full of amphibious invasions, landing on beaches in a safer and more efficient way is crucial to victory. So let’s find out the history of this war machine and its use by the World War Two allies.
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L-34 Sampo: Aimo Lahti’s Rejected Masterpiece
Forgotten Weapons
Published 30 Jun 2021http://www.patreon.com/ForgottenWeapons
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Finland’s standard light machine gun going into the Winter War was the LS-26, a gun which did not succeed in field use. It was complex and cumbersome, and Finnish troops quickly replaced it with captured Russian DP-27 LMGs. Part of the problem of the LS-26 was its recoil-operated design. Finnish military authorities specified a recoil-operated mechanism for their LMG in light of the success of the recoil-operated heavy Maxim guns in Finnish service. Gas operation was quickly recognized as a superior system for light machine guns, but too late to stop adoption of the LS-26.
In the early 1930s, Aimo Lahti did design a gas-operated LMG, heavily influenced by the Czech ZB-26 system. A handful of prototypes were made by VKT, looking for both Finnish military acceptance and international sales. The gun was made in several calibers, most notably 7.62x54R for Finland and 7.92x57mm Mauser for export. However, bureaucratic issues prevented its consideration by the Finnish Army, and the timing was too late for exports. The L-34 was significantly lighter and simpler than the LS-26, and it was performed quite well in Finnish trials — which did not happen until the 1950s. By that time, the Finnish military was looking for an intermediate-caliber belt-fed gun, and the L-34 was not suitable regardless of its performance.
Many thanks to Sako for providing me access to film this L-34 from their reference collection!
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October 19, 2021
Places – Lost in Time: The Crystal Palace
Ruairidh MacVeigh
Published 1 Jun 2020This is a reupload of my original Crystal Palace video, which I had to take down and do some amendments to in order to fix some technical issues.
Hello! 😀
Not to change the format so early in it’s conception, but here I present an idea I’ve had for several years now, but am proud to finally bring to fruition.
For as long as I can remember I have been fascinated by places that have either been abandoned or destroyed, not so much out of interest for how they were lost, but more the microcosm of society that revolved around them — how people interacted with them and made them more human. Specifically, places which existed in living memory or photographic record are the ones that have captured my imagination the most, as you can see how people did interact with these wondrous locations and almost put yourself in their shoes.
Therefore, without further ado, I present Episode 1 of Places — Lost in Time, with my first feature being the lavish and opulent Crystal Palace in London. This video follows the history of the two structures to share this iconic name, and how both were created through Victorian engineering feats, how they became icons of British culture, and how they eventually met their end.
All video content and images in this production have been provided with permission wherever possible. While I endeavour to ensure that all accreditations properly name the original creator, some of my sources do not list them as they are usually provided by other, unrelated YouTubers. Therefore, if I have mistakenly put the accreditation of “Unknown”, and you are aware of the original creator, please send me a personal message at my Gmail (this is more effective than comments as I am often unable to read all of them): rorymacveigh@gmail.com
The views and opinions expressed in this video are my personal appraisal and are not the views and opinions of any of these individuals or bodies who have kindly supplied me with footage and images.
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Thanks again, everyone, and enjoy! 😀
References:
– British Library (and their respective references)
– Victoria and Albert Museum (and their respective references)
– Wikipedia (and its respective references)Music – YouTube Audio Library