Real Time History
Published 12 May 2023The question about the first modern war has caused lively debates among historians and YouTube comment sections alike. In this video we take a look at a few candidates and some arguments why they are or aren’t modern wars.
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May 13, 2023
What was the First Modern War?
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The original cargo cults
Theophilus Chilton on the origins of the term “cargo cult” and how it mirrors the thinking of so many progressives about “white privilege”:
Ceremonial cross of John Frum cargo cult, Tanna island, New Hebrides (now Vanuatu), 1967.
Photo by Tim Ross via Wikimedia Commons.
Many of us are familiar with the metaphor of the “cargo cult”. The term itself was coined by the famous physicist Richard Feynman (who, ironically, didn’t actually use the term the way he had described it) in a speech he gave about transparency and integrity in science. Briefly, the phenomenon of the cargo cult was observed in the South Pacific during World War II. Pacific Islanders would observe the Americans building runways and control towers, and soon after airplanes full of supplies would land and disgorge their contents of goodies. The islanders would build their own bamboo mockups – runways, towers, even bamboo headsets for the “controllers” – expecting that planes full of food and medicines would come to them as well. Of course, none ever did.
Ultimately, cargo cults rested on a form of magical thinking, on the failure to understand the fundamental reasons for why a phenomenon was taking place. This led to a miscomprehension about how one could obtained the desired benefits. It’s essentially a crude form of philosophical nominalism, where the form and appearance exist without grasping any of the underlying fundamental reality.
This misunderstanding is almost predictable when dealing with a culture that practices some form of primitive polytheism. In most cultures, the ritual — the outward performance of gesture/action/song to petition the gods — must be done exactly the same way as the last time … or the magic doesn’t work. For the islanders whose lives were thrown into utter chaos by the arrival of allied troops on their island, because they could see for themselves that the foreigners’ rituals worked: the food, clothing, trade goods, unfamiliar artifacts just poured on to the island once the ritual airfield was constructed. This is a vastly powerful magic that the islanders would be willing — and were willing — to devote vast efforts to learn for themselves. I quoted Bret Devereaux at length on this point.
In many ways, the current progressive obsession with “white privilege” is essentially the same kind of thinking. For progs and professional PoCs, white “privilege” – access to the benefits of high civilisation obtained through high trust civil society, philosophy, science, technology, and all the rest – is just something that happened, something which white people lucked into without any merit or ability on their part. It could just as easily have happened to anyone else, hence it’s “unfair” that whites get all the benefits of what their ancestors laboured to build.
The cargo cult aspect is essentially what the leftist appropriation of Western history and the invasion of our societies is about – because anyone could have done the West, anyone can keep the West going. White, western Europeans and Anglos aren’t really necessary and since people (like runways and bamboo control towers) seem superficially similar, they can be considered interchangeable so that more pliable replacement populations can be brought in to keep the lights on while yet going along with the globalist program.
The plight of Africa in post-colonial times was discussed here.
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Arnold Ridley – “Private Charles Godfrey” – a real story from Dad’s Army
The History Chap
Published 1 Feb 2023The story of Arnold Ridley — Private Charles Godfrey — Dad’s Army
After my last video all about Lance Corporal Jones in Dad’s Army I have been inundated by requests for the real story of another character from the classic comedy series: Private Godfrey.
Private Charles Godfrey, played by Arnold Ridley, is an ageing and slightly doddery member of the Walmington-on-Sea Home Guard platoon. His comrades are somewhat surprised and concerned when he announces that he was a conscientious objector during the First World War. However, thanks to his sister, the platoon learn his real (well, fictitious as it is a TV comedy show) story. Godfrey was indeed a conscientious objector but like many others he did volunteer to serve his country – just not to kill. Many men who felt likewise, joined the Army Medical Corps. Whilst not fighting they not only served their country and played a valuable role in the war effort but they also put themselves in harm’s way. Many of them became stretcher bearers, going out into no man’s land to fetch the wounded to safety. And many were decorated for their bravery.
William Coltman, became the most decorated NCO in the entire British army during the First World War … and he never fired a shot in anger!I will be telling the story of William Coltman VC in the near future.
Private Charles Godfrey was awarded the Military Medal for bravery during the battle of the Somme.
What makes Godfrey’s character all the more fascinating is that his actor, Arnold Ridley, was no conscientious objector but a volunteer in World War One. he was severly injured at the battle of the Somme in 1916 and discharged the following year.
Indeed, his injuries would influence how he played his character in Dad’s Army.
After the war, Ridley became a play writer. Arnold Ridley penned over 30 pays, the most famous of which was The Ghost Train written in 1923.
At the outbreak of the Second World War he once more volunteered to serve his country. Following the battle of Boulogne in 1940, he was evacuated to Britain, having been injured, once more, he was again given a medical discharge.
For the rest of the war he worked for ENSA – the forces entertainment organisation — and was a member of his local Home Guard. He continued his acting career through the 1940’s and 50’s before landing the role of Private Charles Godfrey in Dads Army in 1968. He was ever-present until the show ended in 1977. By then he was 81 years old.
Arnold Ridley died in 1984 and is buried in Bath Abbey.
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QotD: The inherent absurdity of “Canadian content”
Lately some have reminded us of the inherent difficulties in defining Canadian content, especially where a work is the product of several collaborators. Is a movie Canadian by virtue of its actors? Director? Crew? Location? Theme? Even as applied to individuals: Should citizenship be the criterion? Birthplace? Residency? Subject matter?
But the real folly of CanCon is not that it is impractical, or prone to abuse, or even unnecessary, though it is all of those things. It is rather that it is nonsensical at its root, in its very purpose – again, so far as anyone can define it. Is the point, after all, artistic or political? But it cannot be artistic: there is no theory of aesthetics that prefers that Canadian artists should make Canadian art that teaches Canadians how Canadian they are.
It is, rather, a political project: the inculcation of national feeling in the public, for the purpose of creating a political community, separate and distinct from the colossus to the south. Without the Maginot Line of CanCon quotas, it is suggested, we would be overwhelmed: first the artists, then the country.
But note the assumptions built into this emotive appeal: that a separate nationality cannot be maintained without cultural difference; that our cultural differences with the Americans are both sufficient in themselves to justify our statehood and yet so fragile as to be washed away in an instant; that, left to their own choices, Canadians would unhesitatingly choose the products of an incomprehensibly alien culture over their own; and that, by virtue of this diet of foreignism, we would no longer be Who We Are as Canadians. Therefore we must not be left to our own choices.
Which is nonsense, because we would still be Who We Are, even in that hypothetical dystopian future: it might not be Who We Were, but so what? The Who We Are we are now at such pains to preserve is itself vastly different from Who We Were before.
And who, in the end are we? As the comedian Martin Short once put it: “we’re the people who watch a lot of American TV”. The wholesale ingestion of a foreign culture – albeit much of it made by expat Canadians – is an integral part of our distinct national identity, an irony that must forever elude our cultural nationalists.
Andrew Coyne, “The concept of CanCon is pure folly. That’s the problem at the heart of Bill C-11”, The Globe and Mail, 2023-02-08.
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