Quotulatiousness

January 16, 2023

Paul Johnson on Jean-Jacques Rousseau

Filed under: Books, France, History — Tags: , , , , — Nicholas @ 05:00

The book Paul Johnson may best be known for is Intellectuals, an essay collection highly critical of many of the “great men” of intellectual history. Birth of the Modern, the first Johnson book I read, was also skeptical of the bright lights of European intellectualism, but Intellectuals is where he concentrated on the biographical details of many of them. Ed West selected some of Johnson’s essay on Jean-Jacques Rousseau as part of his obituary post:

… Johnson is best known to many for his history books, one of the most entertaining being Intellectuals. Published in 1989 and structured as a series of – very critical – biographies of great philosophers, poets, playwrights and novelists, Johnson’s book got to the essence of the intellectual mindset in all its worst aspects: their intense selfishness and narcissism, their callousness towards friends and lovers, and their fondness for giving moral support to some of the worst ideas and regimes in history.

One of the most prominent Catholics in British journalism, Johnson saw secular intellectuals as modern successors to the theologians of the medieval Church, the difference being that, without the restraints of religious institutions, their egotism was uncontrolled.

Writers and artists are often incredibly selfish people, and this is true across the political spectrum, but of course it’s far more satisfying to read about those men who claimed to be the saviour of the poor and humble yet were so relentlessly horrible to actual people around them. That’s what makes the book – published just as the system imagined by one of its subjects came crashing down in eastern Europe – so satisfying.

One of the targets, er, I mean “subjects” of Intellectuals was Jean-Jacques Rousseau, who was quite the piece of work indeed:

It begins with Jean-Jacques Rousseau, the “first of the modern intellectuals” and perhaps the subject of Johnson’s most intense vitriol.

“Older men like Voltaire had started the work of demolishing the altars and enthroning reason,” he wrote: “But Rousseau was the first to combine all the salient characteristics of the modern Promethean: the assertion of his right to reject the existing order in its entirety; confidence in his capacity to refashion it from the bottom in accordance with principles of his own devising belief that this could be achieved by the political process; and, not least, recognition of the huge part instinct, intuition and impulse play in human conduct.

“He believed he had a unique love for humanity and had been endowed with unprecedented gifts and insights to increase its felicity.” He was also an appalling human being.

[…]

Madame Louise d’Épinay, a lover who he treated terribly, said “I still feel moved by the simple and original way in which he recounted his misfortunes”. Another mistress, Madame de Warens, effectively supported him in hard times but, when she fell into destitution, he did nothing to prevent her dying of malnutrition.
 
Rousseau had a “pseudo-wedding” with his mistress Therese Levasseur where he gave a speech about himself, saying there would be statues erected to him one day and “it will then be no empty honour to have been a friend of Jean-Jacques Rousseau”. He later accused her brother of stealing his 42 fine shirts and when he had guests for dinner she was not allowed to sit down. He praised her as “a simple girl without flirtatiousness”, “timorous and easily dominated”.

This easily-dominated woman gave birth to five of his children, whom he had sent to an orphanage where two-thirds of babies died within the first year and just one in 20 reached adulthood, usually becoming beggars. He made almost no attempt to ever track them down, and said having children was “an inconvenience”.

“How could I achieve the tranquillity of mind necessary for my work, my garret filled with domestic cares and the noise of children?” He would have been forced to do degrading work “to all those infamous acts which fill me with such justified horror”.

He was spared that horror and instead given time to develop his ideas, which were fashionable, attractive and completely unworkable. “The fruits of the earth belong to us all, the earth itself to none”, he said, and hoped that “the rich and the privileged would be replaced by the state which reflected the general will”. 

What would this mean in practice? “The people making laws for itself cannot be unjust … The general will is always righteous”. 

Despite his ideas veering between woeful naivety and sinister authoritarianism, they proved hugely popular, especially with the men and women who in 1789, just a decade after his death, would bring France’s old regime crashing down — with horrific consequences. As Thomas Carlyle famously said of Rousseau’s The Social Contract: “The second edition was bound in the skins of those who had laughed at the first.”

Rousseau was perhaps the most influential figure of the modern era. In particular his rejection of original sin would become far more popular in the late 20th century; indeed it is at the core of what we call the culture war, and its fundamental conflict over human nature.

The music industry fails to capitalize on the vinyl revival

Filed under: Business, Media, USA — Tags: , , , — Nicholas @ 04:00

It’s kind of hard to believe, but the companies that control the pressing of music into vinyl appear to have no clue about the business they’re in:

“Framed Vinyl Album Art: America ‘Homecoming’; Nick Gilder (Studio Copy of Singles From ‘City Lights’ Chosen for AOR); Climax Blues Band ‘FM Live’)” by JoeInSouthernCA is licensed under CC BY-ND 2.0

I’d heard so many grand claims for the vinyl resurgence, but the reality was tremendously disappointing. And I was a late adopter — the revival had been going on for a decade, but record labels still didn’t have their act together.

In my case, I ended up buying vinyl albums, but mostly used ones. I simply couldn’t find new pressings of the records I wanted. This was fine for me, but lousy for musicians and labels — who make no money on the sale of a secondhand vinyl album.

I have some experience in these matters — in my alternative career I worked with CEOs chasing after fast growth product categories. I know how they handle these situations. But, really, it’s no mystery. The strategies you use in this kind of business are very straightforward:

  1. You add manufacturing capacity aggressively — to make sure you have enough product to fuel growth.
  2. You bring down costs by getting scale advantages. But this only happens because unit costs drop as volume increases. So the single biggest goal is to grow sales as hard and fast as possible.
  3. You constantly reduce prices to keep demand building. In some cases, you even set prices below your costs to accelerate growth rates. When I originally saw companies do this I was skeptical — how can you make profits if you sell below your costs? But I soon learned that you eventually got a huge payback.
  4. You keep expanding the product line, so that you constantly have something new and exciting to sell to every potential buyer.
  5. You invest in R&D so that you eventually have a next generation technology to keep the growth going over the long haul.

None of this is easy to do, but it isn’t impossible. It just takes investment, focus, management commitment, and hard work. And later you reap the benefits. You turn a small business into a huge one, and enjoy a big payday.

The record labels could have done that with vinyl. It was taking off — unit sales doubled in just 5 years. And these sales were insanely profitable, because much of the demand was for old music. So labels didn’t even have to pay to sign artists, and cover the costs of recording sessions. The music was already there, with the fixed costs amortized long ago.

They just had to press the bloody album and ship it to the store. How hard is that?

But what did the music industry do?

  • They hate running factories — which is hard work. So they tried to outsource manufacturing instead of building it themselves. Chronic shortages resulted.
  • They refuse to spend money on R&D, so they stayed with the same vinyl technology from the 1950s. In other words, the record business became the only entertainment industry in the world with no plan for technological innovation. In the year 2023, even bowling alleys, bordellos, and bookies are more tech savvy than the major record labels.
  • They want easy money, so they kept prices extremely high. That was bizarre because their R&D and catalog acquisition costs were essentially zero, and they could have priced vinyl aggressively. Instead they treated vinyl as a luxury product, even as they dreamed of it also becoming a mass market option. But you can’t do both without a careful market segmentation strategy — which the labels never even started thinking about.
  • They love hype, so they focused on high visibility vinyl reissues, which look good in press releases, but couldn’t be bothered to make back catalog albums available. After a decade of the vinyl revival, they still hadn’t taken even basic steps in offering a wide product line.

This is a lazy strategy — and the exact opposite of what they should have done. And the results are, of course, predictable.

“The Commission has no power to find liability. Its report will not bind the government”

Filed under: Cancon, Government, Law, Liberty, Media — Tags: , , , , , , — Nicholas @ 03:00

Donna Laframboise continues to cover the Emergencies Act inquiry submissions, including one from Queen’s University law professor Bruce Pardy:

A screenshot from a YouTube video showing the protest in front of Parliament in Ottawa on 30 January, 2022.
Photo via Wikimedia Commons.

Shortly after the Emergencies Act commission finished listening to witnesses, he authored a grim opinion piece in the Toronto Sun.

His expectations are exceedingly low. In his words, the commission’s

    mandate is not to rule on the legality of the government’s actions but to inquire into “the circumstances that led to the declaration being issued and the measures taken for dealing with the emergency”. The Commission has no power to find liability. Its report will not bind the government. The Commission is ritual, and the purpose of ritual is performance not outcome – to make it appear that there is accountability without having to provide it. [bold added]

Let us hope he’s mistaken, and that Commissioner Paul Rouleau has a pleasant surprise in store for us. Whatever happens, Pardy’s article provides a useful history lesson. It describes the series of events that prompted the use of similar legislation the last time around:

    Between 1963 and 1970, the Front de libération du Québec (FLQ) committed hundreds of bombings and several robberies, killing six people, including Quebec deputy premier Pierre Laporte. In response, Pierre Trudeau’s government invoked the War Measures Act.

Six murders – including the politically motivated kidnapping and execution of a deputy premier. Seven years of violence. Hundreds of bombings. Compare and contrast to the three-week festive, bouncy-castle, hot-tub trucker protest in which not a single person was robbed, bombed, or murdered.

Times sure have changed. Today, the same Canadian federal government that talks constantly about equity, diversity, and inclusion failed to do a single thing to make the protesting truckers feel as though their concerns, perspectives, or lives mattered. Diversity is something the government preaches, but doesn’t practice. Disagree with the Prime Minister and you’re a fringe minority with unacceptable views. Inclusion is a fancy word that makes politicians feel good about themselves, but it isn’t a principle that informs their actual behavour.

I thought the treadmill crane was fictional

Filed under: France, History, Technology — Tags: , , — Nicholas @ 02:00

Tom Scott
Published 26 Sep 2022

The treadwheel crane, or treadmill crane, sounds like something from Astérix or the Flintstones. But at Guédelon in France, not only do they have one: they’re using it to help build their brand new castle.

▪ More about Guédelon: https://www.guedelon.fr/
(more…)

QotD: The avant-garde

Filed under: Books, History, Quotations — Tags: , , , , , — Nicholas @ 01:00

There is no more evanescent quality than modernity, a rather obvious or even banal observation whose import those who take pride in their own modernity nevertheless contrive to ignore. Having reached the pinnacle of human achievement by living in the present rather than in the past, they assume that nothing will change after them; and they also assume that the latest is the best. It is difficult to think of a shallower outlook.

Of course, in certain fields the latest is inclined to be best. For example, no one would wish to be treated surgically using the methods of Sir Astley Cooper: but if we want modern treatment, it is not because it is modern but because it better as gauged by pretty obvious criteria. If it were worse (as very occasionally it is), we should not want it, however modern it were.

Alas, the idea of progress has infected important spheres in which it has no proper application, particularly the arts. It is difficult to overestimate the damage that the gimcrack notion of teleology inhering in artistic endeavour has inflicted on all the arts, exemplified by the use of the term avant-garde: as if artists were, or ought to be, soldiers marching in unison to a predetermined destination. If I had the power to expunge a single expression from the vocabulary art criticism, it would be avant-garde.

Theodore Dalrymple, “Architectural Dystopia: A Book Review”, New English Review, 2018-10-04.

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